Editing is essential for crafting a superlative story. We clip away the excess, delete the superfluous and prune away the detritus to reveal the art. Yet, editing is something we’re wise to handle with care.
While lack of ANY editing is a major problem today, editing too much, too soon is just as big of a problem. Perhaps an even a bigger one.
For clarity, not all ‘editing’ is the same.
Today, we aren’t discussing proofreading and line-edit. Correcting punctuation, spelling, and grammar is perfectly fine. Moving some commas around is unlikely to endanger story integrity. We’re addressing the perils of premature content edit/developmental edit.
If we think about this for a moment, what I’m saying should make sense. If a work is only partially finished, there’s no way we can truly know what to cut and what to keep. We don’t yet have enough content/context necessary for clarity.
Editing too early is detrimental in a variety of ways.
Early Editing Uproots Subconscious Seeds
Our subconscious mind is an amazing machine. Stephen King referred to the subconscious as ‘the boys in the basement.’ The prudent author allows those ‘boys in the basement’ to do their thing.
The best way to help? Stop interfering. The subconscious mind can see the big picture in ways our conscious mind cannot.
Unlike our conscious mind, the subconscious is always working. Busy, busy, busy. It’s fitting all the pieces together in ways we’d have a tough time consciously doing.
King has his analogy, and I have mine. I think in terms of planting and cultivating a garden.
We have a story idea (overall image of the ‘garden’ we want). Then we might write out a log-line, major plot points or detailed outline (a plan). Overall, we’re at least generally aware of the story we want to create.
As we write, our subconscious mind is planting seeds that, when viewed in a microcosm of one or three chapters, will frequently seem to make no sense. The idea needs time to put down roots and grow large enough for the conscious mind to accurately discern whether it’s something to keep or something to cull.
Also a garden generally is not a singular plant. A garden is comprised of many plants of various types, colors, heights, widths, etc. Until our garden reaches a point where we can get a view of the creation as a whole we’re wasting time. Pruning, moving, replacing is wasted time and energy because we’re working blind.
Maybe that hyacinth needs to be moved because it’s too tall OR maybe we need to chill out and wait for the peonies planted nearby to come in.
Once all we’ve planted grows and blooms, THEN we have a way better idea of what plant needs to be moved, which should be filled in more (add in more coleus), and what’s a WEED that needs to GO.
Story as a Garden
I love to garden. In the fall, I decided to start over after a blight ravaged everything I’d cultivated for six years. I removed all the plants, and prepped for spring. After widening the stones (since I wanted a larger garden) I filled the area with at least a couple thousand pounds of clean soil topped with mulch.
Since I had yet to plant anything intentionally, anything that popped up over fall and winter clearly was a weed.
This all changed once I began planting. I had an idea of what I wanted: a beautiful garden bursting with blooms known to attract hummingbirds and butterflies.
Once I had the idea, I planted the bulbs and spread the seeds. Yet, if I ever hope to have my dream garden, it’s critical for me to resist the impulse to pull anything green and sprouting because it ‘might’ be a weed.
Until whatever seedling poking through the mulch grows to a certain point, I have no way to discern flower from weed.
Same with story. We don’t realize that a possibly mind-blowing idea is trying to germinate and take root in the fertile soil of our overall idea.
By editing too early, we can possibly uproot some mind-blowing twist or turn. We might remove the wrong character or delete a scene that should have stayed.
Y’all might find this hard to believe, but it actually is possible to edit all the life/magic out of a story.
Early Editing Feeds Fear
All writers experience fear. Many of us suffer from Imposter Syndrome. We’re prone to believe unless we are a New York Times best-selling author we are a fraud. If we don’t have twenty books under our belt or an HBO mini-series based off our stories, we aren’t real authors.
The problem is that we’ll never have ANY of this if we consistently fail to finish. Perfect is the enemy of the finished. No half-finished novel has ever become a runaway success.
A story doesn’t have to be ‘perfect’ to be a hit. In fact, plenty of decent and even some outright dreadful novels have skyrocketed to the top of the charts.
Stories (like all art) are subjective. It’s impossible to craft a story everyone will love. There are way more than fifty shades of reader preferences.
Fear can paralyze productivity and halt professional growth. You know what? Maybe our novel is awful, but that isn’t necessarily because we lack talent.
We might simply be NEW. How many of you can pick up an unfamiliar instrument and are immediately ready to play on stage for money?
Storytelling is an artisan skill that takes years of training and practice. We get better by doing, by failing, then understanding what went wrong where and why. Then, armed with this new insight we write another story, and a better story.
Editing is a common coping mechanism used to allay anxiety. Maybe we fear we really aren’t any good. We really are talentless hacks. Our book is terrible. Why are we even doing this? A brain-damaged hamster has more talent. On and on.
Thing is, perhaps all of this is true. We won’t know until we submit a finished product for peer review (and even then nothing is set in stone).
Yet, if we keep editing and reworking, this buys us time. We want to know if our writing is any good, but also can’t bear to think it might be truly awful. So long as we remain in literary limbo, we can hold onto our illusions.
My book is as good as (insert mega author), even better! I just have to tweak a few scenes before querying…
I want all of you who’ve even started writing a novel to embrace what a HUGE step that is. The world is brimming with people who spout nonsense like, ‘Yeah I always wanted to write a book, except I never could find the time.’
In their minds the ONLY reason they aren’t the next George R.R. Martin is a lack of time-management skills. We all know this is bunk. And yet? We have to be really careful we aren’t doing the same thing.
Getting past the hard part—starting—is a fantastic step. Now finish. Pros don’t find time, we make time.
Early Editing KILLS Momentum
If we continue to go back changing things chapter by chapter, changing, changing, changing, either due to critique group feedback or our own self-edit, what happens is that we KILL our forward momentum with a big ol’ red-penning, back-spacing machete.
We can prune or progress.
Do that long enough, and it becomes hard not to be discouraged and ultimately give up. If you have been reworking the first act of your book for months, it can very easily end up in the drawer with all the other unfinished works.
Beginnings are not something I recommend spending too much time ‘perfecting.’ The big reason is that very often beginnings will change. Once we write the entire story and actually possess the BIG PICTURE, only then can we judge the merit of any opening.
We may have started too soon, too late, with the wrong hook, etc. Yet, if we spend weeks or months futzing with the opening, we get far too attached.
This means it’s all the harder to let it go because it’s a Little Darling. I’ve seen writers crater excellent plots because they refused to part with the opening they love. They would rather retrofit the rest of the novel than cut or change the beginning.
Great, now we have a super pretty opening…but the rest of the story is ‘meh’ because it’s all been redneck engineered to serve the first chapter(s) instead of the overall story.
An Editing Process I Recommend
There is no ‘right’ way when it comes to process. All I can do is possibly share one to try. If you have a way that works? Fabulous. But, if you have a hard-drive bursting with unfinished stories, maybe try something new.
When I write a book (fiction or non-fiction) I leave any kind of content edit for after I’ve finished the entire first draft. FYI: Any time I ignore my own advice and don’t do this? It’s a disaster.
Now, is it okay to reread what we’ve written the previous day (session) in order to get grounded? Absolutely! It’s also perfectly fine to correct spelling, grammar, and punctuation errors.
But, if the correction has anything to do with the STORY (narrative, dialogue, setting, etc.), instead of deleting and/or ‘fixing,’ try this. Make notes of what places you believe at the time should be fixed, deleted, changed or even expounded.
NO changing or deleting. Period. Feel free to highlight and…
Make Notes then Move ON
My advice is—instead of changing/correcting, etc.—to make a note that you believe something should be taken out/added/changed at a later time, but leave it be. I also recommend making notes in color. Red, purple, blue.
This technique is valuable in other ways. For instance, it helps maintain momentum when we hit places in the WIP where we need to fact check or research. I’ve been coauthoring a Western and am new to writing historical.
Trust me, it’s easy to lose a whole day on the Internet researching. Instead of stopping, I might write the scene with the people and in another color, make a note, ‘Research first class trains in 1870s.’
This allows me to keep writing instead of wandering off and making myself an expert in 19th century American rail travel.
Another way this method helps is if you’re writing and find yourself STUCK. If you have a log-line and a solid plot idea that’s fantastic. Yet, there will be times when we can’t seem to fit the pieces together…so skip ahead.
When I hit a wall, I might write ‘AND THEN ROMI DOES SOMETHING COOL AND FINDS A CLUE’ and pick up at the next logical place. In the meantime, my subconscious will be working on my problem even while I sleep.
Often the ‘answers’ my subconscious comes up with are WAY better than anything I could have planned. This also makes for some psychedelic dreams 😉 .
This approach also keeps me from fixating and giving my brain vapor lock trying to figure it out. The longer we pause and stay in one place the harder it will be to finish. I am not judging. Literally one finger pointed at y’all and three at me.
In the End
Don’t look back, or you’ll turn into a pillar or unfinished novels 😛 . Once you’ve made it through the first draft…THEN go make the core changes to your story if/as needed.
You may be surprised.
Something you believed HAD to be changed six weeks previously might actually have morphed into the coolest part of your story. Or maybe it was perfectly fine and can be left alone. When you go back to those notes, odds are you’ll feel differently about what needs changing and even why and HOW it needs changing 😉 .
What Are Your Thoughts?
Are you addicted to over-editing? Do you keep reworking and reworking and seem to always get stuck? Are you a perfectionist too? Afraid of failure? Or maybe afraid of success? Me? Yes to all of the above. I am a work in progress, too.
Ready for Book Beast Mode? I Live to Serve….
For anyone who longs to accelerate their plot skills, I recommend my ON DEMAND Plot Boss: Writing Novels Readers Want to BUY. Two hours of intensive plot training from MOI…delivered right to your computer to watch as much as you like 😀 .
The Art of Character is also now available for ON DEMAND.
And if you’re ready for BOOK BEAST MODE and like saving some cash, you can get both Plot Boss and Art of Character in the Story Boss Bundle (ON DEMAND). Almost FIVE HOURS with me, in your home…lecturing you. It’ll be FUN!
Also, REMEMBER my Bullies and Baddies: Understanding the Antagonist is THIS WEEK and this class will help you plot faster and tighter than ever. Join me March 29th (7-9 EST). Recordings are always included FREE if you can’t make it and also for you to be able to review.
I love hearing from you!
And am not above bribery!
What do you WIN? For the month of March, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).