Kristen Lamb

Author, Blogger, Social Media Jedi

Kristen Lamb — Photo

Posts Tagged: writing fiction

great stories, structure, plot structure, writing tips, Kristen Lamb, writing craft, writing fiction, plotting basics

Yesterday we talked about great stories and why the world craves them and needs more of them. It’s easy to assert the world needs more great stories, but how do we go about writing them? Glad you asked.

Great stories that endure for generations are not the result of whim, accident or even a lot of ‘rising and grinding.’ There’s an end vision, a planning phase, and a way to make sure all the parts come together to create what was originally imagined (or perhaps something that surpassed all hope).

This is true of all enduring structures. Can you imagine the Pyramids, the Great Sphinx of Giza, the Mayan temples, or the Nazca Lines being the result of whim? Hey, lets go pile some stones and chip away at a cliff and see what happens?

Um…no.

Great stories possess an inherent architectural design unique to building with words. In fact, the more vast and complex a story we desire to write, the more structure skills matter.

Mastering how stories are fundamentally put together will increase our odds of crafting a story readers love.

Fail to Plan, Plan to Fail

great stories, structure, plot structure, writing tips, Kristen Lamb, writing craft, writing fiction, plotting basics

Narrative structure is fundamental, especially for any writer who longs to craft great stories that can withstand the test of time and Goodreads trolls 😛 .

Structure, sadly, is probably one of the most overlooked topics even though it’s the most critical.

Why? Because structure is for the reader. The further an author deviates from structure, the less likely the story will connect and resonate.

When structure is missing, incomplete, or flawed, the easier it is for readers to become confused, frustrated and finally give up. Structure isn’t simply for function, but for beauty as well (refer to jacked up Ikea fail above).

Sadly, too many emerging writers want to get to the ‘fun’ stuff (for them). Pretty prose, descriptions, characters, using new words are great imaginative play. Unfortunately, that’s all it is. Play.

Crafting great stories is work. Too much play and too little planning is the reason many ‘novels’ are Literary Barbie Dream Houses or Literary Holodecks (if you prefer).

While the writer is vested in the ‘story,’ no one else cares because the ‘book’ was written to entertain the creator not the consumer. Hey, I am not judging, for the record….

great stories, structure, plot structure, writing tips, Kristen Lamb, writing craft, writing fiction, plotting basics
Representation of Kristen’s First Novel

Story that connects to readers = lots of books sold

Story that deviates so far from structure that readers get confused or bored = slush pile or Amazon purgatory

Structure can be tough to wrap your mind around and, to be blunt, most pre-published writers don’t understand it. They rely on wordsmithery and hope they can bluff past people like me, agents and readers with their glorious prose.

Yeah, no. Prose isn’t plot.

We have to understand plot. That’s why I am going to make this upcoming craft series simple easy and best of all FUN.

Great Stories Possess Intrinsic Order

I get it. Learning story structure ranks right up there with…memorizing the Periodic Table. Remember those days? Ah, high school Chemistry.

The funny thing about Chemistry is that if you didn’t grasp the Periodic Table, then you simply would never do well in Chemistry. Everything beyond Chapter One hinged on this fundamental step—understanding the Periodic Table.

great stories, structure, plot structure, writing tips, Kristen Lamb, writing craft, writing fiction, plotting basics
Image via Wikimedia Commons

Location, location, location.

See, the elements were a lot like the groups at high school. They all had their own parts of the ‘lunch room.’ Metals on one part of the table, then the non-metals. Metals liked to date non-metals. They called themselves ‘The Ionics’ thinking it sounded cool.

Metals never dated other metals, but non-metals did date other non-metals. They were called ‘The Covalents.’  And then you had the neutral gases. The nerds of the Periodic Table. No one hung out with them. Ever. Okay, other nerds, but that was it.

Period.

All silliness aside, if you didn’t understand what element would likely hang out where and in what company, the rest of Chemistry might as well have been Sanskrit….like it was for me the first three times I failed it.

Novel structure can be very similar. All parts serve an important function. Normal World has a clear purpose, just like all the other components of the narrative structure. If we fail to understand this, then crafting a great story becomes more accident than intention.

Dunno about y’all, but I prefer odds I can control, thanks.

Great Stories: Back to the BASICS

great stories, structure, plot structure, writing tips, Kristen Lamb, writing craft, writing fiction, plotting basics

Today we are going to go back to basics, before we ever worry about things like Aristotelian structure (non-linear structure), turning points, rising action, and darkest moments, etc.

Often, structure is the stuff most new writers don’t understand, but I’m going to save you a ton of rewrite and disappointment. Again, prose is not a novel. Just because we can write beautiful sentences doesn’t mean we have the necessary skills to write an 60-100,000+ word novel (or a 300,000 + word series).

That’s like saying, I can build a birdhouse, so I can build a house! Uh, probably not. Or, I can build a house, so I can construct a skyscraper! Um…no. Different scale, different skills.

Do they share some basic components? Sure! But a novel (or series) requires a totally different framework of support, lest it collapse….structure.

great stories, structure, plot structure, writing tips, Kristen Lamb, writing craft, writing fiction, plotting basics

There are too many talented writers out there writing by the seat of their pants, believing that the skills to create a great short story are the same for a novel. Or the same for a novel are the same for an epic ten-book space opera.

No, no, no, no. When we lack a basic understanding of structure we have set ourselves up for a lot of wasted writing.

Ah, but understand the basics? And the potential variations are mind-boggling even if they are bound by rules, just like Chemistry.

Simplicity Births Complexity

great stories, structure, plot structure, writing tips, Kristen Lamb, writing craft, writing fiction, plotting basics

Carbon chains can be charcoal, but they’re also essential for lotuses, lions, and lemmings. Today we’re going to just have a basic introduction and we will delve deeper in the coming posts.

Now before you guys get the vapors and think I’m boxing you into some rigid format that will ruin your creativity, nothing could be further from the truth.

Plot is about elements, those things that go into the mix of making a good story even better.

Structure is about timing—where in the mix those elements go.

When you read a novel that isn’t quite grabbing you, the reason is probably structure. Even though it may have good characters, snappy dialogue, and intriguing settings, the story isn’t unfolding in the optimum fashion. ~James Scott Bell from Plot and Structure.

Structure has to do with the foundation and the building blocks, the carbon chains that are internal and never seen, but will hold and define what eventually will manifest on the outside—peach or poodle? Paranormal Romance? Or OMGWTH? 

Structure holds stories together and helps them make sense and flow in such a way so as to maximize the emotional impact by the end of the tale.

The Micro Scale of Structure

great stories, structure, plot structure, writing tips, Kristen Lamb, writing craft, writing fiction, plotting basics
Same thing can be said for writers…

We’re going to first ZOOM IN and place the novel under a literary electron microscope.

The most fundamental basics of a novel are cause and effect. Super basic. An entire novel can be broken down into cause-effect-cause-effect-cause-effect (yes, even literary works).

Cause and effect are like a nucleus with orbiting electrons. They exist in relation to each other and need each other. All effects must have a cause and all causes eventually must have an effect (or a good explanation).

I know that in life random things happen and people die for no reason. Yeah, well fiction ain’t life. So if a character drops dead from a massive heart attack, that ‘seed’ needs to be planted ahead of time.

Villains don’t just have their heart explode because we need them to die so we can end our book.

We’ll chat more about that later.

Now, all these little causes and effects clump together to form the next two building blocks we’ll discuss—the scene & the sequel (per Jack Bickham’s Scene & Structure). Many times these will clump together to form your ‘chapters’ but all in good time.

Cause and effect are like the carbon and the hydrogen. They bind together to form carbon chains. Carbon chains are what make up all living organisms.

***I know carbon chains also make some dead things, but great stories are living ‘creatures.’ Dead stories are, well, dead and deserve to rot in a slush pile. Ah, but living stories are immortal!

Anyway, carbon chains and various elements from that Periodic Table act like Legos—put together differently, in innumerable ways…but always using the same fundamental blocks.

Assembled in the wrong order—>steaming pile of goo.

***Lest I remind anyone who saw The Fly about that baboon that didn’t quite ‘make it’ through the teleportation pod.

Carbon chains create flowers and ferrets and fireflies and all things living, just like scenes and sequels form together in different ways to make up mysteries, romances, fantasies and thrillers and all things literary.

Order Matters: Scene & Sequel

great stories, structure, plot structure, writing tips, Kristen Lamb, writing craft, writing fiction, plotting basics

Structure’s two main components, as I said earlier, are the scene and the sequel.

The scene is a fundamental building block of fiction. It is physical. Something tangible is happening. The scene has three parts (again per Jack Bickham’s Scene & Structure, which I recommend every writer buy and read and study).

  • Statement of the goal
  • Introduction and development of conflict
  • Failure of the character to reach his goal, a tactical disaster

Goal –> Conflict –> Disaster

The sequel is the other fundamental building block and is the emotional thread. The sequel often begins at the end of a scene when the viewpoint character has to process the unanticipated but logical disaster that happened at the end of your scene.

Emotion–> Thought–> Decision–> Action

Link scenes and sequels together and flesh over a narrative structure and you will have a novel readers will enjoy.

Oh but Kristen you are hedging me in to this formulaic writing and I want to be creative.

Understanding structure is not formulaic writing. It is writing that makes sense on a fundamental level.

Meet & Exceed Expectations

On some intuitive level, all readers expect some variation of this structure. When things happen for no reason, or there are actions that should have consequences then don’t? Formula for a book mark.

Readers eventually grow weary and move on, especially these days when humans have the attention span of a crack-addicted spider monkey.

great stories, structure, plot structure, writing tips, Kristen Lamb, writing craft, writing fiction, plotting basics

Can we get creative with pizza? Sure. Can we be more than Domino’s or Papa John’s? Of course. There are countless variations of pizza, from something that resembles a frozen hockey puck to gourmet varieties with fancy toppings like sun-dried tomatoes or feta cheese.

But, on some primal level, a patron will know what to expect when we ‘sell’ them a pizza. They will know that a fried corn tortilla stuffed with shredded bison and a raspberry chutney is NOT pizza…even though it is certainly ‘creative.’

Patrons have certain expectations when you offer them a ‘pizza.’ Pizza has rules. So do novels. Chemistry and Biology have rules, so do novels. We can push the boundaries, but we must appreciate the rules…so we can BREAK and BASH them!

*evil laugh*

For anyone who longs to accelerate their plot skills, I recommend my On Demand Plot Boss: Writing Novels Readers Want to BUY. Two hours of intensive plot training from MOI…delivered right to your computer to watch as much as you like 😀 .

Or to make stabbing motions at my head with a pen.

I look forward to helping you guys become stronger at your craft. What are some of your biggest problems, hurdles or misunderstandings about plot? Where do you most commonly get stuck?

I love hearing from you!

And am not above bribery!

What do you WIN? For the month of FEBRUARY, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

***January’s winner is Maria D’Marco. Please send your first twenty pages (5,000 words) double spaced in 12 point Times New Roman font (12 pint) with one-inch margins in a Word doc to kristen at wana intl.com.

CLASSES!

Business of the Writing Business: Ready to ROAR!

Instructor: Kristen Lamb

Price: $55.00 USD

Where: W.A.N.A. Digital Classroom

When: Thursday, February 15, 2018, 7:00-9:00 p.m. EST

Being a professional author entails much more than simply writing books. Many emerging authors believe all we need is a completed novel and an agent/readers will come.

There’s a lot more that goes into the writing business…but not nearly as much as some might want us to believe. There’s a fine balance between being educated about business and killing ourselves with so much we do everything but WRITE MORE BOOKS.

This class is to prepare you for the reality of Digital Age Publishing and help you build a foundation that can withstand major upheavals. Beyond the ‘final draft’ what then? What should we be doing while writing the novel?

We are in the Wilderness of Publishing and predators abound. Knowledge is power. We don’t get what we work for, we get what we negotiate. This is to prepare you for success, to help you understand a gamble from a grift a deal from a dud. We will discuss:

  • The Product
  • Agents/Editors
  • Types of Publishing
  • Platform and Brand
  • Marketing and Promotion
  • Making Money
  • Where Writers REALLY Need to Focus

A recording of this class is also included with purchase.

Self-Publishing for Professionals: Amateur Hour is OVER

Instructor: Cait Reynolds

Price: $99.00 USD

Where: W.A.N.A. Digital Classroom

When: Friday, February 16, 2018, 7:00-10:00 p.m. EST

Let’s get down to brass tacks. Are you going to go KDP Select or wide distribution with Smashwords as a distributor? Are you going to use the KDP/CreateSpace ISBN’s or purchase your own package? What BISAC codes have you chosen? What keywords are you going to use to get into your target categories? Who’s your competition, and how are you positioned against them?

Okay, hold on. Breathe. Slow down. I didn’t mean to induce a panic attack. I’m actually here to help.

Beyond just uploading a book to Amazon, there are a lot of tricks of the trade that can help us build our brand, keep our books on the algorithmic radar, and find the readers who will go the distance with us. If getting our books up on Amazon and CreateSpace is ‘Self-Publishing 101,’ then this class is the ‘Self-Publishing senior seminar’ that will help you turn your books into a business and your writing into a long-term career.

Topics include:

  • Competitive research (because publishing is about as friendly as the Red Wedding in Game of Thrones)
  • Distribution decisions (because there’s actually a choice!)
  • Copyright, ISBN’s, intellectual property, and what it actually all means for writers
  • Algorithm magic: keywords, BISAC codes, and meta descriptions made easy
  • Finding the reader (beyond trusting Amazon to deliver them)
  • Demystifying the USA Today and NYT bestselling author titles
  • How to run yourself like a business even when you hate business and can’t math (I can’t math either, so it’s cool)

Yes, this is going to be a 3-hour class because there is SO much to cover…but, like L’Oréal says, you’re worth it! Also, a recording of this class is also included with purchase.

The class includes a workbook that will guide you through everything we talk about from how to do competitive research to tracking ISBNs and distribution, and much, much more!

Time is MONEY, and your time is valuable so this will help you make every moment count…so you can go back to writing GREAT BOOKS.

DOUBLE-TROUBLE BUSINESS BUNDLE

BOTH classes for $129 (Save $25). This bundle is FIVE hours of professional training, plus the recordings, plus Cait’s workbook to guide you through everything from how to do competitive research to tracking ISBNs and distribution and more.

This GORGEOUS image via Flickr Creative Commons, courtesy of Aimannesse Photography

Stories have been around since the dawn of time, since the birth of communication. Stories have always served a vital role in human culture, yet in our modern “sophisticated” world, it’s all too easy for many to dismiss novels as “escape.”

Though, in fairness, spend ten minutes on Twitter and escape ain’t necessarily a bad thing. All genres have unique purposes. Fans of one genre might not “get” fans of another.

As writers we also have our biases, maybe even think some genres are more valuable than others. Or even that genre fiction isn’t valuable at all. Yeah , we’ll post on that another time. It’s okay.

Though today, we’re going to talk about Inspirational Romance, I will admit…

We All Have Our Pets

For instance, I love horror. Some people think I’m nuts, but horror relaxes me. Why? Fear often does the most damage when it’s gray and nebulous. Few things are more terrifying than the unknown.

In fact, Stephen King in Danse Macabre makes a really interesting point that the most terror-filled moments are when we are creeping up the stairs and this unknown thing is banging at the door.

The reader tenses, feels sick, his nerves are shredding with every passing second and when the door is opened? There is a scream!

But it is not just a scream of terror. It’s also a scream of relief.

The human mind has a remarkable ability to be able to process and face what it can see. So when the door opens it’s a ten-foot bug, the reader screams but at the same time (though perhaps subconsciously) thinks, “Whew! At least it wasn’t a fifty-foot bug. A ten foot bug? I can make a plan.” And if it was a fifty-foot bug, the reader would think, “Whew! Well at least it wasn’t a five hundred foot bug!”

Y’all get the gist.

Horror helps ease our general anxiety by putting a name on a monster we can see, face (open the door) and then defeat. We might need Xanax and a bag of cookies when faced with trolls and mob violence, but a movie like The Purge places that generalized fear into a specific story and the hero overcomes. The thing is exposed.

We read (and write) stories for all kinds of reasons. Personally, not only do I love horror, but I love mystery, suspense and thriller because for me? I crave a sense of justice in an all too often unjust world. In a recent guest post about my new book, I said this:

Thus today, I’d like to hand off to a long-time follower of mine on social media and Facebook friend. It’s always a joy to bring guests who write genres different than mine, to hear from them. Jamie Lynn Booth writes Inspirational Romance and I thought, in light of all the doom and gloom we face each and every day, that this might be a cool topic to discuss. Why the world needs Inspirational Romance. Take it away Jaime!

***

Image courtesy of Flickr Creative Commons

I want to start off by saying it is a great honor and privilege to be asked by Kristen Lamb to write something for her blog. Thank you, Kristen.

So, why does the world needs more Inspirational Romance? It was Kristen’s idea, and I loved the topic.

I think we can all agree on the fact that there is an incredible amount of evil in our beautiful world. On the other hand, there is also just as much love and beauty. The sad part is that the media doesn’t show nearly enough of that. All we hear about and see on the news is the violence, for the most part. With Facebook, Twitter, newspapers and television, it’s basically what we see the most of.

Image courtesy of Flickr Creative Commons

For me, I do my best to not focus on the negative. I know it’s out there and I keep up with some of it so I don’t get completely lost. But for me, I need to keep my heart and soul with the love and romance that is longing to be held, grasped, desired and wanted. We all have love in our hearts. We all want to give and receive love, right? Love is a natural emotion. In my opinion, the most powerful one.

So, when I sit at my desktop I already know pretty much what I want to write about. The idea has already been placed in my head. First, before I begin working on my WIP, I have to ask for guidance from God. Without Him, I wouldn’t have this gift in the first place. Then, I let my muse run free.

I believe with the stress of everyday life we need inspiration. For a lot of folks, love has been lost or desired, we need an uplifting romance to fill the void. To be able to sit in your most comfortable chair, out on the deck, or in your bed and allow another scene or world take you away. I believe it’s not only therapeutic, but magical.

There are times in all our lives when we need to be inspired. Times when we all need to have God, or whatever Higher Power you believe in, to comfort us. Reading an Inspirational Romance about someone who has or is going through struggles but gets through them is powerful. A message is embedded within. When the character breaks through the barrier and finds love it makes it even better.

Most of us can relate on many levels with what we read. I love writing a novel that not only reaches into the depths of your soul, but grips your emotions. In everything I write, somewhere within is a part of me. Something I have experienced.

A great example of this is my new release, Never Again. Which is releasing on June 13th and is the first book in the series.

Blessed with a good life and the perfect love, Sam couldn’t be happier. On vacation with her adoring husband, she is convinced that everything is exactly as it should be…until it’s not. One accident sets off a string of events that forces Sam to watch her life fall apart piece by piece. Loss, grief, betrayal—and the revelation of a long-kept secret have Sam questioning whether she will ever be able to find the happiness she once had.
She’s broken, her heart shattered, her trust ruined, and her faith is tested as she tries to survive the Hell her life has become. Now Sam needs to decide if she’s brave enough to move on, or if she’ll never again find a love worth living for.

I think it’s safe to say we’ve all been broken. We’ve been in that spot where we thought we had nothing left. It was too much to simply put one foot in front of the other. Have you been there? I know I have.

Yet, through Inspirational Romance, we can connect with characters experiencing similar circumstances, trials, emotions and brokenness and, though we might be not able to see light in our dark moment? Through them we can. Regular ordinary people without superpowers or space ships and with more broken places than baggage, finding the courage to dare to move forward. To not only move forward, but, in the end trade their ashes for beauty.

***

Thank you Jamie! Really appreciate you taking the time to blog here. I know it’s work and can be pretty terrifying for the first-timers, so thanks for being brave.

I LOVE hearing from you! (and remember comments for guests count double for my contest).

What are your thoughts? I know we have some Inspirational Romance folks in the crowd who probably can add to this. Why do you love it? Read it? Write it? What is it about Inspirational Romance that speaks to you and why do you think the world needs more of it? I know I do.

Other genres! What do you love and why? Who does the world need more fantasy, science fiction, YA, whatever? I want to hear from you too!

By the way, y’all can follow Jamie on Facebook, Goodreads, Twitter, and Amazon.

****Just FYI, in an effort to combat spammers your comment won’t appear until I approve it, so don’t fret if it doesn’t appear right away.

Talk to me! And MAKE SURE to check out the classes below and sign up! Summer school! YAY!

And to prove it and show my love, for the month of JUNE, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

NEW CLASSES!

Obviously, I have my areas of expertise, but I’ve wanted for a long time to fill in some gaps on classes I could offer.

Cait Reynolds was my answer.

She is an unbelievable editor, mentor and teacher and a serious expert in these areas. She consults numerous very successful USA Today and NYTBS authors and I highly, highly recommend her classes.

OMG, Like How to Write Fleek YA July 7th $40 with Cait Reynolds

How to Dominate Your Sex Scenes (No Safe Words Here) July 14th $40 w/ Cait Reynolds

Gaskets and Gaiters: How to Create a Compelling Steampunk World July 21st $35 w/ Cait Reynolds 

Lasers & Dragons & Swords, Oh MY! World Building for Fantasy & Science Fiction 

July 28th w/ Cait Reynolds $35/ GOLD $75/ PLATINUM $125

Classes with MOI!

Plotting for Dummies July 13th $35 ($250 for GOLD)

Blogging for Authors July 20th $50 ($150 for GOLD)

Branding for Authors  July 27th $35

OTHER Classes with Cait Reynolds

Research for Historical Romance Writing – Or, How NOT to Lose Six Hours on Pinterest July 8th $35 for Basic/ $75 for GOLD / $125 for PLATINUM

Shift Your Shifter Romance into High Gear July 15th $35 Basic/ $75 GOLD/ $125 PLATINUM

Classes with Lisa Hall-Wilson

Growing An Organic Platform On Facebook July 22nd $40

 

 

Image via Flickr Creative Commons, courtesy of jayneandd

My goal for this blog has always, always, always been to be honest with you guys, to offer tough love and guidance and support. Because the world has three kinds of people, but two are the most common. Two are not exactly helpful and can be downright toxic. We will start with these folks, then move on to how to win that race!

The Discourager (Enemy)

This is the person who’s going to tell you what you’re unable to do. That it’s too hard, that you’re stupid for even trying.

You want to be a successful author? Seriously? Everyone can be published. It means nothing. Do you have any idea the competition that’s out there? You need a mega-marketing budget and even then you’ll probably fail.

Okay I need to stop there because I’m depressing myself.

These people are poison and I’ve dedicated many a blog to showing you why they need to go and giving tips for getting these people OUT of your life. They need to go if you hope to do ANYTHING remarkable.

The Sugar Coater (False Ally)

Original image via Lucy Downey from Flickr Creative Commons

Then there is the sugar-coater. This person might tell you it’s easy to make a million dollars writing a book…if you just BUY and DO this plan. A lot of folks out there willing to sell a dream. So caveat emptor there. This type of sugar-coater has lots to gain, namely money.

Yet, when we are chasing gimmicks, we’re not doing the two most important activities every writer must do—writing more books, building that platform/brand.

The sugar-coater might also be people around us in, say a critique group, who tell us everything we write is better than unicorn hair. Friends who think everything we write is genius.

While these folks are great encouragers, they might not be what we need. Too much sugar bad for us 😉 .

We might really need a tough and honest editor/critique partner to show us that maybe we don’t know as much as we believed we did. That we still have a LONG way to go and in love, offer constructive criticism.

The True Ally

Original image courtesy of Flickr Creatinve Commons, courtesy of Ali Samieivafa.

I want to give you guys a balance of love and encouragement because, to be blunt, most of us have an entire family filled with discouragers. Conversely, I also want to be honest. This is a tough job. Writing a work that spans 60K-120K words (and having that sucker actually make frigging sense) is NOT EASY.

I want you to be gentle with yourselves. There IS a learning curve. But, also step it up. We’re often capable of far more than we realize.

Parkinson’s Law states that work expands so as to fill the time available for its completion. Often we think that if we could only write full-time we’d be machines, turning out book after book. Not always the case and this is why deadlines are crucial.

I find that if I have all day to do something, I get sidetracked and I’m inefficient. I wander off, start on unrelated tasks. Yet, shorten the time I have to do something? And I am ON FIRE!

This is one of the reasons that I’ve run writing sprints on WANATribe every day for almost 18 months…even when I’m the only one there. I set the timer for 40 minutes for the push. How much can I get accomplished in 40 minutes?

Often? A hell of a lot more than I would have believed.

The ally will call us on our own BS. If we’re overextending ourselves? They’ll tell us to knock it off, eat something green and for the love of all that is chocolate…take a NAP.

If we’re going day after day and week after week not producing pages? And we whine we haven’t had time. The true ally will remind us we had time for Facebook and that Firefly marathon and to get our ass to work.

As Your TRUE ALLY, Here is Some Advice

I can carry you, Little Buddy.

Okay so y’all know I finally released a novel The Devil’s Dance after years of writing only non-fiction. Totally new gig for me. It was also pretty terrifying for a number of reasons beyond the usual.

First, I teach craft and have been haunted by that terrible saying: Those who can DO and those who can’t TEACH. Deep down I know it isn’t true, but stuff doesn’t need to be true to still freak us the hell out and keep us up at night.

My fiction would be out there. Did I happen to learn any of what I taught?

Second, I also teach that platform is critical for any kind of success. I’ve released books with a platform and without and can—from experience—tell you which is preferable. My first NF took months to be a blip on the radar versus the second NF launching to the top five of major categories on Amazon like Business and Marketing in less than 24 hours. #GoMe

But I’ve also claimed that if you build a platform the way I teach that we can switch genres, that the brand is US. So, when I was releasing a mystery-thriller when I was known as a NF branding expert? I got to be my own test case.

Did I instantly become a USA Today runaway best-seller hitting #1 in ALL categories AND have a movie deal by the weekend because Reese Witherspoon read my book and loved it and just HAD to produce it?

YES! I DID! #OMGOMGOMG

And then I woke up from my nap. *sobs*

I didn’t. But I did really well for a first novel, breaking the top 200 in multiple categories. Got a bunch of great reviews, reviews that made me sob with joy that 15 years of hell had been worth it. Additionally, my theory on platforms held solid. I already had a base of people eager to buy and read and spread the word.

But let’s face it, fiction is a whole new leg of the race for me and I need to earn my stripes. I have more of my theories to test, namely that it takes more than one book to gain the real traction. I saw this with NF and now? Get to test it with fiction, too. We shall see how it goes.

The RACE

Image via Flickr Creative Commons courtesy of Pedro Travassos

We are all in a race and we are racing with the goal of winning. Thing is though, we all have our OWN race. What is success for me is not necessarily success for you. But the key to winning your race is to keep your eyes on your finish line.

Ever run track? Most of us have even if it was forced upon us in P.E. class. When you’re running toward that goal line, the fastest way to trip, to even fall, to lose momentum and any kind of lead? Look at where other racers are.

You know, you turn your head to check and see how far your lead is and then *ass over elbows*.

Same with writing. Truth is, writers are not in actual competition with one another. Books are not so cost-prohibitive readers cannot buy more than one. Readers can have multiple favorite authors.

You guys know I am a huge fan of writers helping writers, connecting, learning, supporting. In fact, the genius dream team Angela Ackerman and Becca Puglisi…creators of the, well this is easier… (do yourself a favor and just get them all ) I recommend the paper versions.

I knew these ladies before they’d ever even completed The Emotion Thesaurus (their first resource) and was even a very happy guinea pig. Since that ground-breaking resource (as you can see from above) they have come out with many more and even launched an on-line resource One Stop for Writers.

Yet, despite their AMAZING success, they took time to support ME. They wrote a post We’re in This Together: How to Help Other Authors Succeed and not only are there some fantastic tips in here I didn’t even know (but will now do), they are raffling off copies of my book. I never asked them to do this, which explained the tears. SO much love there.

Ergo why I hammer platform, platform, platform. That community we build is going to be SO critical.

Yet, it would be easy for me to look at The Emotion Thesaurus and go, *sniff* Angela and Becca have 1,252 reviews. My book only has 168. Or Such-and-Such is at this rank and I am only here. Or they hit number one and I can’t even break out of the top 100,000.

THIS is when we are looking at other writers, but not in the correct way. This is the way that makes us stumble and fall because we are taking our eyes off OUR race.

Where Comparison Begins, Contentment ENDS

We need to embrace the whole of the writing experience. The challenges, the failures, the setbacks, the wins…ALL OF IT. If we are looking to another writer it needs to be to 1) love and support them or 2) learn from them.

If I compare my first draft of Sin Eater (the second Romi book) to American Gods by Neil Gaiman, the book I am currently reading? I am going to give up…right after I lay waste to every carb in the house.

First, not even the same genre. Then Neil’s been at this a smidge longer than I have and also? I am reading a FINAL product.

We have to stop comparing our behind-the-scenes footage to the highlight reel of others. Comparison is a nasty, nasty habit and puts us on a path that leads nowhere we want to go.

And we all do it. Even me. Jealousy and comparison is natural and human, and research shows humans write better books than robots. But feel it (blip) then press on. This is me…

BE CONTENT BUT BE HUNGRY

Okay my first novel was so bad it’s now being kept in my garage because it bites. But so what?

Millions of people say they want to write a book if they could only find the time. Well I made the time and I finished. I was (eventually) content I had passed that threshold, but I had to remain hungry. Learn, improve, press on, make allies and on and on.

In the end, choose who you will run alongside of…a pride of lions or a pack of hyenas. It matters. Then run your race, keep your eyes there on YOUR finish line (then the next and the next). I cannot promise you this is easy, but I can promise it will be worth it.

What are your thoughts?

Do you struggle with comparison? I do. I’ve just learned to see it, turn away FAST and get my mind on MY race. It takes practice. Trust me. Are you getting too down on yourself? Failing to see what you HAVE accomplished and too focused and what you’re not? Where you lack? Where you could have been better, faster or whatever? Or have you gotten too content and forgotten to be hungry?

It’s okay. We have all been there.

LOVE hearing from you guys!

****The site is relatively new, and I am sorry you have to enter your information all over again to comment, but I am still working out the kinks. Also your comment won’t appear until I approve it, so don’t fret if it doesn’t appear right away.

Talk to me!

And to prove it and show my love, for the month of MAY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

NEW CLASSES!

Obviously, I have my areas of expertise, but I’ve wanted for a long time to fill in some gaps on classes I could offer.

Cait Reynolds was my answer.

She is an unbelievable editor, mentor and teacher and a serious expert in these areas. She consults numerous very successful USA Today and NYTBS authors and I highly, highly recommend her classes.

OMG, Like How to Write Fleek YA July 7th $40 with Cait Reynolds

How to Dominate Your Sex Scenes (No Safe Words Here) July 14th $40 w/ Cait Reynolds

Gaskets and Gaiters: How to Create a Compelling Steampunk World July 21st $35 w/ Cait Reynolds 

Lasers & Dragons & Swords, Oh MY! World Building for Fantasy & Science Fiction 

July 28th w/ Cait Reynolds $35/ GOLD $75/ PLATINUM $125

Classes with MOI!

Pitch Perfect—How to Write a Query Letter & Synopsis that SELLS May 25th $45

Plotting for Dummies July 13th $35 ($250 for GOLD)

Blogging for Authors July 20th $50 ($150 for GOLD)

Branding for Authors  July 7th $35

OTHER Classes with Cait Reynolds

Research for Historical Romance Writing – Or, How NOT to Lose Six Hours on Pinterest July 8th $35 for Basic/ $75 for GOLD / $125 for PLATINUM

Shift Your Shifter Romance into High Gear June 30th $35 Basic/ $75 GOLD/ $125 PLATINUM

Classes with Lisa Hall-Wilson

Growing An Organic Platform On Facebook June 24th $40

 

 

If you’ve been writing fiction any length of time, you’ve probably experienced getting stuck. There are authors who firmly believe there is no such thing as writer’s block, that it is lack of discipline and I agree that can often be the case.

Often…but not always.

I feel our subconscious is an excellent writing partner if we can learn to listen and stay in tune with it. Frequently, when something is very wrong, our subconscious will simply slam the breaks and not let us move forward because it is warning us there is something that needs to be fixed.

But, if we are unaware of the role the subconscious can play in story creation, we don’t recognize what is going on and do one of three things: 1) Shelve the project 2) Start a new project 3) Keep writing ourselves deeper into that hole by sheer force of will.

Thus, today I want to give you some tricks that might help you when you find yourself stuck.

Change POV

Different stories require different POVs. And I would love to give you some step-by-step explanation but I don’t have one. They just DO. Take a plot problem and seriously, POV changes the whole thing. Lord of the Rings written in first-person present-tense would be a very different ride.

Often we get a story idea and we just take off writing in the POV we find most comfortable…but it simply doesn’t work with the story. I had this happen with my debut novel The Devil’s Dance. I started writing in third limited and it was just….meh. I had never written fiction in first-person so to get unstuck? I changed POV and? It worked!

And the thing is, maybe you don’t stay in that POV. Sometimes just taking a scene and shifting POV is enough to nudge the subconscious over the hump.

Change Perspective

Also, if a scene is bugging you, literally change POV. Not the third person to first-person way I just mentioned. But switch heads. Tell what is happening from another character’s perspective. Again, probably not something you will keep because not every character is a POV character, but this can help get the mojo flowing again.

Recast

Sorry I am mentioning my debut novel a lot, but it was a hell of a learning curve. Again, this happened with The Devil’s Dance. I had my plot idea, which was pretty cool *gets cramp patting self on back*. I knew I wanted a small town in Texas and people dying and it had to do with the town’s newfound prosperity and Mexican drug cartels. My imaginary town, Bisby, was a wide space in the road that suddenly went BOOM. Instead of trailer parks, there were wine bars and million-dollar homes.

Why? How?

But originally I cast a resident of this small town and she was an Army veteran home from Afghanistan who was working at her uncle’s gun range. Nothing per se wrong with it, but she just kept falling flat. She was a former soldier and all badass and…boring as hell. So, I kept the plot idea and went the complete opposite direction.

Instead of some female action hero, I cast a protagonist who would be completely out of her depth. She was a disgraced software salesperson who’d done everything to escape Bisby and the trailer park where she grew up…who was then forced to go home to her crazy-as-a-bag-of-cats family and becomes the only one who can save the town she’d spent most of her life running from. I patterned her character off Elle Woods from Legally Blonde.

And it ROCKED! The story flowed because the idea just worked better with an unlikely hero.

Skip Scenes

Again, our subconscious is our friend so let it work its magic. Recently I got onto my coauthor Cait about locking in her teeth and not letting go. We are writing a Western Horror and she’d had this scene she had been futzing with for weeks trying to get it perfect.

So first of all, perfect is the enemy of the good. On a first draft there is NO sense in perfecting anything because there is almost some hidden law that states the scenes most likely to be cut or completely rewritten are all the ones we spent far too much time fiddling with.

Sometimes, it helps to just write (in caps) what happens then move on.

Cait was tasked with killing a goat and apparently that was way tougher than either of us imagined it would be when plotting this goat’s demise. In our defense it is no average goat. It is a goat risen from the dead with a taste for human instead of petticoats. Now Cait messed with it and messed with it and finally got it to work but in fairness, if it had been my scene?

I would have written as much as I could then put AND THEY KILL GOAT IN SUPER SPECTACULAR WAY and then moved on and let my subconscious chew on it.

As you are writing, trust me, your subconscious is working on how to kill that goat D-E-A-D and often will come up with something FAR cooler than if we gut through it.

So my writing advice?

Sometimes the best way to kill a goat is to jump the goat.

Write Your Ending

A lot of writers cringe when we instructors mention doing this. You may be yelling, But I am not a plotter! I don’t outline! I am a pantser! And I will say, that is still no excuse. All stories must have a core story problem in need of being resolved. We should be able to say what our book is about in ONE sentence. Especially the pantsers. If all you know is the core problem in need of being solved? That is enough. And if you don’t know this, then prepare to spend months or years fixing a mess (if it can even be fixed).

As complex a story as Lord of the Rings is, I can fit it into ONE sentence.

A naive and innocent race of homebodies must traverse a dangerous realm to toss an evil ring in a particular volcano before a power-hungry necromancer takes over and destroys all they love.

How does this story end?

With a VOLCANO.

Say Tolkein got stuck somewhere in Rivendell. He could have theoretically skipped ahead to Mt. Doom and wrote that and then what is left are two defined points and a missing middle. It is often FAR easier to connect two defined points than to start from point A and keep going into infinity with no idea where it will end.

And again, you don’t have to keep that particular ending. It can be rewritten, but again, it gives the subconscious something to work with.

Ask yourself, How do I know when my story is over? And that is your ending. If you want help smooshing your tome into a single-sentence, I have a class coming up on that and I will help you do it and show you how you can do it yourself in the future (Your Story in a Sentence—Crafting Your Log-line).

What are your thoughts? And make sure to check out the upcoming classes below! Especially the Book Bootcamp! The bootcamp has all the instruction you need to write your novel AND to learn to plot and write QUICKLY. They key to making money in this business (even in legacy) is lots of titles.

I LOVE hearing from you guys!

****The site is new, and I am sorry you have to enter your information all over again to comment, but I am still working out the kinks. Also your comment won’t appear until I approve it, so don’t fret if it doesn’t appear right away.

Talk to me!

And to prove it and show my love, for the month of APRIL, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

SIGN UP NOW FOR UPCOMING CLASSES!!! 

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it in person? No excuses! All you need is an internet connection!

Be a Better Hooker (How to Write a Compelling Newsletter)

April 29th $45

In this class, learn how to compose a newsletter that is entertaining and compelling—and all without stealing most of your writing time. Learn how to get your hooks in your readers and keep them until the end.

With a mailing list of over 15K subscribers, mystery/thriller author Jack Patterson will share some of his tips that will spice up your newsletter and get your subscribers opening it up every time you send one out.

BUNDLE DEALS!!! 

Book Bootcamp  $99 ($130 VALUE)

Book Bootcamp GOLD $269 ($430 VALUE) This includes the log-line class, antagonist class, the character class AND a three-hour time slot working personally with ME. We will either plot your idea or, if your novel isn’t working? Fix it! Appointments are scheduled by email. Consults done by phone or in virtual classroom.

Individual Classes with MOI!!! 

Pitch Perfect—How to Write a Query Letter and Synopsis that SELLS! $45 May 25th, 2017

Blogging for Authors $50 April 27th, 2017

Your Story in a Sentence—Crafting Your Log-line $35 May 4th, 2017

Bullies & Baddies—Understanding the Antagonist $50/$200 (Gold) May11th, 2017

The Art of Character $45 May 18th, 2017

NEW CLASSES/INSTRUCTORS!!! 

Growing an Organic Platform on Facebook $40 May 6th, 2017 Lisa Hall-Wilson is BACK! She is an expert on Facebook so check out her class!

Method Acting for Writers: How to Write in Deep POV $85 for this TWO WEEK intensive workshop with editor and writing instructor Lisa Hall Wilson.

Shift Your Shifter Romance into HIGH Gear $35 May 19th with powerhouse editor Cait Reynolds.

Researching for Historical Romance (How to NOT Lose 6 Hours of Your Life on Pinterest) $35 May 20th

 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

 

Image via Flickr Creative Commons courtesy of Anja Pietsch.

I asked you guys to tell me in the comments what you would like me to blog about, so today we are going to talk about the author platform. When do we start? When do we need a newsletter? How do we find time?

I think we have reached a point in the new publishing paradigm that I no longer have to beg and plead and make jazz hands for writers to realize they need to build a social media platform if they ever hope to SELL their books.

I hear a lot of this:

Well, why be on social media? I don’t yet have a book for sale. 

Because it is easier to talk to people when you don’t feel like you have an ulterior motive.

I just signed a contract for my book. Should I build a platform now?

*weeps and breathes into paper bag*

Facebook doesn’t sell books.

Sure it does.

I know I need to put together a newsletter but since I don’t have a book out yet, I don’t know what to say. 

Whoa! Slow down there partner! Dig the enthusiasm, but slow down.

Yes, we need to have a social media platform and ideally a blog and newsletter, but this is not something we can rush. This job is a LOT like farming. We buy the land, clear it, prepare it, seed it, wait, tend weeds, wait some more, pray for fair weather, root out pests (trolls) and even then? Most of the time what grows in the first few years isn’t ready for market. It still needs time to mature enough to bear fruit.

So we rotate crops (topics). Clear again, fertilize, weed, and it is a lot of small very unsexy activities that are done a little every…single…day.

We can’t rush a platform any more than we can rush a peach orchard.

Too many writers want to rent the peach stand to sell peaches but they never bothered planting any trees. In a panic, they go BUY peaches (followers) and hope that will be just as profitable.

Or they rush out after they’ve written the book and scrape together a platform and hope then people will buy their books when they’ve spent almost no time cultivating a relationship. This is akin to trying to harvest peaches from trees we planted three months ago. Doesn’t make sense with an orchard and makes even less sense on-line.

Thus my answer to when is the best time to start a platform? Um, yesterday.

Seriously, the second you think you maybe kind of sort of want to sell your books? That is the day you begin building a platform and brand. You do not want to have a book for sale and try to pull a following/platform out of the ether.

Conversely, everything in its season and all in its due time. If you are new and building that platform while you are writing the book, NO you don’t need a newsletter. A newsletter will only work if you’ve already cultivated the following who’d care to get it or even open it.

You are not yet in the harvest season, so pick weeds, water, fertilize and like farmers?

WAIT.

The Early Years

Image via Flickr Creative Commons, courtesy of Rene Schweitzke
Image via Flickr Creative Commons, courtesy of Rene Schweitzke

This is when we get our land and realize there are a ton of weeds, crappy soil and a zillion dead trees and trunks that need to be removed. There might even be some junk cars, scrap metal and old toilets that need to be hauled away. We need to form new habits. We need education, training and practice. We need to learn about branding and start building our platform.

When I left paper sales and decided to become a writer, I needed to learn the craft. I had bad habits. I put myself last on the list because writing wasn’t a “real job.” The early years is a lot of clearing away insecurity, fear, and even laziness. We learn to write even when we don’t “feel” like it and come to understand that simply showing up is a bigger deal than most people realize.

Sowing

This is when we start planting. We’ve cleared the fields and added missing nutrients to the soil. We took time to talk and listen to people on our social site of choice. To get to know them.

We put our butts in the seat and blogged even if the only comments we get are from the BuyPradaCheap sites:

“I so lick you’re blog. It changed my bruther’s life and bookmarking now.”

Blogging is my favorite form of social media. It is the most resilient (been here since the 90s), and it plays to a writer’s strengths. Writers WRITE. Blogs also train us to keep a professional pace. They trains us to show up and not be too dependent on others. Sure, it’s fun blogging now that I get a gazillion comments, but there were years I blogged to the ether. I didn’t do it for others. I did it for ME, to train me.

Image via Flickr Creative Commons, courtesy of Jim Evans
Image via Flickr Creative Commons, courtesy of Jim Evans

When it comes to social media? Blogging is one of the best investments of time when it comes to ROI (return on investment). No search engine will direct people to your witty tweet or clever Facebook post. Search engines WILL, however, start sending readers to your blog (if done properly). Also blogs can be harvested for books that can be SOLD…for actual money.

No one taught HOW to blog back when I started so I had a metric crap ton of trial and error. Now? Folks like me have created classes. Have one coming up! (Blogging for Authors).

Blogs make excellent books. Far harder to compile a book of my Instagram pictures of food.

Sowing also involves research, plotting, writing, finishing then revising the actual novel(s).

The Silent Years

After we’ve planted a lot of good stuff, it’s easy to get discouraged. In fact, for a loooooong time, it will look like nothing is happening.

We need deep roots to make it in this business, because high-winds and storms don’t stop because we want to write books. Did you know that the root system of any tree needs to be as wide if not wider than the span of the branches? What is below (unseen) must match (or even outmatch) what is above, or the tree will fall over and die with the first bad storm.

The Silent Years can be brutal and this is why most writers don’t make it. They feel like failures because they aren’t instant runaway successes. It takes discipline and faith to trust the process, which is tough in a world addicted to instant gratification and an over-reliance on luck. Too many people want fruits with no roots.

Reaping

If we keep pressing and don’t dig up our seeds to check if they really are growing (which is highly tempting), eventually we can reap what we’ve sown. Ah, but here is the catch. Back to my peach example. After a long wait and tender, patient care, we get a tree. YAY! Eventually, we see little tiny fruits popping out. AWESOME.

Not so fast.

The smart grower plucks off all the tiny green peaches. OH NO! Why? So the tree will bear more fruit and better fruit. For us? This could mean writing two or three or ten bad books before we get a winner. It could mean multiple revisions. But, to gain more, we have to sacrifice.

Image via Flickr Creative Commons, courtesy of Slgckgc
Image via Flickr Creative Commons, courtesy of Slgckgc

Harvest and Maintenance

In the beginning, we have a lot of back-breaking work (removing trash and dead stumps, tilling the soil, planting trees). But, if we are patient and consistent we can finally reach a maintenance phase. Once the grove of peach trees is producing, we keep fertilizing, tending, pruning and harvesting.

Image via Flickr Creative Commons, courtesy of Kathleen Dagostino
Image via Flickr Creative Commons, courtesy of Kathleen Dagostino

An author platform is the same. In the beginning, we need to build traction. We are forced out of our comfort zones. It isn’t natural to strike up conversations on Facebook. It is uncomfortable to get out there when we prefer to lurk.

Blogs take longer to write because we’re learning and finding our voice. We may even be struggling with perfectionism. It takes time to realize that it is A BLOG. It really doesn’t need to be worthy of a Pultizer in Journalism.

SHIP!

There will come a time when the super hard work is done. Sure there will always be work, but not like in the beginning. After years of practice, I can knock out 1000 words in an hour. When I was new? It was not pretty. My blog was not fun when I was my only follower. I still remember being so excited to meet my first commenter Akismet.

Strange name. Is he foreign?

I KID YOU NOT, when this nice fellow Akismet welcomed me to WordPress, I actually commented back to try and start a conversation #YesIAmAMoron. (For those who don’t know, Akismet is the WordPress spam filter *face palm*)

But trust me, blogging with NO followers? Unfun. Blogging with 35K followers? LOADS of fun. But that didn’t happen overnight.

Same with platform and sales. J.K. Rowling finds it way easier to sell books in 2017 than she did in 1997. In 1997 she had not yet cultivated billions of fans. All she has now? Maintenance and enjoying harvest.

Slow and steady wins the race. Pace yourselves and realize there are no fruits without roots, no perks without the works. Trust the process, and in the meantime? I am here 😀 .

What are your thoughts?

I LOVE hearing from you guys!

****The site is new, and I am sorry you have to enter your information all over again to comment, but I am still working out the kinks. Also your comment won’t appear until I approve it, so don’t fret if it doesn’t appear right away.

Also know I love suggestions! After almost 1,100 blog posts? I dig inspiration. So what would you like me to blog about?

Talk to me!

And to prove it and show my love, for the month of APRIL, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

SIGN UP NOW FOR UPCOMING CLASSES!!! 

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it in person? No excuses! All you need is an internet connection!

Be a Better Hooker (How to Write a Compelling Newsletter)

April 29th $45

In this class, learn how to compose a newsletter that is entertaining and compelling—and all without stealing most of your writing time. Learn how to get your hooks in your readers and keep them until the end.

With a mailing list of over 15K subscribers, mystery/thriller author Jack Patterson will share some of his tips that will spice up your newsletter and get your subscribers opening it up every time you send one out.

BUNDLE DEALS!!! 

Book Bootcamp  $99 ($130 VALUE)

Book Bootcamp GOLD $269 ($430 VALUE) This includes the log-line class, antagonist class, the character class AND a three-hour time slot working personally with ME. We will either plot your idea or, if your novel isn’t working? Fix it! Appointments are scheduled by email. Consults done by phone or in virtual classroom.

Individual Classes with MOI!!! 

Pitch Perfect—How to Write a Query Letter and Synopsis that SELLS! $45 May 25th, 2017

Blogging for Authors $50 April 27th, 2017

Your Story in a Sentence—Crafting Your Log-line $35 May 4th, 2017

Bullies & Baddies—Understanding the Antagonist $50/$200 (Gold) May11th, 2017

The Art of Character $45 May 18th, 2017

NEW CLASSES/INSTRUCTORS!!! 

Growing an Organic Platform on Facebook $40 May 6th, 2017 Lisa Hall-Wilson is BACK! She is an expert on Facebook so check out her class!

Method Acting for Writers: How to Write in Deep POV $85 for this TWO WEEK intensive workshop with editor and writing instructor Lisa Hall Wilson.

Shift Your Shifter Romance into HIGH Gear $35 May 19th with powerhouse editor Cait Reynolds.

Researching for Historical Romance (How to NOT Lost 6 Hours of Your Life on Pinterest) $35 May 20th

 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook