Voice is—in its essence—that uniqueness that we as artists bring to the story. Remember, humans relied on an oral tradition for tens of thousands of years. We are a story people. Voice, in my opinion, is a holdover from that oral tradition.
Sep 08 2017
What makes the difference between a meh novel and one we fall head over heels in love with regardless of genre? Good question and it sure would make our job easier if there existed one answer. Though there isn’t one answer there’s a list of pretty good answers, thus for this post and the sake …
Aug 23 2013
TIMING, is a HUGE part of being a good storyteller, thus it is naturally a large component of “voice.” Writers must have a natural sense of when things should be tense, versus the times we need to let the audience have a breather. Writing a novel is very akin to writing a symphony. If everything is crescendo, then nothing is. If every page is mind-numbing tension, then nothing is. Conversely, if our writing is just a character thinking, then thinking some more, then thinking some more, then that is not a story, it’s a diary. It’s the elevator music of story.
Feb 20 2012
To prologue or not to prologue? That is the question. The problem with the prologue is it has kind of gotten a bad rap over the years, especially with agents. They generally hate them. Why? In my opinion, it is because far too many writers don’t use prologues properly and that, in itself, has created …