Jul 12 2013
Ah, but this is where we writers can get in trouble. I see writers beginning their novels with high-action gun battles, blowing up buildings, a heart-wrenching, gut-twisting scene in a hospital or at a funeral, all in an effort to “hook the reader” by “starting in the middle of the action.” Then when they get dinged/rejected by an agent or editor, they are confused.
Jul 11 2013
While I’m running my tail off in NYC spreading the WANA love, Marcy offered to step in and help. She knew the two words that instantly would capture my heart. Star. Trek. Take it away Marcy! **** You’ve heard the advice show, don’t tell until you can’t stand to hear it anymore. Yet all writers …
May 17 2013
These tough existential questions are what drive the tension of the book because the big questions are placed into context so they can be tested—a regular guy and his boy in a world that has gone horribly wrong. Yes, there is some internalization, but the outside characters and circumstances force that existential question out of the character’s mind and into reality.
May 13 2013
There is a newbie author mistake we all make. Thinking, feeling, more thinking but nothing happening. I’ve blogged many times that writing can be therapeutic, but it isn’t therapy. I feel that Corbett’s point really crystallized what I was trying to say, but couldn’t seem to articulate nearly as well as he did. As Long as We are in the Character’s Head, NOTHING is at Stake. There is no push-back, no opposition, thus no conflict. This really gets to the heart of the SHOW DON’T TELL line we have all had drummed into our heads.
May 03 2013
Writing a book is easy…at least when compared to what we need to do after we finish. We had 50,000 to 100,000 words to write our novel, and now we have to condense that down into a couple of paragraphs for an agent pitch, query letter, Amazon description, or back cover copy.
What is a brand? A platform? Why do we need one? How do we get one? Better still how can we create a brand with the power of driving book sales and still have time left to do THE most important part of our job? Writing more books.
This book demystifies branding and social media and harnesses the same passion and imagination we authors use to write books, then uses that to locate and cultivate a devoted fan base. The methods taught in this book can weather any technological upheaval, and is virtually fad-proof. The new cool social site might change, but your platform will remain.
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