Kristen Lamb

Author, Blogger, Social Media Jedi

Kristen Lamb — Photo

Posts Tagged: writing fiction

This GORGEOUS image via Flickr Creative Commons, courtesy of Aimannesse Photography

Stories have been around since the dawn of time, since the birth of communication. Stories have always served a vital role in human culture, yet in our modern “sophisticated” world, it’s all too easy for many to dismiss novels as “escape.”

Though, in fairness, spend ten minutes on Twitter and escape ain’t necessarily a bad thing. All genres have unique purposes. Fans of one genre might not “get” fans of another.

As writers we also have our biases, maybe even think some genres are more valuable than others. Or even that genre fiction isn’t valuable at all. Yeah , we’ll post on that another time. It’s okay.

Though today, we’re going to talk about Inspirational Romance, I will admit…

We All Have Our Pets

For instance, I love horror. Some people think I’m nuts, but horror relaxes me. Why? Fear often does the most damage when it’s gray and nebulous. Few things are more terrifying than the unknown.

In fact, Stephen King in Danse Macabre makes a really interesting point that the most terror-filled moments are when we are creeping up the stairs and this unknown thing is banging at the door.

The reader tenses, feels sick, his nerves are shredding with every passing second and when the door is opened? There is a scream!

But it is not just a scream of terror. It’s also a scream of relief.

The human mind has a remarkable ability to be able to process and face what it can see. So when the door opens it’s a ten-foot bug, the reader screams but at the same time (though perhaps subconsciously) thinks, “Whew! At least it wasn’t a fifty-foot bug. A ten foot bug? I can make a plan.” And if it was a fifty-foot bug, the reader would think, “Whew! Well at least it wasn’t a five hundred foot bug!”

Y’all get the gist.

Horror helps ease our general anxiety by putting a name on a monster we can see, face (open the door) and then defeat. We might need Xanax and a bag of cookies when faced with trolls and mob violence, but a movie like The Purge places that generalized fear into a specific story and the hero overcomes. The thing is exposed.

We read (and write) stories for all kinds of reasons. Personally, not only do I love horror, but I love mystery, suspense and thriller because for me? I crave a sense of justice in an all too often unjust world. In a recent guest post about my new book, I said this:

Thus today, I’d like to hand off to a long-time follower of mine on social media and Facebook friend. It’s always a joy to bring guests who write genres different than mine, to hear from them. Jamie Lynn Booth writes Inspirational Romance and I thought, in light of all the doom and gloom we face each and every day, that this might be a cool topic to discuss. Why the world needs Inspirational Romance. Take it away Jaime!

***

Image courtesy of Flickr Creative Commons

I want to start off by saying it is a great honor and privilege to be asked by Kristen Lamb to write something for her blog. Thank you, Kristen.

So, why does the world needs more Inspirational Romance? It was Kristen’s idea, and I loved the topic.

I think we can all agree on the fact that there is an incredible amount of evil in our beautiful world. On the other hand, there is also just as much love and beauty. The sad part is that the media doesn’t show nearly enough of that. All we hear about and see on the news is the violence, for the most part. With Facebook, Twitter, newspapers and television, it’s basically what we see the most of.

Image courtesy of Flickr Creative Commons

For me, I do my best to not focus on the negative. I know it’s out there and I keep up with some of it so I don’t get completely lost. But for me, I need to keep my heart and soul with the love and romance that is longing to be held, grasped, desired and wanted. We all have love in our hearts. We all want to give and receive love, right? Love is a natural emotion. In my opinion, the most powerful one.

So, when I sit at my desktop I already know pretty much what I want to write about. The idea has already been placed in my head. First, before I begin working on my WIP, I have to ask for guidance from God. Without Him, I wouldn’t have this gift in the first place. Then, I let my muse run free.

I believe with the stress of everyday life we need inspiration. For a lot of folks, love has been lost or desired, we need an uplifting romance to fill the void. To be able to sit in your most comfortable chair, out on the deck, or in your bed and allow another scene or world take you away. I believe it’s not only therapeutic, but magical.

There are times in all our lives when we need to be inspired. Times when we all need to have God, or whatever Higher Power you believe in, to comfort us. Reading an Inspirational Romance about someone who has or is going through struggles but gets through them is powerful. A message is embedded within. When the character breaks through the barrier and finds love it makes it even better.

Most of us can relate on many levels with what we read. I love writing a novel that not only reaches into the depths of your soul, but grips your emotions. In everything I write, somewhere within is a part of me. Something I have experienced.

A great example of this is my new release, Never Again. Which is releasing on June 13th and is the first book in the series.

Blessed with a good life and the perfect love, Sam couldn’t be happier. On vacation with her adoring husband, she is convinced that everything is exactly as it should be…until it’s not. One accident sets off a string of events that forces Sam to watch her life fall apart piece by piece. Loss, grief, betrayal—and the revelation of a long-kept secret have Sam questioning whether she will ever be able to find the happiness she once had.
She’s broken, her heart shattered, her trust ruined, and her faith is tested as she tries to survive the Hell her life has become. Now Sam needs to decide if she’s brave enough to move on, or if she’ll never again find a love worth living for.

I think it’s safe to say we’ve all been broken. We’ve been in that spot where we thought we had nothing left. It was too much to simply put one foot in front of the other. Have you been there? I know I have.

Yet, through Inspirational Romance, we can connect with characters experiencing similar circumstances, trials, emotions and brokenness and, though we might be not able to see light in our dark moment? Through them we can. Regular ordinary people without superpowers or space ships and with more broken places than baggage, finding the courage to dare to move forward. To not only move forward, but, in the end trade their ashes for beauty.

***

Thank you Jamie! Really appreciate you taking the time to blog here. I know it’s work and can be pretty terrifying for the first-timers, so thanks for being brave.

I LOVE hearing from you! (and remember comments for guests count double for my contest).

What are your thoughts? I know we have some Inspirational Romance folks in the crowd who probably can add to this. Why do you love it? Read it? Write it? What is it about Inspirational Romance that speaks to you and why do you think the world needs more of it? I know I do.

Other genres! What do you love and why? Who does the world need more fantasy, science fiction, YA, whatever? I want to hear from you too!

By the way, y’all can follow Jamie on Facebook, Goodreads, Twitter, and Amazon.

****Just FYI, in an effort to combat spammers your comment won’t appear until I approve it, so don’t fret if it doesn’t appear right away.

Talk to me! And MAKE SURE to check out the classes below and sign up! Summer school! YAY!

And to prove it and show my love, for the month of JUNE, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

NEW CLASSES!

Obviously, I have my areas of expertise, but I’ve wanted for a long time to fill in some gaps on classes I could offer.

Cait Reynolds was my answer.

She is an unbelievable editor, mentor and teacher and a serious expert in these areas. She consults numerous very successful USA Today and NYTBS authors and I highly, highly recommend her classes.

OMG, Like How to Write Fleek YA July 7th $40 with Cait Reynolds

How to Dominate Your Sex Scenes (No Safe Words Here) July 14th $40 w/ Cait Reynolds

Gaskets and Gaiters: How to Create a Compelling Steampunk World July 21st $35 w/ Cait Reynolds 

Lasers & Dragons & Swords, Oh MY! World Building for Fantasy & Science Fiction 

July 28th w/ Cait Reynolds $35/ GOLD $75/ PLATINUM $125

Classes with MOI!

Plotting for Dummies July 13th $35 ($250 for GOLD)

Blogging for Authors July 20th $50 ($150 for GOLD)

Branding for Authors  July 27th $35

OTHER Classes with Cait Reynolds

Research for Historical Romance Writing – Or, How NOT to Lose Six Hours on Pinterest July 8th $35 for Basic/ $75 for GOLD / $125 for PLATINUM

Shift Your Shifter Romance into High Gear July 15th $35 Basic/ $75 GOLD/ $125 PLATINUM

Classes with Lisa Hall-Wilson

Growing An Organic Platform On Facebook July 22nd $40

 

 

Image via Flickr Creative Commons, courtesy of jayneandd

My goal for this blog has always, always, always been to be honest with you guys, to offer tough love and guidance and support. Because the world has three kinds of people, but two are the most common. Two are not exactly helpful and can be downright toxic. We will start with these folks, then move on to how to win that race!

The Discourager (Enemy)

This is the person who’s going to tell you what you’re unable to do. That it’s too hard, that you’re stupid for even trying.

You want to be a successful author? Seriously? Everyone can be published. It means nothing. Do you have any idea the competition that’s out there? You need a mega-marketing budget and even then you’ll probably fail.

Okay I need to stop there because I’m depressing myself.

These people are poison and I’ve dedicated many a blog to showing you why they need to go and giving tips for getting these people OUT of your life. They need to go if you hope to do ANYTHING remarkable.

The Sugar Coater (False Ally)

Original image via Lucy Downey from Flickr Creative Commons

Then there is the sugar-coater. This person might tell you it’s easy to make a million dollars writing a book…if you just BUY and DO this plan. A lot of folks out there willing to sell a dream. So caveat emptor there. This type of sugar-coater has lots to gain, namely money.

Yet, when we are chasing gimmicks, we’re not doing the two most important activities every writer must do—writing more books, building that platform/brand.

The sugar-coater might also be people around us in, say a critique group, who tell us everything we write is better than unicorn hair. Friends who think everything we write is genius.

While these folks are great encouragers, they might not be what we need. Too much sugar bad for us 😉 .

We might really need a tough and honest editor/critique partner to show us that maybe we don’t know as much as we believed we did. That we still have a LONG way to go and in love, offer constructive criticism.

The True Ally

Original image courtesy of Flickr Creatinve Commons, courtesy of Ali Samieivafa.

I want to give you guys a balance of love and encouragement because, to be blunt, most of us have an entire family filled with discouragers. Conversely, I also want to be honest. This is a tough job. Writing a work that spans 60K-120K words (and having that sucker actually make frigging sense) is NOT EASY.

I want you to be gentle with yourselves. There IS a learning curve. But, also step it up. We’re often capable of far more than we realize.

Parkinson’s Law states that work expands so as to fill the time available for its completion. Often we think that if we could only write full-time we’d be machines, turning out book after book. Not always the case and this is why deadlines are crucial.

I find that if I have all day to do something, I get sidetracked and I’m inefficient. I wander off, start on unrelated tasks. Yet, shorten the time I have to do something? And I am ON FIRE!

This is one of the reasons that I’ve run writing sprints on WANATribe every day for almost 18 months…even when I’m the only one there. I set the timer for 40 minutes for the push. How much can I get accomplished in 40 minutes?

Often? A hell of a lot more than I would have believed.

The ally will call us on our own BS. If we’re overextending ourselves? They’ll tell us to knock it off, eat something green and for the love of all that is chocolate…take a NAP.

If we’re going day after day and week after week not producing pages? And we whine we haven’t had time. The true ally will remind us we had time for Facebook and that Firefly marathon and to get our ass to work.

As Your TRUE ALLY, Here is Some Advice

I can carry you, Little Buddy.

Okay so y’all know I finally released a novel The Devil’s Dance after years of writing only non-fiction. Totally new gig for me. It was also pretty terrifying for a number of reasons beyond the usual.

First, I teach craft and have been haunted by that terrible saying: Those who can DO and those who can’t TEACH. Deep down I know it isn’t true, but stuff doesn’t need to be true to still freak us the hell out and keep us up at night.

My fiction would be out there. Did I happen to learn any of what I taught?

Second, I also teach that platform is critical for any kind of success. I’ve released books with a platform and without and can—from experience—tell you which is preferable. My first NF took months to be a blip on the radar versus the second NF launching to the top five of major categories on Amazon like Business and Marketing in less than 24 hours. #GoMe

But I’ve also claimed that if you build a platform the way I teach that we can switch genres, that the brand is US. So, when I was releasing a mystery-thriller when I was known as a NF branding expert? I got to be my own test case.

Did I instantly become a USA Today runaway best-seller hitting #1 in ALL categories AND have a movie deal by the weekend because Reese Witherspoon read my book and loved it and just HAD to produce it?

YES! I DID! #OMGOMGOMG

And then I woke up from my nap. *sobs*

I didn’t. But I did really well for a first novel, breaking the top 200 in multiple categories. Got a bunch of great reviews, reviews that made me sob with joy that 15 years of hell had been worth it. Additionally, my theory on platforms held solid. I already had a base of people eager to buy and read and spread the word.

But let’s face it, fiction is a whole new leg of the race for me and I need to earn my stripes. I have more of my theories to test, namely that it takes more than one book to gain the real traction. I saw this with NF and now? Get to test it with fiction, too. We shall see how it goes.

The RACE

Image via Flickr Creative Commons courtesy of Pedro Travassos

We are all in a race and we are racing with the goal of winning. Thing is though, we all have our OWN race. What is success for me is not necessarily success for you. But the key to winning your race is to keep your eyes on your finish line.

Ever run track? Most of us have even if it was forced upon us in P.E. class. When you’re running toward that goal line, the fastest way to trip, to even fall, to lose momentum and any kind of lead? Look at where other racers are.

You know, you turn your head to check and see how far your lead is and then *ass over elbows*.

Same with writing. Truth is, writers are not in actual competition with one another. Books are not so cost-prohibitive readers cannot buy more than one. Readers can have multiple favorite authors.

You guys know I am a huge fan of writers helping writers, connecting, learning, supporting. In fact, the genius dream team Angela Ackerman and Becca Puglisi…creators of the, well this is easier… (do yourself a favor and just get them all ) I recommend the paper versions.

I knew these ladies before they’d ever even completed The Emotion Thesaurus (their first resource) and was even a very happy guinea pig. Since that ground-breaking resource (as you can see from above) they have come out with many more and even launched an on-line resource One Stop for Writers.

Yet, despite their AMAZING success, they took time to support ME. They wrote a post We’re in This Together: How to Help Other Authors Succeed and not only are there some fantastic tips in here I didn’t even know (but will now do), they are raffling off copies of my book. I never asked them to do this, which explained the tears. SO much love there.

Ergo why I hammer platform, platform, platform. That community we build is going to be SO critical.

Yet, it would be easy for me to look at The Emotion Thesaurus and go, *sniff* Angela and Becca have 1,252 reviews. My book only has 168. Or Such-and-Such is at this rank and I am only here. Or they hit number one and I can’t even break out of the top 100,000.

THIS is when we are looking at other writers, but not in the correct way. This is the way that makes us stumble and fall because we are taking our eyes off OUR race.

Where Comparison Begins, Contentment ENDS

We need to embrace the whole of the writing experience. The challenges, the failures, the setbacks, the wins…ALL OF IT. If we are looking to another writer it needs to be to 1) love and support them or 2) learn from them.

If I compare my first draft of Sin Eater (the second Romi book) to American Gods by Neil Gaiman, the book I am currently reading? I am going to give up…right after I lay waste to every carb in the house.

First, not even the same genre. Then Neil’s been at this a smidge longer than I have and also? I am reading a FINAL product.

We have to stop comparing our behind-the-scenes footage to the highlight reel of others. Comparison is a nasty, nasty habit and puts us on a path that leads nowhere we want to go.

And we all do it. Even me. Jealousy and comparison is natural and human, and research shows humans write better books than robots. But feel it (blip) then press on. This is me…

BE CONTENT BUT BE HUNGRY

Okay my first novel was so bad it’s now being kept in my garage because it bites. But so what?

Millions of people say they want to write a book if they could only find the time. Well I made the time and I finished. I was (eventually) content I had passed that threshold, but I had to remain hungry. Learn, improve, press on, make allies and on and on.

In the end, choose who you will run alongside of…a pride of lions or a pack of hyenas. It matters. Then run your race, keep your eyes there on YOUR finish line (then the next and the next). I cannot promise you this is easy, but I can promise it will be worth it.

What are your thoughts?

Do you struggle with comparison? I do. I’ve just learned to see it, turn away FAST and get my mind on MY race. It takes practice. Trust me. Are you getting too down on yourself? Failing to see what you HAVE accomplished and too focused and what you’re not? Where you lack? Where you could have been better, faster or whatever? Or have you gotten too content and forgotten to be hungry?

It’s okay. We have all been there.

LOVE hearing from you guys!

****The site is relatively new, and I am sorry you have to enter your information all over again to comment, but I am still working out the kinks. Also your comment won’t appear until I approve it, so don’t fret if it doesn’t appear right away.

Talk to me!

And to prove it and show my love, for the month of MAY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

NEW CLASSES!

Obviously, I have my areas of expertise, but I’ve wanted for a long time to fill in some gaps on classes I could offer.

Cait Reynolds was my answer.

She is an unbelievable editor, mentor and teacher and a serious expert in these areas. She consults numerous very successful USA Today and NYTBS authors and I highly, highly recommend her classes.

OMG, Like How to Write Fleek YA July 7th $40 with Cait Reynolds

How to Dominate Your Sex Scenes (No Safe Words Here) July 14th $40 w/ Cait Reynolds

Gaskets and Gaiters: How to Create a Compelling Steampunk World July 21st $35 w/ Cait Reynolds 

Lasers & Dragons & Swords, Oh MY! World Building for Fantasy & Science Fiction 

July 28th w/ Cait Reynolds $35/ GOLD $75/ PLATINUM $125

Classes with MOI!

Pitch Perfect—How to Write a Query Letter & Synopsis that SELLS May 25th $45

Plotting for Dummies July 13th $35 ($250 for GOLD)

Blogging for Authors July 20th $50 ($150 for GOLD)

Branding for Authors  July 7th $35

OTHER Classes with Cait Reynolds

Research for Historical Romance Writing – Or, How NOT to Lose Six Hours on Pinterest July 8th $35 for Basic/ $75 for GOLD / $125 for PLATINUM

Shift Your Shifter Romance into High Gear June 30th $35 Basic/ $75 GOLD/ $125 PLATINUM

Classes with Lisa Hall-Wilson

Growing An Organic Platform On Facebook June 24th $40

 

 

If you’ve been writing fiction any length of time, you’ve probably experienced getting stuck. There are authors who firmly believe there is no such thing as writer’s block, that it is lack of discipline and I agree that can often be the case.

Often…but not always.

I feel our subconscious is an excellent writing partner if we can learn to listen and stay in tune with it. Frequently, when something is very wrong, our subconscious will simply slam the breaks and not let us move forward because it is warning us there is something that needs to be fixed.

But, if we are unaware of the role the subconscious can play in story creation, we don’t recognize what is going on and do one of three things: 1) Shelve the project 2) Start a new project 3) Keep writing ourselves deeper into that hole by sheer force of will.

Thus, today I want to give you some tricks that might help you when you find yourself stuck.

Change POV

Different stories require different POVs. And I would love to give you some step-by-step explanation but I don’t have one. They just DO. Take a plot problem and seriously, POV changes the whole thing. Lord of the Rings written in first-person present-tense would be a very different ride.

Often we get a story idea and we just take off writing in the POV we find most comfortable…but it simply doesn’t work with the story. I had this happen with my debut novel The Devil’s Dance. I started writing in third limited and it was just….meh. I had never written fiction in first-person so to get unstuck? I changed POV and? It worked!

And the thing is, maybe you don’t stay in that POV. Sometimes just taking a scene and shifting POV is enough to nudge the subconscious over the hump.

Change Perspective

Also, if a scene is bugging you, literally change POV. Not the third person to first-person way I just mentioned. But switch heads. Tell what is happening from another character’s perspective. Again, probably not something you will keep because not every character is a POV character, but this can help get the mojo flowing again.

Recast

Sorry I am mentioning my debut novel a lot, but it was a hell of a learning curve. Again, this happened with The Devil’s Dance. I had my plot idea, which was pretty cool *gets cramp patting self on back*. I knew I wanted a small town in Texas and people dying and it had to do with the town’s newfound prosperity and Mexican drug cartels. My imaginary town, Bisby, was a wide space in the road that suddenly went BOOM. Instead of trailer parks, there were wine bars and million-dollar homes.

Why? How?

But originally I cast a resident of this small town and she was an Army veteran home from Afghanistan who was working at her uncle’s gun range. Nothing per se wrong with it, but she just kept falling flat. She was a former soldier and all badass and…boring as hell. So, I kept the plot idea and went the complete opposite direction.

Instead of some female action hero, I cast a protagonist who would be completely out of her depth. She was a disgraced software salesperson who’d done everything to escape Bisby and the trailer park where she grew up…who was then forced to go home to her crazy-as-a-bag-of-cats family and becomes the only one who can save the town she’d spent most of her life running from. I patterned her character off Elle Woods from Legally Blonde.

And it ROCKED! The story flowed because the idea just worked better with an unlikely hero.

Skip Scenes

Again, our subconscious is our friend so let it work its magic. Recently I got onto my coauthor Cait about locking in her teeth and not letting go. We are writing a Western Horror and she’d had this scene she had been futzing with for weeks trying to get it perfect.

So first of all, perfect is the enemy of the good. On a first draft there is NO sense in perfecting anything because there is almost some hidden law that states the scenes most likely to be cut or completely rewritten are all the ones we spent far too much time fiddling with.

Sometimes, it helps to just write (in caps) what happens then move on.

Cait was tasked with killing a goat and apparently that was way tougher than either of us imagined it would be when plotting this goat’s demise. In our defense it is no average goat. It is a goat risen from the dead with a taste for human instead of petticoats. Now Cait messed with it and messed with it and finally got it to work but in fairness, if it had been my scene?

I would have written as much as I could then put AND THEY KILL GOAT IN SUPER SPECTACULAR WAY and then moved on and let my subconscious chew on it.

As you are writing, trust me, your subconscious is working on how to kill that goat D-E-A-D and often will come up with something FAR cooler than if we gut through it.

So my writing advice?

Sometimes the best way to kill a goat is to jump the goat.

Write Your Ending

A lot of writers cringe when we instructors mention doing this. You may be yelling, But I am not a plotter! I don’t outline! I am a pantser! And I will say, that is still no excuse. All stories must have a core story problem in need of being resolved. We should be able to say what our book is about in ONE sentence. Especially the pantsers. If all you know is the core problem in need of being solved? That is enough. And if you don’t know this, then prepare to spend months or years fixing a mess (if it can even be fixed).

As complex a story as Lord of the Rings is, I can fit it into ONE sentence.

A naive and innocent race of homebodies must traverse a dangerous realm to toss an evil ring in a particular volcano before a power-hungry necromancer takes over and destroys all they love.

How does this story end?

With a VOLCANO.

Say Tolkein got stuck somewhere in Rivendell. He could have theoretically skipped ahead to Mt. Doom and wrote that and then what is left are two defined points and a missing middle. It is often FAR easier to connect two defined points than to start from point A and keep going into infinity with no idea where it will end.

And again, you don’t have to keep that particular ending. It can be rewritten, but again, it gives the subconscious something to work with.

Ask yourself, How do I know when my story is over? And that is your ending. If you want help smooshing your tome into a single-sentence, I have a class coming up on that and I will help you do it and show you how you can do it yourself in the future (Your Story in a Sentence—Crafting Your Log-line).

What are your thoughts? And make sure to check out the upcoming classes below! Especially the Book Bootcamp! The bootcamp has all the instruction you need to write your novel AND to learn to plot and write QUICKLY. They key to making money in this business (even in legacy) is lots of titles.

I LOVE hearing from you guys!

****The site is new, and I am sorry you have to enter your information all over again to comment, but I am still working out the kinks. Also your comment won’t appear until I approve it, so don’t fret if it doesn’t appear right away.

Talk to me!

And to prove it and show my love, for the month of APRIL, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

SIGN UP NOW FOR UPCOMING CLASSES!!! 

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it in person? No excuses! All you need is an internet connection!

Be a Better Hooker (How to Write a Compelling Newsletter)

April 29th $45

In this class, learn how to compose a newsletter that is entertaining and compelling—and all without stealing most of your writing time. Learn how to get your hooks in your readers and keep them until the end.

With a mailing list of over 15K subscribers, mystery/thriller author Jack Patterson will share some of his tips that will spice up your newsletter and get your subscribers opening it up every time you send one out.

BUNDLE DEALS!!! 

Book Bootcamp  $99 ($130 VALUE)

Book Bootcamp GOLD $269 ($430 VALUE) This includes the log-line class, antagonist class, the character class AND a three-hour time slot working personally with ME. We will either plot your idea or, if your novel isn’t working? Fix it! Appointments are scheduled by email. Consults done by phone or in virtual classroom.

Individual Classes with MOI!!! 

Pitch Perfect—How to Write a Query Letter and Synopsis that SELLS! $45 May 25th, 2017

Blogging for Authors $50 April 27th, 2017

Your Story in a Sentence—Crafting Your Log-line $35 May 4th, 2017

Bullies & Baddies—Understanding the Antagonist $50/$200 (Gold) May11th, 2017

The Art of Character $45 May 18th, 2017

NEW CLASSES/INSTRUCTORS!!! 

Growing an Organic Platform on Facebook $40 May 6th, 2017 Lisa Hall-Wilson is BACK! She is an expert on Facebook so check out her class!

Method Acting for Writers: How to Write in Deep POV $85 for this TWO WEEK intensive workshop with editor and writing instructor Lisa Hall Wilson.

Shift Your Shifter Romance into HIGH Gear $35 May 19th with powerhouse editor Cait Reynolds.

Researching for Historical Romance (How to NOT Lose 6 Hours of Your Life on Pinterest) $35 May 20th

 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

 

Image via Flickr Creative Commons courtesy of Anja Pietsch.

I asked you guys to tell me in the comments what you would like me to blog about, so today we are going to talk about the author platform. When do we start? When do we need a newsletter? How do we find time?

I think we have reached a point in the new publishing paradigm that I no longer have to beg and plead and make jazz hands for writers to realize they need to build a social media platform if they ever hope to SELL their books.

I hear a lot of this:

Well, why be on social media? I don’t yet have a book for sale. 

Because it is easier to talk to people when you don’t feel like you have an ulterior motive.

I just signed a contract for my book. Should I build a platform now?

*weeps and breathes into paper bag*

Facebook doesn’t sell books.

Sure it does.

I know I need to put together a newsletter but since I don’t have a book out yet, I don’t know what to say. 

Whoa! Slow down there partner! Dig the enthusiasm, but slow down.

Yes, we need to have a social media platform and ideally a blog and newsletter, but this is not something we can rush. This job is a LOT like farming. We buy the land, clear it, prepare it, seed it, wait, tend weeds, wait some more, pray for fair weather, root out pests (trolls) and even then? Most of the time what grows in the first few years isn’t ready for market. It still needs time to mature enough to bear fruit.

So we rotate crops (topics). Clear again, fertilize, weed, and it is a lot of small very unsexy activities that are done a little every…single…day.

We can’t rush a platform any more than we can rush a peach orchard.

Too many writers want to rent the peach stand to sell peaches but they never bothered planting any trees. In a panic, they go BUY peaches (followers) and hope that will be just as profitable.

Or they rush out after they’ve written the book and scrape together a platform and hope then people will buy their books when they’ve spent almost no time cultivating a relationship. This is akin to trying to harvest peaches from trees we planted three months ago. Doesn’t make sense with an orchard and makes even less sense on-line.

Thus my answer to when is the best time to start a platform? Um, yesterday.

Seriously, the second you think you maybe kind of sort of want to sell your books? That is the day you begin building a platform and brand. You do not want to have a book for sale and try to pull a following/platform out of the ether.

Conversely, everything in its season and all in its due time. If you are new and building that platform while you are writing the book, NO you don’t need a newsletter. A newsletter will only work if you’ve already cultivated the following who’d care to get it or even open it.

You are not yet in the harvest season, so pick weeds, water, fertilize and like farmers?

WAIT.

The Early Years

Image via Flickr Creative Commons, courtesy of Rene Schweitzke
Image via Flickr Creative Commons, courtesy of Rene Schweitzke

This is when we get our land and realize there are a ton of weeds, crappy soil and a zillion dead trees and trunks that need to be removed. There might even be some junk cars, scrap metal and old toilets that need to be hauled away. We need to form new habits. We need education, training and practice. We need to learn about branding and start building our platform.

When I left paper sales and decided to become a writer, I needed to learn the craft. I had bad habits. I put myself last on the list because writing wasn’t a “real job.” The early years is a lot of clearing away insecurity, fear, and even laziness. We learn to write even when we don’t “feel” like it and come to understand that simply showing up is a bigger deal than most people realize.

Sowing

This is when we start planting. We’ve cleared the fields and added missing nutrients to the soil. We took time to talk and listen to people on our social site of choice. To get to know them.

We put our butts in the seat and blogged even if the only comments we get are from the BuyPradaCheap sites:

“I so lick you’re blog. It changed my bruther’s life and bookmarking now.”

Blogging is my favorite form of social media. It is the most resilient (been here since the 90s), and it plays to a writer’s strengths. Writers WRITE. Blogs also train us to keep a professional pace. They trains us to show up and not be too dependent on others. Sure, it’s fun blogging now that I get a gazillion comments, but there were years I blogged to the ether. I didn’t do it for others. I did it for ME, to train me.

Image via Flickr Creative Commons, courtesy of Jim Evans
Image via Flickr Creative Commons, courtesy of Jim Evans

When it comes to social media? Blogging is one of the best investments of time when it comes to ROI (return on investment). No search engine will direct people to your witty tweet or clever Facebook post. Search engines WILL, however, start sending readers to your blog (if done properly). Also blogs can be harvested for books that can be SOLD…for actual money.

No one taught HOW to blog back when I started so I had a metric crap ton of trial and error. Now? Folks like me have created classes. Have one coming up! (Blogging for Authors).

Blogs make excellent books. Far harder to compile a book of my Instagram pictures of food.

Sowing also involves research, plotting, writing, finishing then revising the actual novel(s).

The Silent Years

After we’ve planted a lot of good stuff, it’s easy to get discouraged. In fact, for a loooooong time, it will look like nothing is happening.

We need deep roots to make it in this business, because high-winds and storms don’t stop because we want to write books. Did you know that the root system of any tree needs to be as wide if not wider than the span of the branches? What is below (unseen) must match (or even outmatch) what is above, or the tree will fall over and die with the first bad storm.

The Silent Years can be brutal and this is why most writers don’t make it. They feel like failures because they aren’t instant runaway successes. It takes discipline and faith to trust the process, which is tough in a world addicted to instant gratification and an over-reliance on luck. Too many people want fruits with no roots.

Reaping

If we keep pressing and don’t dig up our seeds to check if they really are growing (which is highly tempting), eventually we can reap what we’ve sown. Ah, but here is the catch. Back to my peach example. After a long wait and tender, patient care, we get a tree. YAY! Eventually, we see little tiny fruits popping out. AWESOME.

Not so fast.

The smart grower plucks off all the tiny green peaches. OH NO! Why? So the tree will bear more fruit and better fruit. For us? This could mean writing two or three or ten bad books before we get a winner. It could mean multiple revisions. But, to gain more, we have to sacrifice.

Image via Flickr Creative Commons, courtesy of Slgckgc
Image via Flickr Creative Commons, courtesy of Slgckgc

Harvest and Maintenance

In the beginning, we have a lot of back-breaking work (removing trash and dead stumps, tilling the soil, planting trees). But, if we are patient and consistent we can finally reach a maintenance phase. Once the grove of peach trees is producing, we keep fertilizing, tending, pruning and harvesting.

Image via Flickr Creative Commons, courtesy of Kathleen Dagostino
Image via Flickr Creative Commons, courtesy of Kathleen Dagostino

An author platform is the same. In the beginning, we need to build traction. We are forced out of our comfort zones. It isn’t natural to strike up conversations on Facebook. It is uncomfortable to get out there when we prefer to lurk.

Blogs take longer to write because we’re learning and finding our voice. We may even be struggling with perfectionism. It takes time to realize that it is A BLOG. It really doesn’t need to be worthy of a Pultizer in Journalism.

SHIP!

There will come a time when the super hard work is done. Sure there will always be work, but not like in the beginning. After years of practice, I can knock out 1000 words in an hour. When I was new? It was not pretty. My blog was not fun when I was my only follower. I still remember being so excited to meet my first commenter Akismet.

Strange name. Is he foreign?

I KID YOU NOT, when this nice fellow Akismet welcomed me to WordPress, I actually commented back to try and start a conversation #YesIAmAMoron. (For those who don’t know, Akismet is the WordPress spam filter *face palm*)

But trust me, blogging with NO followers? Unfun. Blogging with 35K followers? LOADS of fun. But that didn’t happen overnight.

Same with platform and sales. J.K. Rowling finds it way easier to sell books in 2017 than she did in 1997. In 1997 she had not yet cultivated billions of fans. All she has now? Maintenance and enjoying harvest.

Slow and steady wins the race. Pace yourselves and realize there are no fruits without roots, no perks without the works. Trust the process, and in the meantime? I am here 😀 .

What are your thoughts?

I LOVE hearing from you guys!

****The site is new, and I am sorry you have to enter your information all over again to comment, but I am still working out the kinks. Also your comment won’t appear until I approve it, so don’t fret if it doesn’t appear right away.

Also know I love suggestions! After almost 1,100 blog posts? I dig inspiration. So what would you like me to blog about?

Talk to me!

And to prove it and show my love, for the month of APRIL, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

SIGN UP NOW FOR UPCOMING CLASSES!!! 

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it in person? No excuses! All you need is an internet connection!

Be a Better Hooker (How to Write a Compelling Newsletter)

April 29th $45

In this class, learn how to compose a newsletter that is entertaining and compelling—and all without stealing most of your writing time. Learn how to get your hooks in your readers and keep them until the end.

With a mailing list of over 15K subscribers, mystery/thriller author Jack Patterson will share some of his tips that will spice up your newsletter and get your subscribers opening it up every time you send one out.

BUNDLE DEALS!!! 

Book Bootcamp  $99 ($130 VALUE)

Book Bootcamp GOLD $269 ($430 VALUE) This includes the log-line class, antagonist class, the character class AND a three-hour time slot working personally with ME. We will either plot your idea or, if your novel isn’t working? Fix it! Appointments are scheduled by email. Consults done by phone or in virtual classroom.

Individual Classes with MOI!!! 

Pitch Perfect—How to Write a Query Letter and Synopsis that SELLS! $45 May 25th, 2017

Blogging for Authors $50 April 27th, 2017

Your Story in a Sentence—Crafting Your Log-line $35 May 4th, 2017

Bullies & Baddies—Understanding the Antagonist $50/$200 (Gold) May11th, 2017

The Art of Character $45 May 18th, 2017

NEW CLASSES/INSTRUCTORS!!! 

Growing an Organic Platform on Facebook $40 May 6th, 2017 Lisa Hall-Wilson is BACK! She is an expert on Facebook so check out her class!

Method Acting for Writers: How to Write in Deep POV $85 for this TWO WEEK intensive workshop with editor and writing instructor Lisa Hall Wilson.

Shift Your Shifter Romance into HIGH Gear $35 May 19th with powerhouse editor Cait Reynolds.

Researching for Historical Romance (How to NOT Lost 6 Hours of Your Life on Pinterest) $35 May 20th

 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

 

So maybe you’re bee-bopping along on the interwebs, clicking on blogs, checking out writing resources when you see it float across your tweet deck. Or perhaps you’re at a writing conference looking all intellectual and stuff, and in the conversations this phrase deep POV keeps floating past. Deep POV. Deep POV. You keep hearing it, seeing it…

And, if you are anything like me, you don’t want to look like an idiot so you don’t ask that question burning inside you.

Um, what the heck is deep POV?

***Note to self. Google Deep POV at home under cover of darkness.

So what the heck is it and why do we need some?

If you are a writer who has a goal of selling books it is wise to remember that audiences are not static. They change. Their tastes change with the times and we need to understand what is “trending” if we want to connect and entertain. Many new writers look to the classics for inspiration and there isn’t anything per se wrong with that, but we must reinvent the classics, not regurgitate them.

Even if you look at the fashion trends, sure some styles “come back around” but they are not exact replicas of the past. They are a modernized version. But keep in mind that some fashion styles never come back. They’ve outlived their usefulness and belong in the past. Same with fiction.

Story trends and fashions change along with the audience. For instance, Moby Dick spends an excruciatingly long time talking about whales, namely because the audience of the time probably had never seen one and never would. If we did this today? Sure, feel free to walk around in a literary gold-plated cod piece, but er…

Yes, awkward.

Epics were also very popular. Follow a character from the womb until death. FANTASTIC STUFF! Why? Because no one had HBO, Pinterest or Angry Birds. Books were a rare indulgence usually reserved for a handful of literate folks with the money or connections to get their hands on…a book.

Also, since writers were paid by the word, their works were padded more than a freshman term paper. Their motto? No modifier left behind. These days? We have to write leaner, meaner, faster and cleaner.

We’ve talked about POV before, and which one might be the best for your story. I can’t choose for any of you, but before we talk about deep POV, I want to mention that POV is also affected by audience and I believe is a direct reflection of how connected we are as a society.

You guys may or may not know that POV has changed along with communication and connectedness. Waaaaay back in the day, omniscient with a god-like narrator was all the rage. But people didn’t travel at all. Most humans lived and died in the place they were born and in isolation from other communities.

With the early epics, we often had a narrator who was separate from the events.

Dear Reader, come with me for a tale of AWESOME…

Later, after the Dark Ages, people got out more, traveled more, etc. We see the narrator merging into just general god-like presence. Then, after the printing press was invented, more and more people were reading and a lot of monks were out of a job and went off to start the first microbreweries.

Don’t argue. It’s history 😛 .

Screen Shot 2016-03-09 at 6.44.15 AM
Image via kcxd courtesy of Flickr Creative Commons.

With pamphlets and papers, people became more engaged and journalism eventually gives birth to this new-fangled invention…first-person. Third person and third-person shifting only became popular after audiences grew accustomed to radio programs (and later television) and could mentally process the idea of a cut-to scene.

As people became networked closer and closer, we see the psychic distance closing. Now that we are a culture of reality TV and social media? Omniscient is a tough sell. I am not telling any of you what POV to choose, but I will say that modern readers will shy away from these older forms of POV because they “feel cold.” Modern readers LOVE being as close as possible, ergo my little side-trip through history.

And this is where we get *drum roll* deep POV.

You hear this word flung around the writing world. Oooh, deep POV. That is deep POV. Deep, Man.

Everyone wants it. Readers love it. Uh, but what IS it? How do I do it? Can I order some off Amazon?

Deep POV is simply a technique that strips the author voice completely out of the prose. There is no author intrusion so we are left only with the characters. The reader is nice and snuggly in the “head” of the character.

Okay, clear as mud. Right? Right.

As an editor, I see the intrusion much more than authors. It is actually shocking how much you guys interrupt. In fact, you are like my mother chaperoning my first date who would swear she was quiet as a mouse.

NOT.

I actually like deep POV because I love tight prose. I loathe unnecessary words. Deep POV not only leans up the writing, it digs deeper into the mental state of the character. We probably aren’t going to stay completely in deep POV, but it’s a nice place to call “home.”

How do we do it? Today, for the sake of brevity, we are just going to talk about simple stylistic changes, not the actual writing. We will do that next time 😉 .

First, Ditch the Tags

Just using the word “said” tells the reader we (the author) are there.

Kristen’s Made-Up Example (don’t judge me, just roll with it)

“No, I always love it when you drop by,” she said. Fifi felt her hands start to shake. She glanced over Tom’s shoulder and saw that the street was deserted. She knew all of her neighbors had already gone out of town for Christmas and no one would hear her scream. She thought, He is going to kill me.

Okay, so we get that Fifi is in a bad spot. But just that little word said tells us the author is present. So in the next layer we are going to remove the said.

While We Are Here? Thought and Sense Words—Ditch Those, Too

If we really pause and think about it, thought and sense words are frequently redundant. If we are IN the character’s head? We KNOW she is thinking. Who else would be thinking?

We aren’t dumb. Yes, it is my personal opinion, but I feel sensing and thinking words often qualify as holding the reader’s brain. We don’t need to. Readers are pretty smart.

Let’s look at my made-up example.

“No, I always love it when you drop by.” Fifi felt her hands start to shake. She glanced over Tom’s shoulder and saw that the street was deserted. She knew all of her neighbors had already gone out of town for Christmas and no one would hear her scream. She thought, He is going to kill me.

So we ditched the said and that tightened it up. Did you notice how losing the tag tightened the psychic distance? Now let’s remove these stubborn stains  unnecessary sensing and thinking words.

***Also, try to ditch any “starting to”.  Do or do not, there is no try starting to.

“No, I always love it when you drop by.” Fifi’s hands shook. She glanced over Tom’s shoulder. The street was deserted. All of her neighbors had already gone out of town for Christmas and no one would hear her scream. He is going to kill me.

Do you see how just getting rid of those excess words upped the tension of this piece? We (the reader) go from being a distant observer to being in the potentially deadly situation. We don’t need to tell the reader Fifi is thinking or feeling or about to do something. The reader gets that and us putting in glowing directional arrows is a distraction.

Screen Shot 2015-06-09 at 5.19.06 PM

Fifi felt Tom’s hands clamp around her throat.

Just get to it already!

Tom’s hands clamped around her throat.

So I hope this helps clear up some of your “deep POV” questions. Remember that we live in a culture that is spoiled with intimacy and we can give them what they love. Next time, we will discuss characterization and how to write in deep POV beyond the stylistic choices.

Before we go, I have a SUPER AWESOME DEAL to help you whip that WIP into fighting form! I put together a Book Bootcamp (3 craft classes for the price of two & RECORDINGS included in the purchase price) as well at a Book Bootcamp GOLD (3 craft classes for the price of two PLUS three hours with ME one-on-one plotting your novel OR repairing the plot for your novel). So make sure to check those out below along with all kinds of new classes!

Make sure you check out the newsletter class with Jack Patterson. He’s sold almost a quarter million books, so probably someone to listen to. Just sayin’…

What are your thoughts?

I LOVE hearing from you guys!

****The site is new, and I am sorry you have to enter your information all over again to comment, but I am still working out the kinks. Also your comment won’t appear until I approve it, so don’t fret if it doesn’t appear right away.

Also know I love suggestions! After almost 1,100 blog posts? I dig inspiration. So what would you like me to blog about?

Talk to me!

And to prove it and show my love, for the month of APRIL, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

SIGN UP NOW FOR UPCOMING CLASSES!!! 

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it in person? No excuses! All you need is an internet connection!

Be a Better Hooker (How to Write a Compelling Newsletter)

April 29th $45

In this class, learn how to compose a newsletter that is entertaining and compelling—and all without stealing most of your writing time. Learn how to get your hooks in your readers and keep them until the end.

With a mailing list of over 15K subscribers, mystery/thriller author Jack Patterson will share some of his tips that will spice up your newsletter and get your subscribers opening it up every time you send one out.

BUNDLE DEALS!!! 

Book Bootcamp  $99 ($130 VALUE)

Book Bootcamp GOLD $269 ($430 VALUE) This includes the log-line class, antagonist class, the character class AND a three-hour time slot working personally with ME. We will either plot your idea or, if your novel isn’t working? Fix it! Appointments are scheduled by email. Consults done by phone or in virtual classroom.

Individual Classes with MOI!!! 

Pitch Perfect—How to Write a Query Letter and Synopsis that SELLS! $45 April 13th, 2017

Blogging for Authors $50 April 27th, 2017

Your Story in a Sentence—Crafting Your Log-line $35 May 4th, 2017

Bullies & Baddies—Understanding the Antagonist $50/$200 (Gold) May11th, 2017

The Art of Character $45 May 18th, 2017

NEW CLASSES/INSTRUCTORS!!! 

Growing an Organic Platform on Facebook $40 May 6th, 2017 Lisa Hall-Wilson is BACK! She is an expert on Facebook so check out her class!

Method Acting for Writers: How to Write in Deep POV $85 for this TWO WEEK intensive workshop with editor and writing instructor Lisa Hall Wilson.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook