Happy Friday! We have a real treat. Becca Puglisi is here to give tips to take your writing to a whole new level. All writers struggle, especially when trying to convey emotion. It’s easy to beat the same words until they bleed and WE cry. This is one of the reasons that The Emotion Thesaurus is a must-have reference for writers. Becca and Angela took the time to put together one of the most innovative and valuable writing tools I’ve ever seen. We are thrilled to have Becca here today!
Take it away, Becca!
I considered writing today about that one thing you need to write a truly great story that the reader can’t put down. But we all know that there isn’t just one thing. Voice? Plot? Characterization? Motivation? Sure. All of the above. But since I’ve seen roughly a gajillion blog posts that cover these topics, I’d rather write about another important element that doesn’t get much press: emotion.
When your story lacks the appropriate emotion, the reader quickly loses interest and stops reading. When asked what caused the disconnect, they can’t always articulate it clearly. They say things like…
I couldn’t get into the story.
I didn’t connect with the character.
The stakes were high, but for some reason, I just didn’t care.
The main character wasn’t believable.
It just didn’t grab me.
There are a lot of reasons behind reader apathy. As a rabid reader myself, I can say that many times, when I toss a book aside, it’s because the character emotion isn’t quite right: there’s not enough of it; there’s too much; it’s poorly written; the emotion doesn’t fit the character and so doesn’t ring true.
Whatever the reason, reader apathy is bad. We want the reader to be emotionally invested and fully engaged in the story. We want them to be late to work because they had to read one more chapter to see what happened next.
We want them reading our books under their desks at school when they’re supposed to be studying biology. (I taught school; I’m allowed to say that.) One way to make sure that the reader is plugged in is to use our own experiences to infuse emotion into the story.
The pages should cry. They should sweat and tremble and bleed. The character’s emotion should be so realistic and gripping that the reader can’t help but feel it, too.
So, how do we make that happen?
I recently attended a local conference and sat in on a workshop by Ellen Hopkins—YA author of gritty, hard-hitting, edgy fiction in verse. During that hour and a half, she shared a technique for tapping into your own emotions and injecting them into your story. I thought it was brilliant, and effective, and a little terrifying. So I’d like to share it with you.
First, identify the emotion your character is experiencing—fear, for instance. Think of a time in your past when you clearly felt that emotion, then write that experience as the person you were at the time it occurred: a six-year-old boy, a kid at sleep-away camp, a college freshman, a newly divorced mom.
Writing the memory down will bring specific details to mind—sounds, scents, colors, and textures that you can include in your character’s fear-filled scene. Using these details will help draw the reader in so they experience the emotion along with the character. Then, when you refer to those things later in the story, they’ll trigger that emotion in the reader, and the desired feelings will return
It’s amazing how much you’ll remember when you dig up those old memories—which is scary, I know. We spend a large part of our lives trying to forget anything painful. Remembering makes us re-feel things we never wanted to feel in the first place. But it’s kind of necessary, isn’t it? Because how can we move the reader if we can’t recall and describe those intensely moving emotions?
This is why I truly believe that emotion is one of the must-haves for writers when it comes to engaging the reader. It’s one of the reasons Angela and I wrote The Emotion Thesaurus, to help us figure out how to better write our characters’ emotions. And it’s why we’ve decided to teach a course at WANA on the topic.
Using Nonverbal Communication to Wow Readers covers the techniques for showing character emotion, which will help writers build reader empathy and create an emotional experience that draws readers into the story. Participants will also receive a PDF copy of The Emotion Thesaurus: A Writer’s Guide to Character Expression.
So if you’d like more ideas on how to convey emotion, we’d love to see you on March 6th. And if you can’t make it, do try Ellen’s technique on tapping into your own emotions. I hope it comes in handy.
Thanks for having me, Kristen!
ANY TIME! Fabulous post and I love it when you guys make me look good :D. *hugs* I hope you guys will give Becca a round of digital applause.
Becca Puglisi is a YA fantasy/historical fiction writer and co-author of The Emotion Thesaurus: A Writer’s Guide to Character Expression. She is currently hard at work on the next two books in this series, The Trait Thesaurus: A Writer’s Guide To Character Flaws and The Trait Thesaurus: A Writer’s Guide To Positive Character Attributes, which will be available the summer of 2013. Becca enjoys speaking at workshops and teaching about various writerly topics. Online, you can find her hanging out at her award-winning blog, The Bookshelf Muse.