Deep POV. Deep, man. So…um what is it? Maybe you’re bee-bopping along on the inter-webs, clicking on blogs, checking out writing resources when you see the term ‘Deep POV’ drift across your tweet deck.
Or perhaps you’re at a writing conference looking all intellectual and stuff, and in the conversations this phrase Deep POV keeps floating past. Deep POV. Deep POV. You keep hearing it, seeing it…
And, if you are anything like me, you don’t want to look like an idiot so you don’t ask that question burning inside you.
Um, what the heck is Deep POV?
***Note to self. Google Deep POV at home under cover of darkness.
What’s Deep POV & Why Do We Need It?
If you’re a writer who has a goal of selling books, it is wise to remember that audiences are not static. They change.
Their tastes change with the times and we need to understand what is ‘trending’ if we want to connect and entertain.
Many new writers look to the classics for inspiration and there isn’t anything per se wrong with that. But we must reinvent the classics, not regurgitate them.
Even if you look at the fashion trends, sure some styles ‘come back around’ but they are not exact replicas of the past. They’re a modernized version.
But keep in mind that some fashion styles never come back. They’ve outlived their usefulness and belong in the past.
Same with fiction.
Deep POV & Story Trends
Story trends and fashions change along with the audience. For instance, the novel Moby Dick spends an excruciatingly long time talking about whales. Why? Namely because the audience of the time probably had never seen one and never would.
If we did this today?
Sure, feel free to walk around in a literary gold-plated cod piece, but er…
Epics were once very popular as well. Follow a character from the womb until death. FANTASTIC STUFF!
Because no one had Netflix.
Books were a rare indulgence usually reserved for a handful of literate folks with the money or connections to get their hands on…a book.
Also, since writers were paid by the word, their works were padded more than a freshman term paper. Their motto?
No modifier left behind.
These days? We have to write leaner, meaner, faster and cleaner.
We’ve talked about POV before, and which one might be the best for your story. I can’t choose for any of you. Alas, before we talk about Deep POV, I want to mention that POV is affected by audience.
I also believe POV trends—the shift to Deep POV—is a direct reflection of how connected we are as a society.
Deep POV & Culture Shifts
You guys may or may not know that POV has changed along with communication and connectedness.
Waaaaay back in the day, omniscient with a god-like narrator was all the rage. But people didn’t travel at all. Most humans lived and died in the place they were born and in isolation from other communities.
Sort of like West Texas, but with knights and plague.
With the early epics, stories often had a narrator who was separate from the events.
Dear Reader, come with me for a tale of AWESOME…
Later, after the Dark Ages, people got out more, traveled more, etc. We see the narrator merging into just general god-like presence.
Then, after the printing press was invented, more and more people were literate and took up reading. Additionally, a lot of monks were out of a job and went off to start the first microbreweries.
Don’t argue. It’s history 😛 .
Closer, Closer, A Little CLOSER…
With pamphlets and papers, people became more engaged and journalism eventually gave birth to a new-fangled invention…first-person.
Third person and third-person shifting only became popular after audiences grew accustomed to radio programs (and later television) and could mentally process the idea of a cut-to scene.
As people became networked closer and closer, we see the psychic distance closing. Now that we’re a culture of reality TV and social media?
Omniscient is a tough sell.
I’m not telling any of you which POV to choose, but I will say that modern readers will shy away from some of these older forms of POV because they can often feel distant and cold.
Modern readers LOVE being as close as possible, ergo my little side-trip through history.
And this is where we get *drum roll* Deep POV.
Taking the Plunge into Deep POV
As I mentioned in the beginning, you might have heard this term—Deep POV—tossed around the writing world.
Everyone wants it. Readers love it. Uh, but what IS it? How does one do it? Can we order some from Amazon? Here’s my simple explanation:
Deep POV is simply a technique that strips the author voice completely out of the prose. There is no author intrusion so we are left only with the characters. The reader is nice and snuggly in the ‘head’ of the character.
Okay, clear as mud. Right? Right.
As an editor, I see the intrusion much more than authors. It is actually shocking how much you guys interrupt. In fact, you’re like my mother chaperoning my first date. That date she would swear to this day she was ‘quiet as a mouse.’
Okay Mama ROUSS (Rodent of Unusual Size)…sure.
I actually like deep POV because I love tight prose. I loathe unnecessary words. Deep POV not only leans up the writing, it digs deeper into the mental state of the character.
We probably aren’t going to stay completely in Deep POV, but it’s a nice place to call ‘home.’
How do we do it? Today, for the sake of brevity, we are just going to talk about simple stylistic changes, not the actual writing.
***This week we have a CLASS—Taking the Plunge: How to Write Deep POV— that teaches all that fancy-schmancy stuff.
Deep POV Step ONE: First, Ditch the Tags
Just using the word said tells the reader we (the author) are there.
Kristen’s Made-Up Example (don’t judge me, just roll with it):
“No, I always love it when you drop by,” she said. Fifi felt her hands start to shake. She glanced over Tom’s shoulder and saw that the street was deserted. She knew all of her neighbors had already gone out of town for Christmas and no one would hear her scream. She thought, ‘He is going to kill me.‘
Okay, so we get that Fifi is in a bad spot. But just that little word said tells us the author is present. So, in the next layer we are going to remove the said.
Deep POV Step TWO: Ditch Thought & Sense Words
If we really pause and think about it, thought and sense words are frequently redundant. If we are IN the character’s head? We KNOW she is thinking.
Who else would be thinking?
Readers aren’t dumb (…okay , mostly).
Yes, it is my personal opinion, but I feel sensing and thinking words often qualify as holding the reader’s brain. We don’t need to give that additional ‘help.’
Let’s look at my made-up example:
“No, I always love it when you drop by.” Fifi felt her hands start to shake. She glanced over Tom’s shoulder and saw that the street was deserted. She knew all of her neighbors had already gone out of town for Christmas and no one would hear her scream. She thought, ‘He is going to kill me.‘
So we ditched the said and that tightened it up. Did you notice how losing the tag tightened the psychic distance? Now let’s remove these
stubborn stains unnecessary sensing and thinking words.
***Also, try to ditch any ‘starting to.’ Do or do not, there is no
try ‘starting to.’
“No, I always love it when you drop by.” Fifi’s hands shook. She glanced over Tom’s shoulder to the deserted street. All her neighbors had already gone out of town for Christmas, and no one would hear her scream.
‘He is going to kill me.’
Do you see how just getting rid of those excess words upped the tension of this piece? We (the reader) go from being a distant observer to actually being in the potentially deadly situation.
We don’t need to tell the reader Fifi is thinking or feeling or ‘about to do’ something. The reader gets that and us putting in glowing directional arrows is a distraction.
Fifi felt Tom’s hands clamp around her throat.
Just get to it already!
Tom’s hands clamped around her throat.
Better. Sorry, Fifi.
I hope this helps clear up some of your ‘Deep POV’ questions you had or never knew you had. Remember that we live in a culture that is spoiled with intimacy. Readers can fall in love with a book and not consciously be able to articulate WHY.
Deep POV is one is those subtle ‘tricks’ we writers have in our magic bag. Want to sell more books? Give readers what they LOVE. What do they LOVE? Being IN the story.
As a REMINDER, there is way more to Deep POV. I barely scratched the surface here.
That’s why I strongly recommend our upcoming class, because we’ll train you how to use Deep POV to trap the reader and not let GO.
What ELSE Do Readers LOVE?
Since Deep POV is all about the writing to a trend, I want to mention one ‘trend’ that never really went away, and now is only gaining increasing momentum.
Readers can’t get enough of series.
This has been one fashion that’s never gone out of style. If anything, series are more the rage now than ever before.
Series not only help readers fall in love with our world, storyline, characters (and us, the author), but these days? Producers are ON THE HUNT for series with strong followings to convert to the screen.
It’s ‘Fashion Week’!
Bad Lamb Academy: Refuse to Behave
Want to write books that are ALL THE RAGE?
As I mentioned earlier, Maria Grace will be teaching Taking the Plunge: How to Write Deep POV. This is TWO HOURS of professional instruction about how to ROCK Deep POV.
I will be teaching Bring on the BINGE: How to Plot & Write Series. Series are a fabulous way to build a fan following AND make really excellent money (when done well). This class is 2.5 to 3 hours long (and YES, all classes come with a FREE recording).
We’re going to cover all aspects of how to write a series, the different types of series, and so much more.
Treat yourself! Feel free to wear this to class 😀 .