Kristen Lamb

Author, Blogger, Social Media Jedi

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Posts Tagged: characters

Oh, and it looks like we’re in Medieval England…again…

I’m Kim Alexander back to talk about fantasy world-building. This time I’m looking at those writers who make every heroine in their stories a—wait for it—princess.

This is different from Chosen One Syndrome, because when it comes down to it, every protagonist is a chosen one; you’ve chosen to write about them. In this installment, I’ll be talking about working for a living. (More about Chosen One Syndrome in an upcoming blog post!)

When we create fantasy lands like, oh, “Gondfloria” (pop. 2 mill. unicorns), it’s easy to use the default: faux medieval Europe. If we have a bunch of forbidding, craggy, windswept mountains with impenetrable fortresses (I always feel like it should be ‘fortressi’ even though I know better) atop them, the next thing we’re gonna do is make our main character a princess. (Or a prince, I don’t know your life.)

I’m here to suggest to be brave and try something else. I’m not saying we have to make our enchanted land of Gondfloria into an Arctic survivalist encampment. But, we need to think a little bit outside the box…okay, dungeon, especially if the dungeon is full of Northern European royalty.

(Full disclosure: the main character of my novel, The Sand Prince, is – as the title suggests – a prince. But I hasten to add that he’s astonishingly bad at it.)

Sometimes it seems like every fantasy novel I pick up is crewed by the same group:

  • The sullen yet hot warrior who is certainly hiding a secret (it probably has to do with sex)
  • The sassy thief
  • The wise elder (also a thief, possibly retiring, clearly not going to make it to the sequel)
  • And of course our hero, the member of nobility who under the cover of darkness runs with a bad crowd because Daddy Issues.

Any of them may be masquerading as the opposite gender because it’s…daring. My money is on the sassy thief.

Don’t any of these people have jobs? And no, I’m not counting ‘thief’ as a job. You can’t put it on a resume unless you’re actually applying to be a thief.

Even if we’ve decided it’s written in stone that Gondfloria has forests and castles and bears, we can still explore the lives of people living there without falling back on ‘princess’ or ‘thief.’

Here are a few suggestions, on the house: bear wrangler, bee keeper, lute carver, magical bee keeper (the bees, not the person), cook, fixer for the local mob boss, mob boss, magical bee keeper (the person, not the bees – gods, keep up!), innkeeper, wench (if you have an inn, you’ve got to have a wench; I don’t make the rules), bard, dog boy, horse girl, and then way down at the bottom, thief, and finally, princess. You’re welcome.

Look, we want our story to stand out in the enormous ocean of similarly themed and titled books. We can do that by either taping a $20 bill to the inside cover of each and every one…or by making it unique.

I look forward to reading your take on a hot yet sullen magical bee keeper who lives in the misty woods of Gondfloira. Feel free to get on your magical sassy pants and sprinkle some flash fiction in the comments. Also any suggestion for other cool roles (characters) who’ve been forgotten, overlooked, or given little or no love. Maybe one not yet thought about?

Oooooh, extra XP points!

Unicorn trainers? Those suckers are magical so surely they could be house-trained right? Dude in charge of the “Pigeon Messaging Service” that later was forced into rebranding and a name change because PMS a really bad name for a business in communication (one not involving knives and chocolate). Use your imagination! ALSO!

Are you tired of ye same olde same olde? Losing that loving feeling for fantasy because, when it’s all the same, that is well, to be blunt, the OPPOSITE of fantasy?

Next time: The Chosen One, or, It is foretold that you and you alone will fix this coffee maker and save mornings for all of Gondfloria!

***

I love hearing from you!

For the month of September, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

NEW CLASSES FOR SEPTEMBER AND MORE!

All classes come with a FREE recording!

We’ve added in classes on erotica/high heat romance, fantasy, how to write strong female characters and MORE! Classes with me, with USA Today Best-Selling Author Cait Reynolds, award-winning author and journalist Lisa-Hall Wilson, and Kim Alexander, former host of Sirius XM’s Book Radio. So click on a tile and sign up!

(If you are getting this via email, open the blog post to see all the options and sign up!)

Villains & Anti-Heroes: The Characters We Love and Hate. $45.00 USD. Tuesday, September 12, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Hooked: Catching Readers in the First Five Pages. $40.00 USD. Thursday, September 14, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Turn Your Passion Into A Business: Making Money As A Writer. $40.00 USD. Monday, September 25, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Guilty Pleasures: Writing Suspense, Thrillers, and Crime. Tuesday, September 26, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Outside the Box: How to Read More, Write Less, and Up Your Fiction Game. Friday, September 29, 2017. 7:00-9:00 p.m. EST. Click the image to register!

It’s Squatter’s Rights Wednesday, which means it’s me, Cait Reynolds, coming to you with special guest blogger Lisa Hall-Wilson. It’s a good thing I have a co-blogger today, because I’m on day 14 of a cold and feel like lukewarm coffee – just ugh and barely effective.

Denny Basenji doesn’t like it when I sneeze, so he spends most of his time hiding in his blanket fort.

Denny: Why get a cave bed when you can have your mama custom-drape a blanket fort for you?

If I had the energy, I’d actually be really excited about today’s guest blog post because Lisa and I are also teaching a workshop on this topic in September. We are going to be talking about how to create strong, authentic female characters in fiction. Lisa is specifically focusing on how to avoid extremes, tropes, and types. I will be talking about how to TRULY get into the mindset of historical female characters and what defines strong for them (which is going to be another blog post).

Okay, over to Lisa!

Character, not caricature.

Lisa here! Portraying strong women authentically is tricky. Most of the time, I find strong female characters are caricatures of an extreme: the dim-witted blond, the stock-in-trade man with boobs, the femme fatale. These are stereotypes sure, but what they really are is extreme examples of real life. Can you find an example from history of a female warrior in a male-dominated society – sure, but she’s an outlier. If you want to write an outlier character that’s fine, but let the traits that make her an outlier be the source of her strength not her ability to wield a sword.

Let’s look at a real-world example, Malala Yousafzai. She’s a strong woman, but is she strong because she survived a bullet wound to the head? Yes, partly, but moreso she’s strong because of the choices that led to her being targeted, and the friends and family who empowered her to follow her heart.

Are you able to portray women without these extremes that’s both likable (or at least worthy of cheering for) and surprises readers? That’s the tricky part.

Brave, not dumb.

I love to study Amazons, that mythical race of female warriors written of by the Greeks. The truth is that Amazons were a cautionary tale for their times. This is what might happen if women could make their own decisions about marriage, family, war or the economy. Exotic? Dangerous? Lust-worthy? Absolutely. But in nearly every Greek tale, the Amazons inevitably rush headlong into battle over pride or vanity and are overwhelmingly outnumbered against a professional army. That’s not heroic, it’s stupid. Most women, especially strong women, are not stupid.

 

The danger with the extremes is that characters become one-dimensional. The only reason that character exists is because the hero needs a woman to encourage him. You have no story-based reason for making that character female other than you liked that idea, needed a victim to motivate a male character to act, a reason to insert sex, etc. There was nothing about being female that placed obstacles in her path or helped that character succeed.

Ever did that experiment where you write on a coffee filter with a black marker, get the filter wet and see the variety of colors that went into making black? Strength is like the colors that make up that black marker. Strength is not one thing or act, just like black is not a primary color, but it’s your job as the writer to show all the different colors that make up that character’s strength.

Truth is a subtle strength.

Let’s look at Veronica Roth’s Tris. One of the first things we learn about her is that she chooses to leave Abnegation and join Dauntless because she knows herself and must be true to that. She makes that choice knowing what some of the consequences will be. That’s strength. There are a lot of natural obstacles in her way (one of them being female without any athletic training competing against guys), but she’s not afraid to make friends or find an ally. Being a lone wolf can represent strength but it’s also a self-protection mechanism rooted in fear.

I love 100. I know a lot of people point to Clarke as a strong character, but personally I’m more drawn to Octavia and Raven. These are girls who have fought their way to influence in a variety of ways and through painful personal sacrifices. We’ve seen them as outliers and leaders, run from pain, lash out in anger, deny their own desires, and escape from life. They are intelligent, courageous, fighters, who love, grieve, chase, hate, forgive – the whole spectrum. And each time they get knocked down, they blunder and stumble, but then they get stronger. That’s real life.

Female characters need to be strong, but they need to be real, varied, unique, and as individual as possible.

Want to get more in depth?

Check out the workshop that Lisa and I are offering in September!

Now and Then: Strong Female Characters in Historical and Contemporary Fiction

Instructors: Cait Reynolds and Lisa Hall-Wilson

Price: $70.00 USD

Where: W.A.N.A. Digital Classroom

WhenSaturday, September 9, 2017. “Historical not Hysterical” 11:00 a.m.-1:00 p.m. EST. “Beyond Lipstick and Swords” 2:00-4:00 p.m. EST


From fainting virgins to sexually-empowered widows, the ‘historical heroine’ attempts to accomplish the near-impossible: capture the sensibility and reality of the times while keeping the heroine relatable to modern readers.

Until we get time machines, we have to rely on research and our imaginations in order to create authentic, sympathetic historical heroines. The amount of research required can seem daunting, but this class is designed to give you a ‘jump start’ with some basic facts, tricks for getting into your heroine’s head, and hints on how to research efficiently and with confidence.

This class will cover the following topics – and much more:

  • Vital statistics: how to determine the correct age for your female character based on time period;
  • The Three E’s: Education, Entertainment, and Etiquette;
  • Dressing the part: how to capture the feel of an era’s fashions without Mary Sue shopping sprees;
  • Housekeeping from princesses to privy pots;
  • The Three F’s: Faith, Fierceness, and Fiancés. What your female character believes is her destiny and what actually is her destiny;
  • Tips and tricks for quick research.

A recording of this class is also included with purchase.

About the Instructor:

Cait Reynolds is a USA Today Bestselling Author and lives in the Boston area with her husband and four-legged fur child. She discovered her passion for writing early and has bugged her family and friends with it ever since. When she isn’t cooking, running, rock climbing, or enjoying the rooftop deck that brings her closer to the stars, she writes.

 


Want to create strong female characters with depth and vitality but avoid clichés and tired tropes? This class will explore the pitfalls and old ruts writers fall into when creating strong female characters, and what to strive for instead. Because what if your character doesn’t wield a sword or own a power suit – are they still strong?

Learn what’s missing from many depictions of strong female characters and how to write them in a realistic way even if you’re writing fantasy! Joss Whedon isn’t the only one who can write strong female characters – and Wonder Woman isn’t the only type of strong female character you can write.

Some of what you’ll learn:

  • What makes women strong;
  • Making female warriors believable;
  • Shaping societal forces;
  • Women are not men;
  • Women in community;
  • Character agency.

Lisa Hall-Wilson is an award-winning journalist and novelist, and writing teacher. She grew up watching and reading about women like Wonder Woman, Princess Allura, Jo March, She-Ra, Catherine Chandler, Jessica Fletcher, and other less notable characters. After realizing she was repeating all of the tired tropes and stereotypes she hated, Lisa spent months studying strong female characters and learning what makes them authentic and real.

How This Class Works…

After registering, you’ll be sent an email confirmation which will provide you with login information for the online classroom we’ll be using. This class will be recorded so if you’re not able to make it in person you’ll have the recording within two or three days. Come prepared with a sense of humor and a notepad. Yes, this class will be recorded if you can’t make it live, but you want to be there!

About the Instructor

Lisa Hall-Wilson is an Award-Winning Author and Journalist and she LOVES to mentor writers. She’s been a freelance writer for ten years turning her love of words into an income. Her passion is to help beginning writers hone their skills and become published storytellers, so look for her classes to go beyond basics and challenge you.

 

NEW CLASSES FOR SEPTEMBER AND MORE!

All classes come with a FREE recording!

We’ve added in classes on erotica/high heat romance, fantasy, how to write strong female characters and MORE! Classes with me, with USA Today Best-Selling Author Cait Reynolds, award-winning author and journalist Lisa-Hall Wilson, and Kim Alexander, former host of Sirius XM’s Book Radio. So click on a tile and sign up!

Villains & Anti-Heroes: The Characters We Love and Hate. $45.00 USD. Tuesday, September 12, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Hooked: Catching Readers in the First Five Pages. $40.00 USD. Thursday, September 14, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Turn Your Passion Into A Business: Making Money As A Writer. $40.00 USD. Monday, September 25, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Guilty Pleasures: Writing Suspense, Thrillers, and Crime. Tuesday, September 26, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Outside the Box: How to Read More, Write Less, and Up Your Fiction Game. Friday, September 29, 2017. 7:00-9:00 p.m. EST. Click the image to register!

 

It’s back to school for everyone – not just kids. Vacation’s over. Fun’s over…or maybe the fun is just beginning.

This fall, W.A.N.A. is back with new classes, new instructors, and lots of exciting announcements coming up. Bookmark W.A.N.A. and make sure to subscribe to my blog to stay up-to-date with all the news!

Don’t forget to hop on over to the W.A.N.A. Tribe to join in our daily writing sprints in the chat room! The Tribe is a thriving community, and we are planning on some awesome upgrades to the entire Tribe experience this fall.

NEW CLASSES FOR SEPTEMBER 2017

Villains & Anti-Heroes: The Characters We Love and Hate. $45.00 USD. Tuesday, September 12, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Hooked: Catching Readers in the First Five Pages. $40.00 USD. Thursday, September 14, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Turn Your Passion Into A Business: Making Money As A Writer. $40.00 USD. Monday, September 25, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Guilty Pleasures: Writing Suspense, Thrillers, and Crime. Tuesday, September 26, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Outside the Box: How to Read More, Write Less, and Up Your Fiction Game. Friday, September 29, 2017. 7:00-9:00 p.m. EST. Click the image to register!

 

 

It’s Squatter’s Rights Wednesday again, and you know what that means! Well, first, it means the obligatory photo of Denny Basenji. But right after that, it means that I’m going to take the Red Pen of Wrath to a topic, and today’s topic is medicine. Specifically, medicine in fiction. Why? Because I’m tired of being jerked out of stories by medical inaccuracies. It’s the literary equivalent of having to dig for a vein…for the third time.

So, first: Denny Basenji.

This is Denny Basenji coming out of surgery last summer. He’s wondering if the patient will get peanut butter ice cream…or maybe peanut butter jello…

Okay, let’s get down to business.

If we are going to put a character in the hospital, we need to know how to do it. We also need to know what happens inside a hospital and how long people stay. We need to know what nurses can and can’t do, what doctors can and can’t do, and why our character’s friend-of-family-doctor can’t simply take charge of her care. We need to know what happens after a character goes home in terms of when they can go home, why they are allowed to go home, and what the follow up care is.

I’m not a doctor, but I play one in my books

Why listen to me? Because I’m a f*cking gold star club card holder at Massachusetts General Hospital. Here’s a list of my experience and “qualifications.”

Yours truly getting her monthly immune suppression therapy intravenously. Still smiling after two tries for the iv and three separate sticks for blood work.
  • I’ve had a kidney transplant since 2007. I’m a walking encyclopedia on infectious diseases, pharmacology, and clinics.
  • I’ve had cervical cancer. Luckily, mine was caught early and completely by surgery. But, I went with my friend Jaime to her chemo treatments – all 19 of them. I know a few things about how chemo works now.
  • I have been hospitalized for infections, accidents, near-death drug interactions.
  • I’ve been taken in ambulances, taxi cabs, and driven myself.
  • I’ve ended up in the hospital in everywhere from Portugal to New Mexico.
  • I was hospitalized for pneumonia. Wheeze, cough. Cough. Ow.
  • I’ve been hospitalized for multiple infections of various kinds as a result of having no immune system (thanks, kidney transplant!).
  • I was hospitalized for a stomach infection (that had an upper GI endoscopy involved – SO much fun).
  • I’ve had miscarriages from 6 weeks to 5 months.
  • I’ve had enough iv’s and blood draws that I could be an iv nurse. Or part-time vampire.
  • I’ve worked in hospital administration. I am surrounded by friends and family who are doctors and nurses.
  • I’ve had ultrasounds, x-rays, CAT scans, MRI’s, stress tests, bone density scans, you name it. Interventional radiology procedures like angiograms are lots of fun, too.
  • I’ve sat at the bedside of my father as he went through heart attacks, surgeries, and finally the strokes that killed him. I know what it’s like to watch someone die.
  • I know how an ICU works.
  • Blood transfusions. I’ve got a frequent customer punch card.

Basically, I am at the hospital 2-4 times every month for various reasons. Mostly outpatient appointments, but I’ve got a collection of more than 30 wristbands that tell the story of my inpatient experience. You can just call me Dr. Cait. Or Nurse Cait. Or Frankencait.

Just one teeny weeny example: how to put a character in the hospital

So…there’s a famous set of books about a color somewhere between black and white…lots of people object to the rather “adventurous” sex scenes in it. Others object to the objectification of women and power dynamics of the main relationship. Me? I object to the ham-handed handling of the protagonist’s injuries that land her in the hospital.

She’s injured. She falls unconscious. She wakes up in a hospital room with her husband’s mother – a pediatrician – helping to manage her care.

Cue the…

 

Let’s call our character “Jane,” as in Jane Doe.

Please disabuse yourselves immediately of the standard “Jane wakes up in the hospital and doesn’t remember getting there.”

It almost NEVER happens like that, and if it does, Jane will have had to have been in a horrific, life-threatening accident. It’s actually pretty rare that people lose consciousness. The body’s defense mechanisms drive us to remain conscious, or at least semi-conscious, as much as possible.

If Jane does fall unconscious, the norm is to “surface” fairly quickly. Minutes, usually. Again, do your homework about just what could cause prolonged unconsciousness – and the side effects. Jane could be facing oxygen depletion in the brain and potential brain damage. Jane could have swelling of the brain, another life-threatening condition. Jane could have sustain other neurological damage. Prolonged unconsciousness is no joke, so please stop using it as a plot device unless you  know what you’re doing.

The Emergency Room

This is going to be the way Jane goes into the hospital in 99% of situations.

In the ambulance, Jane will have a paramedic with her, taking her vitals (blood pressure, heart rate, temperature), and doing emergency stabilization if necessary:

  • Epinephrin shots to reduce allergic reactions, anaphylactic shock, angioedema, etc.
  • Morphine for pain management
  • Possible treatment for diabetic reaction
  • Defibrillation for cardiac arrest, along with emergency cardiac medication (depending on the situation)
  •  Insertion of an iv and bag of saline hookup if signs of blood loss, dehydration, low blood pressure, etc.

Forget what you see on tv about arriving via ambulance. It doesn’t happen that way. Unless you have a machete sticking out of your forehead (I saw that arrive at MGH once when I was in an ER bay myself – that was fun), there will be no running or shouting.

The paramedics will remove Jane’s gurney from the ambulance and wheel her inside. A triage nurse will be waiting, as well as a hospital registration admin. If Jane is conscious, the hospital registration admin will ask her for basic information like, has she ever been a patient here before? Does she have an insurance card with her? Name, date of birth, address, person to notify, etc.

Please note, that even if Jane is in a ton of pain, as long as she is conscious, the hospital registration admin will ask these questions. Trust me, I’ve been there before. It’s not fun to answer questions like that when you are burning up with fever or writhing in pain, but it has to be done.

Fever of 102. Sepsis (life-threatening bacterial blood infection). Missed complete organ failure by just a few hours. Bored out of my mind waiting for further test results. What to do? Play Candy Crush and take selfies. Because you can be near death, in the ER, and FULLY AWAKE.

The triage nurse in the meantime will be getting the paperwork and rundown from the paramedic. This will be happening calmly and quickly. Once Jane is done with the hospital registration admin, the triage nurse takes over.

Treatment in the ER

The triage nurse takes Jane from the arrival area into the treatment bay area. In an ideal world, Jane is given a curtained-off bay right away. In the real world, Jane might be placed “in orbit,” which means that her gurney will be lined up against the wall with other patients on gurneys, waiting for a bay to open up. Jane will receive the same level of care, just not in a bay.

Once Jane is in a bay, the triage nurse will return to her work at the triage station, and Jane’s primary nurse will come to take care of her. Jane’s primary nurse will also probably have an assistant – a patient care assistant or PCA.

Whether able to do it herself or with the help of the nurse and PCA, Jane will be changed into a hospital gown, and her clothes and personal effects put into a big plastic bag labeled with a sticker printed with all of her information and also the same barcode that is on her hospital band. Oh yeah, almost all hospitals now have barcodes on hospital bands now. These are scanned when medication is administered.

Jane’s primary nurse will ask for her version of the story of what happened to bring her to the ER. The nurse will also ask Jane about any medications she currently takes, as well as any allergies she has. While this is going on, the nurse will be putting on a blood pressure cuff (absolutely always), electrodes for echocardiograms (depending on the situation), taking her temperature (absolutely always).

Jane will be asked to rate her pain level from 1-10, with 10 being the worst.

Now, here comes the kicker. The nurse leaves Jane now. That’s right, unless Jane is actively bleeding to death or having cardiac arrest or something similar, Jane is left alone with a call button. This is because the nurse now goes and enters all of her information into the hospital records system, which then feeds it to the assigned doctor.

Ah, finally, the entrance of the doctor…sorta.

Jane will not meet the doctor just yet. The doctor will review Jane’s situation and order bloodwork, maybe a urine test, and possibly other tests like an ultrasound or x-ray. The doctor will also “write an order” for pain medication if needed. The doctor will also write an order for any anti-nausea medication or fever-reducing meds like Tylenol.

Once the orders have been entered into the system, two things could happen. One, the ER has its own mini-pharmacy with basic medications (anti-nausea drugs, Tylenol, certain types of pain medications), and the nurse can unlock the pharmacy cabinet with her ID badge. Or, the hospital pharmacy receives the orders on their computers, and processes all the requests, sending a delivery person to bring the meds to the ER.

This whole process generally takes anywhere from 20 minutes up to an hour and a half. Yup. Jane just has to cool her heels and suffer through this time. It’s not fun, but it’s necessary.

The nurse returns to Jane, drawing blood (which is a whole other post), and administering whatever medications the doctor has ordered. If Jane has to have an x-ray or ultrasound, a transport person will arrive and wheel her in her gurney off to the imaging area where she will be placed in a waiting area until the next available imaging tech is ready for her.

There will be another post about X-rays, ultrasounds, MRI’s and CAT scans, and interventional radiology, but for now, you just need to know the basic tests generally don’t take too long, and they can all be done with Jane either still in the gurney if she’s unable to move, or with Jane standing up.

Jane is returned to the waiting area in imaging until a transport person arrives to take her back to her bay.

The nurse will check on Jane, run her vitals again (blood pressure, heart rate, and temperature), assess her pain, and make sure Jane is as comfortable as she can be (did I mention the WARM blankets that they have available for patients?). There is no food or drink until at least initial results are back.

Denny Basenji strenuously objects to the no food or drink policy.

Then, it’s another waiting period for the results of the bloodwork and the other imaging tests to come back. Once it’s all back and the doctor actually has a minute to review everything, Jane will finally get a chance to meet the doctor.

The doctor will knock and enter, introducing himself (could be a herself, but for the same of less confusion with pronouns, I’ll go with a Dr. Taylor McHotterson), and asking Jane to tell him the story of how she came to be in the ER. Yes, it’s in her records, but every new nurse and doctor she meets from here on out will request her story. It’s protocol.

The doctor will definitely listen to her heart and her lungs, and potentially check her joints for swelling, as well as doing a hands-on exam of her belly to check her organs.

Then, Dr. McHotterson will explain so far what they have learned about Jane’s condition. Depending on what is wrong, this could result in more tests, starting intravenous drug treatment, emergency surgery (and no, they’re not going to run down the hall with her down on the gurney unless she is literally dying), admission to inpatient treatment, or discharge. Any or all of this basically requires Jane to do…nothing. Except wait. And try to sleep. If she going to be admitted, the staff has to contact the correct ward, find out if there are any beds available, and if not, when they might be or where else they would have to put her. All of this could take anywhere from an hour (record-breaking speed) to 12-14 hours, with an average of somewhere between 3-6 hours of waiting.

Do we really need to know all this?

Well, yes. We might not have to describe everything in agonizing detail like I have done above, but knowing the process will make the Jane’s inpatient scene more realistic. Having a basic grasp of the facts about whatever injury or condition our characters have helps us create more detailed, immediate, and immersive experiences for the reader.

Still, it can be daunting, trying to figure out what we need to know and how much we need to know medically, and then learning what we need to leave out in terms of writing craft. The good news is that with a little thinking, a little logic, Dr. Google, and MY CLASS, you can learn not just how to figure out your character’s medical care, but how to use it to up the tension, pacing, and conflict in your story!

 

Instructor: Cait Reynolds

Price: $40.00 USD

Where: W.A.N.A. Digital Classroom

When: Wednesday, August 16, 2017. 7:00-9:00 p.m. EST

From fainting to family doctors in the OR, fiction today is full of medical malfeasance. Watching George Clooney or Ellen Pompeo run through the ER yelling “Stat!” may seem like just what the doctor ordered to up dramatic tension in fiction, it’s more likely to be 20cc of the wrong medicine.

Nothing shatters the fragile suspension of disbelief for the reader like inaccuracies, whether it’s historical, behavioral…or medical. Whether your character is injured in a car crash, poisoned, knocked unconscious, or comes down with the flu, it’s critical to get the details right.

Like a first responder, this class is on the scene to help you resuscitate realism in your medical scenes. This will be a crash course on how to avoid making the most common mistakes and how to get the facts for whatever you inflict on your characters in the future.

This class will cover:

  • From ambulance to admission, how your character actually ends up in the hospital;
  • What happens while your character is inpatient (from blood work and imaging, to iv’s – especially iv’s!!! – and hospital food);
  • The different kinds of medications, treatments, and timelines for characters to recover from a wide range of illnesses and injuries;
  • The truth about knocking your character unconscious: how, how long, and what the short- and long-term consequences are;
  • From birth to death, clinical procedures and protocols;
  • How to research medical information and get it right in your descriptions.

At the end of the class, we will have an open Q&A sessions where you can ask about medical scenarios for your characters.

A recording of this class is also included with purchase.

About the Instructor:

Cait Reynolds is a USA Today Bestselling Author and lives in the Boston area with her husband and four-legged fur child. She discovered her passion for writing early and has bugged her family and friends with it ever since. When she isn’t cooking, running, rock climbing, or enjoying the rooftop deck that brings her closer to the stars, she writes. http://caitreynolds.com

 

For the month of AUGUST, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

****And MAKE SURE to check out the NEW CLASSES classes below including the final class I will teach before taking off for NEW ZEALAND! I’m keynoting there for the Romance Writers of New Zealand, which while SUPER COOL….I’d be lying if I didn’t say the trip wasn’t making me more than a tad nervous.

All classes come with a FREE recording!

We’ve added in classes on erotica/high heat romance, fantasy, how to write strong female characters and MORE! Classes with me, with USA Today Best-Selling Author Cait Reynolds and award-winning author and journalist Lisa-Hall Wilson. So click on a tile and sign up!

How to Dominate Your Sex Scenes (No Safe Words Here). $45.00 USD. Wednesday, October 11, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Painting With Words: Using Description and Sensory Details. $40.00 USD. Saturday, Monday, October 9, 2017. 7:00-7:00 p.m. EST. Click the image to register!
Social Media for Writers. $35.00 USD. Thursday, October 19, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Harnessing Our Writing POWER---The BLOG! $50.00 USD. Thursday, October  26th, 2017. 7:00 p.m.--9:00 p.m. EST. Click the image to register!

It’s Wednesday, which is on its way to being officially renamed in the U.S. calendar of holidays as “Cait Reynolds Blogs for Kristen Lamb” Day. Denny Basenji, however, thinks it should be renamed “Curly Tail Problems” Day.

Announcing that you write erotic romances is certainly a conversation starter. Or stopper. Depending on your audience. Explaining that this is your livelihood and that you are proud of it will get you reactions from, “Wow, that’s cool!” to, “So, when are you going to write a real book?”

Let’s just get something straight, right off the bat. Erotica today is not “porn in pretty dresses.”

One of the first ground rules for taking an objective look at the changing face of romance publishing is to separate the quality of the writing from the message of the content.

The message of today’s romance, erotic romance, and erotica novels is that women are free to associate themselves (and pay the money to buy the books to drive this point home) with sexually experienced, sexually adventurous, and sexually knowledgeable heroines. Heroes today are expected to spend as much, if not more, time focused on the heroine’s pleasure than their own.

While certain tropes like the Cinderella rescue persist, the nature of their portrayal has changed. For example, you now find the Cinderella rescue scenario played out in LGBTQ romances as much as heterosexual romances. Often the “heroine” is just as or more successful professionally than the “hero” (regardless of gender or orientation).

Heroes now have room to be complex, and heroines can genuinely be strong. Erotic romance novels fearlessly explored issues of mental illness, adoption, divorce, depression, anxiety, socio-economic differences, even while so-called “mainstream” books were still tip-toeing around sensitive topics.

The readers of these erotic romances are a truly diverse group, and people are starting to take note of this sociological change (and you can thank good ol’ “Fifty Shades” for the mainstream media attention erotic romance has gotten).

But who are the writers of these books? These are men and women who sit down, day in and day out, and put fingers to keyboard to produce these stories. I am one of them.

I used to be tremendously embarrassed by the fact that I wrote erotica. I felt like everyone was always expecting me to use it as a “stepping stone” to my “real books.”

Well, guess what? The books I write as Fiona Blackthorne ARE real books. I lost sleep, tweeted, swore, chatted, paced, dog-walked, typed, ground my teeth, wrote notes on receipts, and sketched out entire storyboards for these books. I had to submit them to my publisher, Siren Publishing, wait for them to be accepted, then go through an intense, fast-paced editing phase that would leave your head spinning. Then, there’s all the marketing work I had to do to get my website up and running, and promoting my books.

Yes, I work from home, and yes, I can start my day in my pajamas. But my workday starts at 7:00 a.m. and doesn’t really stop until I go to bed. Sure, I can change the laundry in between chapters, but you can bet I’m still working through a paragraph in my head. Yes, I have a flexible schedule. That just means that if I need to work from 7pm to 2am because my day was already full of other stuff, then I’ll suck it up and work from 7-2.

You want to know what it’s like to write a sex scene…or seven for a book? Sometimes, it’s a delightful literary challenge, because I never want to write a sex scene the same way twice. I always am looking for different words, moments, things to notice, ways to enhance the experience for my reader. Sometimes, it’s good fun for *ahem* me as well.

Sometimes, though? Sometimes, it’s like pulling freaking eye-teeth. You can get really tired of writing sex scenes. You always have to be on your guard against dropping into the mechanical and clinical just to get through it.

Then there are those moments when you are thinking to yourself: “Okay, about 700 words left in the chapter. That means if I can get her to her climax, then, hmmm, no, that won’t take enough words. He’ll have to stop just short of it. Oh, and then he can actually pick her up and put her on the bed. That’s about fifty words right there. Then maybe he ties her up? That could be a good hundred words or so, and I could finish this goddamn scene in 500 words after that.”

Yeah. It happens.

Then, I remember Anais Nin, Henry Miller, D.H. Lawrence, and I am strong again.

Erotic writing has been around for as long as the oldest profession has been around…and when people couldn’t read or write, they carved things on walls and painted them in caves. Clearly, something that is so deeply tied to our biological drive for survival and procreation deserves attention, study, and respect, not dismissiveness or judgment.

This is why I am teaching a class on writing erotica. We write the stories that are the mirrors reflecting the changes in society’s sexual mores and gender roles. Good, bad, indifferent, it is our writing that helps to push boundaries, expand horizons, and drive acceptance.

Who are the writers of erotic romance? Why do they write this when they could simply leave out all the sex? What are the blessings and consequences of this life? For once, it’s time to tell our own stories.

Baby, It’s Hot in Here!…a Sizzling New Class from Cait Reynolds

Instructor: Cait Reynolds

Price: $45 USD

Where: W.A.N.A. Digital Classroom

When: Friday, August 4, 2017

Erotica is one of the most difficult genres to write.

Wait. No. Erotica is one of the most difficult genres to write well.

From pacing (literally) to placing, this class is gonna go…deep. Yeah. Couldn’t resist. In all seriousness, how do you handle the paradox of writing a book with compelling characters and interesting story when it’s really about sex?

The answer is this: good erotica is not about sex. It is about seduction and intimacy. In this class we will cover:

  • Understanding why readers choose erotica, what they are looking for, and how to both deliver and guide them to wanting more;
  • How to apply and adapt standard plotting structures to erotica;
  • Creating a story that is interesting enough to sustain a full-length novel;
  • Developing characters that are complex, memorable, and desirable;
  • Avoiding repetitive, mechanical sex scenes;
  • Maintaining the heat throughout a  book;
  • How to push yourself to write better and use quality as a unique marketing strategy;
  • Bonus: history, fun facts, and trivia about literary erotica through history!

A recording of this class is also included with purchase.

In a world of a gazillion forgettable erotica books and romance novels, let Cait help you stand out in the one way no marketing can compete with: hot, unique stories that turn readers into fans who will BEG you for more! 

Erotica GOLD

You get the class (recording included in price) with Cait plus one hour of personalized one-on-one consulting regarding YOUR story. 

Erotica PLATINUM

You get the class (recording included in price) with Cait plus two hours of personalized one-on-one consulting regarding YOUR story and a detailed edit and critique of one sex scene up to 2,500 words.

Register today!

About the Instructor

Cait Reynolds is a USA Today Bestselling Author and lives in the Boston area with her husband and four-legged fur child. She discovered her passion for writing early and has bugged her family and friends with it ever since. When she isn’t cooking, running, rock climbing, or enjoying the rooftop deck that brings her closer to the stars, she writes. Learn more at http://caitreynolds.com.

 

For the month of AUGUST, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

****And MAKE SURE to check out the NEW CLASSES classes below (including writing layered characters and strong females) and sign up!

Summer school! YAY! We’ve added in classes on erotica/high heat romance, fantasy, how to write strong female characters and MORE! Classes with me, with USA Today Best-Selling Author Cait Reynolds and award-winning author and journalist Lisa-Hall Wilson. So click on a tile and sign up!

How to Dominate Your Sex Scenes (No Safe Words Here). $45.00 USD. Wednesday, October 11, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Painting With Words: Using Description and Sensory Details. $40.00 USD. Saturday, Monday, October 9, 2017. 7:00-7:00 p.m. EST. Click the image to register!
Social Media for Writers. $35.00 USD. Thursday, October 19, 2017. 7:00-9:00 p.m. EST. Click the image to register!
Harnessing Our Writing POWER---The BLOG! $50.00 USD. Thursday, October  26th, 2017. 7:00 p.m.--9:00 p.m. EST. Click the image to register!