This past week, Pearson, the owner of Penguin for the last half-century, jettisoned its remaining stake in Penguin Random House—the book publishing joint venture it formed six years ago with Bertelsmann, the German media group.

According to an article in MSN Money, End of an era for book publisher Penguin:

The company originally owned 47% of Penguin Random House when the joint venture was set up in 2013.

It sold a 22% stake in the business to Bertelsmann, its joint venture partner, for $1bn in July 2017.

Today it sold its remaining 25% stake in the publisher, again to Bertelsmann, for £530m.

Ian King, Sky News

With Borders dead and Barnes & Noble brought to its knees, Amazon is stronger than ever, and indie bookstores and mom and pop bookstores are coming back to life. We are, indeed, living in strange times.

Or are we?

Why So Quiet?

First of all, forgive me for this small segue. Maybe it’s I’ve been a bit off the grid. I’ve been very ill with pneumonia and my grandfather who raised me passed away unexpectedly right before Christmas.

I only knew about this article because one of my followers was thoughtful enough to pass it onto me via Facebook.

Thus, if my analysis is off the mark, I’m blaming it on the drugs. That aside, when I first began blogging, everyone was talking about THE BIG SIX. BIG PUBLISHING. If any major house did anything there was at least some article somewhere.

Yet, when I tried to do further research on this Penguin sale, the ramifications, what ripple effect this shift would have for authors, readers, the market….

Nothing. Not a blog or a blip or a boop. I even subscribe to The New York Times and couldn’t find anything.

ONLY ONE ARTICLE. The one I’ve linked to on this post. Otherwise?

*crickets*

So this is why I am confessing AHEAD of time to being on A LOT…A LOT of drugs, because if y’all have seen the flurry of activity and I missed it, please pass it on to me and accept my mea culpa ahead of time.

I don’t believe I’ve missed anything, though. It’s a sign of how much the industry has changed since I began blogging a decade and a half and almost two thousand blogs ago.

That, and excuse the tinfoil on my head, but the multimedia conglomerates had a LOT of egg on their faces with the whole nasty Barnes & Noble thing. Now that these staple houses are toppling like the proverbial house of cards?

*grimaces*

Not good optics. Maybe just me. Or blame the NyQuil.

Penguin Chic

Without a flurry of activity to derive a brilliant analysis from—gets cramp patting self on back—I went a different direction. If you read the article I linked to regarding the end of an era (apropos for ending the teens, I suppose) there is a very interesting history behind the creation of Penguin.

Thus, do we ever really END anything? Or is it as the book of Ecclesiastes tells us?

There is nothing new under the sun.

A young director at Bodley Head, Sir Allen, came up with the idea of publishing books for the same price as a package of ten cigarettes after waiting on a platform at Exeter St. David’s station for his train back to London.

Much to his chagrin, he had too much time and nothing to fill it with. No cell phones back then.

He lamented at the paltry selection of magazines and Victorian novel reprints. During that time, books were prohibitively expensive. About 8 shillings or almost $37 in modern currency.

Not only were the books during that time mostly inaccessible to the public, the publishers had to sell at least two thousand copies of any book to break even. Sir Allen had a BOLD idea. He wanted to offer more books at a MUCH lower price to a FAR LARGER audience.

Sounding familiar?

To offer the books at Allen’s comparably rock-bottom price, the publisher would have to sell almost twenty times the volume. BUT, everyday people would finally have better access to a vast catalogue of titles they’d never before imagined outside of a lending library.

Fancy that.

Penguin Breaking the Trends & Rules

Penguin’s early catalog included Agatha Christie and Ernest Hemingway. Penguin’s gamble, like Amazon’s, paid off big, because Sir Allen, just like Jeff Bezos, saw a gap in the market and he filled it.

Despite protests of renowned authors like George Orwell publicly decrying publishers having anything to do with this new venture—claiming that cheap books would only devalue them and people would cease to read and all of publishing would collapse—Sir Allen plunged ahead with his plan.

Penguin sold three million books the first year in business.

Apparently Sir Allen wasn’t the only one bored wandering train stations with nothing to read.

Penguin launched a non-fiction division, a children’s division, and, with the meteoric rise to fame and success, even made the bold decision to publish DH Lawrence’s banned title from 1928, Lady Chatterley’s Lover, uncensored.

Fifty Shades of WHOA dass crazy!

This decision, of course, landed Sir Allen in court for breaking the Obscene Publications Act 1959. He (Penguin) was acquitted, the publisher sold a bazillion copies, and the rest is history (pretty much repeating itself).

Blogging Across Three Eras

I’ve had the unique challenge/blessing/curse of blogging about publishing since before the rise of digital. I began blogging in the aughts, then into the teens and now will continue into the twenties, assuming I don’t lick any light sockets in the next couple days.

My blogging adventure began on a site called Gather (probably now gathering cyber dust somewhere), then on MySpace. Then, that crashed and burned and I moved to the free WordPress blogging platform, then finally learned my lesson and moved to blogging on my own website.

***Take my blogging class. It’s on sale. Seriously, I did all the dumb stuff so you don’t have to. I will save you YEARS of stupidity.

I blogged about being an ‘aspiring author’ when our prime goal, our ONLY path, was to pass gatekeepers. There WAS no Kindle or Amazon.

Self-publishing was vanity press and meant plunking down over ten grand and all your self-respect and any respect from fellow authors forever and ever AMEN.

Vanity publishing was a death sentence in our industry, unless some stroke of John Grisham luck won you an appeal.

But I blogged on Gather and MySpace that social media WAS going to change the world as we knew it. I asserted that, for the first time in history, novelists had a way of creating an audience BEFORE a novel was even finished, thus vastly increasing odds of success (and was laughed at and y’all know the story).

If you don’t, pick up a copy of my author branding book Rise of the Machines: Human Authors in a Digital World. It’s evergreen.

Platforms change, people don’t. Look up your ex if you don’t believe me .

Into the Teens

I kept yelling and howling that authors NEEDED to be on social media and was shut out. Kept telling the Big Six to PLEASE listen, that I could HELP them, help their authors.

As of 2011, I even had one of the most legendary agents in NYC representing me for Rise of the Machines, and even HE couldn’t talk reason into them. But, his guidance is part of why that book is so good—OUCH! CRAMP!—so there’s that.

No matter how much I blogged and begged, every prediction came true. Cassandra Syndrome seriously sucks sometimes. And no, I don’t really take pleasure in being right. It would have been nice for the right people to listen (though Amazon tweets my blogs)…sigh.

I don’t begrudge Amazon anything, because if people are going to do dumb business? Bye Felicia. It isn’t good for their authors. Dean Koontz saw that, which is why he signed with Thomas & Mercer.

It really wasn’t until a a few years after Borders closed that the New York publishers seemed to even wake up out of the fugue state and recognize that the Internet might exist (still weren’t ready to admit there was a threat).

In the aughts, we were dealing with the fallout of the dot.com burst, the disintegration of Web 1.0 and the rise of Web 2.0 out of its remains.

Web 2.0 was like a cute pet people fed but no one believed might one day bite back (despite many bloggers warning not to feed it after midnight).

Throughout this past decade, I’ve battled the FREE book boom, the exposure dollar debacle, the blog tour dystopia, and algorithmic alchemy. I’ve spent most of the teens on the front lines.

It’s been…exhausting.

In the aughts, there was the challenge to get writers to stand up for themselves, to realize they were a business. Now? I’ve spent the past five years reminding them they are WRITERS, not advertising agencies.

A decade and a half dedicated to educating us as artisans. Knowing enough about business to be effective, but remembering why we are here…THE ART.

Penguin is a Footnote, So What Now?

If there is anyone who can grieve Penguin or the change or loss of any of the publishers, I suppose it’s me. I’ve dreamed of being an author since I was a little girl who spent every cent of babysitting money at the closest B.Dalton.

My father loved books, my grandfather, my entire family. I have a first edition copy of Animal Farm I inherited from my Great Aunt Iris.

I started writing my first novel before I even knew how to spell any words. Too bad Amazon wasn’t around then, LOL.

My grandfather has died. In fact, I’ve lost now fifteen members of my family in just over five years (downside of an aging family). A family so large I couldn’t fit them into a picture in 2009, I can now count on one hand.

So I know how hard change and letting go can be. How tough it is to wrap your head around what the future will look like without the staples of the past you’re so accustomed to. What it is to be unmoored.

But, we grew used to a world without the mom-and-pops, the B. Daltons, the Waldenbooks and other small chains and gradually became accustomed to the giant stores. Then they started becoming too much of a hassle as we began shopping more and more on-line.

As more small Amazon stores open and the small indie bookstores boom back to life, we will recalibrate to a new normal. We’ll browse the used bookstores and see those bright (or faded) orange Penguin spines and smile with nostalgia just like when I find a picture of my grandparents and me from back when I was in high school.

Nothing remains the same, which is good. But some things never change, which is also good.

Markets, trends, what people want, tastes and preferences and buying patterns? Those change. It was the publishers JOB to pay attention to that. They owed that to the readers and most of all to the authors they had a contractual obligation to protect and make their product profitable.

The publishers (or rather the multi-media conglomerates who owned them and called the shots) had a duty to shareholders, and they failed.

That’s why they’re falling like a line of dominos. Mergers, sales, and acquisitions are happening far faster now that Barnes & Noble has been sold to a hedge fund because that sale decimated their cash flow.

Large preorders from B&N have been all that’s been keeping the lights on for years…and I have blogged until I am BLUE about how dangerous that was (so that’s enough on that).

Roaring into the 20s

We are writers, thus we tend to be on the nostalgic side. Much of the past fifteen years has been experimentation, growing pains and figuring out what works and what doesn’t, what we like and what we don’t.

Paper isn’t dead. But digital is alive and well. Sir Allen didn’t ditch the luxurious volumes that cost $37, he just made it where those weren’t the ONLY reading option.

People riding a train could get a small pulp copy of Hemingway’s Farewell to Arms to read on a trip.

They had OPTIONS.

Same today. We can buy hard cover, paperback, audio, digital, etc. Maybe we have too many options, but that’s where quality writing and platform come into play.

Modern authors do face many unique challenges, but one major threat—I believe or rather pray—will soon fall away. Profiteers have invaded our profession en mass. There are far too many who are more interested in advertising and marketing than actually learning about story and craft.

This makes discoverability a nightmare, since—with over a million self-published books being released per year—the readers are being buried in Hell’s Slush Pile.

But, if history is any indicator, they will get weary and move on.

There is only so long one can churn out crappy books, work fifteen-hour days juking algorithms, toss out two grand a month only to make back three before you turn in your chips and move on.

I’ve been in this profession a LONG time…which is a lot to say these days. I’ve seen all the scams, all the grifts, all the types come and go. Writers—those of us who are here because we LOVE books, LOVE stories, LOVE to read and the written word and honor and respect the art? We’re hard to get rid of.

Contrary to popular belief, storytelling is the oldest profession .

We’ve been around since the cave days and we aren’t going anywhere. If we’ve made it through the invention of cave drawings, hieroglyphs, papyrus, the quill, the Gutenberg press, the newspaper, the radio, T.V., movies…Ms. Pac Man?

We will survive and thrive.

So raise a glass, toast to a new adventure, commit to your profession and to doing it honor with your work. Have some fun and ROAR into the TWENTIES!

***Since I have been very ill, I am extending all the holiday sales so y’all can go wild and treat yourselves!

I love hearing from you!

What are your thoughts? Looking forward to the 20s? New Year’s Resolutions? Thoughts on Penguin and the eery similarity to our modern adventures with Amazon?

Makes it all seem not so scary to me. I love hearing from you, especially since I have been sick and away so long. I MISSED Y’ALL!

And to prove it and show my love, for the month of JANUARY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages (5K words) of your novel, or your query letter, or your synopsis (5 pages or fewer). 

***I will announce December’s winner once I feel better.

In the meantime, PLEASE treat yourself to a class! We have a TON of classes that we will be deleting or putting into cold storage come mid-January (I’m extending the sales to January 15th since I haven’t been around to tell you about them during the holidays).

These will no longer be available after January 15th, so STOCK UP while you can.

NEW Year, New YOU! ROAR into the TWENTIES!

ON DEMAND Sales!

HIGHLY RECOMMEND–> On Demand: How to Write Deep POV

By #1 Best Selling Author Maria Grace! Normally $55 now $30

ON DEMAND Dark Arts: New Year’s SPECIAL Building Your Villain

Usually $55 and until January 15th is only $30.

Three hours of psychopaths, sociopaths, narcissists, pathology and how that applies to writing.

It is like the Behavioral Analysis Unit for Authors. Tres FUN! Villains are some of the most enduring characters in literature. Why not add your own legends to the list?

I’m also offering:

The Art of Character NEW YEAR’S SPECIAL: Writing Characters for a SERIES ON DEMAND

Normally $65 and NOW only $40.

FOUR hours of training on characters on how to develop characters that that can go the distance.

Bring on the Binge: How to Plot and Write a Series (ON DEMAND). 

Normally $65 and NOW only $40. Pairs PERFECTLY with The Art of Character for Series.

ON DEMAND! New Year’s Sale! Story Master: From Dream to DONE

Usually $55, now ONLY $30.

This class is to train you how to plot whether you’re a plotter, a pantser or a mix of both. It’s also a crash course in creating dimensional characters.

On Demand: Beyond Bulletproof Barbie

Usually $55 and now only $25.

This is a THREE-HOUR class on guns, knives, weapons, fighting, law enforcement (from local cops to international espionage) and more. Everything you need to build a bad@$$—male OR female—and get the details CORRECT.

Spilling the New Year’s Tea: On Demand Blogging for Authors

Usually $75 and now only $40.

Get prepped and ready for the new year, new you, new blog.

Bite-Sized Fiction: How to Plot the Novella

Use New20 for $20 off

Popular On Demand Classes

Need some help with platform and branding?

Branding: WHEN YOUR NAME ALONE Can Sell (ON DEMAND)

Use brand10 for $10 off.

For the complete list, go to the OnDemand Section.

***I will add more classes, especially from Maria Grace, in the coming days, as I get stronger.

The post Penguin SOLD: Publishing, Change & Lady Chatterley’s Lover, Oh MY! appeared first on Kristen Lamb.

Hey Gang! Happy Friday. For those who happen to read my blog, you know that most Wednesdays come with what I call The Mash-Up of Awesomeness. This is a list of links and articles I’ve found noteworthy enough to bring to your attention. On Wednesday, The Wall Street Journal reported that Penguin USA has officially launched a service to help writers self-publish their own books, called Book Country. I’ve actually known about Book Country since early this past spring and was privy to the beta version of the site. I must admit is was super cool blessing to get this sneak preview into the future of publishing. But what was even cooler? I got a chance to meet and hang out with Danielle Poiesz, the Book Country Editorial Coordinator.

I asked Danielle to come offer a guest post to show you guys how to bring your Novel A-Game, no matter what avenue of publishing you decide is the best fit. And guess what? She agreed! I never even had to publish those pictures of her dressed as a Klingon at a Trekkie Convention….oops. Inside words stay inside. I always forget that.

Take it away, Danielle!

***

Writing a novel isn’t an easy feat. Writing a good novel is even harder. And even after you’ve conquered that tricky task, you still have a complex, exhaustive, and strenuous revision process to go through in order to make that good novel great.

But how do you know what needs fixing, which parts aren’t “great” just yet? How can you pinpoint your weaknesses so you can work to strengthen them?

Well, the first thing you need to do is get off the horse. View the world of your book from the ground, as your reader would, instead of from your author’s perch. When you’re kicking around on land, getting your feet dirty and smelling the trees around you, you can then objectively start looking at the big picture. (Always look at the whole before you get distracted by the details!) Focus on what your reader knows–what’s actually on the page–and not on what you know as the creator of the world, story, and characters.

The way I always approach an edit–whether of my own work or someone else’s–is by focusing on eight main criteria: point of view, voice, character development, plot, dialogue, pacing, setting, and continuity. At Book Country, we use these eight editorial elements as guideposts for peer review–they are the most important “big picture” parts of your story! Each one can make or break you and your book, so you want as much feedback as you can get in these areas.

But being able to recognize these parts of your own writing, which parts are strong and which need work, is just as significant as getting the constructive thoughts and opinions of fellow readers and writers.

Let’s take a look at what exactly each criteria means and how to start thinking about them:

• Point of View: POV isn’t an easy element to conquer, but when your story is told through the right eyes, it makes all the difference. Ask yourself: Does this POV work for the story? Which character’s perspective is most interesting and/or useful to the reader? Is the POV consistent? Are intentional POV shifts clear and transitioned smoothly?
• Voice: A strong, engaging, and fresh voice is key to capturing a reader’s attention. Ask yourself: Is the overall voice compelling? Is it unique? Does it fit with the genre in which I’m writing? Does each character have his/her own individual voice?
• Character Development: Not only do characters need to be relatable, but they also have to grow and learn over time, just like real people. Ask yourself: Are your characters engaging and believable? Do they have clear strengths and weaknesses? Do they grow over the course of the narrative (aka do they have individual character arcs)?
• Plot: Without an intriguing plot, there can’t be a story. Ask yourself: Is this book’s plot believable? Is it confusing? Is it entertaining? Is the conflict strong enough to maintain the story? Does each plot point move the story forward?
• Dialogue: Dialogue doesn’t have to be perfect; it has to be real. Ask yourself: Does the dialogue sound genuine? Does it sound natural for the time period, location, and culture? Is it consistent for each character and is his or her dialogue distinct? If you use slang/accents, does it distract from the story?
• Pacing: A story must always move forward with a speed and rhythm that feels natural and unrushed. Ask yourself: Is the progression of this book’s narrative compelling? Is it keeping my interest? Does the pacing fit with the genre (i.e. if it’s supposed to be suspenseful, does it move quickly? Does it supply that feeling of suspense in the cadence of the writing)? Is the pacing smooth and consistent?
• Setting: In most fiction, setting should take on qualities of a character—be believable, detailed, well-drawn, and powerful. Ask yourself: Is the setting clear? Will the reader understand where he/she is? Is the place, culture, and/or time convincing? Are the details making the story come alive?
• Continuity: Even with multiple plotlines, a story needs to flow, make sense, and follow a full narrative arc. Ask yourself: Are there loose ends or inconsistencies in the story? Are all elements of the story consistent throughout? Is the story linear? If it’s intentional non-linear, will it make sense to the reader? Is the time-line clear?

Asking yourself these questions and other related questions that are relevant for your story can help you get a handle on which areas need some T-L-C.

(What do I mean by “other related questions”? For example, if you’re writing a fantasy novel, you’ll want to focus on setting in terms of world-building: Have you explained the rules of the world? Does it make sense of the reader? Will they believe it?)

Once you’ve rolled the answers around in your head, you can really get down to the nitty-gritty and revise with specific concerns in mind.

If you can, it’s also a good idea to consider these criteria while writing your draft in the first place. You can minimize the heft of the revision process by making sure you’re on target as you go. Many writers, however, have a difficult time with this–or are just “pantsers” by nature and don’t know the answer yet!–and prefer to let the first draft just flow from their fingertips and go back to it later. That works too–then you can just use these criteria as your first-round revision tools.

Take the path that suits you best, but never forget these eight building blocks. They’re simple, but they have the power to take your book from good to great…if you let them.

Bio: Danielle Poiesz is the Editorial Coordinator at BookCountry.com, an online community for genre-fiction writers and readers. She’s also an avid reader, dabbles in writing, freelance edits, and runs a book blog, Reading Between the Lines. As a firm believer in helping writers grow and aiding readers in find books they love, Danielle’s always ready to encourage authors to create work that is eye-opening, meaningful, and of course, entertaining. You can also find her on Twitter: @daniellepoiesz.

Thank you, Danielle! And guys, please take some time over the holidays to check out Book Country. There are some tremendous resources available to all kinds of writers, and you might even be lucky enough to hang out with Danielle.

So come on, guys! Show Danielle some WANA Luv. Ask her questions about writing, about Book Country. Heck ask her if Warp 10 is faster than the speed of light. Captain Kirk or Captain Picard? ….or ask about publishing stuff.

And to prove it and show my love, for the month of November, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of November I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books!

The post Taking Your Novel from Good to Great appeared first on Kristen Lamb.