Kristen Lamb

Author, Blogger, Social Media Jedi

Kristen Lamb — Photo

Posts Tagged: indie press

Yes, I solicit hugs. Sue me. This is LA Times best-selling author Stephen Jay Schwartz and me at the Romantic Times Convention in Los Angeles 2011.

On Wednesday’s blog, Why Traditional Marketing Doesn’t Sell Books, there was some really cool discussion about self-publishing–why it was horrible, would bring the doom and destruction the Mayans foretold, or even why it was the greatest invention since Pop Rocks. Today I am going to be a tad controversial and share my thoughts and opinions about the developments in our industry and why I, personally, want to hug the self-published author.

Originally, I loathed self-publishing and was even highly suspicious of indie publishing. I had all the same fears as many other people.

Great Scott! We already have a hard time getting people to read, and now we will flood the market with crappy books?

How will anyone find the good books?

It is going to mean nothing to say we are a published author when the market is filled with wanna-be-hack-poseurs!

I had pretty good reason for my feelings, since I hadn’t had the best experience with self-published authors. I had one writer in my critique group whose writing was so bad it should have been banned by the Geneva Convention. Not only did he “publish,” but then happily invited the entire group to his book signing at Barnes & Noble…after he’d tortured us with his brain vomit novel for a year.

Not long after that, I had another doozy of an experience.

Hubby and I were waddling through a Barnes & Noble (All right. I was the one waddling. I was very pregnant at the time). On my way to get a cup of tea, I spotted an older man sitting as a card table with stacks of books. Now, being in my profession, I could spot a self-published author who’d somehow scored a book-signing a mile away, and knew better than to make eye contact. But then again, my husband is a far kinder person than me.

I am still really stoked that he hasn’t yet figured out that I married WAY better than he did.

Anyway, Hubby decides to be nice and go talk to the older gentleman who had at least eight different books for sale, even though we’d already had a discussion about talking to the self-pubbed authors. We had at least a half a dozen $30 poorly written books at home that no one was ever going to read. I hated reading crap, and hated being gouged for a fancy hard-cover edition of crap even more.

I groaned, eyeing the Starbucks that adjoined the store. But I let Hubby talk to the author as I politely thumbed through a “novel” that wouldn’t have survived one minute in my critique group.  All was fine until I noticed he had a book about how to be a super successful published author.

Thumbing through, I saw page after page of advice that was more likely to get an aspiring writer tarred and feathered than published. Advice like “be distinctive with your query, like sending it in a pizza box or on scented paper.”

It got real ugly from there and I don’t think I am allowed in that Barnes & Noble anymore.

See, I tolerated that he wanted to publish and even mildly admired his gusto. But, when it came to making $25 a copy to give writers really bad, tragic advice? I was done.

I am very protective of baby writers….and we can probably just blame pregnancy hormones. I behave much better now. Hubby took me for clicker training at Petsmart.

So why did I take the time to share those stories with you?

Because they are Cousin Ray-Ray stories. Everyone has a horror story, but horror stories are not necessarily the norm and certainly are no reason to jump to conclusions. Also…

Just because something starts off ugly doesn’t mean it cannot transform.

For instance, it was possible to shop on the Internet back in the 90s. Now, you took your identity in your own hands doing it. We didn’t have good security measures and people, being naive, didn’t know what to look for when it came to plunking their personal information into a fill-box.

Now? Because people continued shopping on the Internet? Totally different experience. Why? Well, better filters from companies and a savvier customer who doesn’t just tell anyone her Social Security number.

Why Self Published Authors are Awesome

Oooh. I know some of you just cringed a little. Hear me out.

Five years ago I told anyone who would listen that publishing would go the way of the music industry. The traditional gatekeepers would lose their monoply and more power would flow to the artists. I predicted that the only thing that needed to happen for the walls to fall, was for an e-reader to become simple to use and affordable.

Ironically, I went to a writing conference in April of 2009. An agent on the panel declared that e-books were statistically insignificant and always would be. They would be the new audio book.

Yeah, I struck him off my query list. Clearly, he had no vision.

Then, three weeks later the first iPad released and proved my predictions correct. The e-book market exploded. Then came the Nook and y’all know they rest.

So why should we all hug a self-published author?

Because people who self-published, especially in the beginning, were what are called “early adopters.” Early adopters are those brave enough to buy the first VCRs, to be the first to buy stuff off a web site, the first to explore what it means to upload their manuscript as an e-book or print POD.

Think of it this way. If we hadn’t had people willing to look ridiculous clunking around in a steam-powered horseless carriage, we’d still be saddling up a horse to go to the store.

Monopolies Stifle Innovation

I am not picking on traditional publishing. But here’s the thing. When a company holds a monopoly on any industry, there is no impetus to change, become more efficient, or look for new ways to please a consumer. This is why entrepreneurs are good for all markets. They bring healthy competition that forces creativity, innovation and efficiency.

Monopolies are not fertile ground for the early adoption behavior that fuels the big industry changes.

Traditional publishers don’t generally have the luxury of being early adopters. Are they evil and thinking of ways to make writers lose hair? No. They have a lot of people depending on them, so they are less likely to take risks.

Yet, we need explorers and risk-takers to create the ripple that becomes the tidal wave of change. This is why we all need to thank a self-published author. They laid the ground for the “new norm.” They pressed and pushed until e-books and POD BECAME relevant and competitive and this made traditional publishing rethink its business approach.

Almost all writers of today and the future will consider e-books to be a huge part of their royalty portfolio.

How did this happen?

Self-published authors 1) couldn’t make it past the gatekeepers 2) didn’t want to mess with the gatekeepers. These two factors made them motivated, bold and willing to look dumb.

The deal is, there was an obstacle and self-published writers dared to find away around it or, if need be, through it.

My favorite saying?

Aut viam in veniam aut faciam.

I will find a way or make one. ~Hannibal

Self-Publishing Serves the Consumer

Make no mistake, I am well aware that there is a tidal wave of crap out there, but we will discuss this another time.

Many authors had good or even excellent writing…that simply could not get a traditional break.The reason for a barrier wasn’t always because the writing was bad. There are many reasons books get turned away.

Maybe the book didn’t fit cleanly into a genre and the agent couldn’t sell it. Maybe a sci-fi author now wanted to write a romance and the publisher wanted more sci-fi books. Maybe the publisher already had three werewolf books slated for the year. Here are books that would have been shelved, that now can get to readers who can then fall in love.

Self-Publishing and Indie Publishing Gave New Life to Dead Books

Maybe an author had a wonderful backlist that was now out of print and the publisher no longer wanted them. NYTBSA Bob Mayer is an excellent example. He had scads of titles that had hit the NYTBS list and even the USA Today List, but they were out of print and the publisher was done.

What about all the hours of hard work? Bob’s books were awesome, but now they’d been retired to some book nursing home when they still had a lot of life left. They could find new readers to love them, but if Bob had just given in, they would have faded away and been forgotten.

Bob, thankfully was a Green Beret and “give up” is not in his vocabulary. Not only did Bob not wave the white flag, he started he own publishing company, Who Dares Wins Publishing. You can check out his amazing books here.

Maybe a writer had an AWESOME book, but no one in traditional publishing could help. It happens. It happened with a book about how writers could use social media to build a platform, but traditional publishing was too slow to get the book to market before the content would be obsolete ;).

Thus the book was dead until indie press gave it life, and we now have the #1 best-selling We Are Not Alone–The Writer’s Guide to Social Media. Traditional marketing could not help me, but Bob’s company Who Dares Wins Publishing could. How many writers have benefitted from a book that might have just died in a slush pile?

Self-Publishing Brings New & Fresh Variety

There are times when it makes no sense to query traditional publishing. For instance, if a writer happens to write poetry, short stories or even screenplays. Traditional publishing will almost never publish those non-traditional works. Ah, but talk to Chuck Wendig if you would like to enjoy some of this unconventional literary fare.

Is it because people don’t want to read short stories or is it more because the publisher can’t sell enough poetry books (unless the poet is Jewel) to make it a good investment for them and the author?

The same thing happened in the music industry. People thought the world would end because any band could get their chance at the spotlight. Music-lovers would be overwhelmed with crap since they didn’t have Empire Records telling people what to like.

What happened?

People bought more music than ever before. Since they were no longer forced to buy an entire LP, they were more inclined to listen to NEW kinds of music now that they could get songs for 99 cents (Thanks to Steve Jobs). The current generation has a very broad palette and dynamic tastes. How were they able to sort through all the choices, sift the treasures from the garbage? The same way people will sort the literary treasures from the garbage.

Good content. Positive word of mouth.

I think people are reading more and more and this is exploding in exponential proportions. Writers should be doing a big fat happy dance. With e-readers and smart phones, people read more than they ever have in human history. They are also far more likely to explore new genres, new authors, and sample new content.

But without the tenacity of the self-published (or indie) author, would we even have the e-reader? Would we have had it as soon? Would we have millions of people willing to read all kinds of genres? Or would we still be limited to paper books and griping that people don’t read anymore?

So back to the beginning of my story. Sure, those two self-published authors made me want to slam my head in a door. But now? In retrospect? Both of them invested hard work, money and time into exploring new ways to get their product to the consumer. They dared to be different.

The self-published author had nothing to lose, so he was more willing to test out, try and invest time and money into unconventional methods….methods that we now commonly enjoy.

I cannot tell you the joy I now have for reading now that I have a Nook. I have read more books and more genres than ever before. My husband downloads almost a book a week. Before e-books, he never read. My mom uses a Nook because she can make the font large enough to make reading enjoyable.

We enjoy these new luxuries because entrepreneurs dared to think outside the box and would not back down from getting their chance to shine. Some of them failed, but they failed why daring greatly…so I thank them. We all should thank them, no matter what kind of writer you aspire to be, traditional, indie or self-published.

So what do you think? Do you think  of self-publishing a little differently? Do you think I am the devil’s handmaiden? Agree? Disagree? What are your thoughts?

I LOVE hearing from you guys!

And to prove it and show my love, for the month of December, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of December I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books!

Today we are going to talk about platform. Platform, next to the actual writing, is simply THE most valuable asset we possess. Platform and content are the two things we control, and they are the largest determining factors as to whether or not we will have a successful writing career. Platforms offer us career stability and a foundation for a future.

What exactly IS platform?

So what is a platform? There are two sides to platform. First is the definition of our platform. What is unique about us or our writing that can be a determining factor in our content?

In Hollywood, the mantra is, “Give me the same…but different.” This should be our mantra in defining our platform. We need SOMETHING that defines us as a writer…but at the same time makes us stand out from all the others. Same but different.

Our platform definition is basically our image, and affects the way we will approach others. Think of it like how we dress. Do we approach people as the three-piece suit Power Point guy? All business and professional? Are we the D&D T-shirt video game guy, and we quote Blazing Saddles far more than is socially acceptable? Are we the seductive yet snarky diva who teaches about bringing out the inner muse? Defining platform goes a lot to adding to voice.

Just go read Bob Mayer’s blog…then pop over the Chuck Wendig. Both have amazing blogs, but very different voices and presentation. Both authors use their strong suits, and their personalities come screaming off the screen (in a good way).

I liken myself to Erma Bombeck meets technology. I strive to add a heavy dose of humor and common sense to all of my social media endeavors. I am using something unique to me; the ability to be funny…honed over 18 schools and countless Mean Girls whose sole mission in life was to make my life hell. Years of always being the new target kid developed in me a strong defense mechanism. I learned to be funny. Kind of like peeing on yourself so no one eats you.

In my Blogging to Build Your Author Brand on-line classes, I run participants through a series of exercises to help them define their unique platform. We peel back the layers of fear and the defense mechanisms to reveal the best of what each writer has to offer. Why be a bad copy when you can be an awesome and original YOU?

Defining our platform is like putting together blueprints for a building. Are we a Frank Lloyd Wright writer? A Tuscan villa writer? A post-modern industrial writer? A ranch-style writer? We need to know what we are constructing first.

Anyway, once we have defined our platform, then we go about building our platform. This can be a simple presence in a blog or on FB…or, if you read my book WANA, it is a complex layering of all the major sites worked into an intricate lattice that is designed to grow with your career and withstand upsets in the industry or on social media. The WANA Method maximizes time on social media.

Good Platforms are Solid and Can Withstand Major Shifts in Technology and Trends

All platforms are comprised of content and exposure. How much content are you putting out there? What kind of materials (content) are you using? Are you cheaping out? Cutting corners? Or are you constructing something built to last? Are you showing up daily on the job site? Or, are you adding to your structure only when the mood strikes?

One blog every quarter and tweets about the weather is not a lot of useful content. Content makes up the beams to construct the platform. If we are putting out 2-5 quality blogs a week, that is like laying down solid beams of hardwood. If we don’t blog and only play with farm animals on FB, think of that like building our platform with leftover Popsicle sticks. Yeah, there is something “wooden-ish” there, but it sure as heck ain’t load-bearing.

This is the point of all that we are doing when on social media. We are creating a load-bearing structure using content and relationships. This is the platform that will hold our reputations, our public images and our futures. Do we want that made out of beams of African Teak or cheap particle board? The better a platform is constructed, the better chance it can withstand a major change.

Case in point…

MySpace is dead. It decided to commit digital suicide two weeks after WANA released (feel free to ignore all ten pages that talk about MySpace). But this illustrates a good point about how my approach to social media is different. WANA methods focus on people, not gizmos.

At the time We Are Not Alone came out, I already had a HUGE presence on MySpace. But, because I had built my platform the way I teach you guys, I was able to keep most of my followers as tastes changed in favor of FB and Twitter. How? My platform was solid and founded on people, not technology. Technology changes, but people are timeless.

When MySpace went crazy, my platform remained intact. Members of my MySpace platform could easily find me on FB as they abandoned ship transitioned. And, the even better part was that I made enough of an impression that they WANTED to find me. That is awesome no matter how you look at it :D.

I teach you guys how to do the same. There is no guarantee that Facebook will be here next year. Twitter could turn cannibalistic and devour itself one tweep at a time. We don’t know where the technology goes or how it will change, but we DO know that people are awesome and they long to connect and be part of a community. This is the key reason that platforms created on technology are so high-maintenance and vulnerable to change (implosion). They are founded on shifting sands of gizmos, not the timeless nature of humans.

So now that you agree that platforms need to be built on relationships, let’s look a little closer. Platform gives us a number of advantages.

The Six Degrees of Separation

As society advances, we have more and more choices and are inundated with information. People tend to pull in to what and who they know. Actively participating on social media is like rolling dice. The more times you roll, the greater chances you have for being successful and opening that ONE door that changes your career forever.

Platform Gives Us Options

Too many writers are out there betting on that ONE thing to come through…an agent will represent them then NY will offer them a deal. Nothing wrong with that, but it can make us crazy in the meantime. To be blunt, an author with no social media presence and only a manuscript has limited options.

Yet, if we have a large platform, our options improve. We can indie publish or self-publish other works until an agent bites. We can take an unconventional path to publication. Four years ago, no agent would rep me. There was no market for a social media book. So, because I had a platform, I could indie publish with WDW Publishing. WANA (and probably divine intervention) landed me one of the top agents in the world.

Platforms Make Us Desirable

A strong platform gives us the luxury of being picky. Platform makes us the pretty girl that every guy wants to marry. We can stay single and break all their hearts if we want to, or we can settle down. But the best news is that we don’t have to settle for the first offer that comes our way.

Amanda Hocking, H.P. Mallory, and John Locke didn’t have to chase the first agent that smiled at them. They had a lot to offer any agent/publisher, so they were able to use their platforms (books and sales eventually are part of our platforms) to broker sweeter deals. Platforms can be viewed as a time suck, or they can be viewed as a way to improve our marketability. Writers have more power and control over their careers than ever before. Opportunity often comes wearing overalls; it’s why most people miss it.

What are some tactics you guys use to grow your platform? Any suggestions? Thoughts? What are your biggest challenges? Share!

And to prove it and show my love, for the month of November, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of November I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books!

This Week’s Mash-Up of Awesomeness

DeKloutifying by John Scalzi. HILARIOUS and YES!!!!

What NOT to Blog About by Literary Agent Rachelle Gardner

Learn to Fail Aggressively by Nationally Best-Selling Author James Scott Bell

Cool interview. Author Kait Nolan talks Werewolves

Enough Already! Self-Promotion Madness by Roni Loren

Why You Need Extra Eyes by Tawna Fenske

Make sure you check out Porter Anderson’s Writing on the Ether to keep up with the latest and greatest trends in publishing.

Also, Jane Friedman is an EXCELLENT resource for all writers, but especially the digital author.

Excellent article in the Wall Street Journal. Penguin Publishing launches a self-publishing division

In my “free time” I am running for Vice President of the Free World. Piper Bayard and I launch our blog tour over at More Cowbell because, seriously…the White House needs more cowbell.

Yes this is really me with Sandra Brown (before the restraining order kicked in :P). And I look like a ghost who’s haunting her. Cell phone cameras. Ptth!

Over the past couple of weeks, we have been talking about the unique nature of marketing books and the equally unique challenges this can present to writers…who need to market yet still need time to write great books. I can always tell when there has been a major conference, namely because the Twitterverse comes alive with writers (usually the agented ones) in a total panic trying to barter a kidney for anyone who can find them a cloning machine. What has happened?

They likely attended a social media class, or worse…their publisher did.

The inherent problem in this is that much of the social media being taught (even at writers’ conferences) not only won’t sell books, but it is a formula for a writer to end up with a nervous breakdown. I have made it my life’s work to create a social media approach that is not only more effective than my competitors’ approaches, but my methods are designed to harnesses the creativity of an author and also leave time to write.

Last week we talked about getting sticky, and why you need to run out at the very first opportunity and buy Malcom Gladwell’s Book The Tipping Point after you get a copy of my book, of course :D.

Gladwell’s book affirms much of what I have been teaching for years about social media.

I am not happy writing blogs or a book that simply tells you guys what to do. Here is a checklist and have fun. That approach is only minimally helpful. I want you guys to understand WHY you are or aren’t doing certain things. This way, if Twitter blows up and G+ devours Facebook, you won’t have to wait for me, your social media expert to tell you what to do next. You will be empowered to think for yourselves and adjust accordingly in ways that will keep your platform intact and expanding.

I want you guys powerful, not paralyzed.

Anyway, back to our marketing…

We all need to strive for what I call The Sticky Author Triumvirate. It doesn’t matter if our message reaches a hundred million people. If our message doesn’t translate into action, it is wasted time. Stickiness makes the difference and we need to be Sticky Authors, Sticky with Social Media, and Write Sticky Books. If we master one but not the other two, we will do well. If we master 2 out of 3? Even better. But the real key to success is mastery of all three.

This is one of the reasons it is so critical to write great books. Great books, by nature are sticky, but alone, they are not enough. Now that everyone can be published, relying on a great book alone is playing craps with our career. We have ALWAYS been in control of writing great books and we had a 93% failure rate to show for it (per BEA statistics). Now in the Digital Age, we finally can get sticky on ALL sides so there is NO getting rid of us. We are gonna be triple-sided duct-tape (yes, I invented a new duct tape dimension—we will be STICKY DEFINED).

Ah….but here is where the panic set in last week.

What???? *twitching eye* I need hobbies and friends outside of writers? How do I get one of those? Are they on eBay?

Yes, we need all the friends we can get, but don’t get lured in by sites promising to get you a bazillion followers/”friends.” Also, more is not actually, well, more. Just because someone has 22,000 people following them on Twitter doesn’t mean this person is effective. In fact, in my experience, this kind of person is generally less effective because the network is not comprised of the right kind of people.

Quality trumps quantity. Not all connections have the same weight. So the cool news today is that you don’t have to go make a bazillion friends. You just need a handful of the “right” friends. It’s the old adage, It’s not what you know, it’s WHO you know. That is truer now than ever in human history.

Who are the right kinds of friends? There are three kinds of people that can make the difference between life and death for our message (book, idea, fashion trend, product, etc.) especially in the Digital Age, and we will talk about them more in a moment.

One of the reasons that the traditional blast out an automated message on social media approach doesn’t work is that it separates the writer from the social media experience. To get connected to the right people, we need to be present so we can pay attention.

Say I am new to Twitter. My name is Suzy Newgirl and I have 10 followers and at least half of them are bots. The other five are members of my writing group and they are in the same situation. Our networks are almost insignificant.

For example, even though the very first fax machine cost $2000, it was pretty much worthless. Why? Who was the owner going to fax? There were no other fax machines. The machine only began to grow in value as more people bought fax machines capable of recieving, repackaging and then resending messages.

Same with a social media network. A person with 5 followers doesn’t yet have a lot of value to her network. How can Suzy Newgirl increase the value of her network? She needs to connect to one of three kinds of people (per Gladwell):

A Connector

A Maven

A Salesman

These three people have ALWAYS been responsible for word of mouth epidemics; we just didn’t have the unprecedented access to meeting them that we now have. The awesome part about social media is it is like a giant honey trap for these types of people. The Connector, the Maven, and the Salesman are generally intensely social people and they are drawn to social sites like a mosquito to a bug light.

ZZZZZZZAPPPP! Ouch!

If we pay attention on social media long enough, it is almost a guarantee we will meet these sorts of people. And, if we can fold them into our network, we significantly increase the odds our message will become an epidemic . Suzy Newgirl might only have ten people in her network, but if her Friend Number 11 is one of these three types of people? She just took her social power to an entirely new level.

Now I hope you are seeing where numbers lie when it comes to social media. There are publishers giving their writers a hard time because, Author Such and Such has 30,000 followers. Why don’t you? You need to get on Twitter and follow more people!

This is part of what is making writers lose their hair.

But the numbers alone are not enough. If we have thousands of Suzy Newgirls in our network, then that is akin to being able to fax 1000 other broken fax machines. They might be able to receive messages, but the message dies there.

This is part of the working smarter, not harder. We don’t need to make ten thousand friends to reach ten thousand people. I actually have the potential to reach 10,000 people with just four friends (psst…they hang out on #MyWANA a lot cuz they are social butterflies). So, today’s tip is that we need to actually spend time on social media. Not a lot of time, but meaningful time. Pay attention. Who is active? Who is social? These are the people that make the best friends to have in life and on-line.

If we disappear off Facebook for days and weeks or only tweet when we need something, we miss out on meeting these generous and wonderful people that can make the critical difference in our careers. We don’t need to take our career to the next level…we just need to meet the person who knows the person who gives us the opportunity.

A quick example. I am not particularly a fan of Facebook. I like it, but it isn’t fast enough for my ADD nature. Yet, I still post regularly on Facebook. Three times a day I scroll down the News Feed and look for at least TWO people I can congratulate, encourage, make smile, repost, SOMETHING. At the end of the day it isn’t a lot of time invested. BUT, an enthusiastic romance writer DeeDee Scott happens to be a Maven.

DeeDee not only is highly connected, she has this intense desire to serve and help..and she totally DIGS Facebook. I had reposted stuff for her and been social simply to serve and be kind. Thus, early in 2011, when a friend of hers asked for suggestions to speak on a panel at the Romantic Times Conference in Los Angeles, she immediately recommended me…even though we had only chit-chatted on FB.

That opportunity was a massive turning point in my career. I went to LA, ended up quoted in the LA Times, met a bunch of NY Times and LA Times best-selling authors, and my career literally leapt to  a totally new level that, on my own, I would never have had access to….without the help of a Maven.

We will talk more about those in another blog. So, what do you take away from this? Be kind. Be social. Be vested. Part of the reason DeeDee recommended me was because I was one of the only social media experts who wasn’t a spammer. I’d actually talked to her and acted authentically (this is being Sticky). She remembered that, so when the opportunity presented itself, DeeDee knew just who to recommend…and I cannot thank her enough.

Any social media expert that sells you a bill of goods about how this or that program can tweet for you or post for you really isn’t doing you a favor. That is busy work that looks good on the surface. It’s activity with no productivity.

In the coming weeks, I am going to talk more about these three kinds of message-bearers—the Connector, the Maven and the Salesman. How can you find them? Befriend them? (And NOT in a spammy self-serving way). This is also one of the reasons it pays to be kind to everyone. Kindness is always the best policy.

Again, this is one of those things that’s simple…but not exactly easy. Yet, at the end of the day, this method will help you make the most out of your time on social media. Instead of being a hamster in a wheel tweeting into the abyss and “hoping” something sticks, you will be able to increase your odds that something will not only stick…but will set fire ;).

So what are some of the challenges you face when it comes to social media? Any tips, suggestions, advice. Hey, I love hearing from you guys and learning from you.

And to prove it and show my love, for the month of September, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of September I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Note: GRAND PRIZE WILL BE PICKED THIS MONTH. I am keeping all the names for a final GRAND, GRAND PRIZE of 30 Pages (To be announced at the end of September) OR a blog diagnostic. I look at your blog and give feedback to improve it. For now, I will draw weekly for 5 page edit, monthly for 15 page edit.

In the meantime, I hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left over to write more great books! I am here to change your approach, not your personality.

Mash Up of Awesomeness

Eleven Deadly Sins of On-Line Promotion for Writers –YES!!! *claps hands*

Great resource for those interested in writing for children.

Who has the right to say you suck? by the brilliant and hilarious Tawna Fenske. BUY HER BOOK, Making Waves.

How a Perfectionist Learned to Bear her Warts by the wonderful Jody Hedlund. She is guest-posting for one of my all-time favorite people, Katie Ganshert. If you want great Christian Romance and can afford to lose a day glued to your couch turning pages, then buy Jody’s new book The Doctor’s Lady.

25 Things You Should Know About Queries, Synopses and Treatments by the genius Chuck Wendig. BUY ALL HIS BOOKS AND LISTEN TO HIM. He is not only insanely funny, but his advice is some of THE BEST in the industry.

What Can Writers Learn from Spam? by Jami Gold

Therese Walsh has an awesome post over on Writer Unboxed (subscribe to this blog if you haven’t already). Internal and External Inspirations

Has Rejection Turned You Into Someone You’re Not? by Jane Friedman (This is another critical blog to follow to keep your fingers on the pulse of our industry)

There are so MANY more wonderful blogs, but I have run out of time. I will make it up next week!

Happy Friday! Well, it’s a holiday weekend, so I figured we’d have some fun. I posted this argument at the beginning of the year and it generated a lot of cool discussion. There have been a lot of changes in publishing, so I figured it would be entertaining to revisit the debate. About what?

Self-publishing.

After two #1 best-selling books (published through a small, yet awesome indie press) I feel I can safely offer my opinion, then you guys can add $2.50 to my advice and get a venti coffee from Starbucks.

In my opinion, self-publishing is the American Idol of the publishing world. Thousands and thousands of hopefuls and a small handful of real chart-topping talent–talent that, in the traditional format, might never have been discovered. That’s the upside. The downside? There are no gatekeepers to keep the talentless hacks from assaulting the unsuspecting public with their “art.”

In the beginning, American Idol caught a lot of flack. There was a genuine concern about removing traditional gatekeepers from the music industry and–GASP–leaving it to the fans. Um, who did they think bought the records?

But I digress…

There was a genuine worry that American Idol could devolve into a popularity contest and that real talent might get overlooked due to a stampeding hoard of tone-deaf fans. I mean,the insanity! Let the FANS vote for their favorite artist? What’s next? Democracy?

I might be going out on a limb here, but I don’t think the guy in fat guy in spandex with the pink boa who sounds like a cat got caught in a screen door has yet to make it past the first round of eliminations. And maybe some less-than-talented people make it past the initial auditions, but, overall, I would have to say that the general music-loving public has, so far, picked some amazing artists.

Back to self-publishing. If we are willing to gut through the initial American Idol stand in line for three days, then we get our shot. What is the literary equivalent? If we are willing to fork out the cash, time, or effort to self-publish, we get our shot to be heard. Period. That is all self-publishing is. After that, it boils down to the story and prior preparation. The readers will judge the talent.

In American Idol, you have the raging hacks, the undiscovered diamonds…and then everyone in between. Same with self-publishing.

The Deluded Divas

American Idol is flypaper for people with far more ego than talent. They believe they have a “natural gift,” which is code for, “I’m too talented (self-deluded) to take singing lessons or be bothered by things like voice classes or learning to read music.”

They belt off some bad Whitney Houston song in a voice that makes every dog in a 10 mile radius start bleeding from the ears. And, when one of the judges suggests voice coaching, they go nuts, flouncing out to their entourage (closest loser friends) waiting outside the door.

“Because all their friends say they have a great voice, and that Simon just doesn’t know what he’s talking about.”

Yeah. You’ll show him…or not.

Writing has the same Deluded Divas. Critique groups always have at least one. This is the guy who reads every week–EVERY WEEK–no matter what. Why? Because short of taking hostages, this is the only way anyone is going to listen to his novel.

Rather than learning the craft, this type of writer frequently talks non-stop about the junk NY is putting out there, so he is going to just bust past all the gatekeepers who don’t know a real best-seller when they see one. That and he gets 100% royalty rate that he can reinvest into producing the crappy film based off his crappy book…which he is also writing and producing with his cousin who’s attending film school at the local junior college. Things like correct punctuation, consistent POV and Aristotelian structure interfere too much with his “art.”

Yeah.

The Undiscovered Diamond

What is the whole point of shows like American Idol? Finding real talent. The vocalist who might not have ever been noticed if she’d gone the traditional route to landing a record deal. 

The Susan Boyle. The Fantasia. THAT one, the one with the voice of an angel.

If you have watched more than a handful of episodes of American Idol, then you have likely seen this happen. The shy kid with the guitar who starts singing and you just know this kid is going to go all the way…and you rooted for him when he was a nobody.

Same in self-published writing. But, like the shy kid with the guitar? This chart-topping (best-selling) writer is equally rare….like most undiscovered diamonds. Duh. If they were as common as brown puppies, they wouldn’t be diamonds.

It is not a regular thing for a self-published author to suddenly shoot up the best-seller lists. Not saying it won’t happen, but it sure doesn’t happen as frequently as the Deluded Divas would like to believe.

Even when traditionally published, a writer’s odds of hitting the NY Times best-seller list is about the same as being hit by lightning. As the market stands, the odds of our self-published book with no prior platform hitting the NYT best-seller list is about the same is being hit by lightning and mauled by a polar bear and brown bear at the same time. Not saying it can’t happen, but, um…yeah.

Good books with no platform stand a slim chance. Bad books? Well, no amount of social media can help a bad book.

Everyone In Between

Between the Deluded Divas and the Undiscovered Diamonds, there rests everyone else. Maybe they are new, need more time to grow, develop, learn, train, mature. On American Idol, I have seen vocalists audition, and it was clear to see they had the makings of a great singer…but they needed more time, a mentor, a coach.

I have also seen many writers who fall into this category. Are they bad writers? No. Are they green? Maybe in need of refining? Yes.

Do all of us have the talent to make be the next Cormac McCarthy? No. But there are a lot of successful authors out there who do very well, even if they aren’t a household name. They sell enough books to live comfortably and do what they love every day. For many of us, that would be enough. Would we like to be the next Stephen King or Nora Roberts? Sure. But we wouldn’t consider our lives as failures if we simply could sell enough books to write full-time.

Some of us might even make it through all three tiers.

I know I began as a Deluded Diva. I thought my first novel was perfect and that those agents didn’t know what they were talking about. Part of me is thankful that self-publishing was not as accessible back then. This book I though was perfect is the same book I joke about being banned by the Geneva Convention as torture.

I’ll tell you where the bomb is, just not another chapter of that booook!

I was new and unskilled and had more ego than sense. After the gatekeepers popped me on the snoot a few times, I started realizing maybe I didn’t know as much as I thought I did. I joined a critique group, took a job as a line-editor, and read every craft book I could find.

Right now, I’m idling in the Everyone In Between, hoping I am that Undiscovered Diamond. But you know what? Maybe I’m not. Maybe I am a nice opal or an emerald. Maybe I am a diamond. Time and hard work will tell.

So what about self-publishing? Basically, it boils down to Deluded Divas, Undiscovered Diamonds…and then Everyone In Between. Self-publishing is our audition. It’s our shot to show the reader what we’ve got.

Maybe you are a deluded hack who should be banned from accessing Microsoft Word. That will become clear eventually when you sell 10 copies of your novel and one is to your dog, who ran in front of a car the next day after he “bought” your book. If your writing sucks, it will become painfully clear in the sales numbers soon enough. Live and learn. Keep writing.

We should always be writing the next book. We should never stop and never ever bank our future on one book. That’s a bad business plan.

Nothing ventured, nothing gained. Maybe sales figures will be enough to sober you up and help you understand that your craft needs work. Write, write again. It ain’t over until we give up. You might have to work extra hard to clean up your reputation, but that’s why there are gatekeepers in traditional publishing. They are there to warn us that our vampire-mystery-chik-lit-historical-memoir is not a winner. Agents and editors aren’t out to get us…really. They are there to help keep us from making fools of ourselves.

If our book makes people claw out their own eyes is not so great…

The kinda good news is there are so many self-published books that, if the first book we upload is a stinker, it’s pretty unlikely so many people will notice that we must change our names and go live in a cave. This isn’t to offer permission to put out garbage, but I do feel writers have a bit more leeway here than they did even three years ago. If the book flops, just move on. Shake it off and learn and do better next time.

Write more books and keep growing. Once your writing is strong enough to really start selling, you will probably have the skills to go back and fix the problems in the earlier books. Then, you will have more books for sale for fans. Nothing ventured, nothing gained. Just like the participants of American Idol. They DO have the option to check their egos at the door, go get voice lessons and try again.

If our book is actually a gem…

Agents and editors aren’t God. Maybe you have an excellent book that is professional and not riddled with typos. Maybe you are the Susan Boyle or Fantasia or LeeDeWyze…the Undiscovered Diamond. Maybe you aren’t yet a diamond, but are clearly one in the making. Again, the sales figures don’t lie. Building a solid platform ahead of time will help make this clearer sooner.

Likely, you are like the rest of us who are Everyone In Between and hoping to one day be discovered. Any way you go, best of luck and I hope my blogs help you reach your dreams faster than you dreamed possible.

So what do you guys think? Are you a fan of self-publishing or do you think it is a sign of the coming apocalypse? And the angel opened the fifth seal, and out of the cup of wrath poured many bad vampire books to torment the unfaithful. Are you in between? Undecided? I love hearing from you.

And to prove it and show my love, for the month of September, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of September I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Note: GRAND PRIZE WILL BE PICKED THIS MONTH. I am keeping all the names for a final GRAND, GRAND PRIZE of 30 Pages (To be announced at the end of September) OR a blog diagnostic. I look at your blog and give feedback to improve it. For now, I will draw weekly for 5 page edit, monthly for 15 page edit.

In the meantime, I hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left over to write more great books! I am here to change your approach, not your personality.

Two weeks ago, I introduced you guys to the WANA Theory of Book Economics and explained why traditional marketing doesn’t sell books. Books are not like cups of coffee or breakfast cereal, and thus they require a different approach. Writers are unique as well. Since we are responsible for producing the product, we need a social media approach that leaves time to write great books. That was the first lesson to connecting to potential readers. We needed to know HOW to connect, WHAT kind of message to send and WHY.

We also needed to understand the critical element that could make a book a mega success. What was this key variable? We had to mobilize the fat part of the bell curve, that group of people who would not normally define themselves as readers. Harry Potter, The DaVinci Code, Tuesdays with Morrie, Twilight, The Hunger Games, and The Help all tapped into groups of people who normally didn’t read for pleasure. But, once some key non-readers read these books, word of mouth sparked like wildfire and made literary history.

Then, last week we discussed the typical non-reader. There is a misconception that non-readers don’t read. They DO read, they just happen to be highly selective. The benefit, however, is that once one of these guys becomes a fan? He is the most loyal, devoted fan any writer can have. Often this guy is the best salesman a writer can have, too. He is the flint that creates the spark that can start the fire.

Ah, but here comes the problem. Too many writers are getting on social media and hanging out with each other and marketing to each other. It is an over-saturated market full of people who can only buy so many books. Also, since all of us LOVE books, we might not be the best people for starting that wildfire of word of mouth that can push the non-reader population past the tipping point.

Many of you are chomping at the bit. Kristen, for the love of all that is holy, where can we find the magic well of readers?!!!

I would love to give a website. Go to www.loyalbookfans.com . Wouldn’t that be lovely?

Or a formula for success. A + B = Wild Success.

But, unfortunately there is no specific formula and no guarantee….BUT that doesn’t mean that we can’t change some behaviors that will improve our odds.

I did say it was simple to connect and mobilize the fat part of the bell curve, and it is. Simple, however, is not necessarily easy. There are actually a number of components we need to understand, but today we are only going to focus on one, because it is the most important. If we cannot do this, then nothing else matters.

We need to get sticky.

In The Tipping Point by Malcom Gladwell, Gladwell defines The Stickiness Factor in the following way:

The Stickiness Factor says that there are specific ways of making a contagious message memorable; there are relatively simple changes in the presentation and structuring of information that can make a difference in how much of an impact it makes.

The Stickiness Factor not only applies to our social media message, it applies to who we are as writer personalities. It also applies to our books. Nailing what I will call The Sticky Author Triumvirate is key to publishing success. We need to get sticky on all three to have the best odds of reaching the tipping point.

Let’s take a look at The Sticky Author Triumvirate:

Get Sticky with Social Media Messages–One of the reasons that traditional marketing doesn’t work when it comes to books is because the messages are not sticky. In fact, we are so blitzed with marketing messages in modern society that most static marketing messages become white noise and invisible. Thus, why blitzing about our book non-stop on ten different sites is almost a total waster of time is that the message is rarely seen. Auto-tweets are ignored and are what marketing experts call clutter.

Additionally, it is not enough to have a million people “see” a message/pitch. There has to be a compulsion to SEE then ACT. If a zillion people see my commercial for car insurance, but none of them ever change policies, then the campaign is a failure. It’s a big waste of effort, time and money.

What can make people care? Care about them first. Just talking to people can go a long way to making a sale. People buy from who they know and who they LIKE. Stand apart from all the takers and learn to give.

Beyond that?

Sit and write out a hundred activities, shows, channels you enjoy. Yes, most of us love writing, but we love other things too. We need to extend ourselves and simply start talking to people. We have to learn to be unselfish. Stop demanding that others connect with us via OUR interests–books, craft, writing–and take initiative. We need to find the common ground and extend ourselves and connect where the potential READER feels comfortable.

Surely you have friends, family or coworkers on Facebook who are not writers. Who are they talking to? Who are their friends? Start poaching (befriending) normal people and talk to them. If you meet a pet lover on Twitter who works as an engineer and he is nice? Look at who his friends are and extend yourself. Hey, I am a pal of Jim’s. Thought I would say hello. (DO NOT pitch to them, just talk and be cool).

Just once a day make it a point to add non-writers who are active on social media to your network. Pay attention to them and start a dialogue. Be genuine and positive, and that will be STICKY. People crave attention and positive energy.

Next week we will talk more about why this is critical and how to use this tactic to reach the tipping point. Not all conversations have equal weight. But in the meantime? Let’s get sticky!

We Need to Be Sticky Writer Personalities–The Stickiness Factor applies to who we are as writer personalities. Chit-chat on social media is actually very valuable. People who repost, compliment, question, serve and are positive are MEMORABLE. We stick. People like us. When they think “writer” we become the first person they think about.

This is one of the reasons that it is beneficial to get out of the comfort zone and talk in other circles. As long as we are all hanging out with other writers we blend into the din. But, if we start talking to other people who love sports, parenting, knitting, the military, politics, animals, horses, celebrities, then we are now injecting ourselves into groups that are not comprised of people just like us. We stand out so we are a bit more “sticky.”

Pick a favorite channel on cable TV, a favorite show, or a video game, and I guarantee there is a Twitter # for it. Start talking to people who love #Lost or #AI, #Glee, #ESPN, #Oprah, #Ellen, #Halo #GoW. Profile your potential reader. What does she do with her day? Maybe she is a #teacher or she plays #WOW. Get creative and get out of that comfort zone.

Sure you can still hang out with writers, but we are your peers, not substitute for a fan base. To be sticky, we need to stick out.

Go to the websites of your favorite channels and shows and find their Twitter # and then make a column for it. Chat with people. I have columns for #GoW (Gears of War) ,#MW (Modern Warfare), #military because I am also an avid gamer and I am military. LOTS of great people in these groups.

We can use blogging to super increase this Sticky Factor. How? First, stop blogging about the same topics as every other writer. Blogging about writing is great, but not necessarily memorable. There are better things to blog about that can make you stick like Super Glue. Author blogs, written properly, are a FANTASTIC way to increase our Sticky Factor exponentially.

If you want to learn to get sticky with your blog, I highly recommend taking my Blogging for Author Brand Workshop. It’s only $40 and TWO months long (one month lessons and one month launch) and it is from the comfort of your home. There are tools and tactics that I am only sharing in my workshops and that I am saving for my next book, so this is a cool opportunity to get lessons I won’t be teaching on the blog.

Finally, We Need to Write Sticky Books–At the end of the day, THIS is why I teach social media for writers. We need to have time to write great books. Great books are STICKY. Sure, if I have a popular blog and a good social media presence I will probably sell some books. But, the only way my book can break past that initial layer of contact is to write a sticky book. Turn politeness into PASSION.

It is not enough for someone to buy our book. They must also love it so much that they can’t wait to tell someone, recommend our book or even buy a gift copy for a pal. THIS is how word of mouth wildfires get started. We will talk more about this next week and I hope you pick up a copy of The Tipping Point. It’s a fun read and highly relevant to all authors serious about creating a long-term fan base.

What are some things that make authors on social media memorable to you? What makes you want to share a message? What turns you off? What are your thoughts? Opinions?  I love hearing from you! And to prove it and show my love, for the month of August, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of August I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Note: I am keeping all the names for a final GRAND, GRAND PRIZE of 30 Pages (To be announced) OR a blog diagnostic. I look at your blog and give feedback to improve it. For now, I will draw weekly for 5 page edit, monthly for 15 page edit.

In the meantime, I hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left over to write more great books! I am here to change your approach, not your personality.

Mash-Up of Awesomeness

Fave Stuff

My NEW favorite blog, Penelope Trunk’s Blog Blog Under Your Real Name and Ignore the Harassment LOVE THIS POST. Read THIS blog. “Awesome-sauce” as the brilliant Chuck Wendig would say.

Kait Nolan’s Can Cinderella Save Herself?

This is another gem (well they are all gems but this one is particularly shiny) Terrell Mim’s Living in the Dash. I cannot tell you how important it is that every one of you read this blog.

Writing Stuff

Don’t Be a Cheerleader for Crappiness–25 Things You Should Know about Self-Publishing by Chuck Wendig

Why Your Blog’s “About” Page Matters by Joel Frielander

Are You Keeping Yourself on a Short Leash? Great post about getting outside of the comfort zone by Kerry Meacham

What Do I Look Like, a Protag? Great advice about how to describe our protag without being ham-fisted and obvious.

The Changing Landscape of Publishing for Writers by NYTBSA Bob Mayer

Playing to Your Strengths by Jenny Hansen

Behold the Power of a Nap by Jennifer Hale

The Great Back-Story Debate by the amazing writing teacher James Scott Bell

How I Do It: Ease Into Responsibility by Jody Hedlund

Three Keys to Marketing in the Current Fiction Environment by Michael Hyatt

Three Things that Come First before You Tackle Social Media by the brilliant WD contributing editor Jane Friedman over at the awesome writer resource Writer Unboxed

Is Your Writing Group Helping or Hurting Your Career? by Steenah Holmes

You are Not Tolstoy or Dickens by Literary Agent Rachelle Gardner

How to Get Your Blog Post on Google’s 1st Page by Keli Gwyn

The Anti-Procrastination Diet by Roni Loren

How Much Time Do We Really Need to Write? by Natalia Sylvester

Funny Stuff

The Must-Have Urban Redneck Belt by Natalie Hartford

Planking–Not Just for Pirates Anymore by Piper Bayard

Lili Tufel’s Top Ten Signs You’re Married to an Author

My Dirty Little Secret by Tameri Etherton

Fun and Nerdy Fact Blogs

Who Were the Celts? by Kate Wood