Kristen Lamb

Author, Blogger, Social Media Jedi

Kristen Lamb — Photo

Posts Categorized: Social Media Platform

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Original image courtesy of Juhan Sonin via Flickr Creative commons.

The writer’s worst nightmare. You researched, you wrote, you finished, and then published your book. You wait for the sales and……….*crickets*. This is something that can happen to any kind of author, traditional or nontraditional. We think we have a hit on our hands only to later be checking it for a pulse.

What happened? Why is the book just not selling?

The Market

Remaindered Titles
Remaindered Titles

In the not so distant past, there was only one way to get published and that was traditional publishing. Though many authors cheered when they were finally able to cast off the chains of New York, let’s at least respect that agents and editors might have known a thing or three about the book business.

Writers would often get vexed at the stack of rejection letters, believing they couldn’t actually write well. This was not always the case. Agents make their living off books they know will sell, which means they just don’t have the bandwidth left over to take on pro bono work. Yes, the book might be lovely, but they are agents, not charities.

A large part of their expertise is predicting market changes and trends. They look at what is already out, what is to be released, what is selling, what isn’t, what is saturated, etc.

This is where it can get tricky for writers. Yes, write what you love. We shouldn’t write for the market…but we have to write for the market.

*bangs head on wall*

Sometimes a book might not be selling simply because there are too many titles that are too similar. Readers just don’t want yet another sparkly vampire.

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If you are traditionally published, this could still happen. Agents are making an educated guess and sometimes they miss the mark. For the self-published folks? If the book is good, just leave it alone and keep writing. The great part about the digital paradigm is the book can remain there indefinitely and when the trends change? So could the sales.

The Product

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Bad Pun Dog

I hate saying this, but sometimes it’s the book. Obviously this is more the case with indie and self-published books. The problem is that the market has just been inundated with amateur writing. I go into this in more detail in Five Mistakes Killing Self-Published Writers, but here are the Spark Notes.

Bad Writing

No one wants to hear they are not ready. Worse still? No one wants to hear the words, “You just are not a good writer.” Too many newbies want to skip the unfun training and go right to the title, “Author.”

Sadly, the slush pile has been handed off to readers. I can’t count the number of times I have gotten pages for a contest win and absolutely slayed the writing, only to get an e-mail back that the book was already for sale.

Shoot…me…now.

Even more common is that the writing is not per se bad, it just isn’t anything remarkable. Folks these days have a lot of competition for their time and attention and they simply won’t devote 12-15 hours of undivided attention to a blasé book.

Bad (No) Editing

Our story might be the best thing since pumpkin spice lattes, but if it is rife with errors it won’t sell. Additionally, editing is not simply looking for typos. That is line-editing. A good content editor will be able to help you shape the overall flow of the novel.

When I edit I can tell writers if they are starting the book in the correct place. Are there scenes that need to be cut because they are bogging down the momentum? Are there redundant characters? Are there plot holes? Is the ending a knockout or a fizzle?

Great editing can take a book from mundane to magnificent.

Bad Cover

There really is no excuse for a bad cover these days. Technology has come a long way and many experts offer fabulous covers at affordable prices. I would love to say people don’t judge a book by its cover, but that is untrue. Of course we do.

One thing many new writers don’t appreciate is that when you hire an expert, you are gaining a lot more than that one skill. Yes a graphic artist knows how to use Photshop (or whatever) but they also have a knowledge of what sells. 

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For instance, I have seen authors post images of their new book cover and cringed. The cover itself was lovely, but we have to remember how we are selling. That book isn’t going to be on a shelf where a potential reader is seeing a full-sized version. Likely it will be on Amazon and that beautiful full-sized image, when shrunk to thumbnail size looks like a Rorschach ink blob.

Do you see a butterfly?

No, I see Satan eating kale chips.

If a writer tells me they can’t afford to hire an expert, my response is they cannot afford not to.

Boring Title

This goes along with a bad cover. New writers are notorious for titles that we have to read the book to “get” the title. NO. The title is the hook and we will move on to other writers who don’t make us think.

The Platform

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Discoverability is a nightmare. There is a lot of noise and part of our job description now entails branding. This is all writers.

I recently had a distraught writer contact me. The author was recently dropped by a well-known agent because the book simply wasn’t selling. Yet, I could tell with a quick google search what a big part of the problem was.

The author didn’t have platform/brand capable of driving sales. Simply puttering around on Facebook isn’t enough. That isn’t a brand.

My first royalty check would have covered dinner if no one super-sized anything. Why? My book came out before my platform could drive sales. Once my platform improved? My sales skyrocketed.

What does it say in front of every big author’s name? Best Selling Author. Not Best Writing Author.

The writing alone is not enough. Frankly, it never was. Before 2006, writers had a 93% failure rate. Most first books sold less than a thousand copies (even traditionally published books). Only one out of ten published authors ever saw a second book in print. Most were dropped.

In the old days, we just had no control over the brand and the platform. Now, we do. And authors want to complain that it is too hard. Yes, it is hard and there are many reasons this profession is not for everyone.

Less Marketing/More Writing

AHHHHHHH!
AHHHHHHH!

Traditional marketing does not sell books. Never has. For more on why, check out Why Traditional Marketing Doesn’t Sell Books. I have had to unfollow writers on Facebook who do nothing but promote one book over and over and over.

They tweet non-stop about their book.

They even dedicate their blogs to selling books (and that is never the direct objective of a blog).

They deluge us with newsletters we never signed up for and can’t figure out how to escape.

Thing is, we don’t care about you or your book. We didn’t want to see that crap in our feed, we sure aren’t going to subscribe to a blog/newsletter that is nothing but self-promotion.

Writers often become the equivalent of that sales clerk in the department store who ambushes us with perfume.

Here is the blunt truth. The odds of breaking out with our first book are about the same as being hijacked by a terrorist after we’ve been hit by lightning while holding a winning lottery ticket.

Most writers are not going to break out with one book. Or even two. An author might never break out, but the odds certainly improve the more titles we have. This was always true. It’s why you can’t swing a dead cat without hitting a James Patterson title.

Marketing and building a platform/brand are two completely different activities. But writers believe they are the same. They aren’t. If you want to promote and market without a platform, I suggest piling money on the floor and setting it on fire. Same end result and you can get to the self-loathing and binge drinking far faster that way.

There are no shortcuts.

Obviously there are many many other factors to why a book might not be selling, but these are the top offenders. Good news is most of this, we can do something about. In fact, I have classes addressing most of these issues (listed below).

What are your thoughts?

I LOVE hearing from you!

To prove it and show my love, for the month of AUGUST, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

Check out the other NEW classes below! Now including a log-line class! Can you tell me what your book is about in ONE sentence? If you can’t SIGN UP.

All W.A.N.A. classes are on-line and all you need is an internet connection. Recordings are included in the class price.

Upcoming Classes

Blogging for Authors  (August 26th)

This class will teach you all you need to know to start an author blog good for going the distance. Additionally I would also recommend the class offered earlier that same week (August 22nd) Branding for Authors to help you with the BIG picture. These classes will benefit you greatly because most blogs will fail because writers waste a lot of time with stuff that won’t work and never will and that wastes a lot of time.

I am here to help with that 😉 .

Bullies & Baddies—Understanding the Antagonist September 2nd–September 2nd

All fiction must have a core antagonist. The antagonist is the reason for the story problem, but the term “antagonist” can be highly confusing. Without a proper grasp of how to use antagonists, the plot can become a wandering nightmare for the author and the reader.

This class will help you understand how to create solid story problems (even those writing literary fiction) and then give you the skills to layer conflict internally and externally.

Bullies & Baddies—Understanding the Antagonist Gold

This is a personal workshop to make sure you have a clear story problem. And, if you don’t? I’ll help you create one and tell the story you want to tell. This is done by phone/virtual classroom and by appointment. Expect to block off at least a couple hours.

Your Story in a Sentence—Crafting Your Log-Line

September 7th

Log-lines are crucial for understanding the most important detail, “WHAT is the story ABOUT?” If we can’t answer this question in a single sentence? Brain surgery with a spork will be easier than writing a synopsis. Pitching? Querying? A nightmare. Revisions will also take far longer and can be grossly ineffective.

As authors, we tend to think that EVERY detail is important or others won’t “get” our story. Not the case.

If we aren’t pitching an agent, the log-line is incredibly beneficial for staying on track with a novel or even diagnosing serious flaws within the story before we’ve written an 80,000 word disaster. Perhaps the protagonist has no goal or a weak goal. Maybe the antagonist needs to be stronger or the story problem clearer.

In this one-hour workshop, I will walk you through how to encapsulate even the most epic of tales into that dreadful “elevator pitch.” We will cover the components of a strong log-line and learn red flags telling us when we need to dig deeper. The last hour of class we will workshop log-lines.

The first ten signups will be used as examples that we will workshop in the second hour of class. So get your log-line fixed for FREE by signing up ASAP.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

 

Image via Flickr Creative Commons, courtesy of Mike Licht
Image via Flickr Creative Commons, courtesy of Mike Licht

I am a huge fan of writers having a blog, but one of the first arguments I get is, “But I did have a blog and it did nothing.” I hear your pain. We live in a world of instant gratification and often it is why we are more inclined to post content on our Facebook or Twitter instead. Instantly we can see other people sharing and responding and it feels oh so good.

The blog? Meh.

The problem, however, is that any “benefit” from Facebook or Twitter evaporates almost as soon as it appears whereas the blog (if we stick to it) will keep giving us rewards for years to come.

Reframe Your Goal

Original image courtesy of flowcomm, via Flickr Commons
Original image courtesy of flowcomm, via Flickr Commons

I will give you tips for growing your author blog here in a minute, but a simple mental shift will help keep you pumped up in the meantime. My tips can’t help unless you keep blogging.

Instead of focusing on number of followers, I looked at my blog as my author training. Writing is a tough job and most people won’t make it because of one crucial factor…they want a job. Writing is not a “job.” We don’t clock in and out and have some authority figure who tells us what to do.

We can work when we want and how much we want. No one is going to write us up and fire us if we spend all day looking at kitten videos instead of working.

Most adults have been trained in structured environments like school or the workplace. Thus, when they step out into something where they are their own boss? They struggle. It’s why most entrepreneurs fail as well. They never reach their potential because they lack the critical ingredient necessary—self-mastery.

Thus when I began blogging, I knew I had a lot of bad habits. Blogging would teach me to be beholden to deadlines. Perfect is the enemy of the good, so I would learn to let go and ship. I could relax. It didn’t have to be worthy of a Pulitzer. It was just a blog. Blogging could help me learn to write leaner, meaner, faster and cleaner.

Posts that once took half a day now take an hour. Instead of chasing followers, I focused on becoming a stronger writer.

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Blogging would help me stretch those word count muscles. I used to panic at the idea of 1000 words a day and now I can knock that out in about 45 minutes. Blogging taught me to process, analyze and then articulate my thoughts seamlessly (useful for writing books, too). No amount of sharing or liking on Facebook would give me this skill.

Blogging made social media mentally active, instead of me lazily camping out in passivity. Blogging strengthened the muse and made me a better storyteller.

It taught me that content and ideas were literally everywhere. 

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But while there are countless benefits to writers, we do still want to eventually gain traffic. Duh.

Simply blogging into the ether forever was not exactly a bright plan. So, when I kept blogging and getting nowhere, I began to study blogs. What blogs did well? What blogs garnered hundreds of comments? What blogs had tens of thousands of subscribers? What were they doing that I could learn from?

Elements of a Great Blog

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Countless people start blogs that just get left abandoned in cyberspace, yet the elements of an excellent blog are pretty simple. If your blog is not doing well, often some small changes can make a huge difference.

Simple is Best

Content does matter, but packaging is key. We could have a blog so brilliant angels weep, but if no one reads it?

Yeah.

We must always remember that a blog is for the reader and not for us. When I started out, I became far too fascinated with all the cool layouts and color-schemes. When I was writing my blog, I was in the dashboard area which is, of course, black letters on a white page.

Though I thought that black page with red lettering was so edgy and dark and cool, I might as well have been tossing my readers’ eyes into a digital iron maiden.

Simple and clean is best. Our content is what should be the focus, not a bunch of colorful doodads. Remember to also test how your blog looks on a smartphone. Get an idea of how the post looks on any number of devices your reader might use.

The background we choose for a computer, might be a nightmare when trying to read on a phone.

Break Up that Space

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Many people don’t truly read blogs, they scan them. Yes, my blogs go longer because often I also give examples (I.e. the post about great description). But, because I use bullet points, those who simply want to scan can gain plenty (and the examples are there for folks who want more).

But I have seem comparably short blogs (500 words) that appeared more daunting than my 1300 word posts simply because the writer failed to break up the text. They left NO white space.

Bullet points, white space, headers, and photographs are key. When we have huge blocks of text in 10 point font? Many potential readers will just move on.

Keep Blogging

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Many people start a blog then quit before they ever get to enjoy a harvest. Blogs take time. We can either keep pouring our energy into instant gratification (Facebook) or we can be patient.

Eventually a blog that is generating thousands of hits per day is not generating those visits off the post for that day. Rather, search engines reward attendance. Additionally, evergreen content (content that is always salient) is being picked up through web searches. This is why building archives is extremely valuable.

I still gain new followers from posts I published years ago.

And the truth is, when my blog started being successful was right about the time that I’d accumulated a substantial archive (around 200 posts). Then I was no longer at the mercy of catching attention with the one post just published, I was beginning to gain ROI from the other 199 posts. I started enjoying compounded returns.

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Blogging is about appreciating the long tail, but frankly so is being an author. Just like most bloggers aren’t going to get fame and success with one post, most writers won’t hit it big with one book. We must learn to keep our heads down, to keep putting one foot in front of the other and trust the process.

There is so much more to having a great author blog, so I hope you will check out my Blogging for Authors class!

What are your thoughts? Do you see posts written on wild backgrounds and weird fonts and just run away? Have you ever run across a great post, only to realize the blog had been abandoned?

I LOVE hearing from you!

To prove it and show my love, for the month of AUGUST, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

Check out the other NEW classes below! Now including a log-line class! Can you tell me what your book is about in ONE sentence? If you can’t SIGN UP.

All W.A.N.A. classes are on-line and all you need is an internet connection. Recordings are included in the class price.

Upcoming Classes

Blogging for Authors  (August 26th)

This class will teach you all you need to know to start an author blog good for going the distance. Additionally I would also recommend the class offered earlier that same week (August 22nd) Branding for Authors to help you with the BIG picture. These classes will benefit you greatly because most blogs will fail because writers waste a lot of time with stuff that won’t work and never will and that wastes a lot of time.

I am here to help with that 😉 .

Bullies & Baddies—Understanding the Antagonist September 2nd–September 2nd

All fiction must have a core antagonist. The antagonist is the reason for the story problem, but the term “antagonist” can be highly confusing. Without a proper grasp of how to use antagonists, the plot can become a wandering nightmare for the author and the reader.

This class will help you understand how to create solid story problems (even those writing literary fiction) and then give you the skills to layer conflict internally and externally.

Bullies & Baddies—Understanding the Antagonist Gold

This is a personal workshop to make sure you have a clear story problem. And, if you don’t? I’ll help you create one and tell the story you want to tell. This is done by phone/virtual classroom and by appointment. Expect to block off at least a couple hours.

Your Story in a Sentence—Crafting Your Log-Line

September 7th

Log-lines are crucial for understanding the most important detail, “WHAT is the story ABOUT?” If we can’t answer this question in a single sentence? Brain surgery with a spork will be easier than writing a synopsis. Pitching? Querying? A nightmare. Revisions will also take far longer and can be grossly ineffective.

As authors, we tend to think that EVERY detail is important or others won’t “get” our story. Not the case.

If we aren’t pitching an agent, the log-line is incredibly beneficial for staying on track with a novel or even diagnosing serious flaws within the story before we’ve written an 80,000 word disaster. Perhaps the protagonist has no goal or a weak goal. Maybe the antagonist needs to be stronger or the story problem clearer.

In this one-hour workshop, I will walk you through how to encapsulate even the most epic of tales into that dreadful “elevator pitch.” We will cover the components of a strong log-line and learn red flags telling us when we need to dig deeper. The last hour of class we will workshop log-lines.

The first ten signups will be used as examples that we will workshop in the second hour of class. So get your log-line fixed for FREE by signing up ASAP.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

 

Image via Flickr Creative Commons, courtesy of David Rogers
Image via Flickr Creative Commons, courtesy of David Rogers

We live in a brand new age for humans. Technology has fundamentally altered every aspect of our lives and offered writers countless opportunities and advantages. Yet, as the French philosopher Paul Virilio once said, “When you invent the ship, you also invent the shipwreck.”

Before we talk further, I want to be clear. Writers benefit greatly from being on-line and it is next to impossible to be successful without a solid on-line brand. Yet, one of the reasons I became a social media expert instead of pursuing fiction was I saw far too many gurus pushing tactics that required way too much devotion to being on-line.

Chasing trends and algorithmic alchemy requires a lot of energy better spent writing books. We actually don’t need to be on-line that much to have an amazing brand.

Yet, let’s be honest.

Many of us spend a lot of time on-line that has nothing to do with building a brand. We are all guilty. We sit and chat on Facebook, laugh at memes, or—sighs—get drawn into political debate (and those never end well).

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We have become a world addicted to instant gratification, distraction and time-filling/time-wasting. But what impact is this having on our ability to write?

The biggest impact is the obvious one. TIME. Many people believe they simply don’t have enough time, yet if we added up every micro-visit to social media? It would actually be a significant chunk. But that is the low-hanging fruit. Today I want to explore what technology addiction is doing to the muse.

I cannot help but thinking of all those Faces of Meth images, where we see the one picture before meth of a healthy person who has all his teeth versus a couple years later when the same person is sickly, sunken, and looks twenty years older. Is this what we are doing to the muse?

Image courtesy of MattysFlicks via Flickr Creative Commons.
Image courtesy of MattysFlicks via Flickr Creative Commons.

Meth abuse is devastating because of a myriad of reasons, but almost all the effects are caused because the user is in a constant state of hyper-stimulation. This hyper-stimulation comes at a cost. Users forget to take care of themselves. They don’t eat or sleep and if they do eat, it is usually foods high in sugar.

Since the drug wears out the dopamine producing areas of the brain, the user requires higher and higher dosages to get the same high (and to avoid the low lows that inevitably follow).

When we are hyper-stimulated constantly on-line aren’t we doing the same thing to the muse? She needs care. She needs rest. And she needs a diet that consists of more than kitten videos and click-bait. If not, she can become yet another among the Faces of Meth Facebook.

Being Bored Can Be GOOD for Us

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Boredom is a necessary and vital ingredient for creativity. It gives the brain time to wander, to reflect, to make connections previously unexplored. It sparks divergent thinking which is the beating heart of innovation.

The problem with constantly consuming the content of others with no downtime is that the brain cannot take the ideas it’s gathered and refashion them like Legos into something unique and new.

So yes, being online can have benefits.

We read a lot of blogs or articles that captivate us and inform us. Articles that contain seeds of story inspiration. But, if we fail to ever unplug, then that article about the murder suspect in Florida found biting his victim’s face off fails to ever germinate into the world’s next runaway-hit zombie series.

What Are We Missing?

Last time we talked about how to use description. All novels require it and good description goes beyond the one-dimensional. But to use description well, we must immerse ourselves in a three-dimensional world that has authentic intimacy.

We simply cannot get that on-line.

How much of the world are we missing because we are sitting in an airport scanning Instagram instead of people watching? Are we taking time to absorb, process, question and explore what is around us? Or are we tapping our phone like a crack addicted gerbil in a lab?

If we are walking through the park, eyes on the screen, can we truly experience the world around us? The stuff that is below the surface that no image could hope to capture. Not merely the color of the sky, but the emotion of it, the meaning of it.

Crucial Conversations & Intimacy

Image via Pink's Galaxy Flickr Creative Commons
Image via Pink’s Galaxy Flickr Creative Commons

Psychology Today had an article The New Menage a Trois that explored how tech is sabotaging intimacy and ruining relationships. The article asserted that many of the moments that connect us in relationships are born in the pauses.

For married couples, the twenty minutes before dinner is ready matters. Maybe it is one comment that garners a laugh that leads into a discussion and that all leads to a greater degree of intimacy with the other person. Bonding time, so to speak.

But how many times are we filling those pauses with a quick check of e-mail? A scan of Facebook? How many times have we been in a restaurant and we instantly spotted the married couple because instead of being enthralled in conversation? Both were staring at a screen.

What do we writers use to generate conflict? Human interaction. If we are minimizing how much interaction we have, insulating ourselves from conflict and discourse, then we become distant from the emotional aspect of the human experience.

Empathy Check

Great writers have the ability to empathize with a myriad of characters. Sex, gender, age, or species (for the sci-fi folks) all become real simply because the author can understand and share the feelings of another. Empathy is fueled by noticing and listening.

If we are listening to iTunes in line at Walmart, we are checked out. If, instead, we unplugged, we might notice the stocker with the carefully hidden gang tattoos, the lines around the eyes for someone far too young, or the jagged scar tucked under the high collar. We might become curious and fill in the blanks of this unspoken life and give it voice, meaning and immortality.

Handle With Care

Image via Flickr Creative Commons courtesy of Steve and Shanon Lawson
Image via Flickr Creative Commons courtesy of Steve and Shanon Lawson

Our muse is the sensitive part of our soul and it must be handled with care. Embrace quiet. Embrace alone time. Ignore the siren’s song of a world that tells us to be busy, busy, busy. All things in moderation.

We can enjoy the good parts of technology, but it will take self-discipline to maintain a healthy boundary with it. Use timers if you have to. The next time you are bored waiting in a car, interrupt that urge to scan social media, and instead look up. Look around. What wonders do you behold?

Do you think your muse has become one of the Faces of Facebook? Are you struggling to find connectedness? Are you noticing you are too “checked out”? That maybe you are missing the depth and details because of too much on-line time? Hey, I struggle too so while I have one finger pointed at y’all, three are pointed at me, LOL. What are your thoughts?

I LOVE hearing from you!

To prove it and show my love, for the month of AUGUST, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

Check out the other NEW classes below! Now including a log-line class! Can you tell me what your book is about in ONE sentence? If you can’t SIGN UP.

All W.A.N.A. classes are on-line and all you need is an internet connection. Recordings are included in the class price.

Upcoming Classes

Blogging for Authors  (August 26th)

This class will teach you all you need to know to start an author blog good for going the distance. Additionally I would also recommend the class offered earlier that same week (August 22nd) Branding for Authors to help you with the BIG picture. These classes will benefit you greatly because most blogs will fail because writers waste a lot of time with stuff that won’t work and never will and that wastes a lot of time.

I am here to help with that 😉 .

Bullies & Baddies—Understanding the Antagonist September 2nd–September 2nd

All fiction must have a core antagonist. The antagonist is the reason for the story problem, but the term “antagonist” can be highly confusing. Without a proper grasp of how to use antagonists, the plot can become a wandering nightmare for the author and the reader.

This class will help you understand how to create solid story problems (even those writing literary fiction) and then give you the skills to layer conflict internally and externally.

Bullies & Baddies—Understanding the Antagonist Gold

This is a personal workshop to make sure you have a clear story problem. And, if you don’t? I’ll help you create one and tell the story you want to tell. This is done by phone/virtual classroom and by appointment. Expect to block off at least a couple hours.

Your Story in a Sentence—Crafting Your Log-Line

September 7th

Log-lines are crucial for understanding the most important detail, “WHAT is the story ABOUT?” If we can’t answer this question in a single sentence? Brain surgery with a spork will be easier than writing a synopsis. Pitching? Querying? A nightmare. Revisions will also take far longer and can be grossly ineffective.

As authors, we tend to think that EVERY detail is important or others won’t “get” our story. Not the case.

If we aren’t pitching an agent, the log-line is incredibly beneficial for staying on track with a novel or even diagnosing serious flaws within the story before we’ve written an 80,000 word disaster. Perhaps the protagonist has no goal or a weak goal. Maybe the antagonist needs to be stronger or the story problem clearer.

In this one-hour workshop, I will walk you through how to encapsulate even the most epic of tales into that dreadful “elevator pitch.” We will cover the components of a strong log-line and learn red flags telling us when we need to dig deeper. The last hour of class we will workshop log-lines.

The first ten signups will be used as examples that we will workshop in the second hour of class. So get your log-line fixed for FREE by signing up ASAP.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook