Writer’s block is a very controversial subject in the publishing world. Everyone has an opinion and everyone is right. Okay, maybe not everyone. I am right…and also NUMBER ONE AT HUMBLE!

*gets cramp patting self on back*

I believe that, when it comes to discussing writer’s block, there is a real danger of oversimplifying a truly complex phenomenon. Many claim there is no such thing as writer’s block. Just sit down and write and stop making excuses for being lazy. While laziness might be an answer (as we’ll explore) this One-Size-Fits-All solution is low-hanging fruit. Sort of like going to the doctor where the standard answer for everything is to “lose weight.”

Me: I’m tired all the time.

Doctor: Lose weight.

Me: My knee really hurts. I think I might have arthritis.

Doctor: Lose weight.

Me: *blood spurting from missing arm* I uh, think I need emergency surgery.

Doctor: Nah. Lose weight.

Now, is it true that many health issues could be remedied if we weren’t carrying around extra poundage? Sure. But, the human body is vastly complex, meaning it’s wise to ditch the myopia and take into consideration other factors.

Same with writer’s block.

Writer’s Block & Laziness

We’ll just deal with probably the most common explanation for writer’s block right now. Why? Because just like sometimes losing weight really IS the answer to a health issue, laziness could be at the root of our inability to put words on the page.

Why?

Because writing is hard work. Let me add a caveat, “Superlative writing is hard work.”

I know this because when I knew NOTHING about my craft, I never ran out of stuff to slap on the page. My first ‘novel’—the 187,000 word monstrosity I keep in the garage because it pees on the carpets—was a JOY to write. My book had IT ALL! There was romance, action, comedy! My novel had everything…except a plot.

Once I decided to be an author FOR REAL, everything changed.

After a slew of rejections, I decided maybe I didn’t know as much as I thought I did. Once I joined a critique group, started attending conferences, began reading loads of craft books as well as fiction….

*weeps*

Suddenly this super fun activity transitioned into a serious brain-bender. I go into more detail on this in my post The Writer’s Journey: From Total Newbie to the Joy of Mastery.

Suffice to say that writing will always be tough work, and the challenges will never evaporate, only change. When we are new, pre-published authors, we are literally in the process of learning an incredibly difficult skill. While having talent is definitely an asset, it’s only one piece of a giant puzzle.

As we grow in our craft, the challenges shift. We might publish our first novel and it’s well-written. But then we have to write the next novel and the next. Then there is creating an author brand, sales, social media, formatting, covers, research, revisions, edits….AHHHHH.

Thus, writing can get really overwhelming and, if we fail to develop good habits, laziness definitely can be at the root of writer’s block. It’s just SO much easier to repaint the house than it is to knock out a thousand words, right?

Writer’s Block as a Safety Against Stupid

This opinion might be unique to me. I read a ton of blogs and books, but if someone else has shared this theory, I haven’t seen it yet.

My greatest weakness when I was an emerging author was I struggled with structure. Structure isn’t sexy, but it is essential. If you struggle, too, I recommend my post Fatal Flaws: Why Your Story is Falling Apart & How to Fix It.

If outlines make you break out in hives? No worries. This post even has tips that will work for pantsers (those who “write by the seat of their pants” for any n00bs).

I’ve been a writer and an editor for over twenty years, and the single biggest flaw I see in most new works is the writer does not have a clear central story problem in need of resolution. All stories are about problems. How do we know the story is over? The core problem is resolved—win, lose or draw.

*** Though admittedly endings where the hero ‘loses’ are most popular in foreign films and anything Sundance likes.

Maybe you’ve encountered this scenario.

You come up with a fabulous story idea and take off writing. The words flow out faster than you can put them down. You’re on a creative high…for about 10,000-12,000 words. Around 12,000-15,000 words, it gets a little harder, but you can still keep moving forward.

By around 25,000 to 30,000 words, it starts to feel as if it would be easier to perform brain surgery from space with an egg beater than to finish. So maybe you keep going back and perfecting the beginning, revising and editing what you already have…until you decide that the garage really needs to be organized.

I believe our subconscious mind is smarter than we could ever imagine. When we hit that wall, this could be a warning that something in our story blueprint needs to be repaired before proceeding.

Often, the core story problem is weak. But it might be a pacing issue, or we need to change a character, we have redundant characters that could be combined, we aren’t hitting plot arc and character arc at the right spot, etc.

Pay Attention to Warnings

Writer’s block can be a lot like those warning lights on our car’s dashboard. Sure, we could keep driving if there is a CHECK ENGINE light. We can keep going with a LOW FUEL light, or CHECK OIL light. It IS an option.

Temporarily.

But, eventually everything WILL grind to a halt. This is one of the reasons I’m not too keen on the pat answer that writer’s block is ONLY laziness. If we keep slogging through and turn out word count for the sake of word count because we don’t want to ‘be lazy,’ we can inadvertently make a mess that will take much more time to repair (if it can be repaired at all).

Our subconscious could be waving a red flag that there is a critical flaw in our story. If we’ll learn to pay attention, it can save us a TON of revisions and also help us become better at finishing what we start.

When I feel any major drag on a story, I recommend a quick check.

Want to unlock writer’s block? Write out your log-line for your story.

You should be able to explain your entire plot (what your story is about) in ONE sentence. If you can’t? That is a HUGE problem. Maybe you believe your work is ‘too complex’ to whittle into ONE sentence.

Okay… *cracks knuckles*

A small band of friends from a naive and innocent race must traverse a land fraught with danger and war in order to destroy a magical ring in a specific volcano before a power-hungry necromancer destroys everything they love.

I just put the entire Lord of the Rings trilogy into a single sentence. Hey, I never said it couldn’t be a LONG sentence .

Why do I LOVE the log-line? First, it is an incredible diagnostic. Here is my formula for the log-line:

Intriguing protagonist + ACTIVE goal (PLOT PROBLEM) + Stakes +Ticking Clock = AWESOME STORY

Lord of the Rings is so long and detailed it’s borderline insane. Tolkien even made up his own languages. But, at the end of the day? One goal. Drop a magic ring in ONE specific volcano before the world ends.

That’s it.

If you are struggling with your story, put it into this formula. You might see that you don’t have an ACTIVE goal. In Act One and partly into Act Two, YES, our protagonist will run. They will avoid, evade, hide and be reactive. Eventually, however, the protagonist must transition into a hero. To do this, they require an ACTIVE goal.

Figuring out your core antagonist—Big Boss Troublemaker— is essential for this. Without a core antagonist creating a singular problem in need of resolution, stories quickly devolve into ‘bad stuff happening.’

You might not have high enough stakes. What happens if your protagonist fails? If the protagonist doesn’t have skin in the game, neither will the reader. This is why Finding Nemo was awesome and Finding Dory was two hours of my life I can never get back.

You might not have a ticking clock. If a protagonist has forever to solve a problem, that’s going to be a hard sell to the audience. Give your protagonist a deadline…then roughly midway through Act Two, cut that in HALF. Then cut in half again.

Very often, when writer’s block slams into us, the key to moving forward can be easily located—then remedied—using a log-line.

Fallow Times or Writer’s Block?

What happens when a farmer keeps farming the same piece of land with the same crop year after year without rest? The harvest, over time, diminishes until nothing grows. This is why it’s vital to not only rotate crops, but to allow the land to rest.

Writing demands a ton of mental, physical, and creative energy. In the ‘olden days’ of publishing, the pace was far slower. If a writer scored a publishing deal, it generally took a year (minimum) to two or more years until the author would ever see that book in print.

While I’d love to discuss the positives and negatives of the sweeping changes in publishing, it’s a moot point. There is no putting the genie back in the bottle. Being a successful working writer simply requires a lot more than it used to. This means burnout is a much larger problem.

Many of y’all know I took on a ghostwriting project in early 2020. From outline to finished book IN HAND took thirteen months. After a 93,000 word manuscript, complete with a gazillion citations? I was put-a-fork-in-me DONE.

Often, we’re struggling because our creative reservoirs are depleted. When we’re writing, blogging, posting on social media, on and on and on? It’s a drain. We can only run on fumes so long before everything WILL come to an abrupt stop.

Active rest is essential. I recommend setting aside a block of time to do something else creative during the time you’d normally write. Whether that is painting, reading, or underwater demolitions is all up to you.

Remember Life Happens

Keep in mind, LIFE doesn’t suddenly pause because we want to write books. There was a time I would keep pushing and pushing no matter what (that whole ‘terrified of being lazy thing’) and all it did was give me shingles.

After finishing The Trap: Sex, Social Media and Surveillance Capitalism, to say I was fried is the understatement of the century. This book was one of the toughest projects I’ve ever tackled, an expose of epic proportions. Thank GOD I wasn’t doing it alone. But I saw things I can never UN-SEE. The research that went into that book boggles the mind since it covers everything from the adult industry as a whole to algorithmic data structures to surveillance capitalism to neuroscience and on and on.

***But OnlyFans is ditching their adult content, so WINNING!

I dedicated over a year of my life to a very worthy cause, but it took its toll. And, considering all the other stuff that happened in between? Pretty shocked I didn’t end up in a padded room.

Just this year, my mom has had two major surgeries, one for cancer. My husband had a surgery for melanoma (which was TERRIFYING). I still homeschool, run a business, and dream of one day having a clean kitchen. On top of this, my health, that hasn’t been great in a while, suddenly tanked.

I couldn’t even get out of bed.

I’ve been telling doctor after doctor for TWELVE YEARS my thyroid is messed up, only to be brushed off and told I’m a hysterical woman who spends too much time on the internet….and to lose weight.

*rails at heavens*

For TWO YEARS I’ve been saying I have Hashimoto’s Disease and that my hormones were whacked, only to be informed I was fine and needed an anti-depressant…and to lose weight.

A month ago, thanks to a dear friend, I was able to see one of the top endocrinologists in the country and GUESS WHAT? I have…Hashimotos’ Disease (which is an autoimmune disease that attacks the thyroid, among other things). Two weeks into the new meds and I am a brand new me.

The old Kristen would have kept pushing, kept blogging, editing and teaching, but I learned from the shingles nightmare. My body was demanding rest, so I rested until I could find a solution…a doctor who would listen and get me the treatment I needed.

Writer’s Block & Time Management

There are a couple of sayings I loathe with the power of a thousand suns. One is, “Everyone has the same 24 hours in a day.”

Patently…friggin’…FALSE.

Those rearing children, running a business, homeschooling, working a full-time job on top of writing, caring for elderly or infirm family, those suffering chronic illnesses might have precious little time to devote to writing. No, sorry, not everyone has the same 24 hours in a day.

DaVinci didn’t have to wash his own clothes, make his own meals, and take care of a young child and or an elderly parent prone to wander off to test-drive one of his flying machines while he was painting The Last Supper.

***Imagines Michelangelo checking a crockpot and calling out spelling words while painting Sistine Chapel.

This said, there is another quippy saying that bugs me equally—If I can find the time.

We cannot FIND time, only MAKE time.

I know from the comments that you guys wear a lot of hats, are caregivers, and many of you even struggle with a chronic illness. This is all a given. And YES, these constraints are real. At the same time? We are in charge of our priorities.

Writer’s block, in all its forms, is a call to action. It can be a sign we are lazy. We’re unwilling to do what needs to be done. If that’s the case? Then writing simply for FUN actually IS an option. Not every hobby needs to be monetized.

It could be signaling us to go back and look at the core components of our story before we get too bogged down in a mess.

Writer’s block might be the warning siren telling us to take a break before we break. It can also force us to examine our priorities.

“No” is actually a full sentence.

If, after reading ALL of this, you still want to be a working author? Understand that writing time is sacrosanct.

***During a resting season, then active rest will go into this slot and has a time limit/deadline as well.

Writers WRITE. This is the priority ahead of laundry, dusting, PTA, and (insert activity HERE).

For more on this, check out my post Good Girls Don’t Become Best-Sellers—Channeling Your Inner “Bad Girl” to Reach Your Dreams.

Busting Writer’s Block

Now that I’ve given several different underlying causes for writer’s block, it’s up to you (and me) to see what fits. But keep in mind, our answers can and will change. What is true today, might not be true tomorrow, so it’s good to know these principles so we can do better regular ‘health checks.’

Some changes are easier than others. Is it time for a kick in the pants or to ease off the gas pedal?

If we’re truly being lazy, this behavior is frequently rooted in fear and perfectionism. Just remember, no one ever sold millions of copies of half of a ‘perfect’ book.

Though plenty of completed ‘crappy’ books have set sales records.

Some of us might be dealing with life circumstances or health issues that limit what we can do. Okay, set and maintain priorities then adjust accordingly.

Aside from the log-line, I have two more tips before we go.

Sometimes we simply need to write crap. We cannot edit what isn’t on the page. Creative flow can be like water and we might need to ‘prime the pump’. Get out the junk to get to the good stuff. If we set a time and make writing a habit, then it’s easier to slip back into our stride if we have to take a break.

My second tip? When I hit a roadblock in any book, I first check against the log-line (or thesis statement for non-fiction). If that’s all strong, then I literally write AND SOMETHING AWESOME HAPPENS HERE, then pick up the story/book at the next logical point. I let my subconscious chew on how to bridge that gap while I keep moving forward.

In all the years I’ve been doing this, I have yet for ‘the boys in the basement’ to fail me. Often, my subconscious comes up with a solution far more inventive than I could have staring at a screen trying to force my writing into submission.

I hope this post has given you real solutions to a real problem because, YES…writer’s block is a real thing.

What are your thoughts?

Have you struggled with writer’s block and felt lazy or ashamed because you aren’t ‘trying hard enough?’ Do you need to kick it into gear or maybe take some dedicated time off? Are some of you dealing with being a caretaker or trying to manage a chronic illness and write? Do you struggle with telling people “No” while making you and your writing last on the list?

Do y’all have any tips or thoughts you’d like to add?

I LOVE hearing from you!

To prove it and show my love, for the month of AUGUST, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

July’s winner is Charlotte O’Shay. Please email your pages (250 words is a page) in a Word doc, double-spaced 12 point Times New Roman font, with one-inch margins to kristen at wana intl dot com. Yes, I am being picky but it keeps me from going blind…-er. Also please put CONTEST WINNER in all caps so I see you in the sea of spam. Congratulations!

I will announce August’s winner next post. 

The post Writer’s Block: Is It Laziness or a Critical Part of Being a Longtime Author? appeared first on Kristen Lamb.

Ennui Cat, Henri the Existentialist Cat, courtesy of Will Braden

I’ve finally returned safe and sound from keynoting for the Cruising Writers and realized Cait broke into my blog again. CLUE: Cookie crumbs, glitter, red wine stains, and CAIT WUZ HERE LUZR written in crayon on my WP dashboard.

I would expect no less.

Truthfully, I love when she “breaks in” because she’s a master of dropping truth bombs (as well as cookie crumbs), which I hope y’all noted with her last post.

Cait also wrote another blog on HER page: Unproductive: Why the Productivity Industry is Killing Us, which I’d like to riff off today. Productivity can be a good thing, but can also become a soul-sucking abyss.

To quote the great inspirational life coach Freidrich Nitezsche:

“He who fights with monsters should be careful lest he thereby become a monster. And if thou gaze long into an abyss, the abyss will also gaze into thee.” ~ Freidrich Nietzsche Beyond Good and Evil (Aphorism 146)

Part of me wonders if Nietzsche was like some 19th century Nostradamus who had a vision of my Yahoo mail *shudders*. As usual, Cait had excellent points about our cultural obsession with being more productive. Talk about facing the meaningless existence.

Alas, productivity in and of itself is neutral. Like TNT, radiation, sugar, or yoga pants, “productivity” is neither inherently good or bad.

The nature of “productivity” is always in how we conceptualize and then apply it. If we fail to take control and define our own metrics? We’ll be like a rudderless ship caught in a storm bracing for the inevitable.

Tossed this way and that until we’re ripped apart or run aground, coughing up mixed metaphors.

What’s the Abyss?

Ennui Cat, Henri the Existentialist Cat, courtesy of Will Braden

You might be wondering why I’m taking time to mention the abyss at all (other than that quoting Nietzsche makes me sound smart).

It’s because productivity when left as a vague construct is just that…an abyss. It’s a black hole, a singularity that can crush everything. A place where no light escapes.

The entire POINT of being more productive—allegedly—is so we can enjoy more free time. Ah, but here’s the rub. We free up time and it creates a vacuum which sucks in more stuff we “must” get done.

This then propels many of us to download an app, buy a new planner, ponder if cloning truly is all THAT unethical after all…

Why? Because we’ve either a) added more stuff onto our own To Do List OR b) allowed other people to shovel their $#@! onto our list.

We can all fall victim to the productivity abyss. It’s so easy to spiral into fixating on all we do poorly. Instead of noting what we’ve accomplished (and maybe celebrating a little), we can only seem to see what we didn’t do.

We pick at every flaw, berating how we could have done better, tried harder, accomplished more.

The world—our culture—wants us to think this way. Why? Because if we believe we’re a never ending failure, they can sell us a program, a book, an app, a service, a pill, a plan, a shrink or all of the above.

Defining Productivity

Ennui Cat, Henri the Existentialist Cat, courtesy of Will Braden

Before we go any further, I am a huge fan of books, plans, apps, and organizational tools.

Namely buying them…then hoping osmosis can take things from there (not much success on this front, btw).

Sure, on some level, I agree with Cait that the productivity grift is real. Anyone who’s ever been efficient at a “real job” learns quickly to be quiet about that skill…unless you want to be doing the job of three people.

For the same pay.

Alas, while the abyss is real we have to watch either/or thinking. If we fail to define what we want, what productivity means, and WHY we are bothering being productive in the first place, the abyss will eat us alive. We’re inexplicably despondent because we’re exhausted from all this activity that seems to propel us nowhere.

Ennui Cat, Henri the Existentialist Cat, courtesy of Will Braden

Conversely, we cannot do and control everything. Some of us need a reality check…or a sponsor who can look at our goals and then lovingly inform us we’re totally crazy.

This tends to be a unique problem for us Type A+ folks.

***Yes, Type A+ because we did the extra credit unlike the other slackers.

To define productivity, we need to first seek awareness. Like piling all the stuff from your closet on the bed then sorting through what to keep, what to donate (delegate) and what to trash. If we have no idea what our priorities are, what order they’re in, then we have no hope of defining a meaningful metric to measure success.

Malevolent Metrics & the Abyss

Ennui Cat, Henri the Existentialist Cat, courtesy of Will Braden

The abyss looooves for us to adopt no metrics or absurd metrics. We’ll be happy when we have five percent body fat, no wrinkles, a spotless home, children who speak three languages, and we donate a month a year serving the homeless in Darfur.

***Makes mental note to find actual location of Darfur.

One thing that jumped out at me when I read Cait’s post was how we can so easily mistake activity or busyness with productivity.

The world claims: Busy is GOOD and not busy is BAD (unproductive).

This is a seriously jacked up metric.

If you’ll pause with me a moment, you’ll see how this makes no sense and is completely at odds with natural law. Our culture (Western culture in particular) shames us for taking time off, going on vacation, sitting still in the quiet…doing….nothing.

Yet, nature has seasons. Winter is the time the world RESTS. This is when the trees deepen their roots so they can better weather and even survive future storms and droughts.

How many of us fall apart when life slams into us because our roots are too shallow?

Ennui Cat, Henri the Existentialist Cat, courtesy of Will Braden

Nature also teaches us that land that’s overworked eventually won’t produce. If forced to produce, each successive crop will be increasingly sicklier and leaner because the ground is depleted.

The ideal in farming is to let the land go fallow. Give it time to do…NOTHING. Time to “produce” what it wants—dandelions, sunflowers, crabgrass, poison ivy, ant hills, weeds.

When the land has time to do NOTHING, time to be UNproductive….it comes back better than ever.

Why do we use the term, “Dumb as dirt”? Seems to me the dirt’s smarter than I am. The dirt, at least, knows it needs a break. Knows winter is it’s time to…chill .

Ah, but modern industrial farms believe they can break the natural rules. They artificially add critical nutrients using chemicals and science and produce bumper crops of freakishly large berries that taste like…nothing. Outside looks pretty, but the proof is on the palate.

How many of us are doing the same thing? Using caffeine, energy drinks, sugar, motivational speakers to try to replenish what rest could do much better? We, too, look pretty on the outside but in truth? Life has lost all flavor. Our writing is bleh, our passion threadbare, our mind is moth-eaten and dreams all dusty.

Healthy Metrics, Happy Heart

Ennui Cat, Henri the Existentialist Cat, courtesy of Will Braden

Rest IS being productive. Being still, learning to be quiet, giving ourselves permission to enjoy the moment is crucial. When WE define what productive means, the abyss retreats. If my definition of success is a peaceful, joy-filled family then me screaming at everyone threatening them with a can of Endust does NOT serve my metric.

As writers, are we enjoying writing? When was the last time you had FUN? Science has proven the almost miraculous benefits of daydreaming. We do our best thinking when NOT thinking, our best problem-solving when NOT problem-solving. Maybe, just maybe we need not a NOT TO DO LIST way more than a TO DO LIST.

Hmmmmmm…..

Getting Practical 

Ennui Cat, Henri the Existentialist Cat, courtesy of Will Braden

I get that I’m not saying anything you’ve not heard before. Encouragement is vital. We are a distracted species, now more than ever and need to be reminded of what we know to be true.

“People often say that motivation doesn’t last. Well, neither does bathing, that’s why we recommend it daily.” ~ Zig Ziglar

Nietzsche and Ziglar are both making the same point. We become what we focus on the most. If we focus on how we can’t get it all done, how we suck because we didn’t do X, Y, T, D, F and B and only did all twenty other of the letters in the alphabet…we’re doomed.

Perception is reality. Ah, but since that is still a tad existential, here are some practical tips for keeping the abyss at bay.

Set Boundaries

Not everyone should have permission to walk in and out of our lives. Boundaries benefit everyone. Givers must set boundaries because takers never will. Guilt is a lie and boundaries benefit everyone.

Say NO

I know it can be a tough life skill to master, but if we want to keep the abyss at bay we gotta learn to Invoke the No.

Rest

Computer acts up, what do we do? Unplug it for a while. Works on people, too. Take regular breaks. The best thing we can do is prioritize rest. Think vacations are pricey? Try burnout.

I know I’ve blogged on ALL of these action items and I strive to walk my talk. Tuesday, I returned from keynoting for the Cruising Writers retreat (and will have more things to say about that later).

I had NO idea how battered I was from stress until I stepped onto a boat with no email, no wifi, no social media, and no life/family drama. A place where it was OKAY for dirty clothes to go in a closet and a place where I didn’t have to do dishes. This magical dreamland where having FUN was the entire POINT.

My left eye stopped twitching after a day or so.

Granted, I worked my tail off (being the speaker and all). But, just having a week where all that other “stuff” was peeled off my shoulders opened my eyes. Too many of my priorities were (are) seriously out of whack. But guess what? REST helped me see this. Having a break gave me perspective.

Whose To Do List am I doing anyway? Do I really HAVE to be doing blah blah blah blah? Maybe, maybe not.

In fact…probably not.

If I’ve not convinced you, maybe Henri can.

For those who’ve not yet encountered the fabulous Henri the Existentialist Cat (a.k.a. Ennui Cat), you’re welcome. You can also get your own copy of Henri’s book Henri, le Chat Noir: The Existential Musings of an Angst-Filled Cat so you can hold authentic suffering in your own hands.

What Are Your Thoughts?

Other than going as “crippling self-doubt” for Halloween? Are you like me and can be your own worst enemy? Fall prey to organizers, planners, apps only to end up MORE confused? Which planner did I write that in? 

Has it been too long since you had a break? Do you feel guilty for taking a nap? Reading a book? Enjoying a movie? Believe you should be at least folding laundry or doing yoga at the same time? Have you hit a wall where nothing seems fun anymore? And maybe your metrics need resetting?

I swear my personal metrics need to be reset more than my Apple password *face palm* .

Or are you good at setting boundaries and priorities? How do you do it?

Other than being a cyborg? KIDDING!

*mumbles* Not really. 

What tips do you have? Are there noticeable signs and symptoms you need to stop and reevaluate? Aside from a restraining order from AT&T’s customer service department?

#AskingForAFriend

I LOVE hearing from you!

Talk to us in the comments! Do you struggle with some of this stuff too? Or, have you gotten past it? What have you overcome? Share your success with us!

What do you WIN? For the month of OCTOBER, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

The post Why You Don’t (Actually) Suck: What to Do When the “Abyss” Stares BACK appeared first on Kristen Lamb.

If you’ve been writing any amount of time you’ve been there—STUCK. Stuck is the place we never want to be, but goes with the job.

Every writer at one time or another has experienced the literary doldrums. We hit a spot that, no matter how hard we try, we just cannot seem to move our story forward. Every word we write feels like pulling frogs’ teeth and we wonder why we ever thought writing a novel was a good idea.

Some call this ‘writer’s block’ while others claim ‘they’re only in a dry season’ or ‘going through a rough patch.’ Regardless what name we give this feeling, it all feels a heck of a lot like being STUCK.

Many writers, particularly new writers, see being stuck as a sign that they may be writing in the wrong genre. When they get stuck, this is a perfect opportunity to start working on something NEW. Story gets stuck, and this is SURELY divine evidence that the book really should have been a SERIES, not a standalone or a standalone and not a series.

Whatever.

From personal experience combined with my experience with thousands of writers the process from Start to Stuck can look like this.

Zoom to DOOM

Shiny Idea Time—You get the coolest idea ever conceived of and cannot believe such genius has never before been put to the page. It’s as if angels have come down and handed you a golden feather that will whisk you to the realms of literary nirvana.

First 20K Words—You’re flying high. You wonder why you ever had such difficulty with word count before. You cannot stop the flow. Perhaps you forget to eat, don’t want to sleep and you even dream of the world you’re creating.

20K-30K—This is when the pace begins to slow. It’s okay though. Perhaps you’re simply tired. It’s okay. This…THIS is the story idea you’ve been waiting for.

31K—Your pace slows dramatically. If you’ve ever been driving and suddenly had a flat tire? You know the feeling only this is in the brain-fingetips connection. There is a THWUMP, THWUMP, THWUMP…and your mental steering wheel jerks wildly. You might try to ignore, but eventually? You pull over to see what’s wrong.

But then? Nothing seems wrong. That’s weird. Mental tires all look properly aired. Maybe more caffeine is in order.

Perhaps you make it to 40K but by then? All the glitter is gone and you wonder what the hell happened. At this point, you likely will be visited by other story ideas. They see you on the side of the creative highway bewildered and seeming to need a ride. Though you don’t yet have your thumb out, these other newer and shinier ideas are quick to pull over and chirp, ‘Hop in!’

Just abandon that old clunker and GO!

It’s all so tempting. Especially since the longer you stay trying to fix your broken down WIP, the more shiny ideas come passing by.

When you started your journey, the road was free and clear for you to floor your brain and write like the wind! Now? You can barely concentrate on where you placed your mental jack because temptation whizzes by every other minute.

I think this is a fairly accurate prediction regarding word count. If it weren’t accurate, then NaNoWriMo would be easy peasy. But, alas, there is something about making it to 50K. It’s a number that leaves most who attempt such a feat broken down wondering what went wrong.

Image vis Flickr Creative Commons, courtesy of Yuya Sekiguchi.

Before you call a tow truck for the WIP and sell it for parts, I’d like to offer you some insight and maybe even some solutions to get you speeding down the Imagination Express once more.

Problem #1—Stuck Because the Antagonist is Weak or Nonexistent

After years of working with writers, it became clear to me that many didn’t understand—truly understand—the antagonist. It doesn’t help that a lot of existent teaching on the subject can be terribly confusing.

I’ve sat through craft classes where instructors used the term ‘antagonist’ and ‘villain’ interchangeably as if the terms were synonymous, but that is grossly inaccurate.

A villain is only ONE TYPE of antagonist.

All stories must have a strong core antagonist, because the antagonist (BBT) is responsible for the story problem.

No antagonist, no story problem in need of solving. Too often, new writers spend an inordinate amount of time thinking about the hero and don’t give near enough thought to the opposition.

To be fair though, the whole ‘antagonist’ concept was slippery even to me. I had to INVENT my own term—Big Boss Troublemaker—to make the amorphous concept of the story’s central antagonistic force more concrete.

Yes, there should be an antagonist on every page, but the ‘antagonist’ is, simply, any character standing in the way of the MC’s goal. Pushback.

While allies and love interests and even unnamed characters might wear the ‘antagonist’ hat for a spell, they’re not responsible for the core problem in need of resolution. The BBT supplies this.

Problem #2—Stuck Because the Plot Weak or Nonexistent

If a writer has failed to understand the antagonist (opposition) and truly know what this opposing force wants then the plot will simply disintegrate. When we’re crafting any work, we have to create a problem that is strong enough to bear the weight of the word count.

For instance, I’ve consulted many writers who had an excellent idea…for a short story. The problem was inherently too weak to sustain the bulk of a full-length novel.

Instead of plowing forward, often we can make some really simple adjustments to buttress that core idea. But if we don’t? It’s like trying to drive 90 mph pulling a crappy trailer. The wheels eventually WILL go flying off.

Often when we’re stuck, it’s the subconscious mind hitting the breaks. It’s trying to tell us our plot needs to be more robust or even clarified, which dovetails into my next point…

Problem #3—Stuck Because Too Many Ideas are Crammed into One Book

Some writers might not have enough heft to the plot and others? Perhaps you’re loading on far too much. It’s not uncommon for me to talk to writers who are jammed up in a bad way only to find out they are trying to develop five ideas in one book.

Since the author failed to articulate what the book was about in ONE sentence (truly understand the BBT’s agenda), then the author was at liberty to explore whatever cool rabbit trail presented itself.

This isn’t particularly bad, but it does require we STOP, get focused and maybe tease out those other ideas for subsequent books. You might think you only have one book, when you have two others freeloading and bogging down your momentum.

Problem #4—Stuck Because We’ve Chosen the Wrong Protagonist

Casting the wrong protagonist is really easy to do, especially if we failed to properly develop the antagonist. Remember at the core of most great stories is an antagonist who’s essentially the shadow self of the protagonist.

For instance, in The Lincoln Lawyer Mickey Haller is a sleaze bag defense attorney. He represents drug dealers, pimps, prostitutes, and gang members. He has grown jaded with the justice system and prides himself on his ability to manipulate.

His greatest fear is representing a truly innocent man. What is the perfect story problem for such a character? Present him with an irresistible case that tosses him into what he fears the most.

Representing a truly innocent man.

This means that Connelly had to create a crime (case) where the client would undoubtedly look guilty and who would have enough cash to make Haller question any misgivings about taking on the case. Without a case where an innocent man is involved? The Lincoln Lawyer falls apart at the seams.

If Connelly had cast a lawyer who was all about truth, justice and the American Way? The plot would have been meh.

An attorney who works pro bono searching for truth is expected to risk everything to save the life of an innocent man. This would have been the wrong protagonist to cast for such a plot.

Fiction is the path of greatest resistance and Connelly, being a master, cast the one guy who probably would have run screaming from this case had he know was he was in for.

If your story seems to be sagging, check and make sure you’ve slated the right person for the job. Sometimes some quick fixes to who this character is or even giving that character some additional baggage might be enough to get you unstuck.

Problem #5—Stuck Because We Are Just Over Thinking

STOP IT! This is the one I am most guilty of. It’s why I am a HUGE fan of fast-drafting because then we simply don’t have time to over think every step we’ve made.

All writers have two different phases:

Oh! Wow! I wrote that!

Oh, wow…I wrote that.

We all think we’re geniuses…only to later read the exact same section and become convinced we are little more than brain-damaged spider monkeys banging away on a keyboard.

It happens, especially when we are in the thick of the story. It is tempting to go back and perfect, but resist the urge to go BACK. Feel free to correct typos or make notes (in a different color) but do not change your writing.

Your subconscious could be planting seeds and what looks like a weed might just be the greatest plot-twist EVER germinating. Just leave it alone and stop being so hard on yourself.

Remember, no unfinished-but-perfect book has ever hit the New York Times best-seller list, but a lot of crappy finished ones have .

Truthfully, if you finish and just cut yourself a break you will likely go back to those parts you were going to chop and see they aren’t nearly as bad as you’d imagined. Remember that while your subconscious is there to help you? Your ego is a selfish passive-aggressive diva who can’t stand that something might be prettier than she is.

You really want to be hard on yourself? Fine, just do it in the correct places. Instead of nitpicking the life out of your prose? Get your @$$ in the seat and keep pressing.

Tips to Push Through

Right now, I hear the gnashing of teeth. Great, Kristen, we now know WHY we are stuck. A little help to get un-stuck? Sure. I can give y’all a couple tips.

1) Resist the urge to edit.

New writers are especially bad at looking back and perfecting the beginning. This is a BAD habit. For the sake of brevity, I recommend reading my post The Dangers of Premature Editing: Pruning Our Stories vs. Pillaging Them.

2) Learn to fast draft.

Fast drafting might not be for everyone, BUT I will say that if you’ve never tried it and you have a stack of unfinished ‘novels,’ what can it hurt to give it a try? What’s the worst thing that will happen? You’ll add one more unfinished novel to the pile?

I’m a huge fan of fast draft.

Candy Havens teaches this technique, and it works. Write your novel in two weeks a month, whatever, but write fast and furious. No looking back. Always forward. You can fix stuff later.

I’ve heard some writers criticize this method, believing that writing at this increased pace somehow compromises quality. Many writers are afraid that picking up speed will somehow undermine craftsmanship, yet this isn’t necessarily so.

To prove my point, here are some interesting factoids about writing hard and fast, some taken from James Scott Bell’s WONDERFUL book The Art of War for Writers (pages 79-82):

• William Faulkner wrote As I Lay Dying in six weeks.
• Ernest Hemingway wrote The Sun Also Rises in six weeks.
• John D. MacDonald wrote The Executioners in a month after a fellow writer mocked him that writing so quickly created only junk. Simon & Schuster published it in hardback. It was also serialized in a magazine, selected by a book club, and turned into the movie Cape Fear TWICE.
• Ray Bradbury wrote Fahrenheit 451 in nine days on a rented typewriter.
• Isaac Asimov was the author/editor of over 700 books over the course of his career.
• Stephen King writes 1,500 words a day every day of the year except his birthday. King has written fifty-nine novels and over two hundred short stories.

Speaking of Stephen King, this brings me to my third tip for getting unstuck…

3) Kill someone.

IN YOUR WIP! Jeez, do I need a legal disclaimer here?

Yes, when our WIP stalls, a great way to slip free is by liberally applying imaginary blood and the tears of those who mourn.

Granted, this might be weird if you write kid books. But, give it a try anyway .

One MAJOR reason so many stories stall is because new writers have yet to hone the art of being a total sociopath. They’re afraid of grit and mess, so their ‘novel’ is far too sanitized (code for BORING).

Have a favorite supporting character you love, your mom loves, and your writing group adores? FANTASTIC!

Now go kill that character.

#YouWillThankMeLater

*smooch*

What Are Your Thoughts?

Does the pattern I spelled out in the beginning feel far too familiar? You are off like you’re mainlining jet fuel only to sputter out and DIE? Are you being too nice to your characters? I love hearing your thoughts, tips, struggles (and I reward those who comment).

There are a lot of ways to break out of this pattern. Sometimes though, you may need a tow (pro).

Generally, a pro can spot all your weaknesses (and strengths) in twenty pages, but what do we see?  Why is the story starting out strong only to fizzle and fall apart?

Currently, I’m running my ‘Write Stuff Special’ and there are a few slots left, but they go quickly so get your spot HERE. 

Other than that…

I love hearing from you!

What do you WIN? For the month of September, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

***I will announce August’s winner next time I post.

Upcoming Classes for August & September

Brand Boss: When Your Name Alone Can Sell

Instructor: Kristen Lamb
Price: General Admission $55.00 USD/ GOLD Level $175
Where: W.A.N.A. Digital Classroom
When: Thursday, Thursday September 13th, 2018. 7:00-9:00 p.m. EST

REGISTER HERE

Building Planet X: Out-of-This-World-Building for Speculative Fiction

Instructor: Cait Reynolds
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8th, 2018. 10:00 a.m.—12:00 p.m. EST

REGISTER HERE

Populating Planet X: Creating Realistic, Relatable Characters in Speculative Fiction

Instructors: Cait Reynolds & Kristen Lamb
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8th, 2018. 1:00—3:00 p.m. EST

REGISTER HERE

Beyond Planet X: Mastering Speculative Fiction

Instructor: Kristen Lamb
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8th, 2018. 4:00—6:00 p.m. EST

REGISTER HERE

The XXX Files: The Planet X Speculative Fiction 3-Class Bundle

Instructors: Cait Reynolds & Kristen Lamb
Price: $110.00 USD (It’s LITERALLY one class FREE!)
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8th, 2018. 10:00 a.m.—6:00 p.m. EST.

REGISTER HERE

Purchase includes FREE recording of all three classes.

Keywordpalooza: Tune in, mellow out, and learn to love keywords for Amazon

Instructor: Cait Reynolds
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Friday, September 7, 2018. 7:00—9:00 p.m. EST

REGISTER HERE

The post Is Your Story STUCK? 5 Reasons Your Novel is Breaking Down appeared first on Kristen Lamb.

If you’ve been writing fiction any length of time, you’ve probably experienced getting stuck. There are authors who firmly believe there is no such thing as writer’s block, that it is lack of discipline and I agree that can often be the case.

Often…but not always.

I feel our subconscious is an excellent writing partner if we can learn to listen and stay in tune with it. Frequently, when something is very wrong, our subconscious will simply slam the breaks and not let us move forward because it is warning us there is something that needs to be fixed.

But, if we are unaware of the role the subconscious can play in story creation, we don’t recognize what is going on and do one of three things: 1) Shelve the project 2) Start a new project 3) Keep writing ourselves deeper into that hole by sheer force of will.

Thus, today I want to give you some tricks that might help you when you find yourself stuck.

Change POV

Different stories require different POVs. And I would love to give you some step-by-step explanation but I don’t have one. They just DO. Take a plot problem and seriously, POV changes the whole thing. Lord of the Rings written in first-person present-tense would be a very different ride.

Often we get a story idea and we just take off writing in the POV we find most comfortable…but it simply doesn’t work with the story. I had this happen with my debut novel The Devil’s Dance. I started writing in third limited and it was just….meh. I had never written fiction in first-person so to get unstuck? I changed POV and? It worked!

And the thing is, maybe you don’t stay in that POV. Sometimes just taking a scene and shifting POV is enough to nudge the subconscious over the hump.

Change Perspective

Also, if a scene is bugging you, literally change POV. Not the third person to first-person way I just mentioned. But switch heads. Tell what is happening from another character’s perspective. Again, probably not something you will keep because not every character is a POV character, but this can help get the mojo flowing again.

Recast

Sorry I am mentioning my debut novel a lot, but it was a hell of a learning curve. Again, this happened with The Devil’s Dance. I had my plot idea, which was pretty cool *gets cramp patting self on back*. I knew I wanted a small town in Texas and people dying and it had to do with the town’s newfound prosperity and Mexican drug cartels. My imaginary town, Bisby, was a wide space in the road that suddenly went BOOM. Instead of trailer parks, there were wine bars and million-dollar homes.

Why? How?

But originally I cast a resident of this small town and she was an Army veteran home from Afghanistan who was working at her uncle’s gun range. Nothing per se wrong with it, but she just kept falling flat. She was a former soldier and all badass and…boring as hell. So, I kept the plot idea and went the complete opposite direction.

Instead of some female action hero, I cast a protagonist who would be completely out of her depth. She was a disgraced software salesperson who’d done everything to escape Bisby and the trailer park where she grew up…who was then forced to go home to her crazy-as-a-bag-of-cats family and becomes the only one who can save the town she’d spent most of her life running from. I patterned her character off Elle Woods from Legally Blonde.

And it ROCKED! The story flowed because the idea just worked better with an unlikely hero.

Skip Scenes

Again, our subconscious is our friend so let it work its magic. Recently I got onto my coauthor Cait about locking in her teeth and not letting go. We are writing a Western Horror and she’d had this scene she had been futzing with for weeks trying to get it perfect.

So first of all, perfect is the enemy of the good. On a first draft there is NO sense in perfecting anything because there is almost some hidden law that states the scenes most likely to be cut or completely rewritten are all the ones we spent far too much time fiddling with.

Sometimes, it helps to just write (in caps) what happens then move on.

Cait was tasked with killing a goat and apparently that was way tougher than either of us imagined it would be when plotting this goat’s demise. In our defense it is no average goat. It is a goat risen from the dead with a taste for human instead of petticoats. Now Cait messed with it and messed with it and finally got it to work but in fairness, if it had been my scene?

I would have written as much as I could then put AND THEY KILL GOAT IN SUPER SPECTACULAR WAY and then moved on and let my subconscious chew on it.

As you are writing, trust me, your subconscious is working on how to kill that goat D-E-A-D and often will come up with something FAR cooler than if we gut through it.

So my writing advice?

Sometimes the best way to kill a goat is to jump the goat.

Write Your Ending

A lot of writers cringe when we instructors mention doing this. You may be yelling, But I am not a plotter! I don’t outline! I am a pantser! And I will say, that is still no excuse. All stories must have a core story problem in need of being resolved. We should be able to say what our book is about in ONE sentence. Especially the pantsers. If all you know is the core problem in need of being solved? That is enough. And if you don’t know this, then prepare to spend months or years fixing a mess (if it can even be fixed).

As complex a story as Lord of the Rings is, I can fit it into ONE sentence.

A naive and innocent race of homebodies must traverse a dangerous realm to toss an evil ring in a particular volcano before a power-hungry necromancer takes over and destroys all they love.

How does this story end?

With a VOLCANO.

Say Tolkein got stuck somewhere in Rivendell. He could have theoretically skipped ahead to Mt. Doom and wrote that and then what is left are two defined points and a missing middle. It is often FAR easier to connect two defined points than to start from point A and keep going into infinity with no idea where it will end.

And again, you don’t have to keep that particular ending. It can be rewritten, but again, it gives the subconscious something to work with.

Ask yourself, How do I know when my story is over? And that is your ending. If you want help smooshing your tome into a single-sentence, I have a class coming up on that and I will help you do it and show you how you can do it yourself in the future (Your Story in a Sentence—Crafting Your Log-line).

What are your thoughts? And make sure to check out the upcoming classes below! Especially the Book Bootcamp! The bootcamp has all the instruction you need to write your novel AND to learn to plot and write QUICKLY. They key to making money in this business (even in legacy) is lots of titles.

I LOVE hearing from you guys!

****The site is new, and I am sorry you have to enter your information all over again to comment, but I am still working out the kinks. Also your comment won’t appear until I approve it, so don’t fret if it doesn’t appear right away.

Talk to me!

And to prove it and show my love, for the month of APRIL, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

SIGN UP NOW FOR UPCOMING CLASSES!!! 

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it in person? No excuses! All you need is an internet connection!

Be a Better Hooker (How to Write a Compelling Newsletter)

April 29th $45

In this class, learn how to compose a newsletter that is entertaining and compelling—and all without stealing most of your writing time. Learn how to get your hooks in your readers and keep them until the end.

With a mailing list of over 15K subscribers, mystery/thriller author Jack Patterson will share some of his tips that will spice up your newsletter and get your subscribers opening it up every time you send one out.

BUNDLE DEALS!!! 

Book Bootcamp  $99 ($130 VALUE)

Book Bootcamp GOLD $269 ($430 VALUE) This includes the log-line class, antagonist class, the character class AND a three-hour time slot working personally with ME. We will either plot your idea or, if your novel isn’t working? Fix it! Appointments are scheduled by email. Consults done by phone or in virtual classroom.

Individual Classes with MOI!!! 

Pitch Perfect—How to Write a Query Letter and Synopsis that SELLS! $45 May 25th, 2017

Blogging for Authors $50 April 27th, 2017

Your Story in a Sentence—Crafting Your Log-line $35 May 4th, 2017

Bullies & Baddies—Understanding the Antagonist $50/$200 (Gold) May11th, 2017

The Art of Character $45 May 18th, 2017

NEW CLASSES/INSTRUCTORS!!! 

Growing an Organic Platform on Facebook $40 May 6th, 2017 Lisa Hall-Wilson is BACK! She is an expert on Facebook so check out her class!

Method Acting for Writers: How to Write in Deep POV $85 for this TWO WEEK intensive workshop with editor and writing instructor Lisa Hall Wilson.

Shift Your Shifter Romance into HIGH Gear $35 May 19th with powerhouse editor Cait Reynolds.

Researching for Historical Romance (How to NOT Lose 6 Hours of Your Life on Pinterest) $35 May 20th

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook. 

The post Your Story Has HIT a WALL—What Now? appeared first on Kristen Lamb.

We’ve all been there. When we started off with this brilliant story idea we just simply knew this was the one. This story we would finish. This time would be different.

*insert screeching breaks* (pun intended)

Then we hit a wall. We simply can’t seem to move forward no matter how hard we try. We might even go through the Kubler-Ross Stages of Death and Dying.

Denial

Oh it isn’t that bad. I just haven’t had enough caffeine.

Anger

What the hell was I thinking? A romance? No one wants to read about love. Love is dead. Readers want diet books and recipes with kale.

Bargaining

Maybe if I just go add in some super clever metaphors it will all improve. Can one use emojis in fiction? I find smilie faces spice up my Facebook posts. Brilliant!

Tiffany was thrilled Dane asked her to dinner <3 <3 <3

Okay, not brilliant. Note to self. Tell NO ONE you thought this might be a good idea.

Depression

I suuuuuuuuuck. I suck I suck I suck. I’m never going to finish a novel. I am just a pretender, a fake. A “real” writer wouldn’t have this problem.

Acceptance

Yes. Something is definitely wrong. Back to the drawing board.

I’ve been working with plot for going on ten years and not only do I have experience with countless writers who’ve hit a wall, but been there, done that and got the t-shirt. In fact, being a person who is obsessed with patterns, my own stalling was part of why I became so fixated on understanding plotting.

It seemed like I’d always go through the same process. First, caffeine. Duh.

Then….

0-10K Words

I am a frigging GENIUS. THIS, THIS was the idea I’ve been looking for. What was I thinking with all those story ideas?

The words just come pouring out. In fact family members might have to knock you away from your keyboard using a broomstick or a board or some other nonconductive material (similar to rescuing someone who’s grabbed hold of a live power line).

10K-20K Words

All, right. It’s a bit slower, but that is to be expected.

The words are no longer gushing forth with the force of Old Faithful, but water word pressure is still decent enough.

20K-30K Words

Wow, this is getting tough. But, persistence prevails when all else fails. Is that a plot bunny?

Hello, little fellow. Aren’t you cute? Where are you off to?

31K Words

How the hell did an alien invasion end up in my women’s fiction. Right, the plot bunny. Damn.

35K Words

Skip writing and go straight to drinking. And this idea had SO much promise. Maybe that plot bunny was onto something. Perhaps I’m a sci-fi writer. What was I thinking writing women’s fiction?

Begins watching episodes of Ancient Aliens on YouTube.

It’s okay. It happens to the best of us, even if you happen to be a plotter. Characters misbehave, the story veers off course and now you’re so lost you have no idea what to do.

With a novel? It is tempting to just start something new, but before you give up understand there are some common reasons you might be stuck and some tricks to get unstuck.

Yay!

I don’t like it when pros claim writer’s block isn’t real. It is real. Yes often laziness is mistaken for writer’s block, but sometimes it is our subconscious slamming on the brakes because it knows there is something fundamentally wrong that needs to be repaired. It is keeping us from digging ourselves in deeper by making us stall out.

It’s a Check Engine light and ignore it at your peril.

I also don’t like it when seasoned writers or teachers give the advice to just keep writing. Yes, we need to keep writing, but sometimes that alone isn’t enough.

It’s like the time was tired and accidentally got on the tollway in Oklahoma going north instead of south. If my goal was to eventually get from Tulsa to OKC, then to keep driving north was a ridiculous plan.

Granted it sucked when I snapped to in Joplin, Missouri and I felt more than a little stupid. But the best course was simply to turn around and get going in the proper direction.

Sure if I kept driving, in theory, I could have reached OKC, but maybe I didn’t want to traverse the north and south poles and come up through South and Central America.

Why You Are Stuck

The biggest reason you might be stuck is you are being a perfectionist. Stop it. Go find your favorite authors on Amazon and read all the one and two star reviews and then you will realize there is no such thing as a perfect book.

Perfect is the enemy of the good.

But, beyond this? Some practical advice:

The Seed Idea

The good news is it might not be your idea. You idea might be perfectly fine, it just maybe was not robust enough to support the story you want to tell. Or maybe it was confusing. It needed more focus. Maybe it was too broad or even too narrow.

This is why I strongly recommend writers creating a log-line. Tell what your story is about in ONE sentence (For more go HERE).

I.e. A fraidy cat romance author must travel to the jungles of South America to rescue her sister from murderous jewel thieves before they chop up her sister and feed her to the alligators.

You guessed it. Romancing the Stone.

When I do my log-line class (one coming up) I can simply look at a log-line and not only tell if a writer is going to have problems, but can also predict what those problems will be.

If you didn’t do one ahead of time, that’s all right. Go back and make yourself create one and then instead of rearranging deck chairs on the Titanic, you will actually have an actionable plan.

If you have a log-line, go BACK to it. Revisit the story you were wanting to tell in the first place.

The Cast

It might be you’ve miscast your protagonist. Maybe at first it seemed like a good idea, sort of like when the second season of True Detective cast Vince Vaughn as a hard core gangster. Was a nice try, but yeah.

Maybe go swap out some of the major players with a different type of character and see if that helps.

The POV

My first attempts at The Devil’s Dance (at publisher now) were a train wreck. No one liked the female protagonist no matter how many times I rewrote it. So? I switched from third limited to first person and the change in voice alone was enough to solve the problem.

The plot might not be the issue, rather you’ve chosen the wrong POV to tell it in. OR maybe it is the correct POV but just rewriting a chapter or two in a different POV is enough to get you unstuck.

In the end, yes keep writing. No half-finished novel even became a NYT best-seller but a lot of finished sucky ones have. But sometimes, the key to finishing is working smarter not harder .

What are your thoughts? Are you stuck? Do you have other tips for getting unstuck you’d like to share? Did you see yourself in any of this? Do you hit the same benchmarks? It’s kind of spooky isn’t it? I’ve found that it takes about 30K for plot flaws to become a game changer. If the plot is flawed we just won’t see it in only 20 pages.

If my tips aren’t enough, Icy Sedgewick has some different tips in her post How Do You Restart Your Stuck Novel?

I LOVE hearing from you!

To prove it and show my love, for the month of SEPTEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

Check out the other NEW classes below! Including How to Write the Dreaded Synopsis/Query Letter! 

All W.A.N.A. classes are on-line and all you need is an internet connection. Recordings are included in the class price.

Upcoming Classes

NEW CLASS!

Pitch Perfect—How to Write a Query Letter & Synopsis that SELLS

You’ve written a novel and now are faced with the two most terrifying challenges all writers face. The query and the synopsis.

Query letters can be daunting. How do you sell yourself? Your work? How can you stand apart without including glitter in your letter?

***NOTE: DO NOT PUT GLITTER IN YOUR QUERY.

Good question. We will cover that and more!

But sometimes the query is not enough.

Most writers would rather cut their wrists with a spork than be forced to write the dreaded…synopsis. Yet, this is a valuable skills all writers should learn.

Sign up early for $10 OFF!!!

Bullies & Baddies—Understanding the Antagonist September 2nd–September 16th

All fiction must have a core antagonist. The antagonist is the reason for the story problem, but the term “antagonist” can be highly confusing. Without a proper grasp of how to use antagonists, the plot can become a wandering nightmare for the author and the reader.

This class will help you understand how to create solid story problems (even those writing literary fiction) and then give you the skills to layer conflict internally and externally.

Bullies & Baddies—Understanding the Antagonist Gold

This is a personal workshop to make sure you have a clear story problem. And, if you don’t? I’ll help you create one and tell the story you want to tell. This is done by phone/virtual classroom and by appointment. Expect to block off at least a couple hours.

Your Story in a Sentence—Crafting Your Log-Line

September 7th

Log-lines are crucial for understanding the most important detail, “WHAT is the story ABOUT?” If we can’t answer this question in a single sentence? Brain surgery with a spork will be easier than writing a synopsis. Pitching? Querying? A nightmare. Revisions will also take far longer and can be grossly ineffective.

As authors, we tend to think that EVERY detail is important or others won’t “get” our story. Not the case.

If we aren’t pitching an agent, the log-line is incredibly beneficial for staying on track with a novel or even diagnosing serious flaws within the story before we’ve written an 80,000 word disaster. Perhaps the protagonist has no goal or a weak goal. Maybe the antagonist needs to be stronger or the story problem clearer.

In this one-hour workshop, I will walk you through how to encapsulate even the most epic of tales into that dreadful “elevator pitch.” We will cover the components of a strong log-line and learn red flags telling us when we need to dig deeper. The last hour of class we will workshop log-lines.

The first ten signups will be used as examples that we will workshop in the second hour of class. So get your log-line fixed for FREE by signing up ASAP.

Blogging for Authors

September 17th

Blogging is one of the most powerful forms of social media. Twitter could flitter and Facebook could fold but the blog will remain so long as we have an Internet. The blog has been going strong since the 90s and it’s one of the best ways to establish a brand and then harness the power of that brand to drive book sales.

The best part is, done properly, a blog plays to a writer’s strengths. Writers write.

The problem is too many writers don’t approach a blog properly and make all kinds of mistakes that eventually lead to blog abandonment. Many authors fail to understand that bloggers and author bloggers are two completely different creatures.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook. 

The post Writer's Block? How to Get Your Novel Unstuck appeared first on Kristen Lamb.

Last time I wrote about stress and how it can kill creativity. Many “normal” people (code for “non writers”) see our job as play, as fun. They really don’t grasp what goes into creating the stories they all enjoy and that it is a lot of work. Also, because our field is so subjective, writers must endure an onslaught of “enemies” no one else can see because often they are in our head. Sometimes, in our effort to produce the best work we can, we invite in a very dangerous enemy.

Meet….Perfect.

All of us want to do a good job. We want to put our best foot forward. We all say that we want feedback and critique, but deep down, if we are real honest, we want people to love everything we say and do. Unfortunately, this isn’t the reality. We can’t please everyone, and it is easy to fall into a people-pleasing trap that will steal our passion, our art, and our very identity.

I’ve seen this happen time and time again with writers. They rework and rework and rework the first chapter of their novel, trying to make it “perfect”—which is actually code for “making everyone happy.” Here is the thing. Not gonna happen. Ever. Oh and trust me, I am giving this lecture to myself as much as anyone.

One person will say our book is too wordy. Another wants more description. We add more description and then another person is slashing through, slaughtering every adjective and metaphor.

Lessons from Aesop

I find it interesting that some of my favorite childhood stories were about character issues that I’ve struggled with my entire life. My favorite story Old Man Whickett’s Donkey and was loosely based off one of Aesop’s fables, The Man, The Boy and The Donkey. The story in a nutshell is this.

An old man and his grandson head to market with their donkey carrying bags of grain for sale. A passerby says, “What a fool. Why buy a donkey if you aren’t going to ride him?” In response to the critic, Old Man Whickett and the boy load up and ride the donkey into the next town where another passerby says, “You cruel lazy people. That poor donkey carrying all that weight. You should be ashamed.” So Old Man Whickett and the boy dismount and carry the bags of grain and the donkey (which seriously freaked out the donkey).

Anyway—and I am probably butchering this story, but give me a break, I’ve slept since I was five—Old Man Whickett and the boy keep trying to please everyone who passes and what happens?

The bags of grain burst open and spill all over the road from being moved around so much (and in Aesop’s version the donkey falls in the river and drowns). They never make it to market and all of them are exhausted and half-dead from trying to please everyone.

Moral of the tale?

Try to please everyone and we please no one.

The Fine Line of Fools

We have to walk what I will call the Fine Line of Fools. There are two different types of fools. There are fools who plunge ahead and don’t ask for any feedback and ignore anyone who tries to warn there might be a problem. But then there is the other type of fool who can never seem to make up her mind. She keeps changing direction every time someone has an opinion (been there, done that).

All of us are in danger of being one kind of fool or another. While the wise writer is open to critique, she also needs to know when to stand her ground. If she doesn’t learn to stand firm, that’s when the donkey hitches a ride.

I would love to tell you guys I’ve never been either of those fools, but I don’t dig getting struck with lightning.

Perfectionism and People-Pleasing Mask Fear

I have learned through a lot of trial, error and stupidity that perfectionism and people-pleasing really are just an extension of fear. If we get everyone’s opinion about our book, web site, blog, color of fingernail polish, if someone else doesn’t like it, then we don’t have to own it.

“Well, that wasn’t my idea. That was Such and Such’s idea.”

We Can’t Please EVERYONE

Over the weekend I took a short family trip to get away and reset my head after the trauma of last month. I love mysteries and detective novels so I hastily just downloaded a book Audible recommended to me based on other books I’d enjoyed. I had never head of the author but there were 14K reviews and overall 4 stars.

So I started listening and the story was just moving at a snail’s pace. In my opinion it was wordy and pretentious and gave me no good sense of place. I kept listening for three hours until I just could’t give any more time to the book. When I looked the book up again, I realized that the author was actually the legend J.K. Rowling writing under a pen name.

I thought that it had to be me. I was just being picky. Maybe I hadn’t turned off my editor’s brain. But when I glanced at the one and two-star reviews, the commenters were saying the same things I was feeling about the story.

But isn’t that just more than a little amazing?

Not that poor J.K. had to endure one-star reviews, but that she isn’t…wait for it….wait for it…she isn’t perfect. Even the famed J.K. Rowling can’t write a book that pleases everyone. Many other readers (far more actually) enjoyed the book. So good for her! She still did her job and did it well.

***As a quick side note this is one of the many, many reasons I never leave a review unless I can give it four stars. There is a person on the other side of that review and for all I know it really could just be me. Maybe Mercury is in retrograde, my underwear is too tight, or I needed to try this book after a vacation.

Learn to Drop the Donkey

In this new publishing world, all of us need to learn to be leaders and leaders own everything, the good and the bad. That is no easy task, and I have to admit there are times my neck starts hurting and I get this lower back pain and then I realize…I’M CARRYING THE FREAKING DONKEY! DROP THE DONKEY, YOU IDIOT!

We have to be aware that there are jerks and there are also people mean well. Humans offer constructive criticism to show love, even if there is nothing wrong. I’ve seen perfect works of fiction get eviscerated by well-meaning “helpful” critique groups.

This is why it is critical to really understand the rules of writing, why it is essential to really know what our book is about, and to learn to be confident in our brand. This way, when well-meaning folk offer us poles and twine to tie up the donkey on a sledge, we can say, “No, thanks. I think my donkey can walk.”

This is one of the many reasons I love for authors to have a blog. It really does help us develop rhino skin and trains us to publish even when the writing isn’t worthy of a Pulitzer. One mantra I have when I find I am afraid to move forward is:

Perfect is the enemy of the good.

So are you carrying the donkey? Do you find him difficult to drop? Do you fall into the trap of carrying your donkey? I know I am a notorious donkey-toter, but getting better every day. What tools, suggestion or advice would you offer to other who struggle with their respective donkeys? What are warning signs that you are carrying a donkey?

I LOVE hearing from you!

To prove it and show my love, for the month of AUGUST, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

rattheearnestpainter is JULY’s WINNER! Please send me your 5000 word WORD document, double spaced and in 12 point Times New Roman to kristen at wana intl dot com! Congratulations! You can also choose to send a one-page query letter (250 words) or three-page synopsis (750 words) instead.

Check out the other NEW classes below! 

All W.A.N.A. classes are on-line and all you need is an internet connection. Recordings are included in the class price.

Upcoming Classes

Blogging for Authors  (August 26th) will teach you all you need to know to start an author blog good for going the distance. Additionally I would also recommend the class offered earlier that same week (August 22nd) Branding for Authors to help you with the BIG picture. These classes will benefit you greatly because most blogs will fail because writers waste a lot of time with stuff that won’t work and never will and that wastes a lot of time.

I am here to help with that .

We are doing ANOTHER round of Battle of the First Pages!!! August 5th THIS FRIDAY!

The first time we did this we had some tech issues doing this new format and we’ve since worked those out, but for now I am still keeping the price low ($25) until we get this streamlined to my tastes.

LIMITED SEATS. This is an open workshop where each person will submit his or her first page of the manuscript for critique. I will read the page aloud and “gong” where I would have stopped reading and explain why. This is an interactive workshop designed to see what works or what doesn’t. Are you ready to test your page in the fire?

Hooking the Reader—Your First Five Pages August 12th

The first five pages are the most essential part of the novel, your single most powerful selling tool. It’s how you will hook agents, editors and readers. This class will cover the most common blunders and also teach you how to hook hard and hook early. This class is 90 minutes long, 60 minutes of instruction and 30 minutes for Q&A.

Your First Five Pages Gold Level

This includes the webinar and a detailed critique your first five pages.

Your First Five Pages Platinum Level

This includes the webinar and a detailed critique of your first twenty pages.

Bullies & Baddies—Understanding the Antagonist September 2nd–September 2nd

All fiction must have a core antagonist. The antagonist is the reason for the story problem, but the term “antagonist” can be highly confusing. Without a proper grasp of how to use antagonists, the plot can become a wandering nightmare for the author and the reader.

This class will help you understand how to create solid story problems (even those writing literary fiction) and then give you the skills to layer conflict internally and externally.

Bullies & Baddies—Understanding the Antagonist Gold

This is a personal workshop to make sure you have a clear story problem. And, if you don’t? I’ll help you create one and tell the story you want to tell. This is done by phone/virtual classroom and by appointment. Expect to block off at least a couple hours.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook. 

The post Is Perfectionism Killing Your Success? appeared first on Kristen Lamb.

Image courtesy of Eflon via Flickr Creative Commons

The past few years have been just brutal. My grandmother who raised me was diagnosed with Alzheimer’s and it was just one crisis after another and it just never…freaking…let…up. I felt like I was in Brazilian Jiu Jitsu being crushed all the time, but not allowed to tap out. Then, on Independence Day (ironically) my grandmother finally passed away.

I really never appreciated how much her declining health was impacting me until she was gone. It was like I was wandering around in a fugue state only aware that my knees hurt. Then out of nowhere a hand lifted off the 500 pound gorilla and I could breathe again. I never noticed the gorilla, never noticed the lack of air, only the knee pain.

So now I am in the process of rebuilding. I plan on taking a couple days off to just rest and get away from all the work that piled up for me to do. Hit my reset button, so to speak. But I figured blogging about this might help some of you who are struggling, too.

Burnout can come from all directions—family, job, marriage, illness, death. Sometimes we are not even aware how hard we have been hit until something radical changes (for me, a death). We are the frog being slowly boiled alive, oblivious that maybe we should jump out.

Writer’s Block

The words won’t flow and you think you might have worn out your thesaurus function looking for another word to say “the.” You might be your own worst enemy.

Writing can be therapeutic. True. But, our creativity can also be one of the first casualties of too much stress, which makes sense when we really study what is happening to us when we’re under too much pressure.

Biology 101

Have you ever wondered why you can’t remember half of what you said after a fight? Wondered why it seems the only time you can’t find your keys is the day you’re late for work? Been curious why you said the stupidest comments in the history of stupidity while in your first pitch session with an agent?

Yup. Stress. But how does stress make perfectly normal and otherwise bright individuals turn into instant idiots?

Basically, the same biological defense mechanisms that kept us alive hunting bison while wearing the latest saber tooth fashions are still at work today. The sympathetic and parasympathetic nervous systems work in tandem to regulate the conscious mind. Sympathetic gears us for fight or flight. Parasympathetic calms us down after we’ve outrun the bear…or opened that rejection letter.

In order for the sympathetic system to do its job effectively, it dumps all sorts of stress hormones into the body—DHEA, cortisol, adrenaline—to enable that super human strength, speed, and endurance required to survive the crisis. The problem is that the human body thinks in blanket terms and cannot tell the difference between fighting off a lion and fighting with the electric company.

The human brain is divided into three parts:

Cerebral Cortex—higher thinking functions like language, meaning, logic.

Limbic/Mammalian Brain—used for experiencing emotions.

Reptilian Brain—cares only about food, sex, survival.

I believe that writers (and people in general, for that matter), could benefit greatly by truly understanding stress and the affect it has on the mind and body. A brain frazzled to the breaking point physiologically cannot access information contained in the cerebral cortex (higher thinking center). Thus, the smart writer must learn to manage stress.

And for the purpose of this blog, I am referring to bad stress so there is no confusion.

Modern life may not have as many literal lions and tigers and bears, but we are still bombarded with their figurative counterparts all day, every day. When stress hits, the body reacts within milliseconds.

Welcome to Stress Brain

This is me right now *head desk*

The sympathetic nervous system floods the body with hormones, increases heart rate, pulls blood away from digestive and reproductive systems, etc. And, most importantly, it diverts blood supply to the mammalian and reptile brain at the expense of the cerebral cortex. Apparently the body feels your witty repertoire of Nietzsche quotes are not real helpful in lifting a car off your child.

Thus, since the mammalian brain is in high gear, this explains why it is not uncommon to experience intense emotion while under stress. This is why crying, when confronted or angry, is very common. It is also why, once we calm down, we frequently wonder why we were so upset to begin with…mammalian brain overtook logic.

This is also why the gazillion action figures your child leaves littered across the floor suddenly becomes a capital offense two seconds after you accidentally set dinner ablaze. Your emotions have taken front and center stage and knocked logic into the orchestra pit.

Another interesting point…

When the sympathetic nervous system prepares us for fight or flight, our pupils dilate. The purpose of this is to take in as much information about a situation as possible. The problem is that, although we are seeing “more” we are actually seeing “less.” The body is totally focused on the cause of the stress. This is why, when we’re running late to work, we see every clock in the house, but cannot seem to find our car keys.

This also explains how, once we take time to breathe and calm down, those keys have a way of magically appearing in the same drawer we opened 763 times earlier (while screaming at the kids, the dog, the cat, the laundry….). Poof! Magic.

Once we understand and respect stress, it seems easier to give ourselves permission to go on vacation or truly take a day off. It is a matter of survival. When bad stress piles up, we physiologically are incapable of:

1) Being productive.

That book proposal will take 15 times longer to prepare because you keep forgetting the point you were trying to make in the first place.

We will wear out the thesaurus function on our computer looking for another way to say “good.” Face it. Stress makes us stupid.

2) Making clear decisions.

We won’t be making decisions from the logical part of our brain, so eating everything in the house will actually seem like a good idea.

3) Interacting in a healthy way with our fellow humans.

The new trees for your back yard might never get planted because your husband will be too busy plotting a way to bury you under them.

The most important lesson here is to respect stress. We must respect its effects the way we should alcohol. Why do we make certain to have a designated driver? Because when we’re sober, we think clearly and know that driving drunk is a very poor decision. Yet, the problem with alcohol is it removes our ability to think with the higher brain functions. Stress does the same thing. It limits/obliterates clear thought.

That’s why it is a very good idea to have people close to us who we respect to step in and 1) force us to back away and take a break, 2) convince us to take a vacation, get a pedicure, go shopping, hit the gym 3) give us a reality check, 4) take on some of the burden, 5) run interference with toxic people.

Like great violinists take great care to protect their hands, we writers would be wise to do the same with our emotions and our minds. So when the stress levels get too high and you start seeing it seeping into your writing, it is wise to find a way to release stress. Take back the keys to your higher thinking centers! Take back that cortical brain!

Exercise, read, pray, meditate, watch a movie, laugh, do yoga, take a walk, work in the garden. Most of all…write. But do a different kind of writing. Write without a care in the world. Ever wonder why experts advise us to do freewriting when we hit a wall?

Seems counterintuitive, but it is actually super smart when you think about the biology lesson we just had. If we can just write forward, without caring about the clarity or quality, we often can alleviate stress rather than fuel it. This freewriting can calm us back into the cortical brain so later, when our head is back on straight, we can go back and clean up the mess.

Which is exactly what I will do…after I go for a walk.

What are some ways you guys deal with stress? How do you overcome writer’s block? Have you been through caregiver burnout? How did you recover? Hey, I am a work in progress too .

I LOVE hearing from you!

To prove it and show my love, for the month of JULY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

Check out the other NEW classes below! 

All W.A.N.A. classes are on-line and all you need is an internet connection. Recordings are included in the class price.

Upcoming Classes

Blogging for Authors  (August 26th) will teach you all you need to know to start an author blog good for going the distance. Additionally I would also recommend the class offered earlier that same week (August 22nd) Branding for Authors to help you with the BIG picture. These classes will benefit you greatly because most blogs will fail because writers waste a lot of time with stuff that won’t work and never will and that wastes a lot of time.

I am here to help with that .

We are doing ANOTHER round of Battle of the First Pages!!! August 5th

The first time we did this we had some tech issues doing this new format and we’ve since worked those out, but for now I am still keeping the price low ($25) until we get this streamlined to my tastes.

LIMITED SEATS. This is an open workshop where each person will submit his or her first page of the manuscript for critique. I will read the page aloud and “gong” where I would have stopped reading and explain why. This is an interactive workshop designed to see what works or what doesn’t. Are you ready to test your page in the fire?

Hooking the Reader—Your First Five Pages August 12th

The first five pages are the most essential part of the novel, your single most powerful selling tool. It’s how you will hook agents, editors and readers. This class will cover the most common blunders and also teach you how to hook hard and hook early. This class is 90 minutes long, 60 minutes of instruction and 30 minutes for Q&A.

Your First Five Pages Gold Level

This includes the webinar and a detailed critique your first five pages.

Your First Five Pages Platinum Level

This includes the webinar and a detailed critique of your first twenty pages.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook. 

The post Stress & Burnout—How to Get Your Creative Mojo Back appeared first on Kristen Lamb.

If you’ve been writing any amount of time you have been there—THE SUCK. This is where no matter how hard you try, you just cannot seem to move your story forward.

Though “normal” people might laugh at the above meme? Writers know that quicksand is freaking everywhere. You think you’re on firm footing and then down you go and the more you struggle, the worse it gets.

From personal experience combined with my experience with hundreds of writers the process can look like this.

Shiny Idea Time—You get the coolest idea ever conceived of and cannot believe such genius has never before been put to the page. It’s as if angels have come down and handed you a golden feather that will whisk you to the realms of literary nirvana.

First 20K Words—You’re flying high. You wonder why you ever had such difficulty with word count before. You cannot stop the flow. Perhaps you forget to eat, don’t want to sleep and you even dream of the world you’re creating.

20K-30K—This is when the pace begins to slow. It’s okay though. Perhaps you’re simply tired. It’s okay. This…THIS is the story idea you’ve been waiting for.

31K—Your pace slows dramatically. If you’ve ever been driving and suddenly had a flat tire? You know the feeling only this is in the brain-fingetips connection. There is a THWUMP, THWUMP, THWUMP…and your mental steering wheel jerks wildly. You might try to ignore, but eventually? You pull over to see what’s wrong.

But then? Nothing seems wrong. That’s weird. Mental tires all look properly aired. Maybe more caffeine is in order.

Perhaps you make it to 40K but by then? All the glitter is gone and you wonder what the hell happened. At this point, you likely will be visited by other story ideas. They see you on the side of the creative highway bewildered and seeming to need a ride. Though you don’t yet have your thumb out, these other newer and shinier ideas are quick to pull over and chirp, “Hop in!”

Just abandon that old clunker and GO!

It’s all so tempting. Especially since the longer you stay trying to fix your broken down WIP, the more shiny ideas come passing by. When you started your journey, the road was free and clear for you to floor your brain and write like the wind! Now? You can barely concentrate on where you placed your mental jack because temptation whizzes by every other minute.

I think this is a fairly accurate prediction regarding word count. If it weren’t then NaNoWriMo would be a cinch. But, alas, there is something about making it to 50K. It’s a number that leaves most who attempt such a feat broken down wondering what went wrong.

Image vis Flickr Creative Commons, courtesy of Yuya Sekiguchi.

Before you call a tow truck for the WIP and sell it for parts, I’d like to offer you some insight and maybe even some solutions to get you speeding down the Imagination Express once more.

Problem #1—The Antagonist is Weak or Nonexistent

This is one of the reasons I love teaching my Bullies and Baddies class (and yes we have one coming up SOON). After years of working with writers, it became clear to me that many didn’t understand—truly understand—the antagonist. It doesn’t help that a lot of the teaching on the subject can be terribly confusing.

I’ve heard classes where instructors used the term “antagonist” and “villain” interchangeably, but that is grossly inaccurate.

A villain is only ONE TYPE of antagonist.

All stories must have a strong core antagonist, because the antagonist is responsible for the story problem.

No antagonist, no story problem in need of solving. Too often, new writers spend an inordinate amount of time thinking about the hero and don’t give near enough thought to the opposition.

Problem #2—Plot Weak or Nonexistent

If a writer has failed to understand the antagonist (opposition) and truly know what this opposing force wants then the plot will simply disintegrate. When we’re crafting any work, we have to create a problem that is strong enough to bear the weight of the word count.

For instance, I’ve consulted many writers who had an excellent idea…for a short story. The problem was inherently too weak to sustain the bulk of a full-length novel.

Instead of plowing forward, often we can make some really simple adjustments to buttress that core idea. But if we don’t? It’s like trying to drive 90 pulling a crappy trailer. The wheels eventually WILL go flying off.

Often when we’re stuck, it’s the subconscious mind hitting the breaks. It’s trying to tell us our plot needs to be more robust or even clarified, which dovetails into my next point…

Problem #3—Too Many Ideas Crammed into One Book

Some writers might not have enough heft to the plot and others? Perhaps you’re loading on far too much. It’s not uncommon for me to talk to writers who are jammed up in a bad way only to find out they are trying to develop five ideas in one book.

Since the author failed to articulate what the book was about in ONE sentence (truly understand the antagonist’s agenda), then the author was at liberty to explore whatever cool rabbit trail presented itself.

This isn’t particularly bad, but it does require we STOP, get focused and maybe tease out those other ideas for subsequent books. You might think you only have one book, when you have two others freeloading and bogging down your momentum.

Problem #4—Wrong Protagonist

Casting the wrong protagonist is really easy to do, especially if we failed to properly develop the antagonist. Remember at the core of most great stories is an antagonist who’s essentially the shadow self of the protagonist.

For instance, in The Lincoln Lawyer Mickey Haller is a sleaze bag defense attorney. He represents drug dealers, pimps, prostitutes, and gang members. He has grown jaded with the justice system and prides himself on his ability to manipulate.

His greatest fear is representing a truly innocent man. What is the perfect story problem for such a character? Present him with an irresistible case that tosses him into what he fears the most.

Representing a truly innocent man.

This means that Connelly had to create a crime (case) where the client would undoubtedly look guilty and who would have enough cash to make Haller question any misgivings about taking on the case. Without a case where an innocent man is involved? The Lincoln Lawyer falls apart at the seams.

If Connelly had cast a lawyer who was all about truth, justice and the American Way? The plot would have been meh.

An attorney who works pro bono searching for truth is expected to risk everything to save the life of an innocent man. This would have been the wrong protagonist to cast for such a plot.

Fiction is the path of greatest resistance and Connelly, being a master, cast the one guy who probably would have run screaming from this case had he know was he was in for.

If your story seems to be sagging, check and make sure you’ve slated the right person for the job. Sometimes some quick fixes to who this character is or even giving that character some additional baggage might be enough to get you unstuck.

Problem #5—You Are Just Over Thinking

STOP IT! This is the one I am most guilty of. It’s why I am a HUGE fan of fast-drafting because then we simply don’t have time to over think every step we’ve made.

All writers have two different phases:

Oh, wow! I wrote that!

Oh. Wow…I wrote that.

We all think we are geniuses…only to later read the exact same section and become convinced we are little more than brain-damaged chimpanzees banging away on a keyboard. It happens, especially when we are in the thick of the story. It is tempting to go back and perfect, but resist the urge to go BACK. Feel free to correct typos or make notes (in a different color) but do not change your writing.

Your subconscious could be planting seeds and what looks like a weed might just be the greatest plot-twist EVER germinating. Just leave it alone and stop being so hard on yourself.

Remember, no unfinished-but-perfect book has ever hit the New York Times best-seller list, but a lot of crappy finished ones have .

Truthfully, if you finish and just cut yourself a break you will likely go back to those parts you were going to chop and see they aren’t nearly as bad as you’d imagined. Remember that while your subconscious is there to help you? Your ego is a selfish passive-aggressive diva who can’t stand that something might be prettier than she is.

You really want to be hard on yourself? Fine, just do it in the correct places. Instead of nitpicking the life out of your prose? Get your @$$ in the seat and keep pressing. And just so y’all know? While I have one finger pointed at you, three are pointing back at me.

Before we go…

I have three classes to help you out with all of this. W.A.N.A. classes are all easy to use from home. All you need is an internet connection and pants are totally optional. Recordings are included in case you miss or you just want to refresh the information.

If your antagonist is weak and you need help learning to plot? Bullies and Baddies. If your story idea is jumbled, confusing or unformed? Your Story in a Sentence. I’ve been doing this a long time and I can almost always tell what is wrong (or right) with a plot by the log-line. The first ten signups are guaranteed to have their log-line shredded and fixed in class and for FREE.

Worried about the strength of your actual writing? Are you starting your story in the correct place? Take my First Five Pages class. Right now I am offering double pages for all Gold and Platinum signups (and I have only done this once before and that was almost a year ago). Friends, family and critique groups can only offer so much. So if you want a set of ruthless eyes on your work? I am here to help!

What are your thoughts? Do you nitpick your work to death? Is your computer filled with stories that started out golden then fell flat? Do you struggle with being able to just FINISH? Have you thought you might have cast the wrong protagonist? Are you stuck?

I love hearing from you!

To prove it and show my love, for the month of MAY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel.

April’s WINNER of my pages contest is:

C.E. Robinson! Please send your 5000 word WORD document (double-spaced, New Times Roman, one-inch margins) to kristen at wanaintl dot com and CONGRATULATIONS! *throws confetti*

ONE MORE CLASS!!! 

May 16th I am holding When Your Name Alone Can Sell—Author Branding. We can have the greatest book in the world, but if no one knows it exists? Yeah. These days discoverability is a NIGHTMARE, but I am here to help you learn how to get your work seen…so it can then be loved. Best of all? I’m not trying to change your personality. I’m here to give you the time to do what you do best…WRITE.

Also, for more help with branding and social media, if you don’t yet have a copy… make sure to pick up Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook.

The post 5 Reasons Your Story is Stuck appeared first on Kristen Lamb.

Image courtesy of Cellar Door Films WANA Commons

Today, I’d like to talk about the single greatest reason for writer’s block (aside from laziness and fear, but we can chat about those another time). I spent years as an editor, and I believe I’m a pretty good one. I’ve taken stories that were train wrecks and helped the author create a best-seller. Just ask Piper Bayard about Firelands, LOL.

I had a unique ability to pull apart a story and locate what wasn’t working and why. Then I could guide that writer to the best book possible (without altering that writer’s voice). Editing is a skill, but it’s a different skill from creating. For instance, a person who restores historical houses isn’t necessarily someone who can draw a blueprint and build a new house. The restorer looks to the bones of the house and fixes what’s already standing to help create what the owner envisions.

Same with editing. There is less creating and more reverse-engineering.

When I initially began writing fiction, I was shocked how terrible I was at it. Oh, page to page, the writing was lovely. But as a whole? I kept creating mess after mess, a blob with no internal structure that made sense. To make matters worse, I would hit about 30-40, 000 words an hit a WALL. I was paralyzed with no idea how the story should progress.

This, then led to editing and reediting the beginning until I was just ready to throw myself in traffic.

I was blocked.

Was it the wrong story? Was the idea flawed? Oh, let me try something new. 

Writing can feel a little like THIS…

Yet, time after time the same thing happened. I’d hit the exact same spot and paralysis would set in. I kept reading craft books and yet, nothing clicked. I’d start some new writing teacher’s program and again. STUCK. I’d hear things like, “Write your ending first” and it just made me want to punch the person who said it.

How is this even possible? Write the ending. RIGHT. After I take my pet unicorn for a ride.

Then I took NYT best-selling author Bob Mayer’s Warrior Writer class. We spent two days doing what he calls a “conflict lock.” I still didn’t get it. Bob kept asking me what kind of protagonist I wanted. Who was she? I had her in mind and yet…the plot ideas would end up so complicated even I didn’t understand what the hell I was talking about.

After some time, I am sure Bob was probably ready to hairlip me. I know I was ready to hairlip myself.

In frustration, Bob finally said the words that changed everything, “Okay, Kristen. Stop talking to me or I will call the cops.”

Kidding!

Bob said, “Forget the protagonist. Let’s start with the antagonist. Who is he and what does he want?”

Image via Flikr Creative Commons courtesy of Robert Ellsworth Tyler

Everything changed, and I finally saw what I was doing wrong. I was creating my hero with no problem. I had to begin with the story problem first or plotting would be next to impossible. Why? I had no idea what the hell my protagonist was trying to SOLVE!

I also was carrying around misguided ideas of what an antagonist was.

She is her OWN worst enemy.

Oooh, a STORM! SOCIETY!

Um, yeah…no.

This set me a on a new course. I stopped writing fiction altogether and threw everything I had into studying antagonists. I read stacks of novels, this time paying attention to the antagonists. I read psychological journals, profiling books, and tore apart every movie I watched (my husband has banned me from speaking during movies). I reverse engineered everything until I understood antagonists from every angle possible.

When most of us start out as baby writers, we only think of antagonists as villains. Buffalo Bill. Easy. But what if we don’t want to write about serial killers? And even if we DO want to write about serial killers, we can’t put the killer in every scene. A villain alone isn’t enough.

Don’t make me toss you in my well….

High body count is still, as Les Edgerton would put it, a bad situation not conflict. Car chases and gun battles are not dramatic tension and can quickly become tedious in movies and books.

As I began to speak at more and more conferences, I saw how far-reaching this problem was. When I’d ask a writer to give me her pitch, I’d get something like this:

Well, it’s about a girl who is half-fairy and in high school, but she doesn’t know she has magic and, wait. Let me back up… Her mom fell in love with a vampire but then her mom had an affair with an evil fae and now their kingdom is in ruin because of werewolves and my character needs to find herself. She keeps having these dreams and there are these journals left by her aunt who was only 1/8 fae….

Kill…me…now *looks for closest wine bar*.

I started to realize what I had done to poor Bob (and I sent a letter of apology and a thank you for not slapping me). But it showed me something critical. Most new writers are backing into the story the wrong way.

With no clear antagonist, it is impossible to know the core story problem in need of resolution by Act Three. It’s impossible to plot (even good pantsers still have to know the story problem). It’s impossible to generate dramatic tension and what we are left with is melodrama….and a great way of getting STUCK at 30,000 words and wanting to kill ourselves and give up being novelists.

As an editor I knew when these elements were missing, but couldn’t articulate my instincts. I had to train and study and read until I got it.

Looking back at all those-half-finished novels, I now know how to fix them because I know what was missing to begin with. The novel I’m revising right now (that I easily finished) is actually one of those works that made it to 40,000 words then *insert sounds of squealing breaks here*.

The antagonist is the beating heart of the story. He/She/It creates the crisis and the crucible that forces our protagonist to become a hero. If we don’t know the endgame, we have no idea how to insert roadblocks, create misdirection, setbacks, or drama. So if you keep getting stuck? It might not be you are lazy or fearful (I wasn’t either). It might be your foundation (the antagonist/core story problem) either isn’t there or it’s weak and unable to support the bulk of 65-100,000 words.

I am offering an on-line class on antagonists next Friday. Use the code WANA15 for 15% off, and the class is recorded if you can’t make the actual window. But, if you want other resources you can read on your own (check out of the library), some great references are:

Plot and Structure by James Scott Bell

Hooked by Les Edgerton

Bullies, Bastards and Bitches by Jessica Morrell

The Sociopath Next Door by Martha Stout PhD

The DSM-V (The Diagnostic and Statistical Manual of Mental Disorders 5th Edition)

Anatomy of Motive by John Douglas, the father of modern profiling

Take one of Bob Mayer’s workshops or Les Edgerton or even James Scott Bell. They are fabulous teachers.

Yet, if you are stuck, take heart. You might not be lazy or scared, you might just need some foundation repair :D. Good news is most stories can be fixed, just might take a lot of elbow grease. Yet, once you are finally headed in the right direction? That’s when the magic can happen.

What are your thoughts? What other books would you add to my list? Have you gotten stuck?

I LOVE hearing from you!

To prove it and show my love, for the month of July, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

NOTE: My prior two books are no longer for sale, but I am updating them and will re-release. My new book, Rise of the Machines–Human Authors in a Digital World is NOW AVAILABLE.

The post The Single Largest Cause of Writer's Block–Might Not Be What You Believe appeared first on Kristen Lamb.

Happy Friday! I have a real treat for you guys, but, first, let’s have a quick chat. Be honest. We writers wear a lot of hats. We, of course, have the Writer Hat, but then comes the Mom or Dad Hat, the Employee Hat, the Maid Hat and Taxi Driver Hat, the Therapist Hat, the Friend Hat, the Police/Enforcer Hat (especially if you have small children, teenagers or needy pets), and on and on. We have many roles, and switching personalities so often and so many times a day can wear us out. In time, we might find that in the pile of all the “hats” we cannot find our Inspiration Hat anywhere. Likely it was put in with the whites and now everything will be pink. Sigh.

So when we do lose our inspiration, what can we do? How do we find it? My pal, and very talented writer Natalie C. Markey has some amazing solutions and is here to teach us to find inspiration from even the most unlikely places.

Take it away, Nat!

Thank you Kristen for having me back again! Last time I spoke about balancing writing with burp rags and Sesame Street.  Today I’m discussing writing inspiration. A topic that interests all writers, but still the toddler mom in me will sneak in a “Sesame Street” reference. Can’t you tell what plays on my office/playroom television more than CNN or the very fascinating History Channel?

I love quotes about inspiration. Dan Poytner once said, “If you wait for inspiration to write; you’re not a writer, you’re a waiter.” I also love, “I write when I’m inspired, and I see that I’m inspired at 9 am every morning,” said Peter De Vries. Or in my case, I’m inspired each morning at 4:30 am but everyone has his or her own routines because we are all different.

Writers are people. We have jobs, families and many other obligations. With that being said we must write whenever our schedules dictate, unless you are lucky enough to have tons of free time. I didn’t think so ;).

So what if a lack of inspiration is keeping us down? In truth, inspiration is not this complicated object that many have made it to be. Inspiration is all around us. I have found that sometimes the answers may be easier to find than you believe. “Relax, don’t over think it,” says my husband. And he is right but don’t tell him I said that! You can easily find inspiration or discover the answer to a troublesome scene by just living your life.

Just the other day I was stuck on a particular scene in a young adult fantasy manuscript. I write from home with my 19-month-old daughter so my writing breaks are always spent with her and the fun little monsters on Sesame Street.

Just the other day Snuffy (short for Mr. Snuffleupagus) said a simple word that lit a light bulb in my head. As I watched my daughter hum along to “Elmo’s World” in her cozy coup (because it’s more cool to watch “Sesame Street” drive-in Little Tikes style) I grabbed my iPAD, tapped on the notes applications and began jotting down ideas. It’s not the word that counts but the smallest thing that can set off your inspirational writer mojo.

My dog, Oscar is also very inspiring to me. Since I am a published author of a non-fiction dog book and working on another, he reminds me everyday about my audience and how I can make a difference. And he make a fantastic foot warmer while I write!

Always keep your eyes, ears and senses open as you go through life—not just when you’re in front of a keyboard. And I say senses because yes I was inspired by the smell of manure once but that’s another LONG story!

Staying open to your surroundings is especially important for the busiest of writers. Writer’s that must make the most of the precious writing time they get. If you’re a writing mom like I am, then I’m preaching to the choir. I’m returning to teach my month-long course presented by Write It Forward Workshops next month. It’s titled, Writing Moms: How to have it all without losing your mind. Hopefully it can help you manage the chaos and learn how you can fit your writing career among diapers, tantrums, homework, concerts, games, and your “paying job” if you have that too. Click here to learn more or to register.

I am giving away a FREE “seat” to someone who comments on this blog. Simply share your story of how something simple and seemingly unrelated created writing inspiration for you. I will put your names in my virtual hat and announce the winner on February 28.

Natalie C. Markey is a seasoned freelance writer including popular columns like The Mortal Instruments Examiner and Special Needs Dog Care Examiner. She is the author of “Caring for Your Special Needs Dogs.” Follow her on Twitter, Pen to Publish blog, and her website.

Thanks so much for taking time to help us out! I hope you guys will share your thoughts, feelings, stories because not only can you win this really cool prize from Natalie, but you also still get a chance to win my contest.

I LOVE hearing from you!

And to prove it and show my love, for the month of February, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of February I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.

The post Finding Inspiration from Unlikely Sources appeared first on Kristen Lamb.