Kristen Lamb

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Posts Tagged: how to research

Kristen Lamb, writing tips, research and writing, details and writing, adding depth to stories, research and character, how to research, why research is important for novels, how to write a novel, research readers, how to find more readers

Research can be a double-edged sword. It can elevate writing to an entirely new level, but can also be a place we hide, procrastination masked as ‘work.’ Recently, I posted on the dangers of premature editing and gave tips to help keep us moving forward on that first draft until it is FINISHED.

A common place we might stall is when we reach a point we need to fact-check or research. To maintain momentum, my suggestion is to write a note and keep writing. For instance, I might be writing a story set in the jungle. It is tempting to halt, open a browser tab then spend the next three weeks researching jungles.

Problem is, the goal is to finish a novel, not to become an expert in rain forests.

Thus, what I recommend is to write the scene anyway, and, in another color or bold or all caps, type something like ADD IN COOL STUFF ABOUT JUNGLE HERE. Then? Sally forth.

Research is vital for great stories (so long as we contain it).

Research Genre Expectations

Kristen Lamb, writing tips, research and writing, details and writing, adding depth to stories, research and character, how to research, why research is important for novels, how to write a novel, research readers, how to find more readers

Choosing a genre is critical for success. Many emerging writers believe genre is too constricting, that it will make a work ‘formulaic,’ but nothing could be further from the truth. First, genres often have a lot of crossover.

As an example, my new novel The Devil’s Dance has ranked very well in mystery, mystery-thriller, thriller, suspense, mystery-suspense, women sleuth, pulp and even…financial.

Why ‘financial?’ My best guess is it is because a massive financial crime of Enron proportions kicks off my story. The murders that later ensue serve the BIG goal, which is motivated by money.

Genre is critical in that it helps fans find and discover our work. Readers can’t fall in love with a novel they can’t locate. Also, readers pick a certain genre for reasons. When we know these reasons, our stories can serve the consumer what she craves.

Mystery readers want a puzzle. The puzzle needs to find the sweet spot between ‘So Easy a Six-Year-Old Could Solve This’ and ‘There’s No Way Anyone Could Solve This.’ They want twists, turns, and to be surprised and even fooled.

With romance, readers want a Happily Ever After (or at least a Happily For Now). If the couple doesn’t come together at the end, this is not a romance. It’s a different genre, likely a women’s fiction.

Every genre has boundaries (here is a post to help). Knowing our boundaries helps us push them in new ways, but we can’t break rules until we know them first.

The best way to research the genre we want to write is to READ that genre. As many books as possible.

Research Audience

Kristen Lamb, writing tips, research and writing, details and writing, adding depth to stories, research and character, how to research, why research is important for novels, how to write a novel, research readers, how to find more readers

This dovetails into my last point about genre. When writing any story, it is essential to always keep the audience in mind. If we want to sell books and write for a living, then stories are for the readers, not for us. We can feel free to write for ourselves, but that is writing as a hobby.

Sort of like my crochet.

I love crocheting, but don’t expect any of my blankets or scarves to be for sale on Etsy. My crafting is for relaxation, not for making my living (…thank God).

When I do edits, one of the most common problems is the writer who fails to consider his/her audience. This oversight plagues virtually every genre.

If you desire to write a Regency romance, it is imperative to read A LOT of Regency and to know that time period inside and out. Social conventions, their world, how they spoke, what they valued, etc.

This holds for any form of historical fiction. These audiences are passionate about history, and very knowledgable, too. If we do our research and make sure the details are correct, fans will love us. If we don’t?

Readers will burn our novel at the…steak.

ūüėÄ ¬†*evil laugh* *all the writers scream in pain*

With mystery, thriller, crime, etc. we must appreciate that readers who buy those books watch a lot of crime shows. This audience likely has an addiction to Discovery ID, Dateline, and documentaries about forensics and all things criminal justice.

Thus, we need to understand jurisdiction, procedure, and have characters using the proper nomenclature. Know who handles what and how they talk as they work the scene.

In the U.S. at least, if dispatch notifies a beat cop about a possible DB (dead body), there is a process. Once that officer confirms there IS a body, this officer then has a limited role in what happens next (call in homicide, notify the Crime Scene Unit, cordon off area to preserve the scene and make sure evidence isn’t trampled through).

The officer will NOT do the footwork a detective does, like interviewing POIs (Persons of Interest).

We need to know this, or readers will holler FOUL.

Research Readers

Kristen Lamb, writing tips, research and writing, details and writing, adding depth to stories, research and character, how to research, why research is important for novels, how to write a novel, research readers, how to find more readers

This is similar to researching the audience, but with a very slight difference. For instance, if we write Middle Grade, we are selling to parents, teachers, librarians, etc. Here’s where it gets dicey. When writing for young people, we need to THINK like young people of TODAY.

I’ve edited many MG pieces and it’s from the vantage point of a middle-aged (or older) writer. Middle Grade stories are to entertain 8-12 year-olds, not relive our youth. We must appreciate children of the 21st century are tech-savvy and most don’t possess the same freedoms we did as kids.

Thus, the notion of a ten-year-old having a paper route, where she/he wakes at dawn to throw papers unsupervised is anachronistic. First, the parents would likely get a visit from Child Protective Services and secondly, newspapers are pretty much a relic.

An Example

Kristen Lamb, writing tips, research and writing, details and writing, adding depth to stories, research and character, how to research, why research is important for novels, how to write a novel, research readers, how to find more readers

Last Halloween, a store had all these spooky telephones on display with the laughing skulls and dancing bats. Spawn (my then seven-year-old son) had NO IDEA what these ‘telephones’ were.

At first, I was floored, then realized something crucial. My son has grown up in a world of cell phones and has never used a land line.

If we want to write Middle Grade, then we need to take into account the world of our young readers.

This is not to say our child protagonist won’t come into contact with a pay phone, a land-line, a camera with film, a typewriter, or a newspaper. They can encounter these items, but their attitude toward commonplace fixtures of our youth, would be a source of mystery and confusion for the modern child. They’d have little or even no concept that phones were not ALWAYS the go-to way to take pictures.

It would be akin to me, a child of the 80s, encountering a telegraph machine.

It is OKAY to ASK

Kristen Lamb, writing tips, research and writing, details and writing, adding depth to stories, research and character, how to research, why research is important for novels, how to write a novel, research readers, how to find more readers

These days we have unprecedented access to information. As mentioned earlier, one excellent way to research is to read A LOT of works in our genre. Tess Gerritsen was once a physician. Michael Connelly was an L.A. crime reporter. John Grisham was a lawyer. Their novels are excellent resources for learning.

Additionally, there are many professionals out there who are ready and willing to help writers with the details. If you’re writing a thriller and the character uses a gun, learn about guns. Ask someone in the know.

I once threw a book across the room because the writer’s protagonist ‘put the safety’ on her revolver. I’m from a military family, and married to a man who was a competitive shooter for the Air Force. I’m that annoying person who counts shots fired in movies (which is why I detest most action movies).

Wow, I want a magic magazine that never runs out of ammo.

I’ve also studied martial arts since I was a kid. I was testing for a brown belt in traditional Jiu Jitsu when life got in the way and I stopped. Later, I changed to Brazilian Jiu Jitsu (ground-fighting) and am an upper belt with over two years training.

Why does this matter?

First, I know what women can and cannot do in a fight. Secondly, I also know that being in a fight SUCKS (which is why I avoid them). Punching someone HURTS. Being punched hurts, too. This makes me REALLY picky about fight scenes.

I grow weary of delicate females throwing punches like Mike Tyson and never having to ice down a hand that would swell the size of a small melon (likely due to broken bones). Badass heroines who kick and punch and take down men twice their size…and never break a nail?

Uh huh. Sure.

Just to train I had to tape finger joints to prevent dislocations.

Kristen Lamb, writing tips, research and writing, details and writing, adding depth to stories, research and character, how to research, why research is important for novels, how to write a novel, research readers, how to find more readers
Nice swollen hands after a night at Jiu Jitsu.

Again, if we are unsure about something? ASK. Social media is wonderful for locating an expert. Ages ago, I was editing a military thriller. The author had her hero pulling another soldier out of a Humvee that was ablaze.

Problem was, there was no way this would’ve been possible.

At the time her story was set, the uniforms had WAY too much synthetic fiber, and her hero would have lit up like a human torch. In fact, the uniforms were so flammable, the U.S. military finally had to reissue all new uniforms because the old ones were a hazard.

How did I know this? I vaguely recalled this uniform change with Hubby (since I had to wash them). To be certain, I went to military friends on Facebook then Hubby to confirm this detail.

I stopped and ASKED. There is no shame in not knowing something. Seriously.

Military people read military books and maybe this detail was silly, but it very well could have been a deal-breaker.

Why risk it if a question can save the grief?

Research Adds Depth and Dimension

Kristen Lamb, writing tips, research and writing, details and writing, adding depth to stories, research and character, how to research, why research is important for novels, how to write a novel, research readers, how to find more readers

On one hand, the devil is in the details. Readers will judge us on accuracy. On the other hand, when we do our research and get the details right, readers will LOVE us for it. We shouldn’t feel pressure to hose readers with factoids. Remember, readers want to enjoy a story, not something that reads like an encyclopedia.

Yet, if we immerse ourselves in the facts, we’ll have a treasure trove of details to select from. The right detail in the right place can transform the mediocre to the magnificent.

Additionally, research helps our characters come to life. Who we are (profession) colors our world, what we notice or don’t.

Put a CIA operative in a restaurant, and the agent would notice points of ingress and egress. A chef would notice the wilted watercress, the shoddy plating, and the tiny chip in the water glass. An architect might note the design of the room, structural flaws, or possibly admire the wainscoting and use of natural light.

Profession, age, socioeconomic status, education level, gender, etc. all factor into character and what that character would notice or pass over completely. What would they prioritize? A teenager would prioritize wifi access over the cost of the hotel room (parents).

Y’all get the gist.

Research Setting

Kristen Lamb, writing tips, research and writing, details and writing, adding depth to stories, research and character, how to research, why research is important for novels, how to write a novel, research readers, how to find more readers
Rotorua New Zealand, and YES it smells of sulfur. I KNOW this NOW.

A major way we can hook readers into our story is with the worlds we create. Part of showing, not telling involves using setting as more than a backdrop. If our character is in prison, then what kind of prison is it?

What kind of farm? Which city? What part of the country?

What are smells, sounds, routines, textures? A supermax prison will be vastly different from a county lockup, just as a family-owned bed and breakfast won’t share much in common with a major hotel chain. The five senses of a character are woven into setting (or at least should be).

In the end, details add layers and dimension to characters, and help bring them to life. The better our research, the more nuance we have on hand to add depth to our stories.

If you need outside eyes to see if you’re using your detail for max effect, I have a couple slots left in my Write Stuff Special (detailed content edit 20 pages for $55).

What Are Your Thoughts?

Does this help you see research in a new way? Do you go nuts when a writer or Hollywood botches a detail that should be something simple? Do you fall in love with writers who’ve taken time to do the hard homework? I know I do.

What detail bumbles make you cray-cray? My mom is a nurse so we have to hide any medical shows. Hubby? No military movies. Me? Action movies give me hives.

I love hearing from you!

And am not above bribery!

What do you WIN? For the month of April, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

Have to write a query letter or synopsis? Conference season is coming! THIS WEEK!

Pitch Perfect: Crafting a Query & Synopsis Agents Will Love.¬†Class is May 3rd 7-9 EST and $45 for over two hours training y’all how to do the toughest parts of this job.

Ready for Book Beast Mode? I Live to Serve…Up Some TRAINING!

For anyone who longs to accelerate their plot skills, I recommend:

ON DEMAND Plot Boss: Writing Novels Readers Want to BUY. 

Two hours of intensive plot training from MOI…delivered right to your computer to watch as much as you like ūüėÄ .

The Art of Character is also now available for ON DEMAND.

And if you’re ready for BOOK BEAST MODE and like saving some cash, you can get BOTH¬†Plot Boss and Art of Character in the…

Story Boss Bundle (ON DEMAND).

Almost FIVE HOURS with me, in your home…lecturing you. It’ll be FUN!¬†

I also hope you’ll pick up a copy of my debut novel The Devil’s Dance.

The Devil's Dance, The Devil's Dance Kristen Lamb, Author Kristen Lamb, Kristen Lamb novel, Kristen Lamb mystery-thriller, Romi Lachlan

Image via Flikr Creative Commons, courtesy of Mark Roy.
Image via Flikr Creative Commons, courtesy of Mark Roy.

For those confused, WordPress has been possessed this week and for some reason published some notes I’d saved in a DRAFT. Sorry for the confusion.


Becoming a non-fiction author has a number of steps. After having written both fiction and non-fiction, I don’t think one is easier than the other. There are unique challenges to both. Yet, I will say that even novelists can benefit from the same tactics employed by good NF authors.

Like fiction, there’s seemingly infinite variety of types of non-fiction. There’s self-help, narrative non-fiction, informational non-fiction, and on and on. Much of being successful in non-fiction (and fiction) is finding your audience, then developing your voice and then marrying your voice to a style that suits you.

Think Like a Journalist 

A friend of mine, Author Caitlin Kelly, is the one who pointed this out to me, and she is an amazing and successful journalist and NF author who has a fantastic blog-–a vast treasure for all kinds of writers. She’s gruff, tough, and knows her stuff ;). If you want to ROCK non-fiction? She’s a priceless guide.

I’d been doing this “thinking like a journalist” thing for some time, just wasn’t particularly aware of it (until Caitlin made the observation). Journalists pay close attention to the world around them, collect, analyze and see patterns.

This is why good NF is more than just a glorified term-paper. We collect data, facts, information, opinions, then fashion them together into something uniquely our own that serves our audience. NF is less about listing pages of facts and studies. Leave that to the doctoral theses.

Journalists search for facts then tether those facts to the human story and assign relevance.

Novelists can learn from this tactic, too.

Where do you think so many of the best-selling story ideas come from? Many are birthed from headlines, history books, or human experience…then placed into story form. Fiction authors don’t have to pull ideas from the ether. The world abounds with stories if we pay attention.

Research can help with theme.

I recently helped a new writer plot her trilogy, but the underlying themes (though a fantasy) were essentially the injustice of slavery and sex-trafficking. These are two hot issues that have plagued humanity since the dawn of time. How much richer can a fantasy about slavery be if the author immerses herself in the sociological and psychological issues surrounding the topic TODAY (on planet Earth) then threads those motifs into her world?

Do Our Homework (Even When It’s Hard)

In my new NF book,¬†Rise of the Machines—Human Authors in a Digital World, I easily read almost 8,000 pages of other people’s research. Some of it was fun to read (I LOVE anything by Seth Godin and Neil Postman). Others? Real brain-benders.¬†The Gutenberg Galaxy—The Making of Typographic Man¬†was a the toughest 293 pages on my life, but Marshall McLuhan’s work was pivotal to the message I longed to convey.

The message is the medium and society cannot help but be influenced by technology.

I read exhausting works about neuroscience, the changes in the biological structure of the human brain over the centuries (due to technology shifts) and then, how this in turn, influenced society and economics. Why? Because I wanted to¬†support¬†why I don’t believe in relying on spam, ads and traditional marketing. I needed¬†evidence¬†that empirically demonstrated my contention that modern humans have literally learned to “un-see” such things (then offer solutions as to what humans would see).

Sure there are non-fiction books out there that thread together a bunch of fluff, glitter and opinions. But if we want to be a mark above? We must know our stuff.

This applies to novelists as well.

I once tossed a romantic suspense across the room because the author had the protagonist “putting the safety on a revolver” (which is an interesting trick since revolvers don’t have and never have had a safety). If there are guns in your book and you’re being specific? Understand how that gun works. Go to a shooting range. Ask questions¬†like a¬†journalist would.

Yes, I am notorious in movies for counting rounds.

Wow, a Magic Glock. He shot 35 rounds and never had to reload. Where can I get one of THOSE?

For Non-Fiction AND Fiction, The Devil is in the Details

I’ve read many samples of thrillers with military characters, but the characters were saying things they wouldn’t say and doing things that anyone trained to be a SEAL, a Green Beret, a military contractor or even a mercenary simply would never do.¬†I’ve read about victims shot by a high-powered rifle with a small bullet-wound to show for it.

Um, said victim would likely be a red mist.

There’s a difference in gunshot wounds from a full-metal-jacket round as opposed to a hollow-point round, and, if we have this stuff in our books? Better nail the facts. Our reading audience (likely military people, law enforcement, or people who know/like guns) are reading and they can spot when we fail to do our research.

Years ago, I had a writer with a futuristic thriller/spy novel. He tried to “make up” a futuristic weapon, yet there was no making him understand that the caliber of his made-up weapon made it a ROCKET LAUNCHER. A little research and he’d have known that caliber is the diameter of the bullet.¬†Want to write futuristic stuff and create futuristic weapons? Subscribe to¬†Popular Science ¬†and¬†Popular Mechanics¬†and READ.


Tear out articles and file them away to refer to later. Bookmark useful web pages. Learn to use OneNote.

Have spree killers, hustlers, serial killers, thrill-killers, arsonists, manipulators, narcissists, sociopaths or sex-addicts in your book? The DSM-5 is your new best friend (and can be helpful for family reunions, too :D).

This professional reference can add dimension (and validity) to our characters. Research teaches us their behaviors, patterns and progression. For instance, someone who’s raped and killed women will only escalate. He will not deescalate back to being a Peeping Tom. He also won’t suddenly switch from murdering prostitutes to robbing banks. Different M.O. Different psychological profile.

Whether you write non-fiction or fiction, research is key. Read, subscribe to periodicals, read blogs and don’t be afraid to ask experts. Many are happy to help writers get the facts straight. The FBI has a page just for writers. There are also some fabulous reference tools out there. Look to cool guides like Deadly Doses–A Writer’s Guide to Poisons¬†(and the rest of the series—AWESOME stuff!).

What have been some of your best resources? Have you had trouble finding where to go to find the information you need? Do you get frustrated with incorrect details? Is there a white panel van parked in front of your house, too?

I love hearing from you!


Since it was such a HUGE success and attendees loved it, I am rerunning the Your First Five Pages class SATURDAY EDITION. Use the WANA15 code for 15% off. Yes, editors REALLY can tell everything they need to know about your book in five pages or less. Here’s a peek into what we see and how to fix it. Not only will this information repair your first pages, it can help you understand deeper flaws in the rest of your manuscript.

My new social media book,¬†Rise of the Machines‚ÄďHuman Authors in a Digital World is NOW AVAILABLE. Only $6.99.

WANACon, the writing conference of the future is COMING! We start with PajamaCon the evening of October 3rd and then October 4th and 5th we have some of the biggest names in publishing coming RIGHT TO YOU. If you REGISTER NOW, you get PajamaCon and BOTH DAYS OF THE CONFERENCE (and all recordings) for $119 (regularly $149). Sign up today, because this special won’t last and seats are limited. REGISTER HERE.

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