Kristen Lamb

Author, Blogger, Social Media Jedi

Kristen Lamb — Photo

Posts Tagged: novels

Rings Image

Today, we have Alex Limberg guest posting with us once again. I’d already recruited Alex to do some guest posts for me because I just love his wit and style and he’s being a huge help because yes, I am seriously sick. I’m pretty sure Hubby tried to assassinate me with Ebola and make it look like “the flu”. I think I have Swine flu…NO! LAMB FLU!

I see a rainbow bridge and a light! No! I can’t go to the light! Not yet, Grandma! I am doing NaNoWriMo and I and on par for word count!

Screen Shot 2015-11-11 at 8.27.33 PM

Actually, I don’t know if my husband is really trying to kill me, I think the Mucinex is making me paranoid. I called the White House though and told them that Lincoln totally shot first and that if the Secret Service would just return my probiotic gummy bears I will stop ordering pizza delivery.

Anyway…of course what else would you think about when you are dying from the flu? Duh. Love scenes! Hellooo?

I totally just lied about that.

But Alex wrote this really freaking amazing post and I’m glad about that because I was born and raised in the bible belt, which means I can only write love scenes in my books when all of my family is dead. That and in Texas, romance involves a gun show or ammo sale.

To mix things up a bit, Alex is assisting me through the holiday season. His free ebook “44 Key Questions” to test your story helps you with creating intriguing novels and shorts. And this time, he is here to melt your hearts and minds with a fresh outlook at romance in fiction. Please cheer for him once again!

Yay, Alex!

***

Texans *rolls eyes*. If you are a gal, let me ask you one question about romance.

Imagine a guy is courting you. Which one of the following two scenarios do you find more romantic?

  1. He composes a minnesong for you and plays it on his mandolin under your window
  1. He invites you to the movies and to dinner

Take a moment to post your answer in the comments below. I’m not going to pompously prescribe you a “correct” answer, but instead have a second question for you (this post is getting worse than “Who wants to be a Millionaire?” right?).

Tell me, what do you think about the following love scene:

Heavy rain was pattering down on the streets.

“Wait, wait,” he suddenly shouted from behind, running after her. “You forgot something…”

Under her umbrella, she turned around surprised, with an expectant look on her face: “What is it?”

Panting he stood before her: “You forgot to give me a chance to tell you that I love you. More than I have ever imagined that I could love someone!”

“Oh, Mike!” She fell round his neck. Suddenly teardrops were mixing with the pouring rain: “I promise to love you forever, every single day of eternity.” She sighed. “Being with you is… like magic.”

They kissed passionately under the open sky, lost in a bubble of time and space, not even noticing the heavy waterfalls pouring down on them and getting them soaking wet.

Did this scene touch you deeply? Did it really get to you?

To me, it did nothing.

What you just read is a pile of cliches we have seen a thousand times before, all pressed into one single scene. I just fed you a learned code instead of serving you fresh fiction; yes, I force-fed you a learned code like traffic signals or like the bell that trained Pavlov’s dogs. The signals above are intended to get you salivating romantically… ring, ring!

Cliched setting? Check (“Heavy rain was pattering down on the streets.”)

Cliched expressions? Check (“I promise to love you forever, every single day of eternity”)

Cliched feelings? Check (“…I love you. More than I have ever imagined that I could love someone”)

Cliched comparisons and similes? Check (“Being with you is… like magic.”)

In short, the snippet above contains too many cliches and relies way too much on what the author thinks romance should be.

Fiction needs to speak truth, it needs to be raw and bold and unconditional, it has to touch our inner beings– like love. It should’t be a preformed template.

Here is the problem though: No feeling in fiction is harder to convey than love. That’s because being in love is a feeling that escapes any description– it’s too exciting; too strange; too magnetic; too rare. Pain, joy, disappointment, anxiousness are all easier to describe than love. They are more one-dimensional, more common and most of the time not as overwhelming as love.

Because love is so difficult to describe, many writers circle around it. Instead of taking a shot at painting the feeling itself for you, they give you placeholders you recognize from movies: “Ah, they are saying they will love each other forever! That’s how it works in romance novels, so that must mean it’s real love.”

So how can you do it better?

This post aims to show you a couple of ways to craft more authentic love scenes, drawing from deep inside. Also, because I know stereotypes can be hard to detect, you can find a free, downloadable goodie here to help you check your story for cliches and any other imaginable problem (it uses test questions).

Let’s take a look at refreshing ways to craft love scenes.

Romance Image 1

 

1. Use Commonalities

There is one thing all romances share in real life, and that’s definitely not a cliche: It’s the lovers’ commonalities.

The type of these commonalities might be completely different from romance to romance: One couple could be very similar in character, but very different in lifestyle; another one could have the same hobbies, but sport very divergent world views.

Common features and differences are what makes romance exciting; use the tension between the opposites and the attraction of the same to craft an emotional rhythm in your scene– or maybe it’s the tension between the same and the attraction of the opposites…?

One great ingredient of a love scene is two people “discovering” each other. Discovering commonalities is an exciting process and often lets love grow, so play with it. Let them be like magnets: Repelling when approaching each other from the wrong side, but attracting each other strongly when approaching from the right side.

2. Less Is Often More

The finest notes in good love scenes are often spoken without words, or they are articulated in a delayed or shortened way. It’s because we are operating on emotionally delicate ground: A lot of desires, reservations, suspicions and fears play into our notion of romance.

Don’t just let your characters plainly say what they are about! This rule holds true for all dialogues, but the difference in a love scene is that you have very believable reasons to not let your figures talk, be it awkwardness or reservation. Operate with unspoken words, silence, a sentence much too short at the right time.

You can let body language speak for itself.

This technique should force your reader to read between the lines; to turn on her own imagination, which is the most amazing thing you can do for her: Let your reader watch her very own movie.

Here is a quick example:

“Sometimes I feel like there is nobody to turn to,” Joe said. “Like… like the world is an empty place. Do you know what I mean?”

Scarlet just stared at her shoes.

“Nobody,” he said.

3. Draw from Your Very Private Experiences

Draw from your private treasure trove of experience instead of from experiences movies and TV shows have pre-canned for you.

Don’t commit the error we were just talking about and sidestep the challenge. Don’t fall back on cliches because you feel like you don’t have the ability to describe something on your own terms, following your own laws.

In other words: Risk something!

Anger, hurt, attraction, admiration, enthusiasm, guilt: Let your characters experience, express and withhold a broad range of emotions, a variety of complex feelings– love is complicated.

Think of all the emotions you could send your characters through. Try to express things the way they felt to you personally when you were there, not in the way you have seen others describe them.

The word “love” is so overused it has become one giant cliche in itself. You can find it everywhere, be it in movies, novels or song lyrics, not to speak of oversized ads or everyday language. So try not to use it. Instead, it makes much more impact to just describe what love does to your characters.

Using your private experiences also means that you will have to get naked and expose bits and pieces of your private feelings for everybody to see.

Luckily, nobody knows which parts stem from you personally and which parts are just made up. And contrary to an actor, you don’t have to pour out your soul directly in front of an audience, but have the laptop screen between you and your readers to protect you.

Snail

4. Let Men and Women Talk Differently

There is a big misconception about men and women.

Maybe it’s just a misconception of language, because when somebody says, “Men and women are equal,” this person is only half right: We are equal in value, but not equal in nature.

We don’t feel alike. We don’t act alike. We don’t talk alike.

For example, can you quickly tell if the following phrase likely comes from a man or from a woman?

“Do you think he/she looks better than me?”

How about the following one, man or woman?

“If he does this again, I will teach him some manners!”

You might call this a cliche, but I can’t remember ever overhearing a woman saying the second sentence. I have heard men uttering similar statements though– we just have big egos…

So keep in mind to lend different voices to your guy and your gal. In other words, let the differences between men and women get into your scene and make sure the romance in your story becomes as complicated and as awesome as romance is in real life…

Use the Power of Authenticity

When you write your next love scene, keep these four signposts in mind, and your scene will make a powerful impact and touch your readers deeply; for sure more deeply than a cliched movie and dinner date.

You can see so much phony fiction around, a fresh approach will make you stand out like Johnny Depp amongst a stage full of cheap Elvis impersonators.

Take a risk and indulge in the power of truth– your readers will feel so strongly for your story, they will be ready to dive deeply into it and to love and suffer with you.

Alex Limberg is blogging on Ride the Pen to help you boost your fiction writing. His blog dissects famous authors (works, not bodies). Create intriguing stories with his free ebook “44 Key Questions” to test your story or check out his creative writing prompts. Shakespeare is jealous. Alex has worked as a copywriter and lived in Vienna, Los Angeles, Madrid and Hamburg.

Hey, it’s Kristen again and now it’s your turn: What are your own secrets for love scenes? Have you found a trick that works really well? Did you ever use a very personal experience in a romantic scene and did it feel awkward to “expose” yourself? Do you love love scenes? Hate them? Are you like me and can’t write love scenes until every living member of your family dies? Gotta love goring up in the bible belt.

Alex is going to be guest posting a few more times, so if there are any other topics you’d like HIM to explore, put them in the comments!

Remember that comments for guests get double love from me for my contest!

I love hearing from you!

To prove it and show my love, for the month of NOVEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel.

 

Image courtesy of Jami Gold WANA Commons

Sorry for the delay in posting. Busier than a one-legged man at a butt-kickin’ contest today. Some cool announcements, though. I am teaching a fun class called ACHOO! The Writer’s Guide to Going Viral and it’s only $25. Also have a really cool Facebook class coming up taught by FB expert Lisa Hall-Wilson, which I actually will be attending because I know that there is probably a lot about Facebook even I don’t know. Need to keep my Social Media Jedi status and all. So I hope you’ll join me. And if, after all this plot stuff we’ve been talking about, you STILL feel like your head is about to explode? I recommend Jami Gold’s Plotting for Pantsers class.

Anyway, back to structure, since that’s why y’all are here. Or it’s a condition of your parole *shrugs*

Okay, so if you have read all the blogs in this series, you should understand what makes a scene vs. a sequel, understand the three-act dramatic structure. You also understand that the antagonist—or Big Boss Troublemaker—is the engine of your story. Without the BBT, your protagonist’s world would remain unchanged. The BBT’s agenda drives the story. It is the engine. No engine, no forward motion. By this point, you should be able to decipher a good idea from a not-so-good idea and then, once decided, state what your book is about in ONE sentence. You can have up to three, but let’s shoot for one.

Welcome to part SIX of my series on novel structure–whoo-hoo! Today we are going to discuss gimmick versus fundamentals of a good story.

First, gimmick. Here is the thing. There are only so many plots. DO NOT try to get creative with plot. Everything has been done. Seriously. Remember Part One of this series? There are only so many elements on the Periodic Table, yet everything in the universe is made up of some combination of these elements. Think of core plots like the elements on the Periodic Table.

Many new writers make writing a novel way too hard in that they try to reinvent the wheel. The wheel works. Leave the wheel alone. You do not have to revinvent plot as we understand it to tell a darn good story.

I find a lot of new writers get really excited about gimmick. Gimmick is dangerous, and gimmicks can bite back. Don’t believe me? Okay…M. Night Shyamalan. He got us with The Sixth Sense, but after that? It was over. Why? Because the “magic” only worked with a naïve audience. After The Sixth Sense we were like CSI Vegas with every Shyamalan story. Short of using a swab kit and blacklight, we paid attention to every last little detail trying to figure out the twist ending.

This also limited Shyamalan in that he was doomed if he did and doomed if he didn’t. If he told a story with a twist ending, then the audience (no longer naïve) was looking for the clues, so no ending could possibly measure up to The Sixth Sense. But, if Shyamalan tried to do a movie with no twist and do something different, then the audience was ticked because there was no twist.

Shyamalan, in my opinion, is a victim of his own brilliance, and I can see how The Sixth Sense really put him in a bind…because it worked so well. Most of the time gimmicks suck, but even when they are really good…they still suck. So avoid gimmick and just focus on becoming a darn good storyteller.

Anyway, back to my original point.  There are only so many plots, so don’t try to be cute and clever and unique because it is unlikely you will discover a “new element.” Go ahead and try. I guarantee you that one of two things will happen.

One is that you will think you have this new plot no one has ever seen. All excited, you will posit this new-and-shiny-never-before-imagined-idea to your fellow writing friends, and one of them (I promise) will go, “Oh, yeah. That’s like the movie Blah.” And then you are required to drink heavily and cry and wonder why you were doomed to be born a writer. The other end-scenario is that you get so weird that you barely understand your own story, and the poor the reader will need a Dungeon Master Guide and a sherpa to navigate your plot.

So, remember. Pizza has rules. Plot has rules. Can’t get too weird. If you still want to invent the plot never seen before? Have fun storming the castle *waves and smiles*.

Moving on…

Plots, at the very core, are usually simple. Why? The plot is the foundation. Now what you construct on top of that foundation can be super-complex. Note I wrote complex NOT complicated.  Even the most complex stories can be boiled down to very simple goals. J.R.R. Tolkein’s Lord of the Rings, George R.R. Martin’s Song of Ice and Fire, James Clavell’s Shogun, and MacMurtry’s epic Lonesome Dove all have very simple forces driving very complex and dynamic stories.  Good versus evil. Struggle for power, for survival, for love. Very simple. As Blake Snyder says in his book Save the Cat: Is it primal? Would a caveman understand the core of your story?

Good storytellers connect with the audience on a basic level. So when you whittle down that idea or novel into a one-sentence log-line, step back and be honest. Does your story hinge on primal drives like survival, hunger, sex, protection of loved ones, or fear of death? Does it have physical and or emotional stakes? Your story might seem complex, but at the core it should be very basic and connect at a visceral level.

People in China LOVED Titanic.Why? Because it is a love story. Love is basic. It is primal.

In the upcoming weeks we are going to discuss various methods of plotting, but before you start any novel, there are some fundamental questions we can use as a litmus test for our idea. Ask yourself:

Do I have a sympathetic protagonist? 

Notice I said sympathetic…not likable. Be careful here. If we are expecting readers to spend 10 hours (average time to read a novel) with our protagonist, it helps if they are rooting for him to win. If you have a rough protagonist, then you need to at least offer the reader a glimmer of hope that he can be redeemed. If he can’t be redeemed, then you must offer the reader something about your protagonist that puts the reader on his side.

For instance, Quentin Tarantino knew he had a potential problem in Pulp Fiction. His protagonists (Travolta & Jackson) happen to be a two hit men and human beings of the lowest sort. Tarantino was brilliant in how he handled introducing Vincent Vega and Jules Winnfield. First, he makes them funny. They stop for a burger before the hit and get into this funny dialogue about the Big Mac vs. The Royale.

So we find them funny and we relate. But then Tarantino takes it another step and makes the bad guy badder than these two hit men so that the audience will side with the lesser of two evils. When viewed “in relation” these guys are clear heroes. They are still deplorable, but they are sympathetic.

Do I have a genuine GOAL for my protagonist?

A lot of first-time novelists get fascinated writing novels about journals, letters and buried secrets. I have a theory about this. It is called, “We-Are-Squeaky-New-and-Don’t-Know-Jack-About-How-to-Plot Syndrome.” Guess how I know this? Yes, I was visited by the Bright Idea Fairy too. Shoot her. Now. Double-tap. It’s for the best.

Novels that involve a journal or finding about a secret past usually involve the newbie author’s favorite tactic…the flashback. Since we have no big goal at the end, forward momentum is scary, so we roll back…and this makes the reader feel as if she is trapped in the car with a teenager learning to drive a stick-shift.

Journals and letters, in my opinion, are so attractive because they provide the unskilled author a contrived mechanism for stringing together unrelated vignettes. That is not a plot. Sorry. I was bummed too. That is okay, though. Everyone starts somewhere. I’m here to help :D.

Yes, you can use journals in your story, but seriously? How many best-selling novels have you seen that involve someone reading a journal? Things written in journals are in the past, which means they have already happened and the world didn’t end so who cares? It becomes a Watch out for that glacier! No rising stakes and no pressing danger. Watch out for the glacier! It’s moving at an inch a year, but watch out!

Conflict drives stories. My best advice? Journals are for self-actualization. Leave self-actualization for therapy. Want a gut-wrenching plot? Stick to the lower levels of Maslow’s hierarchy ;).

Stories can have a journal/letters, but they MUST ALSO have a main conflict and the journal/letters are merely a tool that drives the present conflict…which is your plot. The journal isn’t the plot. Neither are the letters.

Sisterhood of the Traveling Pants had conflict happening real-time. Yes, the novel contained each girl’s experience with the pants, but each girl’s story was a separate plot joined in one large plot and happening real-time. Each girl was facing a different challenge and had to mature in a different way, but the group of girls (the group is actually the protagonist) had to learn to mature while finding a way to hold on to childhood friendship.

Same with The Divine Secrets of the Ya-Ya-Sisterhood. The Ya-Ya Journal was critical for the daughter and mother (present-day) to repair the rift in their relationship. So there was a present-day problem that the journal solved, and basically you have a Fried Green Tomatoes. Two parallel plot lines and the present-day plot relies on past-time events to drive forward momentum in the present.

Nicholas Sparks’ The Notebook was the same thing. Two parallel love stories, but both had a plot arc. The love story told in the notebook drives the present-day love story in the nursing home.

Same with secrets. The secret must have something to do with the present-day story or it is just a contrivance. The secret can be a part of the story, but generally doesn’t work as the entire story. Linda Castillo executes this brilliantly in her novel Sworn to Silence. Chief of Police, Kate Burkholder, grew up Amish, but made a choice to live in the world with the English. She is the Chief of Police in a small Ohio community of both Amish and English, and she acts as a cultural bridge. When a serial killer begins butchering women, Kate leads the investigation, but a secret from her past holds clues to catching the present-day killer. Kate’s secret drives the forward momentum of the present-day plot, and adds mind-bending tension.

Is my story primal?

Beneath the empires and spaceships and unicorns, is your main plot driven by a basic human desire/need? Here is a list of some best-selling novels to illustrate my point.

Michael Crichton’s Prey—Survival. Save/protect loved ones.

Michael Crichton’s Jurassic ParkDon’t get eaten. Protect loved ones.

Lee Child’s Killing FloorVengeance. Protect loved ones.

Suzanne Collins Hunger Games—Don’t die. Survive. Protect loved ones.

Cormac McCarthy The RoadSurvive. Protect loved ones.

Linda Castillo Sworn to Silence—Fear of death. Survive. Protect loved ones.

Jennifer Chiaverini The Aloha Quilt—Love. Sex. Protect loved ones. Survival.

Bob Mayer & Jennifer Crusie’s Wild Ride—Sex. Protect loved ones. Survival.

Dennis Lehane’s Shutter Island—Survival. Vengeance. Protect loved ones.

Stephenie MeyerTwilightSex. Protect loved ones. Don’t get eaten.

Dennis Lehane’s Mystic RiverVengeance.

Okay, so as you can see, I read a lot of genres. But most great books can be boiled down to a very simple driving force. New writers very frequently rush into the writing with no idea of the story they are trying to tell. I know. I’ve been there. And since deep-down we know we do not have a core goal that is simple and primal, we try to compensate by making things more and more complicated.

That’s why so many writers have a panic attack about the agent pitch session. We are forced to boil down our plot to the primal core…and we can’t because there isn’t one. So we ramble and blather and try to fit 400 pages of world-building complications into our pitch while trying not to throw up in our shoes (Been there. Done that. Got the T-Shirt).

Being complicated is like trying to use Bond-O putty to fix your plot. Won’t work. Strip that baby down and look at the bare bones. Simple. Primal. This is why gimmicks are a sticky wicket. Gimmicks make stories complicated instead of complex. Stay away.

Remember that there are no new plots. So why not take a story you really love, look at the plot, then make it your own? The award-winning novel A Thousand Acres is King Lear on an Iowa farm. In my pov, Twilight is Jane Eyre with vampires (and I am not alone in this assessment). Instead of trying to totally revinvent story and plot as we understand it, why not take a book you love so much the pages are falling out of it, and see if you can use the premise in a new and exciting way?

Utilizing another author’s plot is not plagiarism. It’s smart. Remember…the number of plots is finite. I think this is where a lot of writers get stuck. Heck, I did! We believe we have to come up with a story never told before or risk being accused of plagiarism. Not so.

Plagiarism is when someone takes the execution of another author’s plot and tries to hide that by only changing surface elements. So if I wrote a book called Evening about girl who moves from Texas to Northern California to fall in love with a vampire who merely glimmers in sunlight…. See the point? Actually, a great way to come up with story ideas is to go to the IMDB and look at log-lines, then ask yourself how could you tell that story differently? (Cool tactic I learned from the awesome Bob Mayer :D).

A timid romance author must travel to South America and join forces with a handsome opportunist to rescue her sister who’s been kidnapped by treasure-hunting thieves. (Romancing the Stone).

A shy librarian must travel to South Texas and join forces with a handsome biker to rescue her brother who has been kidnapped by desperate drug-dealers. (Kristen’s Made-Up Story).

See how you can take a story that has already been done and make it something amazing and new?

So what are some problems you guys are facing when it comes to plot? Do you have any resources to share? Have I scared the socks off you or offered you new inspiration? Share. I love hearing from you guys. Lets me know I haven’t given you a massive coronary and killed you off, :D. I appreciate your loyalty to this series.

I love hearing from you!

To prove it and show my love, for the month of October, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novelor your query letter, or your synopsis (5 pages or less).

And also, winners have a limited time to claim the prize, because what’s happening is there are actually quite a few people who never claim the critique, so I never know if the spam folder ate it or to look for it and then people miss out. I will also give my corporate e-mail to insure we connect and I will only have a week to return the 20 page edit.

At the end of October I will pick a winner for the monthly prize. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.

 

Last week, I picked on The Big Six in Bracing for Impact–The Future of Big Publishing in the New Paradigm, so today we are going to talk about Amazon. There seem to be two camps when it comes to Amazon. Either they are a tool of Satan and are actually responsible for the cute kitten trafficking to fund drug cartels in Guatemala, or they are the great and benevolent Optimus Amazon Prime, the one to free the enslaved creatives from their oppressive Big Six Masters.

Which is the truth? More on that in a moment. A little story first to help this sink in…

Some of you may or may not care know that I actually earned my B.A. in International Relations with a heavy emphasis on political economy (specifically dealing with the Middle East and North Africa). Back in the day, I wanted to be a foreign service officer or an analyst. So what did I do? I booked a flight to Syria.

The day after graduation, a cohort and I boarded a plane to Damascus. Our goal was to modernize a small paper company. We sought to streamline production and minimize inefficiencies. We were young, we were smart, we were…seriously dumb out of our depth.

Our plan was to help a paper plant stuck in the 60s come join the rest of the world in the 90s. We believed we could help them become competitive in a digital world so they could be competitive in the 21st century. (Sound familiar?)

Yes, that was the plan. What did we actually do?

We spent most of our time waiting on our driver to come pick us up from the refugee camp where we were staying. Yep, waiting…and more waiting…and counting goats. And, beyond that? We tried to chew ourselves free from the bureaucratic red tape that kept us from doing anything meaningful…and we drank a lot of Turkish coffee.

Why the trip down Memory Lane? 

Little did I know back in 1999, that, a decade later I would become a voice for writers in a new paradigm. See, back then I thought my passion was politics, but it was actually people all along. I traveled halfway across the globe to one of the most dangerous places for a blonde with a big mouth and zero common sense to be. And, though I failed back then, I am better prepared now…to help you guys.

Huh? I’ll explain.

The Problem with a Monopoly

Here is the thing. Syria is a dictatorship, and being a dictatorship, they really don’t care for a free market system despite any rhetoric about wanting to modernize. The paper company we wanted to streamline? They were the ONLY paper company, so anyone who wanted to wipe their tush or blow their nose, HAD to buy it from this company.

Those at the top were, well, on top. They didn’t need to listen to well-meaning college graduates who might have actually helped them be more efficient and make more money. They already had a lot of money and they controlled anything paper.

Failure will teach us far more than success ever will…

That time in Syria taught me a lot. Aside from the sound pop on the snoot to teach me I didn’t know as much as I thought I did, I got a solid dose of the downfalls of a monopoly. You see,  success was the paper company’s worst enemy. They had a lock on an important commodity and no competition. With no competition, they got lazy. There were gross inefficiencies in production and distribution and quality control was dismal at best.

But why would they change? There was no one else consumers could go to.

Talk is Cheap

I also learned that talk is cheap. Companies can say they care, that they want to be efficient, that they want to offer good products. Heck they can say it until the cows come home and that doesn’t mean a thing. It is generally only when there is an outside threat that these companies will get their act together.

So what does this have to do with publishing?

Part of why The Big Six have been able to be so grotesquely inefficient has been due to the fact that, historically, they’ve controlled distribution. They held the keys to the kingdom. Big Publishing didn’t have any decent competition, so no credible threat, thus there was no real impetus to do things faster, better, cheaper.

Oh, but that has changed. Yet with all these changes and innovations, does the future look brighter for the publishing industry and for writers?

Not so hasty…

Beware of Greeks Bearing Gifts

Amazon is the 500 pound gorilla in the room, only we can’t see it because it is hidden neatly inside a giant digital Trojan Horse. Don’t get me wrong, I buy plenty of stuff off Amazon, and they have done a lot to help shake up the industry and get New York hopping. Without them, I don’t believe we would have seen so many miraculous changes so quickly.

Ah, but every fairy tale has a dark side…

I really hope New York gets its act together, because, once the competition falls away and Amazon burns New York to the ground? What happens to the writer? What happens when we fall asleep and it is safe for Amazon’s Trojan Horse to unleash the gorilla?

Amazon right now is in the courting phase with writers, and it is using us (writers) as a weapon to kill our former masters. Ah, but if Amazon really gets its way…what then?

When NY is razed and Amazon has no real competition, do they have to keep giving us the same sweet royalty rate? And they already have a nasty reputation. They pulled that little stunt with a publisher who dared to cross them. Two years ago, they removed all the “Buy Buttons” off all the Macmillan titles. So, if Amazon will use the brass knuckles on a major publisher that crossed their path…what about us? The little guys? What happens when a writer miffs them and they unleash the gorilla?

Lord Acton so eloquently said, “Power corrupts and absolute power corrupts absolutely,” and that statement is as relevant today in 2012 as it was in 1887, because while industries change and technology changes, humans are timeless. So what happens when it’s Amazon’s turn to hold all the keys to the kingdom? Will they use them any differently than those they crushed to gain them?

The Perks without the Works

Unlike NY, Amazon isn’t searching through all the millions of wanna-bes for a handful of investments. Anyone can publish quickly and cheaply. Writers are running to them! The problem with this is they get all the benefits of being a publisher without any real sacrifice.

A lawyer friend of mine noted that when writers publish on Amazon, we all agree to the same blanket contract. This gives Amazon all the perks of being a publisher without concerning itself with any of the traditional protections for the writer.

And, I understand that writers haven’t been treated all that great in the past, but we need to ask the tough question. Is this future better? Is trading one dictator for another a good plan?

Amazon having total control is a particularly frightening scenario for indie and self-published authors, because many aren’t repped by agents with the legal know-how to fight any injustice. Oh, I suppose we could sue, but Amazon has armies of high-powered attorneys to make a lesson out of any of us who tried.

I know this sounds a little Orwellian, but when everyone else is gone, what is to stop Amazon from having “technical errors” that just happen to lose YOUR books? What’s to stop another “Buy Button” glitch? What’s to stop them from demanding we all sell our books for $2.99 and if we don’t comply, we suddenly start having “technical errors”?

Yes, I read a lot of Asimov in my formative years.

Amazon is great at selling the cheapest stuff. They sell everything from camping equipment to push-up bras. Books are just another commodity…right?

Books are not TVs and Writers are not Camping Equipment

See, NY has its share of problems, but one thing NY has going for it is the LOVE of the written word. They VALUE it. Now, they might be valuing it in a way that isn’t competitive, but at the end of the day, they still VALUE it in a way that I believe eludes Amazon.

To Amazon? The gorilla doesn’t have the same sentimental connection. The bottom line and making money is all that matters, and, sure, they love selling motorcycles, but the romance genre alone is worth BILLIONS.

Caveat Emptor

Some people say, “It’s just business.” Yet, Amazon has not had any problem going to the mattresses to dominate the market and drive competitors out of the game. I guarantee you that, if Amazon does manage to finish off the major competition, they will soon open their own brick-and-mortar bookstores on Barnes & Noble’s grave. Why do I say this? In my book, the best indicator of future behavior is past behavior. How will we writers feel about this type of “business” when we land in the cross-hairs?

You will know them by their works…

Great, Amazon wants to bring affordable and convenient shopping to the consumer. Awesome. But the question becomes, what are they willing to do to increase their profit margin?

Publishers Weekly announced on February 1st of 2012 that:

Amazon is continuing to report record growth. The electronic and general merchandise segment that includes the Kindle devices posted a 51% fourth quarter increase and a 57% gain for 2011.

So, as a former wanna-be analyst and paper salesperson (post-Syria), what do these numbers say to me? They spell potential big trouble in the future. See, I know what it is like to be the sales guy. Sure, when you are opening up into a new territory with no competition and you have a 57% gain in a quarter, you are hailed a genius! A hero!

Ah, but the numbers always look good when penetrating a new market. It’s like turning on a water hose to fill an empty pool. Every drop looks awesome. But once the pool is full?

Those numbers don’t look as impressive and the board of directors want to know where you, the salesperson failed. Why aren’t we seeing the same profits? What do we need to do to see 57% gains every quarter? The shareholders want to see profits!

And this is usually where the trouble begins.

This is the point that the benevolent dictatorship monopoly turns into a tyrant, because it is all about the bottom line and the spreadsheets. They lose all sense of reality and fail to see that no company can make 57% gains every quarter into perpetuity. This is where they start gutting geese writers for golden eggs best-selling books.

Sure, Amazon is great now that everyone is allowed to publish, but what if, in a few years, they no longer like that business model and they only want shiny darlings like Eisler and Konrath? What’s to stop them from becoming Big Six 2.0? What’s to stop them from jerking around our royalty rates? What’s to stand in their way and keep them from trafficking cute kittens to fund Guatemalan drug cartels?

Writers

We seem to be the ones that get left out, but we are the most important. We weren’t well-represented at Digital Book World or even the recent ToC (Porter Anderson explores this in depth in the latest Writing on the Ether.) Yet, without writers there are no stories, no books to sell.

Take heart, my peeps. We hold more power than we know.

How do we make New York wake up, snap in line and treat us better than they have in the past? How do we keep the belly of the Amazon Trojan Horse closed and the greedy gorilla at bay? How can we help ensure that the indies popping up all over have a viable marketplace to grow and put down roots and fairly compete?

We band together, we get educated, and we become empowered. Our author platform is the most powerful tool at our disposal. It makes NY take us seriously, and it will help keep Amazon playing nice. I would even be so bold as to say that our platforms will determine the future landscape of publishing.

An author with a platform is a citizen, an author without one is a subject.

There are too many authors who want to just write and hand the books and the business to someone else. That is a dangerous and risky plan.

No Platform=No Options

An author with a viable social media platform is empowered, and is more than just an author. Writers plugged into the WANA community are transformed. They are a new breed of faster, smarter and strangely good-looking writers. They are a WANAuthor. WANAuthors are citizens of the new publishing paradigm with a voice and a vote.

Never doubt that a small group of thoughtful, committed people can change the world. Indeed, it is the only thing that ever has. ~ Margaret Mead

We Are Not Alone

Writers! Remember, We Are Not Alone (WANA) and together we are stronger. This is a great time to be a writer, and the future looks bright, but we are in this together. We are no longer indie, self-pub or traditional…we are WRITER-KIND. One global race comprised of storytellers, inspirers and educators with one mission…to fill the world with amazing books.

In a world where power corrupts and talk is cheap, we need each other more than ever. Our platforms and our voice keep the despots in check because we have the power to remove them from office take our business elsewhere.

What are your thoughts? Fears? Concerns? What do you see on the horizon and what are your solutions or suggestions? Hey, together we are stronger, but we are also smarter. I read every comment, so raise your voice!

I LOVE hearing from you!

And to prove it and show my love, for the month of February, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of February I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.

This Week’s Mash-Up of Awesomeness

Those Who Can’t Self-Publish, Really? by Girls with Pens

The Big Six Publishers are Dead-6 Critical Factors for the Future by Richard Monro

Speak Strength to Yourself by Shelli Johnson

100 Tips to Alleviate Self-Doubt by Matthew Turner at Jane Friedman’s place

NYTBSA Bob Mayer has another perspective about Amazon over at his place.  The Reality of Amazon and the Digital Publishing World.

Publication–Perfection Not Required by the amazing Jody Hedlund.

25 Things I Want to Say to So-Called ‘Aspiring Writers’ by the word-pirate Chuck Wendig

Let the Good Times Roll AWESOME post by the talented Ingrid Schaffenburg

Women Peeing Outdoors by Natalie Hartford. Hey! It’s funny and makes the mash-up eclectic.

Jenny Hansen has an AWESOME lesson about Triberr (Triberr is a tool to manage all those blogs you like to read).

To prologue or not to prologue? That is the question. The problem with the prologue is it has kind of gotten a bad rap over the years, especially with agents. They generally hate them. Why? In my opinion, it is because far too many writers don’t use prologues properly and that, in itself, has created its own problem. Because of the steady misuse of prologues, most readers skip them. Thus, the question of whether or not the prologue is even considered the beginning of your novel can become a gray area if the reader just thumbs pages until she sees Chapter One.

So without further ado…

The 7 Deadly Sins of Prologues

Sin #1 If your prologue is really just a vehicle for massive information dump…

In my critique group, one of the first tasks each member must do is they must write detailed backgrounds of all characters. I make them get all of that precious backstory out of their system. This is a useful tactic in that first, it can help us see if a) our characters are psychologically consistent, b) can provide us with a feel for the characters’ psychological motivations, which will help later in plotting. I have a little formula: background–> motivations –>goals–>a plan–>a detailed plan, which = plot and c) can help us as writers honestly see what details are salient to the plot. This helps us better fold the key details into the plotting process so that this vital information can be blended expertly into the story real-time.

Many new writers bungle the prologue because they lack a system that allows them to discern key details or keep track of key background details. This makes for clumsy writing, namely a giant “fish head” labeled prologue. What do we do with fish heads? We cut them off and throw them away.

Sin #2 If your prologue really has nothing to do with the main story.

This point ties into the earlier sin. Do this. Cut off the prologue. Now ask, “Has this integrally affected the story?” If it hasn’t, it’s likely a fish head masquerading as a prologue.

Sin #3 If your prologue’s sole purpose is to “hook” the reader…

If readers have a bad tendency to skip past prologues, and the only point of your prologue is to hook the reader, then you have just effectively shot yourself in the foot. You must have a great hook in a prologue, but then you need to also have a hook in Chapter One. If you can merely move the prologue to Chapter One and it not upset the flow of the story, then that is a lot of pressure off your shoulders to be “doubly” interesting.

Sin #4 If your prologue is overly long…

Prologues need to be short and sweet and to the point. Get too long and that is a warning flag that this prologue is being used to cover for sloppy writing.

Sin #5 If your prologue is written in a totally different style and voice that is never tied back into the main story…

Pretty self-explanatory.

Sin #6 If your prologue is über-condensed world-building…

World-building is generally one of those things, like backstory, that can and should be folded into the narrative. Sometimes it might be necessary to do a little world-building, but think “floating words in Star Wars.” The yellow floating words that drift off into space help the reader get grounded in the larger picture before the story begins. But note the floating words are not super-detailed Tolkien world-building. They are simple and, above all, brief.

Sin #7 If your prologue is there solely to “set the mood…”

You have to set the mood in Chapter One anyway, so like the hook, why do it twice?

The Prologue Virtues

Now that we have discussed the 7 Deadly Sins of Prologues, you might be asking yourself, “So when is it okay to use a prologue?” Glad you asked.

Virtue #1

Prologues can be used to resolve a time gap with information critical to the story.

Genre will have a lot to do with whether one uses a prologue or not. Thrillers generally employ prologues because what our hero is up against may be an old enemy. In James Rollins’s The Doomsday Key the prologue introduces the “adversary” Sigma will face in the book. Two monks come upon a village where every person has literally starved to death when there is more than an abundance of food. Many centuries pass and the very thing that laid waste to that small village is now once more a threat. But this gives the reader a feel for the fact that this is an old adversary. The prologue also paints a gripping picture of what this “adversary” can do if unleashed once more.

The prologue allows the reader to pass centuries of time without getting a brain cramp. Prologue is set in medieval times. Chapter One is in modern times. Prologue is also pivotal for understanding all that is to follow.

Virtue # 2

Prologues can be used if there is a critical element in the backstory relevant to the plot.

The first Harry Potter book is a good example of a book that could have used a prologue, but didn’t (likely because Rowling knew it would likely get skipped). Therese Walsh in her blog Once Before A Time Part 2 said this:

J.K. Rowling’s Harry Potter and the Sorcerer’s Stone is told in a close 3rd person POV (Harry’s), but her first chapter is quite different, told when Harry is a baby and switching between omniscient and 3rd person POVs (Mr. Dursley’s and Dumbledore’s). Rowling may have considered setting this information aside as a prologue because of those different voices and the ten-year lag between it and the next scene, but she didn’t do it. The info contained in those first pages is critical, it helps to set the story up and makes it more easily digested for readers. And it’s 17 pages long.

This battle is vital for the reader to be able to understand the following events and thus would have been an excellent example of a good prologue. But, Rowling, despite the fact this chapter would have made a prime prologue still chose to make it Chapter One so the reader would actually read this essential piece of story information.

Food for thought for sure.

Yes, I had Seven Sins and only Two Virtues. So sue me :P . That should be a huge hint that there are a lot more reasons to NOT use a prologue than there are to employ one (that and I didn’t want this blog to be 10,000 words long). Prologues, when done properly can be amazing literary devices. Yet, with a clear reader propensity to skip them, then that might at least make us pause before we decide our novel must have one. Make sure you ask yourself honest questions about what purpose these pages are really serving. Are they an essential component of a larger whole? Or are you using Bondo to patch together a weak plot or lazy writing?

But, don’t take my word for it. I actually scoured the Internet for some great blogs regarding prologues to help you guys become stronger in your craft:

Once Before a Time: Prologues Part 1 by Therese Walsh

Once Before a Time Part 2 by Therese Walsh

Agent Nathan Bransford offers his opinion as does literary agent Kristin Nelson

Carol Benedict’s blog Story Elements: Using a Prologue

To Prologue or Not To Prologue by Holly Jennings

If after all of this information, you decide you must have a prologue because all the coolest kids have one, then at least do it properly. Here is a great e-how article.

So if you must write a prologue, then write one that will blow a reader away.

What are some of the questions, concerns, troubles you guys have had with prologues? Which ones worked? Which ones bombed? What are your solutions or suggestions?

I LOVE hearing from you!

And to prove it and show my love, for the month of February, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of February I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Congratulations!

Last Week’s Winner of 5-Page Critique is Kristie Jennings Kiessling. Please send your 1250 word Word document to kristen at kristen lamb dot org.

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.

A couple weeks ago, I had a post about how to sell fiction. We explored the WHY behind the BUY. The same tools that will sell car insurance or bank accounts won’t work for selling books. Fiction is emotional, and often we will purchase based off feelings. This is why likability on social media is so crucial to marketing. We are no longer selling stories…we are selling ourselves, which just confirms for me that writers really are the oldest profession in the world. But that’s another topic entirely :D.

Often we will judge a book by its cover author. If interacting with the author is a pleasant experience, we feel better about purchasing their books and even promoting them to our network of connections. Conversely, if an author is self-centered, self-promotes non-stop, spams everyone in sight, takes without giving in return and acts like an equestrian derriere, we would sooner suck nails through a straw than part with .99 that would benefit the jerk writer. A few of you were concerned, however, about how to be “liked.” No need to panic. Today’s post is here to help. Connecting with others is so simple that we frequently make it harder than it needs to be. Being likable doesn’t mean we need to be phoney.

There are a lot of different ways to do social media. My WANA methods rely heavily on learning to be part of a team, and, as we have discussed before, this is very contrary to traditional marketing. I believe social media works like a barn-raising. Everyone does a little bit for the good of the whole. Even just being mindful to do small things makes a huge difference in the long-run.

One of the biggest obstacles we face in social media is that we do have to limit the self-promotion. It turns people off and they really aren’t likely to listen when we go around tooting our own horn. What do we do then? We do what is counterintuitive…we support others.

The single largest determining factor as to whether a person will succeed or not on social media is our L.Q. Heard of I.Q.? Well, L.Q. is your Likabilty Quotient.

We don’t care how smart you are as much as we care if we LIKE you. When working on our social media platform, the ever-present questions should always be:

Do people like me?

I know it sounds crazy, but it is true. And there is no need to panic. Calm down. You don’t need to hide all your Star Trek paraphernalia and tell your friends to get in the closet. This isn’t high school, where popularity is based on stupid stuff.

Likability is important. Why? We hang out with people we like. We promote them. We go out of our way for them. We want them to succeed.

Our information can be the best on the web, but when pitted against another blogger with not-as-great-information…but she connects to readers and we don’t? The likable blogger will win. If she promotes others and we don’t? Again, she will win.

Being an excellent writer is not enough.  When we get out on social media (or even launch a blog) we must make sure we have good content. That is a no-brainer. I don’t know about you guys, but find it hard to like people in person who ramble or talk to hear the sound of their own voice. On the web, I like substance just as much.

But, in addition to that great content, we MUST actively work on how others perceive us. We must become likable. How to we become likable? We serve others first. Remember the barn-raising? Help them raise their barn, and most people will be more than happy to return the favor.

Top 10 Ways to Raise Your L.Q.

1. If we are on Twitter and we know an author writes great blogs, RT (retweet) for them. It only takes a minute of time, and it earns you a reputation of being an edifier.

2. Comment on blogs (REAL Comments). A healthy comments section is a sign of a healthy blog. Comments are encouraging to bloggers who take a lot of time to craft meaningful posts. When readers take time to comment, it has the potential to generate dialogue. Dialogue is critical for a blog to thrive.  I want comments on my blog, so I go out of my way to comment on the blogs of others.

3. Reply to comments on our own blogs. I wish I could reply to every single last one of you. You guys have no idea how much you make my day when you take the time to post feedback, compliments or even your opinions. Remember in social media, our goal is to form relationships. Relationships are two-way streets.

4. Visit the sites of those who post in your comments. You guys might not be aware, but I am always on the lookout for great blogs for the mash-up. I regularly click on your websites and blogs.

5. Embed trackbacks (hyperlinks)…um the blue thingies. Link to other blogs you like. Link to books you like. Hey, we need all the help we can get these days. There are A LOT of choices. Mash-ups (lists of favorite links/blogs) and even recommendations are a great way to help out other writers and generate more traffic to your blog at the same time. Everyone wins.

6. Blog about your favorite books, then link to that author’s book, home page or blog. Need blogging ideas? Go out of your way to promote others. Part of why I talk so much about Bob Mayer, James Scott Bell, Les Edgerton, Donald Maass, Blake Snyder, Jessica Morrell and Christopher Vogler is because these writers are my heroes. I believe that these are the best teachers in the industry. Now, instead of them having to go out and self-promote I have gifted them with the best gift a writer can have….a genuine word-of-mouth recommendation from a fan. Make life easy on other authors, and who knows? They might one day love to return the favor.

7. When you see a blog/book you like, take a moment to tweet the post or repost the link on your FB page. This helps the blogger/author gain exposure she otherwise wouldn’t have. It also benefits people in your circle of friends in that you are acting as a filter for great information…which helps your platform grow because people trust you for quality goods.

8. Openly praise. When I see a writer post a blog, I go out of my way to open, scan and take a look. Then, when I post, I make sure to add a “Great post!” or a “Very interesting!” Trust me. People remember an authentic compliment.

9. Repost someone else’s blog. Some people might get weird about this, but this is an amazing way to spread influence for you and the blogger you repost. Have the flu? Power outage and you don’t know how you will get a blog together in time? No worries. Just repost. How do you do this?

Give the title of the blog, and make it very clear you are reposting someone else’s content. Only give the first couple paragraphs…enough to hook a reader. Then add a hyperlink to the original blog. Now you have a blog post and the blogger you promoted now has exposure to your regular followers. I gain a lot of subscriptions this way. There are some people who had never heard of me until Marilag Lubag (Hi Marilag!) reposted one of my blogs. Her readers followed the hyperlink, loved my blog (in its entirety), and I have new fans. Yippppeeee!

10. At least hit the “Like” button. I know that sometimes I read blogs on my phone and I really don’t feel like trying to type out a compliment. I have a touch screen and there is an auto-correct function. My compliment would probably look like this:

 I loved your blood. You make so many grape poinsettias and I wish I wood have fought of it. Grape stuff. Looking forehead to next leek’s blood.

So if you don’t want a blogger thinking you want to “leak their blood” instead of “read their blog” it is fine. Hit the “Like” button. Takes two seconds and it encourages the writer who put their effort into the blonde…blood…blog. And they WILL remember your face.

You know, I didn’t always do things the right way. In the beginning, my blogs sounded more like lectures. Was I stuck up? No. Was I insecure and waiting for the digital cabbages to come flying through the screen? Yes. Fear of saying the wrong thing or sounding stupid or making a mistake can keep us from genuinely interacting. But when we fail to interact, what others see is a snob, not someone who is literally terrified that both feet will fly in her mouth. I know it doesn’t make sense, but humans are self-centered, insecure and neurotic.

If someone makes a weird face, we automatically assume they are looking at our fat thighs (okay, maybe that is just me). We don’t stop to think that person might be shy. Why? Because we are paranoid narcissists and like to believe we influence everything. It’s a control thing. You know I am right :D. You, in the back, lurking on my blog. We do like you, you just were so quiet you blended in with HTML. Come hang out. Have a snack.

Can you spot the writer?

Being likable is far easier than it seems. I guarantee you that if you just employ a handful of those ten tactics, your following will improve tremendously. Why? Because you will be giving others what we all desperately need…support, validation, compliments.

What are some habits/behaviors that you guys LIKE? What small or big things can others do that just warms your heart and puts you on their team? Conversely, what are some pet peeves? Maybe we are screwing up but don’t know. Educate us! I want to hear from you guys.

I LOVE hearing from you!

And to prove it and show my love, for the month of February, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of February I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.