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Kristen Lamb

Author, Blogger, Social Media Jedi

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Posts Tagged: National Novel Writing Month

Kristen Lamb, description, how to use description for fiction, writing tips, NaNoWriMo, National Novel Writing Month, how to write fiction, tips for finishing NaNoWriMo, how to get more readers

National Novel Writing Month starts tomorrow (a.k.a. NaNoWriMo). For those who aren’t yet familiar with NaNoWriMo, it is a yearly challenge to write 50K words in thirty days. It’s a fantastic introduction into writing as a profession, because writing as a profession differs vastly from writing for a hobby. 

NaNoWriMo is held during the first month of the holiday season. WHYYYY? Because a) there IS no perfect time to write b) pros have to meet deadlines, even sucky ones and c) writing professionally WILL eventually make us choose between word count and friends and family.

So, best to get that out of the way early.

For those who want to write a “novel” for fun or to simply see if you can finish a “novel” then today’s writing advice doesn’t precisely apply. Alas, everything changes when our goal is to produce a novel as a commodity—as in expecting people to pay money and part with 12-15 hours of free time they don’t have to read and love our words.

This brings me to my first point.

Description is NOT Story

Kristen Lamb, description, how to use description for fiction, writing tips, NaNoWriMo, National Novel Writing Month, how to write fiction, tips for finishing NaNoWriMo, how to get more readers
Pretty…but um okay.

Fiction isn’t just a bunch of pretty words. Many of us who decide we long to write a novel have been told most of our lives we are “good with words.” We probably even made top grades in English and believe we already “know how to write” because of all the As we made in school.

Ah, problem is this though. Our English teachers didn’t care that we used twenty-five modifiers on the first page of our short stories. They didn’t care because their GOAL was to teach us what a modifier was and how to use it…NOT to prepare us to write for commercial publication.

Yes, I know many of us received A++++ es for our cerulean skies and peridot eyes. Alas, fiction is about one thing and one thing only. PROBLEMS. Fiction is NOT description.

Fiction is a Crucible

Kristen Lamb, description, how to use description for fiction, writing tips, NaNoWriMo, National Novel Writing Month, how to write fiction, tips for finishing NaNoWriMo, how to get more readers

Fundamentally, superb fiction is the hero’s journey and the hero’s journey is almost always (99.9999% of the time) about a person undergoing a TEST he or she didn’t CHOOSE.

Think of all the celebrated fiction, regardless of genre—Harry Potter (series by J.K Rowling), The Hunger Games (series by Suzanne Collins), The Help (Kathryn Stockett),  The Martian (Andy Weir),  In the Woods (Dublin Murder Squad Book: Tana French), Winter’s Bone (Daniel Woodrell), A Man Called Ove (Fredrik Backman), etc.

In every one of these novels (series) the protagonist DID NOT ASK for the challenges that fate tossed at their feet, but they DID (eventually) take up the journey and enter the fire that would change them and their world forever.

Sure, some of these titles have AMAZING description. Into the Woods is total prose porn. YET, description isn’t story. Tana French, description genius she is, still had to have a core story problem or she didn’t have a novel.

One BIG reason a lot of folks will stall out and fail to finish NaNoWriMo is they don’t have a story. They have a crap ton of pretty words and are trying to create a ten-foot-tall cake with no cake…only icing and sprinkles.

Description and Voice

Kristen Lamb, description, how to use description for fiction, writing tips, NaNoWriMo, National Novel Writing Month, how to write fiction, tips for finishing NaNoWriMo, how to get more readers

How any writer decides to use or not use description is a matter of voice. This said, the professional author recognizes this is a business. Books are a commodity meant to eventually be sold in exchange for money. Real money that buys stuff.

The more books we sell, the better for everyone. Agents are happy, publishers elated, bookstores celebrate, and libraries thrilled. Culture and society benefits from a literate, reading population AND…authors have money for coffee (which keeps the murder rate down).

This said, there are a lot of different tastes we can appeal to, much like any other product. Think about art. Some folks are willing to spend tens of thousands on a giant canvas that looks like the drop cloth from the last time I painted my office.

Others? A single red dot suspended on a vast white background. Me? I love anything on velvet that involves a bullfight and Elvis…because I’m a smart@$$ (if my art glows under a blacklight, that’s a bonus).

Actually, I am not—quite—that gauche but I’m not evolved enough to “get” anything at The Modern in Fort Worth (modern art museum, FYI).

Um, it’s a box and a lightbulb. Oh-kay. *looks around* I don’t get it.

The point is this. It doesn’t matter if we use a lot of description or a little or we’re somewhere in between. Why? Because there’s an audience for all styles—so long as we have a STORY to go along WITH that description (or lack thereof).

We Can Do Better

Kristen Lamb, description, how to use description for fiction, writing tips, NaNoWriMo, National Novel Writing Month, how to write fiction, tips for finishing NaNoWriMo, how to get more readers

I know I’ve mentioned this particular bugaboo in a recent post. We are authors. Authors are artists. This means we should be able to do a better job at description than non-writers. It doesn’t take an artist to lean on raven hair, emerald eyes, or porcelain skin. Can we use simple descriptors like these? Sure.

But please keep in mind that books (thus authors) already have a lot of competition—and not from other books. We’re competing against Netflix, hot yoga, YouTube, cat videos, Spotify, video games, etc.

Humans have more ways to be entertained than ever before in human history. Should our potential reader (code for customer) choose reading as their distraction of choice, we’re going to have to up our game to make ours stand apart.

Suffice to say, more of the same is a risky plan. It certainly won’t be enough to catch the attention of a culture with the attention span of a crack-addicted fruit bat. AND, what catches the attention span of our culture largely isn’t what one would initially assume. They crave tough mental work and eschew being spoon fed.

Much of the modern audience is ignoring the blockbuster Hollywood movies, and choosing instead to get lost in Game of Thrones. A series so complex it need a GPS, a team of sherpas and a Dungeon Master Manual to keep up. Much of the brain-holding description so popular a decade ago now fails to resonate with contemporary audiences.

We (the audience) like to have places where we can fill in blanks ourselves.

This means the blow-by-blow police sketch description might have worked well enough in days of yore, but now? It’s common as clay. We CAN describe a character directly, though often oblique description is far more visceral, thus more resonant.

Oblique description. Er?

Perception is Reality

Kristen Lamb, description, how to use description for fiction, writing tips, NaNoWriMo, National Novel Writing Month, how to write fiction, tips for finishing NaNoWriMo, how to get more readers

Far too often, description is used either to hold the audiences’ brains or to make word count or both. Why do we hold the audiences’ brains? We might be new.

Being new often means we want to be in total control (new at the whole “playing god” thing). Until we gain some experience we don’t trust the audience to “get it” without us spoon-feeding them.

Yet, the largest reason we fail to employ description for maximum impact is that writing is HARD. It’s an art that takes time, training and a LOT of hard work to get good at. It takes time to fully appreciate what description can really DO.

Description is a conduit into the mind of the characters. If we (writers) describe another person, a room, a landscape using a lot of pretty words that took an hour on the on-line thesaurus to compile, we are missing the point.

Description delivers perception. Perception IS character. How any character sees is WHO this character IS.

For brevity’s sake, I’m going to riff off a couple examples to make a point (these are EXAMPLES, not me trying to win a Pulitzer, so just do me a favor and roll with it):

Setting and Character

Kristen Lamb, description, how to use description for fiction, writing tips, NaNoWriMo, National Novel Writing Month, how to write fiction, tips for finishing NaNoWriMo, how to get more readers

Example A:

Anne hesitated, bracing herself against a heavy oak doorframe with tiny notches that ran almost up to her shoulder. Ghosts of her father’s expensive cigarettes lingered in the cheap damask curtains stiff from age and brittle with dust.
When she lifted the half-finished afghan from her mother’s side of the couch and clutched it to her chest, a cloud of cat fur sent her into a sneezing fit. Moments later, despite every vow to remain strong, her sneezes shifted to sobs.

Example B:

Anne braced herself against the battered oak doorframe painted the color of molded avocado. The notches of long-forgotten growth spurts were still visible, scored through the lead-lined enamel. She absently ran her fingers along the marks like braille, though they still told the same story they had twenty years ago.
Nicotine stained curtains turned the room the color of weak tea. She knew at a glance there was no sense washing them. They’d only disintegrate.
Just like everything else.

Notice same name of a character, both leaning in a door (presumably of her home) but the experience and feeling is different. One Anne is, for whatever reason, missing someone who’s no longer around for whatever reason. Maybe they died, have been put in a home or are in the hospital. We don’t know, but the description evokes QUESTIONS.

***Questions are what turn pages, btw 😉 .

The other Anne is dreading some sort of task ahead she didn’t ask for. Probably similar scenarios. Family that’s passed away, disappeared, had to be placed in care facility. Yet, the emotions THIS Anne experiences in a similar room are very different.

Characters and Character

Kristen Lamb, description, how to use description for fiction, writing tips, NaNoWriMo, National Novel Writing Month, how to write fiction, tips for finishing NaNoWriMo, how to get more readers

Example A:

Sarah almost knocked over her desktop when her boss, Frank O’Leary, barked her name. She managed to hit the Alt-Tab fast enough that he didn’t see she’d been playing the on-line game Buzz Off instead of doing her quarterly projections. She’d named her giant fly-swatter O-Dreary.
She used O-Dreary to obliterate butterflies into bright clueless smears on glass, even though it cost her points. The object of the game was to kill the mosquitos and not the butterflies.
But O-Dreary didn’t get that point any more than O’Leary. She enjoyed the poetry. It helped pass the time.

Example B:

Sarah didn’t even bother glancing away from her desktop when her boss, Frank O’Leary, barked her name. She’d been playing a game of Buzz Off with someone from Accounting using the call sign BigMan007. O’Leary peered over her shoulder, then let out a laugh when she swatted BigMan007’s wasp into a giant smear of Technicolor goo.
They still had yet to figure out the real identity of BigMan007 and could only agree that BigMan007 probably wasn’t from Accounting and definitely was overcompensating for something.
Normally, they’d engage in a heated debate over this pivotal mystery but today was different. One look at O’Leary’s face told her it was time to get to work. For real. Not a good sign.
Again, perception is reality.

In the first example, we get that Sarah doesn’t like or respect her boss or her job. She has a dark sense of humor and her boss has NO sense of humor.

In the second example, however, her boss joins in and the reader sees there is some sort of odd rapport between boss and employee. Maybe she doesn’t take her job seriously or maybe she’s very good at her job and has been passing time until something worthy of her skillset arrives. Her boss gives her leeway to goof off because she does the heavy lifting.

Whatever. We could go any number of ways. The point is simply we use action to show character instead of being lazy.

Sarah hated her job and did everything she could to dodge her task-master boss.

Show Don’t Tell

Kristen Lamb, description, how to use description for fiction, writing tips, NaNoWriMo, National Novel Writing Month, how to write fiction, tips for finishing NaNoWriMo, how to get more readers

Description, used properly, permits the audience to participate in the drama. They can cast the person THEY conjure in their minds’ eyes (likely a boss they once hated, which is far more emotive). We’re also hooking with story, not every fancy word we can extract from the obscure section of the dictionary.

Sure, we could describe every detail of the home Anne (above) is visiting, but the details mean nothing until they do.

It wouldn’t matter if we described the sofa as a late Victorian reproduction with faded blue velvet, dotted with needlepoint cushions. If we fail to assign what this all MEANS to the character, it falls flat.

The late Victorian reproduction dotted with needlepoint cushions Anne’s mother bought with money Anne saved for college AND the late Victorian reproduction dotted with needlepoint cushions Anne and her mother made together before her mom spiraled into dementia are TWO TOTALLY different sofas.

What Does It MEAN?

The goal is to captivate the audience with STORY. Description is an amazing device for kidnapping—um, captivating—an audience (until we let them go at three in the morning hating themselves). Yet, I challenge all of us to strive to do more with less.

Feel free to describe what the character is wearing. How does he/she feel about the outfit? Is he/she miserable? Does he/she feel like a phony? Do his/her high end labels act as armor to hide deep insecurities? What do his/her clothes mean? Go read Jessica Knoll’s Luckiest Girl Alive or Joe Hill’s Heart-Shaped Box to see my point.

Clothes should be more than what’s draped over a mannequin (lest our characters end up with the depth of a mannequin). If we bother mentioning clothing at all, the outfit should speak volumes about our characters and the story.

A great example is MC—Detective Ryan—from Tana French’s In the Woods: 

When I made the Murder squad, I already had my new work clothes—beautifully cut suits in materials so fine they felt alive to your fingers, shirts with the subtlest blue or green pinstripes, rabbit-soft cashmere scarves—hanging in my wardrobe for almost a year. I love the unspoken dress code.
~In the Woods, Tana French, page 7.

We learn A LOT in a couple sentences. First, Murder an ELITE squad and the unspoken dress code should reflect that.

Detective Ryan is a high achiever, assured of himself. How do we know this? He bought the “uniform” for a squad he hadn’t yet made—a YEAR before he made it.

We can see he pays extreme attention to detail, which is excellent for a detective. Ah, but he’s also self-absorbed, concerned with image. This is a noticeable harbinger of major problems.

Again, feel free to describe the room, the car, the office, but ponder what it MEANS. Furniture is only furniture until is isn’t (refer to sofa above). Weather can be and should be more than weather. Dennis Lehane’s Shutter Island is a fabulous example. Setting can become a character.

What Are Your Thoughts?

Does this spark new ways to use description? Mind bubbling with creativity? Good!

***Announcement: Whether or not you’re participating in NaNoWriMo, I invite you to join us over at W.A.N.A.Tribe. It’s a NING I created where we meet every weekday (on the CHAT tab) to WRITE. We sprint in forty-minute intervals until we gas out. We officially begin at 7:00 a.m. CST but often we’re there far earlier.

We’ve been going strong for almost FIVE YEARS. Rain, sleet, shine, holidays, we are there.

W.A.N.A.Tribe is a paid site, so there are no ads, bots, trolls, politics, distractions, etc. It’s a water cooler where we team up and push one another for excellence. If you’re looking for accountability and a place free of distractions, sign up. It doesn’t cost y’all anything. I have to approve your membership (diligence to weed out bots).

Other than that? We sprint, then we relay what we accomplished, chat a few minutes then get back at it. Sprints can be used for word count, research, revisions, editing, etc. (basically anything productive). If you’ve done three sprints sitting on your butt, feel free to use one to tidy the kitchen and move around.

The point is simply focused productivity. THIS is the place to be if you want to finish NaNo. I think our record is someone finished in ten days. We are NOT alone, so can’t wait to see you there 😀 .

I LOVE hearing from you!

I’m loading new classes. They’ll be up next post. What are some classes y’all need? Topics you’d like me to talk about here on the blog. I dig suggestions!

Are you doing NaNoWriMo? Or is every month NaNoWriMo for you? Does it intimidate you? Or, does it let loose the creative rage-unicorn trapped inside stabbing its way out? #RuiningUnicorns

What do you WIN? For the month of OCTOBER, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

 

 

Perfect is the crystal meth of the soul. We know perfect is bad for us, that we should avoid it because it is impossible to attain. Yet, when we fail to remain vigilant, perfect’s promising high lures us in. Perfect whispers in our ear that we’re in total control and can stop any time we like. But that’s the lie, the hook. Oh, and once those hooks sink deep, the only way free from perfect is to bleed.

I know it seems like I’m being a tad dramatic, but anyone who dares to pursue anything remarkable must know the enemy and this one is a doozy. Why? Because this is the perfect enemy.

Why is perfect so deadly, especially for writers? Oh SO many angles, and we’ll explore those later.

A Perfect Mess

Kristen Lamb, perfect, writing, how to write fiction, writing tips, how to write dimensional characters, how to sell more books, NaNoWriMo, National Novel Writing Month, creating dramatic tension,

We’ve been talking a lot about the log-line lately and how we can use this one sentence to test a story idea before we’re 30,000 words deep in an unfixable mess.

Conversely, if we’re already tangled in a story we can’t wrangle under control, the log-line can pinpoint what specifically is going awry.

If the story is grand, but we failed to make the stakes high enough, then we can quickly and easily fix THAT. Instead of wasting time adding in more subplots or more detailed description, we know the MC needs to have more skin in the game.

The log-line also saves a lot of time rearranging deck chairs on the Titanic. If we’re missing a core story problem then we don’t have a novel, we have 50,000 or 80,000 or 100,000 words. Pretty big difference.

For those who’ve not yet read the post, the log-line formula is simple:

An Intriguing MC + Core Story Problem (Antagonist) + Active Goal + Stakes + Ticking Clock = Story

Perfect Characters

Kristen Lamb, perfect, writing, how to write fiction, writing tips, how to write dimensional characters, how to sell more books, NaNoWriMo, National Novel Writing Month, creating dramatic tension,

One of the single largest problems I encounter is that the MC is way too perfect. This is an easy mistake to make, especially for the newer writers.

When we’re first starting out, we lack confidence. We lack confidence because—despite what the world may believe—writing a GOOD novel is ridiculously difficult. There is a learning curve and writers need talent, training and time.

Many emerging authors are far more eager to give their MC a black belt in Judo than a black eye from a dirtbag spouse or lover. Characters have dream jobs, dream lives, and are fully self-actualized. Thus, all that remains is the oily residue known as whining. I want to get one thing straight before we go any further.

Fiction is about one thing and one thing only—PROBLEMS.

In order for an MC to be interesting, he or she must have some flaws. Juicy, interesting ones. That’s why I put the Intriguing MC as the first ingredient in our recipe for a spicy story. I will riff off a common enough example to demonstrate my point:

An immortal god with superpowers must understand his past in order to rescue the universe.

Even if we fixed all the other glaring problems with this log-line, can you spot IMMEDIATELY why this story is doomed?

If our MC is immortal, he isn’t ever risking his life. He can’t die. Also, he has superpowers so he’s already better than well-equipped to tackle even big problems. Can any of you intimately and personally relate to an immortal god with superpowers?

This all adds up to a steaming pile of WHO CARES?

Perfect Description

Kristen Lamb, perfect, writing, how to write fiction, writing tips, how to write dimensional characters, how to sell more books, NaNoWriMo, National Novel Writing Month, creating dramatic tension,

Since perfect characters come out of the brain bubble-wrap fully self-actualized, ideally prepared to take on any problem without breaking a sweat or a nail, this doesn’t leave much to work with. Perfect people are boring, and so is delving into their psyche.

Unlike seriously damaged characters—who have psychological warehouses crammed with skeletons and baggage—the PMC’s (Perfect MC’s) psyche is a spacious, orderly California Closet stocked solely with cruelty-free items.

FYI: This is bad news for a great story.

When we make characters fully evolved from the get-go, this defeats the entire purpose of story. Story is the crucible that will reveal the MC’s flaws, fire out his/her impurities and eventually forge the self-actualized hero.

If we’re starting our story with a California Closet, we really don’t have anywhere to go…unless….

We describe everything IN the California Closet, which obviously will be perfect *flips hair*.

It will also, by default, be extremely superficial because we don’t have anything else to work with. This is how we have so many MCs with emerald eyes (bet no one ever thought of THAT description) and flaming red hair (oh, another one I’ve never seen) or porcelain skin (*stabs self repeatedly*).

***Before anyone gets their knickers in a twist, I did this, too.

Give yourself permission to be NEW. This said, if we can walk into a fast food place and any random person off the street can come up with the same descriptions we did? THAT is a problem.

While descriptions of the PMC might fall flat, there’s “good” news. Since there’s no actual core story problem, we have plenty of room left over to gloriously describe…everything else.

This might be all right except description alone is not story. Many of us will sense this on some level, sense our reptile brains are nagging us that something NEEDS to happen after the MC goes shopping/has a meal/gets dressed.

I swear there is a drop-down menu somewhere in the zeitgeist.

Click to Insert: a) PMC gets party invitation, thus desperate need for new outfit and makeover b) Unexpected news that PMC is hosting a ball and requires new gown(s) c) Prophecy that war is looming and need to choose armor.

Perfect Pitfalls

Kristen Lamb, perfect, writing, how to write fiction, writing tips, how to write dimensional characters, how to sell more books, NaNoWriMo, National Novel Writing Month, creating dramatic tension,

Perfect characters lend themselves to page after page of description and a lot of nothing happening. Why? Because nothing CAN happen. Perfect has the hooks in and soon, short of alien abduction, we’re putting anything in the WIP just to say we’ve written SOMETHING.

There’s a reason this is happening…

If someone is rude, the PMC will handle with utmost diplomacy. Should a problem arise, our PMC will find the perfect spell instantly. And, since he or she is ridiculously powerful, talented, intelligent, the PMC can and will master whatever is necessary within a few pages.

But reptile brain is still there telling us we need to create PROBLEMS. Reptile brain has seen every season of Jerry Springer, worships Maury Povich, and believes that Dr. Phil is a total party pooper. Reptile brain is a huge fan of family holidays and always spoiling for drama.

Reptile brain, of course is right. Something DOES need to happen but, since we began with a perfect character, he or she can’t ever make bad decisions, which leaves generally two options.

Option One

The first option is the PMC has a lot of internal navel-gazing and angst which doesn’t make the PMC flawed, it only makes them unlikable and ungrateful. No one likes a whiner. And no one is going to feel sorry for a rich socialite who jets around the world and has looks, brains, and everyone’s unmitigated adoration waxing rhapsodic about how lonely she is.

*gagging sounds*

Our PMC often will also be more sensitive than a pre-menopausal mom caught in Christmas traffic with a mini-van full of hungry teenagers. The PMC completely overreacts to, well, pretty much everything.

And how we love THOSE people in life.

Or not.

Option Two

The second option is the PMC makes mistakes that render our PMC TDTL (Too Dumb to Live).

If I had a dollar for every perfect princess gifted with unrealized magical powers, the sole protector of her kingdom, the sole guardian of her people from certain doom…who for some seriously bizarre reason decides to go for a late night horseback ride.

Alone.

In the dark.

When she KNOWS her kingdom is on the verge of disaster, and that if anything BAD should happen to her, it’s game over for the kingdom.

Alas, despite fully understanding her hefty responsibility, she goes for a midnight ride. No guards or escort so she can do more…thinking. And, of course, she dismounts her favorite steed for a water break where she can conveniently gaze upon her spun gold/flaming red/black as night hair in her reflection.

All is magical and surreal (describe this part A LOT) until…

DUN DUN DUN!

She glances up and sees WHO?

*Refer To Dropdown Menu*

Our PMC is unarmed, unguarded and OF COURSE this would be the one time the a) evil wizard b) power-thirsty warlord c) demented rival ruler d) Other Bad Man So Long as He’s SUPER HOT would arrive.

OMG! I never saw that comi—yeah, saw that from a mile.

Why So Perfect?

Kristen Lamb, perfect, writing, how to write fiction, writing tips, how to write dimensional characters, how to sell more books, NaNoWriMo, National Novel Writing Month, creating dramatic tension,

As a reminder, I DID THIS TOO. I kid you not, in my first “novel,” I spent no less than six pages describing a flower market *face palm*. Again, give yourselves permission to be NEW. It’s wonderful to be new. It means you stepped out to do something grand. Just because we begin as amateurs, however, doesn’t mean we want to remain amateurs. Right?

Which is why I’m here to help shorten your learning curve 😉 .

Why many (newbie) stories fizzle flat has less to do with talent and more to do with insecurity and fear.

We’re prone to casting perfect characters because we’re not yet comfortable with the most valuable creative currency. CONFLICT.

When it comes to stories, handing out conflict is like tossing countless crisp hundred dollar bills into the air for everyone at the party #MakinItRain.

This is why authors who dole out the best (and the most) conflict have the largest entourage (Refer to George R.R. Martin, Tana French, Nora Roberts, etc.).

Is it okay to describe our characters and setting? Of course! That’s a ton of fun.

Is it okay to have hot MCs with superpowers? Sure it is! Ever heard of DC or Marvel? Certain genres even call for these over-the-top and larger-than-life characters.

All of this works…so long as the characters are imperfect.

Imperfect Makes Perfect (for Stories)

Kristen Lamb, perfect, writing, how to write fiction, writing tips, how to write dimensional characters, how to sell more books, NaNoWriMo, National Novel Writing Month, creating dramatic tension,

In order to be captivating, our MC needs to have baggage (more than carry-on, please). Issue them plenty of inner demons, a graveyard of skeletons in the closet, and decent-to-large helpings of weaknesses, addictions, and/or limitations.

Even the great comic book heroes are seriously messed up.

Batman is emotionally unavailable, filled with repressed anger, driven by false guilt, false shame and is prone to depression and masochism. He’s the great self-appointed martyr who believes he must sacrifice everything—love, family, Netflix—for the thankless Gotham City…even though no one ever asked him to.

***Hmmm wait a sec. HOLY CRAP! Batman is my NANA?

Feel free to give your MC some fantastical power…so long as there’s a cost (a BIG one preferably).

For example:

In the HBO series Carnivale, the Oklahoma farm boy Ben Hawkins has the ability to heal, but there’s a catch.

When Ben gives life he must also take life. The energy to heal comes from somewhere, and never from a source he can predict. Someone or something else must pay the price for Ben’s “gift.” In essence, Ben is stealing a life he has no real right to give away. Talk about some inner conflict and outer drama.

Do Some Damage!

And now that we’ve explored all this, we can return to our original “log-line” and fix at least PART of what is wrong aside from a crap-ton of redundancies:

An immortal god with superpowers must understand his past in order to rescue the known universe.

How about…?

When an egomaniacal god recklessly breaks an old and tremulous truce, thus igniting a needless war, he is stripped of his powers and banished to the mortal realm on Earth where…. (Refer to Thor).

See how it was perfectly fine to cast an immortal god with superpowers? It works, so long as we (Author God) take them away 😉 .

Weak is Strong

Kristen Lamb, perfect, writing, how to write fiction, writing tips, how to write dimensional characters, how to sell more books, NaNoWriMo, National Novel Writing Month, creating dramatic tension,

In the beginning, I mentioned the allure of perfect. It’s natural to be afraid of giving characters flaws because we still need training, practice and confidence. Perfect attracts us because it’s easy to write.

It doesn’t take tremendous skill to write a 2,000 word “scene” where the MC shops for a new designer dress and giggles with her best girlfriends. Anyone semi-literate with half an imagination can write this sort of a “scene” where the only problems might be typos or grammar mistakes.

On the other hand, it takes far more skill to write a scene where the MC shops for a new dress and giggles with her best girlfriends…but it’s all a ruse. She’s living in a house of cards about to blow away.

On the surface she’s normal. Inside? She’s on the edge of a nervous breakdown. She doesn’t WANT to be at Neiman Marcus, but she has to keep up appearances (WHY?). The MC is terrified (WHY?) because she lost her sweet high-paying job a month ago and her severance pay has run out (WHY IS SHE KEEPING THIS A SECRET?).

She’s sweating bullets hoping her credit card isn’t declined because if it is, she will be nothing and no one. She will cease to be the only person she knows how to be—The Gal Who Has Everything.

This is a taller order. Our MC has to maintain the facade, but the “friends” will sense something is off. She’s edgy, jumpy and feels ill about lying. Why is she lying? What does this say about HER? None of her “friends” are aware of her dire situation, so what does that say about THEM?

Notice how the first “scene” is information dump. There are no QUESTIONS to keep us (readers) turning pages. The second example, however, is bursting with tension.

And we didn’t even need to travel to her childhood to find it 😉 .

In the End

Writing fabulous books readers love takes skill. This is a tough gig, albeit a fun one. Regardless of genre, messes make magic. We want characters we can relate to, and don’t know about y’all, but I am far from perfect. Questions hook readers because we don’t like loose ends. We’re a nosey species that longs to know “Why?” and “What happened?” and if whatever happened can be resolved.

Pretty prose doesn’t make us turn pages, PROBLEMS do. So go make a mess, so your MC can grow up and clean the mess up. Your readers will thank you.

What Are Your Thoughts?

I love hearing from you! Questions? Do you feel liberated to go mess up some lives now? It’s okay. Your MCs can fix them by the end (which is kind of the point, LOL).

What do you WIN? For the month of OCTOBER, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

Upcoming Classes for OCTOBER!

SPOOKTOBER!

paranormal, ghosts, writing, angels, demons

PARANORMAL: GETTING REAL WITH GHOSTS, ANGELS, AND DEMONS

Instructor: Cait Reynolds
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Friday, October 12, 2018. 7:00 p.m. – 9:00 p.m. EST

REGISTER HERE!

 

Ever get the feeling that a paranormal romance WIP is turning out more reality ghost-hunting television than Demi Moore pottery party?

How about when a demon ends up sounding more like a goth teenager than an all-powerful agent of everlasting darkness? Or, when angels get confused as to whether they are supposed to be Nicholas Cage in ‘National Treasure’ or ‘City of Angels’?

Let’s not forget the time when asking friends and fellow writers for advice turned into a 172-comment trolltastic thread debating minutiae of scripture and ended with all our ‘Team Long Island Medium’ friends blocking our ‘Team John Edward’ friends.

All of this comes from a fundamental paradox in writing about the paranormal:

We are trying to define and describe the unexplained and unexplainable for the reader.

Well, get your EMF ghost meters and EVP recorders ready, because in this class, we’re going to turn off the lights and turn on the night vision cams…

This class will cover:

  • Ghostbusters: five questions every writer needs to answer when writing about the living-impaired;
  • Chills, chills, chills: writing the spooky stuff so readers feel like they’re really there;
  • Flirting with danger: walking the fine line between the mysterious angelic stranger and creepy stalker demon (hint – one of them stalks your Facebook);
  • The demon is in the details: from scripture to spirit boxes, how to get your ‘facts’ right, avoid trolls, and find that unique angle that will make your story stand out.

A recording of this class is also included with purchase.


PARANORMAL, URBAN FANTASY, GHOSTS, VAMPIRES, WRITING

URBAN FANTASY: SALT CIRCLE NOT INCLUDED

Instructor: Cait Reynolds
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Friday, October 19, 2018. 7:00 p.m. – 9:00 p.m. EST

REGISTER HERE!

 

Be honest. How many voodoo dolls have you mutilated in your quest to become the next Laurell K. Hamilton or Sherrilyn Kenyon?

  • 0-9: You’re probably too virtuous to ever get published.
  • 10-19: Equivalent of the New Year’s resolution of voodoo…fizzles in week 2.
  • 20-29: You’ve won NaNoWriMo once or twice and wear lucky writing socks.
  • 30+: Now, we’re talking.

In all seriousness, urban fantasy has emerged as one of the strongest and most competitive categories in publishing, building on the momentum of legends like Anne Rice and expanding to embrace all kinds of sub-genres such as YA, satire, and romance.

But for all its badass convention-breaking, urban fantasy also a genre boobytrapped with the worst pitfalls of all the genres it borrows from.

If we’re not overdoing the Mickey Spillane-esque hard-boiled grit, we’re confusing which supernatural creature has which power. Or, we’re creating characters that are so wrapped up in their love lives with <insert hot supernatural guys here>, they almost miss the climactic battle between good and evil happening a couple blocks over.

Fear not! Strap on your vampire-hunting gear, grab your wolfsbane gris-gris, and don’t forget to bring your sarcastic sidekick to this class where I will help you navigate the mean streets and treacherous back alleys of urban fantasy!

A recording of this class is also included with purchase.


VAMPIRES, WEREWOLVES, PARANORMAL, GHOSTS, WRITING

BLOODY BEASTS: VAMPIRES, WEREWOLVES, AND OTHER BEASTIE BESTIES

Instructor: Cait Reynolds
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Friday, October 26, 2018. 7:00 p.m. – 9:00 p.m. EST

REGISTER HERE!

 

Every few years, publishing declares, “Vampires are dead!” and technically, this is correct. They are undead. You can’t keep a good vampire down. Or a good werewolf. (Down, boy!)

Like a dog with a bone, readers keep coming back to stories about vampires, werewolves, and other creatures because there is something irresistibly compelling about the danger of the ‘other’ that makes us question what it means to be human. Plus, vampires and werewolves can be totally hot, amiright?

However, trite tropes and careless creature creation can raise a reader’s hackles faster than a bad batch of AB negative. Okay, okay, I’ll stop with the awful mixed metaphors and puns. Still, a story that doesn’t offer anything new or compelling will suck the life out of a reader’s interest faster than day-old vampire…yeah, I know…bad joke…sorrynotsorry!

This is going to be a super fun class with a lot of juicy stuff to sink your teeth into…can’t-stop-won’t-stop….

This class will cover:

  • Only human: how to walk the fine line between immortal angst and everyday relatability and create characters so cold, they burn, baby!
  • Sparkle, shmarkle: picking through the mystery, history, and science of vampirism to create your own believable and betwitching bloodsuckers;
  • That time of the month: from caricature to cryptozoology, what writers get right…and wrong…about werewolves and wolf shifters;
  • Mortal problems: Do vampires pay taxes? If a hunter shoots a werewolf, is it involuntary manslaughter? ignoring these details can deal a fatal blow to a reader’s suspension of disbelief.

A recording of this class is also included with purchase.


THE CREATURE FEATURE CLASS BUNDLE

GHOSTS, PARANORMAL, VAMPIRES, WEREWOLVES, WRITING

Instructor: Cait Reynolds
Price: $110.00 USD (It’s LITERALLY one class FREE!)
Where: W.A.N.A. Digital Classroom
When: (see below)

REGISTER HERE!

Recordings of all three classes is also included with purchase.

About the Instructor:

Cait Reynolds is a USA Today Bestselling Author and lives in Boston with her husband and neurotic dog. She discovered her passion for writing early and has bugged her family and friends with it ever since. She likes history, science, Jack Daniels, jewelry, pasta, and solitude. Not all at the same time. When she isn’t enjoying the rooftop deck that brings her closer to the stars, she writes.

stuck, writer's block, what to do when your story is stuck, Kristen Lamb, writing tips, NaNoWriMo, National Novel Writing Month, how to write a novel, getting over writer's block, what is writer's block

If you’ve been writing any amount of time you’ve been there—STUCK. Stuck is the place we never want to be, but goes with the job.

Every writer at one time or another has experienced the literary doldrums. We hit a spot that, no matter how hard we try, we just cannot seem to move our story forward. Every word we write feels like pulling frogs’ teeth and we wonder why we ever thought writing a novel was a good idea.

Some call this ‘writer’s block’ while others claim ‘they’re only in a dry season’ or ‘going through a rough patch.’ Regardless what name we give this feeling, it all feels a heck of a lot like being STUCK.

Many writers, particularly new writers, see being stuck as a sign that they may be writing in the wrong genre. When they get stuck, this is a perfect opportunity to start working on something NEW. Story gets stuck, and this is SURELY divine evidence that the book really should have been a SERIES, not a standalone or a standalone and not a series.

Whatever.

From personal experience combined with my experience with thousands of writers the process from Start to Stuck can look like this.

Zoom to DOOM

Shiny Idea Time—You get the coolest idea ever conceived of and cannot believe such genius has never before been put to the page. It’s as if angels have come down and handed you a golden feather that will whisk you to the realms of literary nirvana.

First 20K Words—You’re flying high. You wonder why you ever had such difficulty with word count before. You cannot stop the flow. Perhaps you forget to eat, don’t want to sleep and you even dream of the world you’re creating.

20K-30K—This is when the pace begins to slow. It’s okay though. Perhaps you’re simply tired. It’s okay. This…THIS is the story idea you’ve been waiting for.

31K—Your pace slows dramatically. If you’ve ever been driving and suddenly had a flat tire? You know the feeling only this is in the brain-fingetips connection. There is a THWUMP, THWUMP, THWUMP…and your mental steering wheel jerks wildly. You might try to ignore, but eventually? You pull over to see what’s wrong.

But then? Nothing seems wrong. That’s weird. Mental tires all look properly aired. Maybe more caffeine is in order.

stuck, writer's block, what to do when your story is stuck, Kristen Lamb, writing tips, NaNoWriMo, National Novel Writing Month, how to write a novel, getting over writer's block, what is writer's block

Perhaps you make it to 40K but by then? All the glitter is gone and you wonder what the hell happened. At this point, you likely will be visited by other story ideas. They see you on the side of the creative highway bewildered and seeming to need a ride. Though you don’t yet have your thumb out, these other newer and shinier ideas are quick to pull over and chirp, ‘Hop in!’

Just abandon that old clunker and GO!

It’s all so tempting. Especially since the longer you stay trying to fix your broken down WIP, the more shiny ideas come passing by.

When you started your journey, the road was free and clear for you to floor your brain and write like the wind! Now? You can barely concentrate on where you placed your mental jack because temptation whizzes by every other minute.

I think this is a fairly accurate prediction regarding word count. If it weren’t accurate, then NaNoWriMo would be easy peasy. But, alas, there is something about making it to 50K. It’s a number that leaves most who attempt such a feat broken down wondering what went wrong.

stuck, writer's block, what to do when your story is stuck, Kristen Lamb, writing tips, NaNoWriMo, National Novel Writing Month, how to write a novel, getting over writer's block, what is writer's block
Image vis Flickr Creative Commons, courtesy of Yuya Sekiguchi.

Before you call a tow truck for the WIP and sell it for parts, I’d like to offer you some insight and maybe even some solutions to get you speeding down the Imagination Express once more.

Problem #1—Stuck Because the Antagonist is Weak or Nonexistent

After years of working with writers, it became clear to me that many didn’t understand—truly understand—the antagonist. It doesn’t help that a lot of existent teaching on the subject can be terribly confusing.

I’ve sat through craft classes where instructors used the term ‘antagonist’ and ‘villain’ interchangeably as if the terms were synonymous, but that is grossly inaccurate.

A villain is only ONE TYPE of antagonist.

All stories must have a strong core antagonist, because the antagonist (BBT) is responsible for the story problem.

No antagonist, no story problem in need of solving. Too often, new writers spend an inordinate amount of time thinking about the hero and don’t give near enough thought to the opposition.

To be fair though, the whole ‘antagonist’ concept was slippery even to me. I had to INVENT my own term—Big Boss Troublemaker—to make the amorphous concept of the story’s central antagonistic force more concrete.

Yes, there should be an antagonist on every page, but the ‘antagonist’ is, simply, any character standing in the way of the MC’s goal. Pushback.

While allies and love interests and even unnamed characters might wear the ‘antagonist’ hat for a spell, they’re not responsible for the core problem in need of resolution. The BBT supplies this.

Problem #2—Stuck Because the Plot Weak or Nonexistent

If a writer has failed to understand the antagonist (opposition) and truly know what this opposing force wants then the plot will simply disintegrate. When we’re crafting any work, we have to create a problem that is strong enough to bear the weight of the word count.

For instance, I’ve consulted many writers who had an excellent idea…for a short story. The problem was inherently too weak to sustain the bulk of a full-length novel.

Instead of plowing forward, often we can make some really simple adjustments to buttress that core idea. But if we don’t? It’s like trying to drive 90 mph pulling a crappy trailer. The wheels eventually WILL go flying off.

Often when we’re stuck, it’s the subconscious mind hitting the breaks. It’s trying to tell us our plot needs to be more robust or even clarified, which dovetails into my next point…

Problem #3—Stuck Because Too Many Ideas are Crammed into One Book

Some writers might not have enough heft to the plot and others? Perhaps you’re loading on far too much. It’s not uncommon for me to talk to writers who are jammed up in a bad way only to find out they are trying to develop five ideas in one book.

Since the author failed to articulate what the book was about in ONE sentence (truly understand the BBT’s agenda), then the author was at liberty to explore whatever cool rabbit trail presented itself.

This isn’t particularly bad, but it does require we STOP, get focused and maybe tease out those other ideas for subsequent books. You might think you only have one book, when you have two others freeloading and bogging down your momentum.

Problem #4—Stuck Because We’ve Chosen the Wrong Protagonist

Casting the wrong protagonist is really easy to do, especially if we failed to properly develop the antagonist. Remember at the core of most great stories is an antagonist who’s essentially the shadow self of the protagonist.

For instance, in The Lincoln Lawyer Mickey Haller is a sleaze bag defense attorney. He represents drug dealers, pimps, prostitutes, and gang members. He has grown jaded with the justice system and prides himself on his ability to manipulate.

stuck, writer's block, what to do when your story is stuck, Kristen Lamb, writing tips, NaNoWriMo, National Novel Writing Month, how to write a novel, getting over writer's block, what is writer's block

His greatest fear is representing a truly innocent man. What is the perfect story problem for such a character? Present him with an irresistible case that tosses him into what he fears the most.

Representing a truly innocent man.

This means that Connelly had to create a crime (case) where the client would undoubtedly look guilty and who would have enough cash to make Haller question any misgivings about taking on the case. Without a case where an innocent man is involved? The Lincoln Lawyer falls apart at the seams.

If Connelly had cast a lawyer who was all about truth, justice and the American Way? The plot would have been meh.

An attorney who works pro bono searching for truth is expected to risk everything to save the life of an innocent man. This would have been the wrong protagonist to cast for such a plot.

Fiction is the path of greatest resistance and Connelly, being a master, cast the one guy who probably would have run screaming from this case had he know was he was in for.

If your story seems to be sagging, check and make sure you’ve slated the right person for the job. Sometimes some quick fixes to who this character is or even giving that character some additional baggage might be enough to get you unstuck.

Problem #5—Stuck Because We Are Just Over Thinking

stuck, writer's block, what to do when your story is stuck, Kristen Lamb, writing tips, NaNoWriMo, National Novel Writing Month, how to write a novel, getting over writer's block, what is writer's block

STOP IT! This is the one I am most guilty of. It’s why I am a HUGE fan of fast-drafting because then we simply don’t have time to over think every step we’ve made.

All writers have two different phases:

Oh! Wow! I wrote that!

Oh, wow…I wrote that.

We all think we’re geniuses…only to later read the exact same section and become convinced we are little more than brain-damaged spider monkeys banging away on a keyboard.

It happens, especially when we are in the thick of the story. It is tempting to go back and perfect, but resist the urge to go BACK. Feel free to correct typos or make notes (in a different color) but do not change your writing.

Your subconscious could be planting seeds and what looks like a weed might just be the greatest plot-twist EVER germinating. Just leave it alone and stop being so hard on yourself.

Remember, no unfinished-but-perfect book has ever hit the New York Times best-seller list, but a lot of crappy finished ones have 😉 .

Truthfully, if you finish and just cut yourself a break you will likely go back to those parts you were going to chop and see they aren’t nearly as bad as you’d imagined. Remember that while your subconscious is there to help you? Your ego is a selfish passive-aggressive diva who can’t stand that something might be prettier than she is.

Screen Shot 2016-05-02 at 10.11.38 AM

You really want to be hard on yourself? Fine, just do it in the correct places. Instead of nitpicking the life out of your prose? Get your @$$ in the seat and keep pressing.

Tips to Push Through

Right now, I hear the gnashing of teeth. Great, Kristen, we now know WHY we are stuck. A little help to get un-stuck? Sure. I can give y’all a couple tips.

1) Resist the urge to edit.

New writers are especially bad at looking back and perfecting the beginning. This is a BAD habit. For the sake of brevity, I recommend reading my post The Dangers of Premature Editing: Pruning Our Stories vs. Pillaging Them.

2) Learn to fast draft.

Fast drafting might not be for everyone, BUT I will say that if you’ve never tried it and you have a stack of unfinished ‘novels,’ what can it hurt to give it a try? What’s the worst thing that will happen? You’ll add one more unfinished novel to the pile?

I’m a huge fan of fast draft.

Candy Havens teaches this technique, and it works. Write your novel in two weeks a month, whatever, but write fast and furious. No looking back. Always forward. You can fix stuff later.

I’ve heard some writers criticize this method, believing that writing at this increased pace somehow compromises quality. Many writers are afraid that picking up speed will somehow undermine craftsmanship, yet this isn’t necessarily so.

To prove my point, here are some interesting factoids about writing hard and fast, some taken from James Scott Bell’s WONDERFUL book The Art of War for Writers (pages 79-82):

  • William Faulkner wrote As I Lay Dying in six weeks.
  • Ernest Hemingway wrote The Sun Also Rises in six weeks.
  • John D. MacDonald wrote The Executioners in a month after a fellow writer mocked him that writing so quickly created only junk. Simon & Schuster published it in hardback. It was also serialized in a magazine, selected by a book club, and turned into the movie Cape Fear TWICE.
  • Ray Bradbury wrote Fahrenheit 451 in nine days on a rented typewriter.
  • Isaac Asimov was the author/editor of over 700 books over the course of his career.
  • Stephen King writes 1,500 words a day every day of the year except his birthday. King has written fifty-nine novels and over two hundred short stories.

Speaking of Stephen King, this brings me to my third tip for getting unstuck…

3) Kill someone.

IN YOUR WIP! Jeez, do I need a legal disclaimer here?

Yes, when our WIP stalls, a great way to slip free is by liberally applying imaginary blood and the tears of those who mourn.

Granted, this might be weird if you write kid books. But, give it a try anyway 😛 .

One MAJOR reason so many stories stall is because new writers have yet to hone the art of being a total sociopath. They’re afraid of grit and mess, so their ‘novel’ is far too sanitized (code for BORING).

Have a favorite supporting character you love, your mom loves, and your writing group adores? FANTASTIC!

Now go kill that character.

#YouWillThankMeLater

*smooch*

What Are Your Thoughts?

Does the pattern I spelled out in the beginning feel far too familiar? You are off like you’re mainlining jet fuel only to sputter out and DIE? Are you being too nice to your characters? I love hearing your thoughts, tips, struggles (and I reward those who comment).

There are a lot of ways to break out of this pattern. Sometimes though, you may need a tow (pro).

Generally, a pro can spot all your weaknesses (and strengths) in twenty pages, but what do we see?  Why is the story starting out strong only to fizzle and fall apart?

Currently, I’m running my ‘Write Stuff Special’ and there are a few slots left, but they go quickly so get your spot HERE. 

Other than that…

I love hearing from you!

What do you WIN? For the month of September, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

***I will announce August’s winner next time I post.

Upcoming Classes for August & September


Brand Boss: When Your Name Alone Can Sell

Instructor: Kristen Lamb
Price: General Admission $55.00 USD/ GOLD Level $175
Where: W.A.N.A. Digital Classroom
When: Thursday, Thursday September 13th, 2018. 7:00-9:00 p.m. EST

REGISTER HERE

 

 


Building Planet X: Out-of-This-World-Building for Speculative Fiction

Instructor: Cait Reynolds
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8th, 2018. 10:00 a.m.—12:00 p.m. EST

REGISTER HERE

 


Populating Planet X: Creating Realistic, Relatable Characters in Speculative Fiction

Instructors: Cait Reynolds & Kristen Lamb
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8th, 2018. 1:00—3:00 p.m. EST

REGISTER HERE

 


Beyond Planet X: Mastering Speculative Fiction

Instructor: Kristen Lamb
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8th, 2018. 4:00—6:00 p.m. EST

REGISTER HERE

 

 


The XXX Files: The Planet X Speculative Fiction 3-Class Bundle

Instructors: Cait Reynolds & Kristen Lamb
Price: $110.00 USD (It’s LITERALLY one class FREE!)
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8th, 2018. 10:00 a.m.—6:00 p.m. EST.

REGISTER HERE

Purchase includes FREE recording of all three classes.

 

 


Keywordpalooza: Tune in, mellow out, and learn to love keywords for Amazon

Instructor: Cait Reynolds
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Friday, September 7, 2018. 7:00—9:00 p.m. EST

REGISTER HERE

NaNoWriMo, National Novel Writing Month, Going pro, go pro and stay pro, becoming a professional writer, how to be a professional author, Kristen Lamb, habits of success

National Novel Writing Month is here (NaNoWriMo), which is a challenge to write 50K words in thirty days. Yep, write a ‘novel’ in a month, right in the holiday season. Because guess what? There IS no perfect time to write that novel…especially for those who want to go pro and stay pro.

Today’s tips, however, are evergreen. Good for every day and month and year, even if you are not writing a novel. Yet, when I’ve challenged folks in the past to at least TRY NaNoWriMo, I would get questions like this in the comments.

Blog Question: Kristen, I really want to do NaNoWriMo, but why did they have to choose NOVEMBER?

Dear Commenter,

NaNoWriMo chose November because it was probably started by writers and we are sadists who are trained to make people suffer. Also, writing will make you choose between your characters and family eventually, so get used to it. Bringing novels into the family is like adopting foster children/families who chew on the furniture and shoot guns in the air.

And look at the benefits. Holidays are priceless inspiration for baggage, drama, conflict, AND it’s socially acceptable to live off candy because it’s the “holiday season.” Do you really want to be challenged to write 50,000 words in a month in JANUARY, fueled by celery and sore from the gym? Or November, in stretchy pants, fueled by fudge, nacho dip and rum balls?

You’re welcome 😉 ….

Whether or not you are doing NaNoWriMo, these tips will help you go pro because for the pros? Every month is NaNoWriMo. Learn to embrace the G.R.I.N.D.

NaNoWriMo, National Novel Writing Month, Going pro, go pro and stay pro, becoming a professional writer, how to be a professional author, Kristen Lamb, habits of success

Most of us are going to have to work a day job and write so NaNoWriMo is a fantastic crucible. We also have a family and like me, you probably have spoiled them by actually feeding them every day. The world is not going to pause because we are writing a book.

Other writers frequently ask how I somehow manage to get a lot of stuff done, despite my having the attention span of an ADHD spider monkey…with a bad crack habit.

1. Make lists.

NaNoWriMo, National Novel Writing Month, Going pro, go pro and stay pro, becoming a professional writer, how to be a professional author, Kristen Lamb, habits of success

I get distracted easily, so a list reminds me of what I need to get accomplished. I make separate lists—housework, fiction, non-fiction, business stuff, global domination using sea monkeys. Then, once I have the list, I do the hardest thing on my writing and business lists FIRST (housework can WAIT).

Like Covey says…

Never mistake the urgent for the important.

Do that NaNoWriMo word count right away. Just get it DONE.

2. Understand that feelings are pathological liars.

NaNoWriMo, National Novel Writing Month, Going pro, go pro and stay pro, becoming a professional writer, how to be a professional author, Kristen Lamb, habits of success

Writing is a profession, not a playpen.

Professionals ignore their feelings and do it anyway. Only children, amateurs and spirit mediums listen to their feelings. Feelings are fickle, lazy, and secretly jealous of your work and a tad pissed that you no longer hang out with them as much as you used to. The secret to success is to work your tail off. Be willing get up earlier and stay up later than others. Be willing to do what others won’t.

But I wanna write books. I don’t wanna do social media, toooooo. It’s haaaaard.

Yes. It is. There are many reasons this profession is not for everyone.

3. Use the Force…of self-discipline.

NaNoWriMo, National Novel Writing Month, Going pro, go pro and stay pro, becoming a professional writer, how to be a professional author, Kristen Lamb, habits of success

Who cares HOW you get things done, so long as they get done?

I use the “Swiss Cheese” approach. I have my list and I take bite after bite after bite until the work is finished. Every book can be written in 250, 500, or 1,000 word bites and NaNoWriMo is no exception.

I CANNOT work linearly, so I don’t try and yes I was always in trouble in school but public schools were designed to train factory workers and corporate mind slaves, not people who get paid to play with imaginary friends.

Even I don’t get a pass during NaNoWriMo. I have blogs to write (LOTS of words that don’t count for NaNoWriMo), edits to complete, classes to prepare then teach, bills to pay, bookkeeping, taxes, laundry, litter boxes, and dirty dishes. #GlamorousLife

4. Mix it up.

NaNoWriMo, National Novel Writing Month, Going pro, go pro and stay pro, becoming a professional writer, how to be a professional author, Kristen Lamb, habits of success

I am a writer, wife, entrepreneur, teacher, and mom who has yet to make enough money to afford servants (which sucks), and cats make lousy slaves. This means I get to do most of the cooking, cleaning, laundry and housework. Write your 200 words, fold a load of whites, empty the dishwasher, then write another 200 words.

Chip at the NaNoWriMo goal a hundred words at a time.

I LOVE audio books when my brain needs a break from MY writing. I can always tell writers who aren’t avid readers, because their writing sucks.

Want to be a great author? Read as much as humanly possible. I listen to audio books while doing housework. It makes the dishes go faster and hones my skills. It revitalizes the muse and keeps me in right-brain mode.

And I don’t want to hear, Oh well when I am writing I don’t like to read because that author’s voice will bleed over into my work.

All I have to say about that is If only we could be that frigging lucky!

Yes, please let Gillian Flynn infiltrate and hijack my work. Like NOW!

5. Suck it up, Buttercup.

NaNoWriMo, National Novel Writing Month, Going pro, go pro and stay pro, becoming a professional writer, how to be a professional author, Kristen Lamb, habits of success

Understand that sometimes—especially during NaNoWriMo—we will have to sit for a long time and focus. It’s hard. Whaaaaaaahhhhh, but anyone who thinks being a writer is a fluffy hamster dream has been hanging out with their feelings…and feelings lie, sabotage and will talk you into living on ice cream and cookie sprinkles.

6. Make mean writer friends.

NaNoWriMo, National Novel Writing Month, Going pro, go pro and stay pro, becoming a professional writer, how to be a professional author, Kristen Lamb, habits of success

Yes, the Swiss Cheese approach works well for people with ADD, and yes, there are times we need to duct tape our a$$es to the chair. This is why I befriend really mean people who kinda scare me. On the surface my friends are funny and sweet and would do anything for a friend…but that’s the issue. They will do anything for a friend, including ordering a hit on my television.

Come hang out on W.A.N.A.Tribe. It is a Ning I created just for writers and guess what? It is all writing all the time and no one spams or trolls or rants about whatever the Drama De Jure happens to be. Facebook is there for those who desire to be hysterical, depressed and spammed.

Since I don’t wanna listen to or see that crap, I built my OWN social site, because it’s cheaper than therapy or a criminal defense attorney. On W.A.N.A.Tribe I rule. I’m a kind, loving but vengeful god and will smite asshattery.

So if you need to escape Facebook and find those mean friends? We are there. We have been doing sprints on the CHAT page for OVER TWO YEARS. M-F (M-S for NaNoWriMo) all day every day even holidays.

I kick your @$$ every day free of charge.

You’re welcome.

*polishes riding crop*

7. Ditch loser friends.

NaNoWriMo, National Novel Writing Month, Going pro, go pro and stay pro, becoming a professional writer, how to be a professional author, Kristen Lamb, habits of success

We all have them or have had them. People who like to complain, make excuses, indulge in their feelings all the time.

Ditch writers (and other people) who believe in luck, not work. Laziness, apathy, and whining are contagious. Treat excuses like EBOLA. A friend coughs blood excuses all over you, and, within two to three days, you start coughing up blood excuses, too…until your dream of being a writer liquifies and bleeds out and I hope you’re happy with yourself.

Killer.

8. Forget perfection (especially for NaNoWriMo).

NaNoWriMo, National Novel Writing Month, Going pro, go pro and stay pro, becoming a professional writer, how to be a professional author, Kristen Lamb, habits of successPerfection is an urban legend, started by Feelings (because Feelings are a needy boyfriend/girlfriend who don’t understand the world does not revolve around them.)

The world doesn’t reward perfection; it rewards finishers.

This is the big lesson NaNo is really trying to teach you. Often we lose focus on what we are REALLY doing, because we are getting sidetracked with nitpicking. Guess what, no half-finished novel ever became a runaway best-seller…but more than a few crappy-but-finished ones have.

9. Exercise.

NaNoWriMo, National Novel Writing Month, Going pro, go pro and stay pro, becoming a professional writer, how to be a professional author, Kristen Lamb, habits of success

Stuck on the WIP? Brain in a fog? Can’t seem to get the words down? Yeah, well hard truth time. Human bodies were not designed to sit on their butts all day. Our lymphatic and circulatory systems can only do their jobs if we add in physical activity.

Blood flow improves and our body can return the blood pooling at our feet fresh, oxygenated and revitalized (filtered through lymphatic system) back to OUR BRAINS where we kinda need it.

Again, I strongly recommend audio books. Cleaning counts as exercise if you do it properly 😛 . This is working smarter, not harder. Shiny floors and absorb greatness from literary legends while stimulating the right-brain. #Genius

10. Drink lots of water.

NaNoWriMo, National Novel Writing Month, Going pro, go pro and stay pro, becoming a professional writer, how to be a professional author, Kristen Lamb, habits of success

Human bodies are a hydroelectric system, and water enhances conductivity (way better when we MOVE). Cool writer ideas/thoughts work this way.

Muse Pixies of Awesomeness are conducted through your brain to your fingers and they bring the cool story stuff. MPAs like to travel via fairy, or ferry on WATER. They can’t travel if the waterways are too dry and moor them on a cookie sprinkle…and then you can’t focus.

It’s science. Don’t argue.

I hope these tips help, because finishing NaNo is no easy task. In fact, I am creating this post during sprints (as in right now) on W.A.N.A.Tribe. Then, I’ll use it to get through edits and work then NaNoWriMo words.

Hop on the CRAZY TRAIN!!

Last year everyone who sprinted finished NaNoWriMo in record time…because they had to keep up with me (my record is finishing in 11 days). If you want to really experience the professional pace, come join us! Once a member, hit the CHAT tab and we are there every day and usually all day.

No ads, trolls, family, drama, politics, distractions, or spam. 100% HUSTLE. Okay that’s a wee lie. We hustle 40 minutes, I call time, we report what we accomplished, chat a few minutes then go again. So like 92% HUSTLE. All the social without the spam 😀 .

****FTY—If you sign up I have to personally approve you to make sure we keep bots out, so relax.

Share your thoughts! Ideas, suggestions, struggles, tips, recipes using hard liquor?

I LOVE HEARING FROM YOU! And I am NOT above BRIBERY!

What do you WIN? For the month of NOVEMBER, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

*****Saturday’s blog had a special contest for a free class, and Laura Drake is the winner.

Winner of OCTOBER’s Comment Contest is Susie Murphy. Please send your 5000 word WORD document to kristen at wana intl dot com. Double-spaced, 12 point Times New Roman font and one inch margins. Needs to be a regular doc or docx because I use track changes.

For subscribers, click to my site to view gallery of upcoming classes (gallery doesn’t show up for you). But here are the two biggies coming up…

BRAND BOSS! When Your NAME ALONE Can SELL! November 9th, 7-9 EST and comes with FREE RECORDING. $45 for General Admission, GOLD Option Available!

PLOT BOSS! Writing Novels Readers WANT TO BUY! November 16th, 7-9 EST and comes with FREE RECORDING. $40 for General Admission, GOLD Option Available!

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mastering fear, how to master fear and put it to work, the power of fear, fear and creativity, Kristen Lamb, power over fear, conquering fear, facing fear

Learn how to master fear then put it to work. Seems so simple. Scratch that. Fear? It’s terrifying! Humans live in a world soaked in fear, always have and always will. Fear is valid, necessary and keeps us alive. Yet, fear is a double-edged blade that can harm us or take out our darkest demons.

The trick (and the treat) is making sure we’re in charge. Face fear then train that junkyard dog to be a sled dog that powers us to go the LONG distance.

We might be writers, but it doesn’t mean we’re hermetically sealed in front of a keyboard and immune from being scared sh…..witless. Life throws a lot at us. Family, bills, bad health, accidents, crises and on and on. Life is tough and no one gets out alive 😉 . Yet, while life can be tough, we can learn to be tougher.

Humans are wired for faith. We have faith in cars (that they won’t turn on us and murder us), that when we flip on a switch, lights come on instead of death by electrocution. We have faith in our 401Ks, our friends, our insurance companies. Faith is all around us and we use it so much we don’t notice. Ah, but here’s the kicker…

Fear is faith in the wrong things. 

The first step to mastering fear is to redirect faith to the RIGHT things, then over time this helps develop mental toughness.

Fear is ALL Mind Over Matter

mastering fear, how to master fear and put it to work, the power of fear, fear and creativity, Kristen Lamb, power over fear, conquering fear, facing fear

Mastering fear is fundamentally deciding what matters. Notice I used deciding. It is active. We are not flotsam, whisked along powerlessly. WE are the master of our thoughts, not the other way around. Every thought can become a choice with enough training.

Training mental toughness involves admitting we’re afraid to begin with. We can’t conquer what we deny even exists. This often requires brutal honesty with ourselves, which can hurt like hell. Yet, when we avoid our fear, it’s akin to leaving a bullet inside us and only treating the bloody, festering hole with bandages, Bactine and kale.

The bullet of fear must faced to be removed for any healing to happen. When we leave fear alone because we know it will hurt digging it out, it drains us, makes us sick, and slowly kills us.

And no, I hadn’t thought about writing inspirational greeting cards, but now that you mention it… 😀 .

Today I want to talk about fears common to writers. We might wrestle with one or all of them at any given point. But the point of this post is you are not alone. The odd thing about fear is it likes to weak masks and, since today is Halloween, what better day to discuss fear and the masks it wears?

The Procrastination Mask

mastering fear, how to master fear and put it to work, the power of fear, fear and creativity, Kristen Lamb, power over fear, conquering fear, facing fear

First, the BIGGIE! Many of us struggle with procrastination, and we often have a good reason for why we can’t finish the book. Someday later and down the road. We tell ourselves we can write when we finish X.

X is a mask for fear which can often look like laundry, dishes, or the day job. Procrastination often is not the problem at all, only a guise for what we believe we can’t bear to face.

Fear might resemble our “aching need” to watch cartoons with the kids instead of revising the WIP (work in progress). We want to be a good parent. Wouldn’t want our kids growing up then using a chainsaw on us in our sleep because they believed we abandoned them?

Hmmm, better stop and make cookies for the whole class and volunteer to coach the soccer team, too. I can bring my writing to the soccer game! Genius! 

Not.

Fear in this form gives all kinds of excellent reasons the writing can wait and wait and why everyone and everything else is a priority. It’s a lie. Procrastination is fear. We might be terrified we really don’t know how to write, that maybe we really don’t have a plot, that maybe we have no clue what we are doing.

Maybe we totally suck.

We might be afraid of finishing because we’re terrified of rejection. Or maybe we are afraid of success.

What if my mother thinks she’s the demon who feasts on dreams of children in my book? I mean she IS, but will she figure it out? Can she sue me? Better switch genres.

It’s easier to be a maybe-one-day-super-star than to finish and face whatever music awaits.

The Perfection Guise

mastering fear, how to master fear and put it to work, the power of fear, fear and creativity, Kristen Lamb, power over fear, conquering fear, facing fear

Next on our list? Perfection. This flawless fatale is an excellent disguise for fear. She is the perfect mask for fear because perfect is an illusion thus, by definition, unattainable. We fail before we start.

Unmask that sucker! There’s no such thing as a perfect novel, or a perfect anything.

Someone somewhere will not like what we write, cook, wear, how we parent and on and on so learn to embrace being flawed.

Perfect is the enemy of the good, the nemesis of the finished.

National Novel Writing Month (NaNoWriMo) starts tomorrow. Can you write 50,000 words in 30 days? Many writers will start NaNo and never finish because they’ll keep going back and polishing prose. They will get and likely remain STUCK.

Yet the GOAL of NaNoWriMo is solely to put 50K words ON THE PAGE…not perfect words. The point of NaNo is to train you to think like a pro. Pros get words on page and we polish later. We write no matter what is going on in life…including cooking for holidays.

Writers WRITE.

The Indecision Disguise

mastering fear, how to master fear and put it to work, the power of fear, fear and creativity, Kristen Lamb, power over fear, conquering fear, facing fear

We switch genres, start new projects, start a blog, stop blogging, start another. We are going to query, no self-publish, no indie. Wait. Maybe a pen name. That way no one will know if our book sucks. Maybe two pen names. Maybe witness protection would take us?

We need to think on this more.

NOPE.

Indecision is where most dreams get stuck then die. Forgotten remnants of ideas, dreams, stories stored in catacombs of computer files. Buried in unmarked graves, no one to mourn their loss other than us. We’re guilty and ashamed we left them, but didn’t know what to do, how to make it right, how to fix things so we did…nothing.

No decision is STILL a decision.

Be the BIG BOSS

mastering fear, how to master fear and put it to work, the power of fear, fear and creativity, Kristen Lamb, power over fear, conquering fear, facing fear

Remember that final line from Labyrinth, when Sarah finally figures out why she’s been losing? How she shatters the Goblin King’s plan? One line.

You have no power over me.

Truth is, maybe your book does stink. Maybe you have no plot or any idea how the heck to have a blog or where to begin? How to keep going? Guess what?

I’ve been there! My first novel is duct taped in a box in the garage because we can’t potty train it and it bites.

I had to learn and find mentors and brace for tough truth, cry, have some chocolate and try again. I didn’t know how to write or plot. Okay, but that didn’t mean I couldn’t learn. I also didn’t know how to blog or the hidden mysteries of SEO and social media. I had to figure it out.

I am still figuring all of this out. Getting better each and every day by making sure I AM THE BIG BOSS. Fear? SIT! Heel!

Growing is Painful

Facing we’re inadequate hurts. Yet, we cannot learn a craft, how to be an artisan, a master by relying on theory. We need classes, we need training, but we also learn by DOING. This means, we do it afraid. We step out, fail, try again, learn, fail some more. Do it enough and fear dissipates because confidence cannot be purchased, it must be bought in blood and tears.

REMEMBER! We ALL start somewhere. It is OKAY to be new.

Regular people seem to believe writing is easy and anyone can do what we do. Don’t believe me? Seriously they are cute that they think our skills are so simple! BWA HA HA HA HA! Nope.

Exhibit A:

mastering fear, how to master fear and put it to work, the power of fear, fear and creativity, Kristen Lamb, power over fear, conquering fear, facing fear

Hmmm. Maybe those cutbacks on actual journalists and good editors was a bad plan after all.

We are all in the same boat and, in my experience, the only writers who believe their writing is perfect are unteachable hacks. Writers plagued by self-doubt, riddled with insecurity? First get over it. But this doubt is also a really good sign you’re probably not as bad as you believe. Or, if you are? You’re teachable. No biggie. Let’s just fix it! #Duh

Now that we’ve been through the major fears and how to beat these “monsters” I’d like to finish with a treat. First, it IS Halloween (even though it’s pretty much Halloween all year in our house). If you want some AMAZING dark reads?

Reading TREATS!

mastering fear, how to master fear and put it to work, the power of fear, fear and creativity, Kristen Lamb, power over fear, conquering fear, facing fear

The Mortician’s Daughter–One Foot in the Grave, a dark paranormal Young Adult by C.C. Hunter OUT TODAY! I could NOT put this book down. Heart-Shaped Box by Joe Hill. OMG! I’ve listened to this one at least 20 times on Audible. Brilliant, layered and Hill makes me question my own ability to write *sobs*. Finally, a staple literary horror The Prisoner of Hell Gate by Dana L. Wolff, another story best experienced on audio (though I have paper and audio for both).

What are your thoughts? Are you afraid? Did you see yourself in any of my examples? Pen names, switching genres, unable to finish, stuck in perfectionism? Welcome to being a REAL WRITER!

Share your thoughts!

I LOVE HEARING FROM YOU! And I am NOT above BRIBERY!

What do you WIN? For the month of OCTOBER, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

*****Saturday’s blog had a special contest for a free class, but I need time to go through the comments so will announce BOTH winners next post!

For subscribers, click to my site to view gallery of upcoming classes (gallery doesn’t show up for you). But here are the two biggies coming up…

BRAND BOSS! When Your NAME ALONE Can SELL! November 9th, 7-9 EST and comes with FREE RECORDING. $45 for General Admission, GOLD Option Available!

PLOT BOSS! Writing Novels Readers WANT TO BUY! November 16th, 7-9 EST and comes with FREE RECORDING. $40 for General Admission, GOLD Option Available!

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