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Kristen Lamb

Author, Blogger, Social Media Jedi

Kristen Lamb — Photo

Posts Categorized: Humor

First of all, I’d like to dedicate this blog post to Mrs. Barbara Bender who taught my high school sophomore year American Literature class. It wasn’t that the reading selections were all that riveting, or that we had any kind of “Oh, Captain, my captain,” kind of moments. What made the class so pivotal in my formation as a writer is the fact Mrs. Bender made us write papers…and we hated it.

papers, writing, blogs

Why?

Because we had to submit an OUTLINE for every single paper, and the points had to match up. The outline had to create and support a logical argument supported by evidence from start-to-finish. It was a pain in the butt. But…wouldn’t you know it, writing outlines before writing papers soon became a habit.

Once I mastered how to outline an academic paper, it was like I was unstoppable. Yes, I know. This sounds like the Passion of the Nerd. In reality though, it’s more like the Redemption of the Procrastinator. But, becoming a master outliner helped me write papers faster and get better grades every time.

papers, writing, blogs

(No, seriously, I spent an entire semester pulling procrastination punishment all-nighters every Monday night cranking out three-page papers for my anthropology of Papua New Guinea class and got an ‘A’ on every single one…all because I could outline!)

papers, writing, blogs

Whether its academic papers or blog posts, creating an outline is a skill that every writer needs, and unconsciously, every reader appreciates. And today, I’m going to share with you Mrs. Bender’s simple-but-magical outlining tips and tricks from the introduction, to the middle, to the end..

The Introduction

Just like in fiction, a good blog post or academic paper starts with a catchy opening. It can be challenging, evocative, shocking, or revelatory.

papers, writing, blogs

Then, we start to circle the topic in general, sharing reasons it is interesting, relevant, worthwhile, etc. A good technique is ‘within, without, backward, forward.’ We address why a topic is important from within the field, in relation to society in general, in the context of the past, and its potential impact going forward.

THE THESIS STATEMENT COMETH. Just like a logline for a story, the thesis statement for a paper or a blog is the BURNING REASON we are writing this. It’s the single argument that everything else—no matter how many thousands of words—supports.

papers, writing, blogs

The Plan of Attack: Right after the thesis statement come the three main points that will support our argument. It’s the old “Tell ’em what you’re gonna tell ’em,” schtick.

Here’s an example of outlining an introduction.

Papers, writing, blogs

The Middle

Now, we’re into the thick of things. We’re sligning facts and logic right and left, maybe even footnoting stuff (Heaven forbid!). But, without a coherent structure, all those facts are going to end up overwhelming us and the reader. Think “I Love Lucy” and the chocolate factory conveyor belt.

papers, writing, blogs

Whether it’s fiction or blogs or papers, the middle is always the longest and hardest part. Luckily, there’s a trick to setting up this section of the outline, from the main point down to the individual paragraphs. Okay, maybe the trick is more like the bastard child of an illicit affair between a formula and a checklist, but it’s still one of God’s creatures, and I love it.

I call it ‘The Telescoping Rule of Three.’ Catchy, non?

Yet, it is an accurate description of both the flexibility and order we need for the middle of papers and posts of all lengths. We need the limit of three to help us focus our high-level arguments. But, at the same time, we need the open-ended ability to drill way, way down into details. We can’t lose ourselves in irrelevant minutiae if we stick to The Telescoping Rule of Three. Even if we do, the structure will guide us safely back.

The Telescoping Rule of Three

The rule starts with the having a plan of attack with three main points that support the thesis statement. This isn’t to say that there are more arguments we could make to support the thesis. It’s simply that these are three points we are choosing to illustrate because we believe they are a relevant, cohesive angle.

papers, writing, blogs
Okay, not precisely relevant, but I couldn’t help it.

Once we are done with the introduction, we tackle each point as its own section. We turn it into a mini-paper, complete with its own introduction with a thesis and plan of attack. From there, we illustrate each of the supporting points with three points…aaaaand you begin to see how this rule ‘telescopes’ to expand for a dissertation or contract for a 1500-word blog post.

It’s easiest explain this with a graphic.

Papers, writing, blogs

‘Three’ is not by any means a hard and fast limit. Think of it more like a boogie board in the ocean. It can help us surf the waves with that rush of speed and ease. But, it can also help us stay afloat when we get swamped by that unexpected swell..and get salt water up our noses like a gratuitous neti pot accident that makes us cough and swallow some of the saltwater while snotting the rest of it back out into the ocean.

papers, writing, blogs
Because we can’t have too many cat memes, especially on a boogie board. Check out Kuli’s story here!

Bonus—Paragraph Structure

Because it’s all starting to come full circle now…

I know you know what’s coming.

The fact that writing a paragraph starts with an introductory sentence that states the point of the paragraph.

The fact that there are three sentences that support that point.

The fact that there is a concluding sentence that segues into the next paragraph.

It’s getting kinda trippy, amiright?

papers, writing, blogs
Don’t hate it because it’s logical.

The Conclusion (in more ways than one)

By the point, it should be 4:00 a.m., and the caffeine shakes should just be starting to kick in.

In the prehistoric times when I was in college, we didn’t have Red Bull. Instead, I drank cold, black coffee from the mini coffeemaker in my room. That’ll wake you up. And put hair on your chest.

papers, writing, blogs
All of the stages are funny-not-funny, and sorry-not-sorry for sharing.

Until I figured out the secret to writing a conclusion, I struggled with this part of a paper. I would even go so far as to shower and fold my laundry instead of writing this bit. I know, right?

However, when I discovered that a conclusion is just an introduction in reverse, it was like the clouds parted and heavenly hosts appeared bearing white chocolate mocha lattes (no whipped cream).

This is the “Tell ’em what you told ’em” part of a paper. I used to feel it was repetitive, but then I realized it was okay. That’s the point of the conclusion. We have to remind the reader why the topic is important and affirm the fact that we proved the bejeezus out of our argument.

papers, writing, blogs

Isn’t it beautiful? Doesn’t the symmetry of it all move you to tears? Don’t you feel like you can write a better, more coherent blog or get a better grade on your paper now? *sniff, wipes away lone tear*

It’s like a full-circle-reverse-rule-of-three-telescoping…oh, whatever. I need more coffee.

SHARING TIME! Tell me your best all-nighter or turned-it-in-by-the-skin-of-your-teeth story! Also, if you’d like to suggest a topic for me to use for a fake paper to illustrate using this outline, put it in the comments. I’ll pick one and work it up. Maybe we can see if I still have the old zip and polish and do it as a timed event on Twitter, LOL!

Everything You Ever Wanted – A Weekend of Cait & Kristen!

Kristen and I are having a teachapalooza this weekend, starting with my class on Friday night – Keywordpalooza: Tune in, mellow out, and learn to love keywords for Amazon.

Then, Saturday is going to be out-of-this-world (literally) with The XXX Files: The Planet X Speculative Fiction 3-Class Bundle. I’ll be geeking out on world-building for sci-fi, dystopias, apocalit, zombies, horror, paranormal, etc. Kristen and I are co-teaching how to take all that world-building and create characters we love to love and love to hate. Then, Kristen is going to wrap up the day with a master class in plotting for speculative fiction.

Even if you’re not writing this genre, there is so much here that is relevant to all fiction.

You can purchase each class individually, or, you can buy the bundle which essentially is all three classes for the price of two. And if you can’t make the classes live this weekend, they all come with a free recording so you won’t miss a thing.

Hope to see you this weekend!


Keywordpalooza: Tune in, mellow out, and learn to love keywords for Amazon

Instructor: Cait Reynolds
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Friday, September 7, 2018. 7:00—9:00 p.m. EST

REGISTER HERE

It’s one of the universe’s great mysteries… the same word can both boost and drown your book in a category (mind BLOWN, man!).

Keywords also seem to evolve every five minutes…or are we the one evolving, like a butterfly having a dream of SEO (trippy, dude!)? Like gravity and Jane Fonda’s hair in ‘Barbarella,’ the popular rules for using keywords value over-inflation and the slavish following of fads.

But, like Talbot’s tweed and mother’s pearls, certain marketing strategies and techniques are enduring classics that stand the test of time. They’re not flashy like bellbottoms, nor do they yield dramatic overnight results like ironing your hair. Yet, ignore trends, and we risk getting left behind…kind of like buying electric typewriter ribbon because that whole ‘computer word processing’ thing will never take off.

This class won’t just help you turn on, tune in, and drop out of the keyword rat race. We’ll also cover:

  • Fully body contact SEO: when and where to use keywords, and what publishers know that you don’t;
  • Fantastic keywords and where to find them: which websites, lists, search engines, and Magic 8 Balls yield the best keyword research results;
  • Mix and match like a Parisienne: no, seriously, how to mix consistent ‘classic’ keywords with the latest trends like a Frenchwoman wears a crisp white shirt with this season’s Hermes scarf;
  • Same bat genre, same bat book, different bat keywords?: learn the differences between keywords for ebooks, print, and audio;
  • And so much more!

A recording of this class is also included with purchase.


Building Planet X: Out-of-This-World-Building for Speculative Fiction

Instructor: Cait Reynolds
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8, 2018. 10:00 a.m.—12:00 p.m. EST

REGISTER HERE

Speculative fiction may be a way of seeing the world ‘through a glass darkly,’ but it can also be one of the clearest, most pointed, and even most disturbing ways of seeing the truth about ourselves and our society.

It’s not just the weird stuff that makes the settings of speculative fiction so unnerving. It’s the way ‘Normal’ casually hangs out at the corner of ‘Weird’ and ‘Familiar.’

But it’s trickier than it seems to get readers to this intersection without letting them get bogged down in the ‘Swamp of Useless Detail’ or running them into the patch of ‘Here be Hippogriffs’ (when the story is clearly about zombies). How do we create a world that is easy to slip into, absorbingly immersive, yet not distracting from the character arcs and plots?

This class will cover:

  • Through the looking glass darkly: How to take a theme/issue/message and create a world that drives it home to the reader.
  • Ray guns and data chips: The art of showing vs. telling in world-building.
  • Fat mirror vs. skinny mirror: What is scarce in the world? Valuable? Forbidden? Illegal? What do people want vs. what they have vs. what they need?
  • Drawing a line in the sand: What are the laws, taboos, limits of this world? What is unacceptable to you/the reader/the character? How are they the same or different, and why it matters.
  • Is Soylent Green gluten-free and other vital questions: All the questions you need to ask about your world, but didn’t know…and how to keep track of all the answers.

A recording of this class is also included with purchase.


Populating Planet X: Creating Realistic, Relatable Characters in Speculative Fiction

Instructors: Cait Reynolds & Kristen Lamb
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8, 2018. 1:00—3:00 p.m. EST

REGISTER HERE

It’s a time-honored tradition in literature to take an ordinary person out of his or her normal life and throw them into a whirlwind of extraordinary circumstances (zombies/tyrants/elves/mean girls optional). After all, upsetting the Corellian apple cart is what great storytellers do best.

It’s also that very same ordinariness and normalcy that first gets the reader to identify then empathize with the characters and stick with them (and the book) through to the end.

But, what do we do when our ‘ordinary’ protagonist lives with a chip implant and barcode tattoo, and our antagonist happens to be a horde of flesh-eating aliens…or a quasi-fascist regime bent on enforcing social order, scientific progress above ethics, and strict backyard composting regulations (those MONSTERS!)?

How the heck is the reader supposed to identify with that? I mean, seriously. Regulating backyard composting? It would never happen in a free society.

This leaves us with two challenges in creating characters for speculative fiction: 1. How to use the speculative world-building to shape the backgrounds, histories, and personalities of characters, and 2. How to balance the speculative and the relatable to create powerful, complex character arcs.

This class will cover:

  • Resistance is futile: What does normal look like for the characters? What’s different or strange, and how to get readers to accept that retinal scans and Soylent Green are just par for the course.
  • These aren’t the droids you’re looking for: What are the discordant elements around the characters? What are their opinions about it? What are the accepted consequences or outcomes?
  • You gonna eat that?: Whether it’s running from brain-eating zombies or fighting over dehydrated space rations, what is important both physically and emotionally to the character? What is in short supply or forbidden?
  • We’re all human here (even the ones over there with tentacles): The basic principles and techniques of creating psychological touchpoints readers can identify with.
  • Digging out the implant with a grapefruit spoon: In a speculative world, what are the stakes for the character? The breaking point? The turning point?
  • And so much more!!!

A recording of this class is also included with purchase.


Beyond Planet X: Mastering Speculative Fiction

Instructor: Kristen Lamb
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8, 2018. 4:00—6:00 p.m. EST

REGISTER HERE

Speculative fiction is an umbrella term used to describe narrative fiction with supernatural or futuristic elements. This includes but it not necessarily limited to fantasy, science fiction, horror, utopian, dystopian, alternate history, apocalyptic fiction, post-apocalyptic fiction.

Basically, all the weird stuff.

Gizmos, gadgets, magic, chainsaws, demons, fantastical worlds and creatures are not enough and never have been. Whether our story is set on Planet X, in the sixth dimension of hell, on a parallel world, or on Earth after Amazon Prime gained sentience and enslaved us all, we still must have a core human story that is compelling and relatable.

In this class we will cover:

  • Discovering the core human story problem.
  • How to plot these unique genres.
  • Ways to create dimensional and compelling characters.
  • How to harness the power of fear and use psychology to add depth and layers to our story.
  • How to use world-building to enhance the story, not distract from it.

***A recording of this class is also included with purchase.


The XXX Files: The Planet X Speculative Fiction 3-Class Bundle

Instructors: Cait Reynolds & Kristen Lamb
Price: $110.00 USD (It’s LITERALLY one class FREE!)
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8, 2018. 10:00 a.m.—6:00 p.m. EST.

REGISTER HERE

Recordings of all three classes is also included with purchase.

We’re all hunters here, searching for the elusive, nearly mythical creature known only as the Good Beta Reader.

The feeling of finding a good beta reader is a lot like what Japanese marine researchers felt when they caught the first image of the giant squid in 2013. Read about it here because it’s just so cool. It’s a whiff of the miraculous and literally inspiring.

beta reader squid
Image courtesy of The Malaysian Times, January 7, 2013

Yet, it took a three-man crew more than 100 missions and 400 hours crammed into a tiny submersible to capture that image. We can totally, relate, right? I mean, we writers patiently paddle through the depths of the interwebs and wade through endless writing group cafe meet-ups in order to find our very own giant squid…er…beta reader.

It would be so easy to just settle for smaller squid, a couple of octopus, or even a cuttlefish. Anyone here immediately think of the South Park ‘Human CentiPad’ episode when I said that? There are lots of people out there who seem willing to be our sounding board.

What we want with a good beta reader is a squid who will become delicious pan-seared calamari with a side of chipotle aioli—enjoyable with a bit of bite. All too often, though, we end up tangled in tentacles, with suction cups stuck to our words, and hooks buried deep in our psychological soft spots.

Well, today, I’m going to teach you how to navigate treacherous waters and avoid getting mauled by predators. How? With the Reynolds & Lamb Field Guide to the North American Beta Reader.

The Beta Critic

It is easy to identify Beta Critic tracks by the copious amounts of red ink. The Critic often camouflages itself by wearing sophisticated scarves and dark nail polish. These creatures subsist mostly on coffee, white wine, and the tears of writers.

The Critic’s mating call tends to attract newer, more idealistic writers. Mates are drawn in by warbled promises of help in improving their writing. During the gestation of the draft, the Critic stays by its mate’s side, crooning a melodic mix of condescending encouragement and passive-aggressive critique.

beta reader

Critics are extremely protective of their mates during the gestation process. They will snap in warning and attack to fend off any other beta reader who wants to offer a different opinion. The Critic considers itself a solitary apex predator and expects all other writers and beta readers to agree with it.

Mates must often try several times to leave the Critic, needing to recover from the failed escape’s emotional mauling. Permanent and debilitating scarring is often prominently visible on survivors.

As writers, we need criticism, and not just the ‘constructive’ kind. Hard criticism forces us to face and work on major flaws. It re-energizes us with a little healthy anger or challenge. Tough love is tough, but it’s the love that makes it so powerful and transformative.

The Beta Critic takes a good thing like tough love and strips it of the ‘love.’ They turn blunt honesty into blunt-force trauma in order bolster their own insecure egos by breaking down someone else’s. Even if they promise us to be better, to be kinder, we need to remember that a Beta Critic can never really change their spots.

The Beta Gusher

This friendly little fuzzy creature is easily lured out into the open with promises of being able to read stuff for free. They are known for their distinctive chirping noises and an unnatural perkiness.

One theory posits that the Beta Gusher evolved from the primordial camaraderie of the book club, developing in a petri dish of chardonnay and bad chick lit. Another school of thought believes the Gusher is a result of Amazon KDP’s tinkering with literary quality DNA.

The Gusher is highly adaptable to any genre, as well as to both in-person and online critique groups. They lure writers by emitting pheromones designed to trigger feelings of being empowered and encouraged.

Gushers are not without their defenses, should they receive actual criticism. It only takes an astounding .006 seconds for them to go from bubbly to blubbering. The Gusher’s guilt trip can induce temporary paralysis in the author. Prolonged exposure to Gusher guilt can result in extreme fatigue, depression, and social anxiety.

All fun aside, I get why we fall for Gushers. They deal praise like crack. Nothing is as addictive as validation of our dreams. And, we DO need our cheerleaders for those moments when the world gets rough with our dreams.

But, when it comes to being a critique partner, what we need most is honest feedback, kindly given. Support and critique are not mutually exclusive concepts. In the long run, a Gusher becomes a serious drain on our time, emotions, and energy.

Speaking of creatures who drain time and energy…

The Over-Committer Beta

The Beta Over-Committer is a multi-habitat creature found in all climate zones…all at the same time. Tracking the Over-Committer requires a specialized set of skills, such as the ability to smell broken promises a mile away and having the patience of a saint.

Of all the beta reader species we have examined today, it’s the Over-Committer that can actually do the most damage to authors. They are unique in their near-viral ability to take over its host critique partner.

Like insects flashing their eyespots to deceive predators, the Over-Committer flashes moments of thoughtful feedback and productivity to attract their prey. Authors are lured by the promise of useful critique and a partner with enough energy to power a small café of aspiring writers.

However, once the writer has taken the bait of a partnership, the Over-Committer attacks. Armed with incisors of sincerity, they go for the jugular, injecting their victim with multiple manuscripts to review. Afterwards, they administer small doses of gratitude as boosters to keep the prey docile and compliant.

beta reader

Personally, I’ve been a victim of the Over-Committer many times in my life. I’ve also over-promised and under-delivered before, but the difference is that I didn’t defend myself by creating a cult of personality to justify or excuse my failures. Over-Committers combine the worst of the Critic and the Gusher, leaving us diminished, depressed, disenfranchised.

And the hardest part is that we never see it coming.

Good beta readers both give and take in equal measure. They put aside their ego and needs to invest in our work, and they expect the same from us. That kind of balance requires trust, compassion, commitment, and expertise…

Which means that good beta readers are basically unicorns.

The Unicorn Beta

So…does that mean we give up trying to find a good beta reader?

NEVER!

They are out there, and together, we can not only find them, but we can become better beta readers ourselves. To that end, I’m teaching a class this Friday where I’ll be handing out maps, equipment checklists, and freeze-dried wisdom to help you be successful in your hunt for the ever elusive Good Beta Reader.

Go Fish: Finding the Right Beta Readers

beta readerInstructor: Cait Reynolds
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Friday, August 24, 2018. 7:00-9:00 p.m.

REGISTER HERE

Whoever said that writing a book is a solitary job is an idiot.

It takes a village (or at the very least a Facebook group, some friends, and possibly a bottle of wine) to write a book. As writers, we need other writers…and non-writers. But, how do we find the right mix of people to support us? What do we do when they don’t? How do we communicate what we need effectively to beta readers and crit partners? And what the heck is an alpha reader?

What’s more, how do we take the feedback from beta readers and use it correctly? It’s all too easy to fall into the trap of spinning our wheels on endless edits of the draft of the first draft, to react big and badly to criticism, or to drown in the obligations of reciprocating beta reading for our seventeen new best friends and their manuscripts.

Fear not! This class is going to show you how to hunt down beta readers like big game, befriend them in a way that puts Dale Carnegie to shame, and create long-lasting, mutually-beneficial beta and crit partnerships that are so Hufflepuff/Gryffindor, it makes my Slytherin soul cringe.

This class will cover:

  • Wherefore art thou?: Where to find beta readers;
  • Alpha betas, beta betas, omega betas: The different types of beta readers, and why we need them;
  • Fish or cut beta: What to do when a beta reader relationship isn’t working – fix, fight, or flight?
  • I’m looking at the beta reader in the mirror: Are you the best beta reader you can be, and why improving your own skills will make you a better writer;
  • Gospel vs. grain of salt: How to balance thoughtful consideration of critique with Pavlovian instant tweaking, and why beta readers should never be the one holding the map on the hike.

A recording of this class is also included with purchase.


MORE CLASSES!

(Check out our page of current classes!)

Also, a small house-keeping note: if you’d like to see more of our shenanigans, check out our video page


When Your Name Alone Can Sell

Instructor: Kristen Lamb
Price: General Admission $55.00 USD/ GOLD Level $175
Where: W.A.N.A. Digital Classroom
When: Thursday, SEPTEMBER 13th, 2018. 7:00-9:00 p.m. EST

REGISTER HERE

LEARN TO BE A BRAND BOSS!

All authors need a brand, so this class teaches how to locate and cultivate your audience into passionate fans who BUY YOUR BOOKS!

How can you grow your platform and turn your name alone into a bankable asset? Not as hard as you might have been led to believe.

You DO NOT need to be a tech guru/mega-high-pressure-sales person to excel at this. In fact, best you aren’t.

Yet, the reality is that in the digital age of commerce, consumers rely on brands more than ever in human history. They’re overwhelmed and we can help them out….by finding US.

Consumers (which is code for readers) buy from who they know, like and trust. In a sea of infinite choices a powerful NAME is a tremendous asset.

Can you say “James Patterson”?

The single largest challenge all writers face in the digital age is discoverability and connecting with our audience is a challenge but nothing we can’t handle.

This class will address:

  • What is a brand? How to make one uniquely your own.
  • How to BE YOU! You’re a writer, not an insurance salesman!
  • Harness your imagination & creativity for better results (No one likes SPAM, so don’t serve it!).
  • How to use this information to locate, engage and cultivate an audience.
  • Myths about exposure.
  • Common scams that will wreck your brand and earning ability.
  • Why most promotion is a waste of money.
  • A list of expensive and not-so-bright ideas for reaching readers.
  • Knowing when and HOW to promote.

Overall this class is about working smarter not harder. This class is to teach you to think strategically so all energy is focused. Sure, we have to hustle, but why not hustle and there be an AUTHENTIC PAYDAY for all that hard work?

GOLD LEVEL AVAILABLE: This is you working with me (Kristen Lamb) for 90 minutes building, defining, refining your brand and putting together a PLAN! Time is money and professional consulting saves BOTH.

****A FREE recording is included with purchase of this class.


More Than Gore: How to Write Horror

Instructor: Kristen Lamb
Price: $40.00 USD
Where: W.A.N.A. Digital Classroom
When: THURSDAY, August 30th, 2018. 7:00-9:00 p.m. EST

REGISTER HERE

Humans have always been fascinated with what scares them which is why horror fiction is a staple genre. It is also, quite possibly, the most challenging genre to write. Giant bugs and chainsaws just don’t get the screams they used to.

Blood, guts, gore and shock factor are low-hanging fruit (and always have been) and worse than that? They simply don’t have the impact they used to.

Audiences are too desensitized. This means we need to work harder to dig in and poke at what REALLY frightens/disturbs people.

Though this genre is extremely challenging to write well, there is an upside. The horror genre lends itself well to the short form (novellas and short stories).

Believe it or not, some of our staple horror movies–and the BEST horror movies—were actually adaptations of short stories and novellas (1408 by Stephen King and Hellbound Heart by Clive Barker being two examples).

Meaning, if you want to go Hollywood? Hollywood loooooves horror.

In this class we will cover:

  • The science behind fear and why people crave it. Why fear is even healthy!
  • Psychology of fear, thus how to locate the pain points.
  • Why audiences are craving MORE horror (Yes, this actually does go in cycles).
  • The different types of horror fiction.
  • The importance of character in horror.
  • How horror can actually resonate much like literary fiction.
  • How to generate page-turning tension that will leave readers with a story they can’t stop thinking about…and that might even give them nightmares.

A recording of this class is also included with purchase.


Keywordpalooza: Tune in, mellow out, and learn to love keywords for Amazon

Instructor: Cait Reynolds
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Friday, September 7, 2018. 7:00—9:00 p.m. EST

REGISTER HERE

It’s one of the universe’s great mysteries… the same word can both boost and drown your book in a category (mind BLOWN, man!).

Keywords also seem to evolve every five minutes…or are we the one evolving, like a butterfly having a dream of SEO (trippy, dude!)? Like gravity and Jane Fonda’s hair in ‘Barbarella,’ the popular rules for using keywords value over-inflation and the slavish following of fads.

But, like Talbot’s tweed and mother’s pearls, certain marketing strategies and techniques are enduring classics that stand the test of time. They’re not flashy like bellbottoms, nor do they yield dramatic overnight results like ironing your hair. Yet, ignore trends, and we risk getting left behind…kind of like buying electric typewriter ribbon because that whole ‘computer word processing’ thing will never take off.

This class won’t just help you turn on, tune in, and drop out of the keyword rat race. We’ll also cover:

  • Fully body contact SEO: when and where to use keywords, and what publishers know that you don’t;
  • Fantastic keywords and where to find them: which websites, lists, search engines, and Magic 8 Balls yield the best keyword research results;
  • Mix and match like a Parisienne: no, seriously, how to mix consistent ‘classic’ keywords with the latest trends like a Frenchwoman wears a crisp white shirt with this season’s Hermes scarf;
  • Same bat genre, same bat book, different bat keywords?: learn the differences between keywords for ebooks, print, and audio;
  • And so much more!

A recording of this class is also included with purchase.


Building Planet X: Out-of-This-World-Building for Speculative Fiction

Instructor: Cait Reynolds
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8, 2018. 10:00 a.m.—12:00 p.m. EST

REGISTER HERE

Speculative fiction may be a way of seeing the world ‘through a glass darkly,’ but it can also be one of the clearest, most pointed, and even most disturbing ways of seeing the truth about ourselves and our society.

It’s not just the weird stuff that makes the settings of speculative fiction so unnerving. It’s the way ‘Normal’ casually hangs out at the corner of ‘Weird’ and ‘Familiar.’

But it’s trickier than it seems to get readers to this intersection without letting them get bogged down in the ‘Swamp of Useless Detail’ or running them into the patch of ‘Here be Hippogriffs’ (when the story is clearly about zombies). How do we create a world that is easy to slip into, absorbingly immersive, yet not distracting from the character arcs and plots?

This class will cover:

  • Through the looking glass darkly: How to take a theme/issue/message and create a world that drives it home to the reader.
  • Ray guns and data chips: The art of showing vs. telling in world-building.
  • Fat mirror vs. skinny mirror: What is scarce in the world? Valuable? Forbidden? Illegal? What do people want vs. what they have vs. what they need?
  • Drawing a line in the sand: What are the laws, taboos, limits of this world? What is unacceptable to you/the reader/the character? How are they the same or different, and why it matters.
  • Is Soylent Green gluten-free and other vital questions: All the questions you need to ask about your world, but didn’t know…and how to keep track of all the answers.

A recording of this class is also included with purchase.


Populating Planet X: Creating Realistic, Relatable Characters in Speculative Fiction

Instructors: Cait Reynolds & Kristen Lamb
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8, 2018. 1:00—3:00 p.m. EST

REGISTER HERE

It’s a time-honored tradition in literature to take an ordinary person out of his or her normal life and throw them into a whirlwind of extraordinary circumstances (zombies/tyrants/elves/mean girls optional). After all, upsetting the Corellian apple cart is what great storytellers do best.

It’s also that very same ordinariness and normalcy that first gets the reader to identify then empathize with the characters and stick with them (and the book) through to the end.

But, what do we do when our ‘ordinary’ protagonist lives with a chip implant and barcode tattoo, and our antagonist happens to be a horde of flesh-eating aliens…or a quasi-fascist regime bent on enforcing social order, scientific progress above ethics, and strict backyard composting regulations (those MONSTERS!)?

How the heck is the reader supposed to identify with that? I mean, seriously. Regulating backyard composting? It would never happen in a free society.

This leaves us with two challenges in creating characters for speculative fiction: 1. How to use the speculative world-building to shape the backgrounds, histories, and personalities of characters, and 2. How to balance the speculative and the relatable to create powerful, complex character arcs.

This class will cover:

  • Resistance is futile: What does normal look like for the characters? What’s different or strange, and how to get readers to accept that retinal scans and Soylent Green are just par for the course.
  • These aren’t the droids you’re looking for: What are the discordant elements around the characters? What are their opinions about it? What are the accepted consequences or outcomes?
  • You gonna eat that?: Whether it’s running from brain-eating zombies or fighting over dehydrated space rations, what is important both physically and emotionally to the character? What is in short supply or forbidden?
  • We’re all human here (even the ones over there with tentacles): The basic principles and techniques of creating psychological touchpoints readers can identify with.
  • Digging out the implant with a grapefruit spoon: In a speculative world, what are the stakes for the character? The breaking point? The turning point?
  • And so much more!!!

A recording of this class is also included with purchase.


Beyond Planet X: Mastering Speculative Fiction

Instructor: Kristen Lamb
Price: $55.00 USD
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8, 2018. 4:00—6:00 p.m. EST

REGISTER HERE

Speculative fiction is an umbrella term used to describe narrative fiction with supernatural or futuristic elements. This includes but it not necessarily limited to fantasy, science fiction, horror, utopian, dystopian, alternate history, apocalyptic fiction, post-apocalyptic fiction.

Basically, all the weird stuff.

Gizmos, gadgets, magic, chainsaws, demons, fantastical worlds and creatures are not enough and never have been. Whether our story is set on Planet X, in the sixth dimension of hell, on a parallel world, or on Earth after Amazon Prime gained sentience and enslaved us all, we still must have a core human story that is compelling and relatable.

In this class we will cover:

  • Discovering the core human story problem.
  • How to plot these unique genres.
  • Ways to create dimensional and compelling characters.
  • How to harness the power of fear and use psychology to add depth and layers to our story.
  • How to use world-building to enhance the story, not distract from it.

***A recording of this class is also included with purchase.


The XXX Files: The Planet X Speculative Fiction 3-Class Bundle

Instructors: Cait Reynolds & Kristen Lamb
Price: $110.00 USD (It’s LITERALLY one class FREE!)
Where: W.A.N.A. Digital Classroom
When: Saturday, September 8, 2018. 10:00 a.m.—6:00 p.m. EST.

REGISTER HERE

Recordings of all three classes is also included with purchase.

About the Instructor:

Kristen Lamb is the author of the definitive guide to social media and branding for authors, Rise of the Machines—Human Authors in a Digital World. She’s also the author of #1 best-selling books We Are Not Alone—The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer. She’s just released her debut thriller The Devil’s Dance.

Kristen has written over twelve hundred blogs and her site was recognized by Writer’s Digest Magazine as one of the Top 101 Websites for Writers. Her branding methods are responsible for selling millions of books and used by authors of every level, from emerging writers to mega authors.

Cait Reynolds is a USA Today Bestselling Author and lives in Boston with her husband and neurotic dog. She discovered her passion for writing early and has bugged her family and friends with it ever since. She likes history, science, Jack Daniels, jewelry, pasta, and solitude. Not all at the same time. When she isn’t enjoying the rooftop deck that brings her closer to the stars, she writes.

 

 

Diagnosing a Writer: Do You Have Terminological Inexactitude Syndrome, are you a real writer, what makes a real writer, Kristen Lamb, humor, satire, Sean Penn's book, Sean Penn as an author, Bob Honey Who Just Do Stuff, the writing life

Being a writer is the best job in the world, aside from those fortunate enough to be paid to pet kittens or sample new ice cream flavors. But is writing a REAL job? This question has set fire to the entire psychiatric community. Okay, most of them…the ones in my head *turns off fire alarms*.

Many in our modern culture don’t believe writing qualifies as a legitimate occupation. An unusual percentage of ‘average’ citizens firmly maintain that being a writer is NOT a real job. These same individuals, however, collectively spend billions of dollars and most of their free time enjoying entertainment (created by writers).

Cleaning Teeth= ‘Real’ Job

Writing= Goofing Off

Thus far, those interviewed have yet to note the irony of their assertions (or looked up definition of irony). Since being a writer is not a ‘real job,’ then this leads us to the next most reasonable conclusion. Writing, in truth, may be a mental condition. I have written about the 13 Ways Writers Are Mistaken for Serial Killers.

So there IS that…

What IS Terminological Inexactitude Syndrome (T.I.S.)?

Diagnosing a Writer: Do You Have Terminological Inexactitude Syndrome, are you a real writer, what makes a real writer, Kristen Lamb, humor, satire, Sean Penn's book, Sean Penn as an author, Bob Honey Who Just Do Stuff, the writing life

Tis’ a hard diagnosis for certain. Alas, Terminological Inexactitude Syndrome is a compulsive need to tell stories. We call those afflicted a ‘writer’ namely because ‘writer’ is shorter than ‘Terminological Inexactitude Syndrome.’ Also, those who used T.I.S. found others believed they were about to quote something from Shakespeare.

This only created even more confusion.

Writers (those afflicted with T.I.S.) frequently report ‘being born’ to tell tales. There is no clear indication if T.I.S. is congenital. Is it nature or nurture or both? Is it contagious?

No matter one’s preconceived notions, facts are facts. Background information reveals a symptomatology too eerily similar to be discounted.

Children/Young Adults exhibiting T.I.S.:

  • Preferred reading books, writing stories or drawing dragons 74% more than sports;
  • Were 89.3% more inclined to request ‘extra credit’ assignments;
  • Had a 300% greater likelihood of being found in school library when compared to non T.I.S. peers;
  • Displayed a 92.4% chance of ‘royally sucking’ at Dodgeball (data is inconclusive about skill level or simple desire to be ‘OUT’ so as to return to reading Goosebumps);
  • Demonstrated early addictive behaviors with office supplies. Parents who suspect their child might have T.I.S. should look for noticeable pupil dilation when shopping for school supplies;
  • Have 5000% greater chance of making up utter BS statistics that appear highly convincing.

Diagnosing if One is a Writer

Diagnosing a Writer: Do You Have Terminological Inexactitude Syndrome, are you a real writer, what makes a real writer, Kristen Lamb, humor, satire, Sean Penn's book, Sean Penn as an author, Bob Honey Who Just Do Stuff, the writing life

I won’t mince words here. Writer diagnosis is particularly challenging. Those who might actually BE writers can become rather tetchy at mere mention of the subject. A primary symptom of T.I.S. is that writers angst over what makes them ‘real.’ Few occupations struggle with such existential questions to this large a degree.

Am I a real cashier? I have a smock, a name badge and access to the registers, but am I merely a poseur?

Sure I graduated medical school, but does that make me a real doctor?

Everyone believes I fix cars, but I know I’m a fraud…even though I really do fix cars. Lots of them, actually.

Once the subject is at least willing to entertain the notion he or she may have T.I.S. then further diagnostic questions can assist in a proper assessment and more accurate diagnosis.

Sample Diagnostic Checklist 

Writers frequently:

  • Experience wild mood swings (A.K.A. ‘Revision Syndrome’);
  • Display visible signs of distress, pain, and at times, explosive violence when shown sentences such as, ‘Your an amazing person,’ ‘Their are no more donuts in the brake room,’ and ‘There here to orientate the new hires, or so he lead us to believe’;
  • Exhibit significant cognitive-tactile impairment when texting (refusal to employ ‘ur’, ‘IDK, ‘BRB’ or even the seemingly innocuous ‘lol’);
  • Insist on using full sentences and proper punctuation, which leads to withdrawal from interacting with text messages and eventual social isolation;
  • Can become agitated with certain trigger words such as bae, turnt or fleek;
  • See nothing wrong with discussing rates of body decomposition, history of guillotines, The Black Death, or bot flies at social functions involving food;
  • Are known to choose mates based off vocabulary, intellect, appreciation for Monty Python, and ability to operate, repair, and set up laser printers (leading to an abnormally high ratio of writers choosing engineer ‘types’ as partners).
  • The final test is only to be used by a trained imaginary diagnostician. Read excerpts from actor Sean Penn’s new ‘novel’ Bob Honey Who Just Do Stuff aloud, then time how long subject lasts until he or she a) begins weeping b) curls into fetal position or c) begins bleeding from ears.

Word of Caution

Diagnosing a Writer: Do You Have Terminological Inexactitude Syndrome, are you a real writer, what makes a real writer, Kristen Lamb, humor, satire, Sean Penn's book, Sean Penn as an author, Bob Honey Who Just Do Stuff, the writing life

This last diagnostic should be used with extreme care and medical staff on hand to ensure subject’s safety. A trained medical team can also ensure the person reading the excerpt’s safety. All medical personnel are strongly advised to wear ear plugs.

Alas this ONE sentence (seriously it IS only ONE sentence) can be remarkably helpful with diagnosis:

Whenever he felt these collisions of incubus and succubus, he punched his way out of the proletariat with the purposeful inputting of covert codes, thereby drawing distraction through Scottsdale deployments, dodging the ambush of innocents astray, avoiding the viscount vogue of Viagratic assaults on virtual vaginas, or worse, falling passively into prosaic pastimes. ~ Bob Honey Who Just Do Stuff Page 36

If the subject understands this ‘sentence’ and doesn’t immediately exhibit signs of physical pain, the subject is probably not a writer. Rather the subject is most likely an actor who mistakenly believes he/she can write. Best recommendation is to gently guide subject back to the theater people who can properly care for the patient from there.

The Impact of T.I.S.

Diagnosing a Writer: Do You Have Terminological Inexactitude Syndrome, are you a real writer, what makes a real writer, Kristen Lamb, humor, satire, Sean Penn's book, Sean Penn as an author, Bob Honey Who Just Do Stuff, the writing life

Those afflicted with T.I.S. cannot help but make up stories and believe they have no choice but to write. The DSM-V is due for updating. T.I.S. might qualify as a dysmorphia, since those with T.I.S. require a keyboard, pen, Crayon or some writing implement to ‘feel’ whole.

All evidence indicates writers must write to maintain reasonable emotional and psychological stability.

***Note: Parameters for ‘reasonable’ WAY broader for actual writers.

Writing, thus far, is one of the best ways to ameliorate the negative symptoms of T.I.S. Regular interaction with the ‘voices in their heads’ has a calming effect similar to the smell of pencil shavings and new paper.

For those afflicted with ‘Terminological Inexactitude Syndrome’ (storytelling) the condition can be challenging not only for those born with T.I.S., but for those who ‘associate’ with the writer. Obviously when a person is diagnosed as a ‘writer’ others, including family, cannot help but be impacted as well.

Parents might blame themselves for encouraging their children to read, being too permissive with time at the bookstores or library. Why didn’t they encourage accounting games instead?

Writer spouses/partners might find sometimes (usually during edits) they’ll have to…cook for themselves. I know! It’s harsh, but to be expected. Also, children might have to make their own cereal and find matching socks while unsupervised.

I’ll stop there.

Writers & Impact of T.I.S. on Friends

The study of T.I.S. on friends has been uniquely challenging. Writer ‘friends’ usually are ‘people’ writers make up in their heads, because, and I quote: ‘Normal people are boring.’

Additionally, (since on the topic of writer ‘friends’) after repeated unsuccessful attempts, we’ve concluded houseplants and pets are almost impossible to effectively interview.

Houseplants scored slightly higher than cats.

Embrace Being a Writer

For those of you out there who know you are a writer, that you do have Terminological Inexactitude Syndrome, it’s okay. You are not alone and there is nothing to be ashamed of.

***Unless you’re a pretentious actor who believes he/she is a writer. Then? Be very ashamed and go back to acting.

We need to celebrate T.I.S. despite criticism. The world NEEDS writers. Without writers, we would have no books, movies, articles, research papers, or television shows. It takes a WRITER to succinctly craft warning labels spelling out of the dangers of EATING TIDE PODS.

Diagnosing a Writer: Do You Have Terminological Inexactitude Syndrome, are you a real writer, what makes a real writer, Kristen Lamb, humor, satire, Sean Penn's book, Sean Penn as an author, Bob Honey Who Just Do Stuff, the writing life

It took a WRITER to warn the public that the electric meat thermometer was not intended for rectal use on humans. For those still alive who do NOT have a turkey thermometer lodged in their bum? Go bless a writer.

*moment of silence*

Only a writer can lie well enough to claim cheap deodorant has the power to make anyone sexy.

Seriously, just go Axe them 😉 .

What Are Your Thoughts?

Do you suffer from T.I.S.? You are not alone. Do you find it impossible to text message because it takes so long? Do you experience anger when auto-correct tells your friend you ‘don’t have any ducks’ left to give? It’s okay. We get you.

What are some symptoms you experience that might be added to this ‘totes legit’ diagnostic test?

I think Sean Penn is an incredibly talented actor. He’s also remarkably brave for calling himself a writer. Don’t know about you, but I’ll never see alliteration in quite the same way.

Cheers! *raises glass*

For more inappropriate laughs—fine, a totally gallows humor but fast-paced mystery suspense—I hope you’ll pick up a copy of my debut novel The Devil’s Dance.

Ready for Book Beast Mode? I Live to Serve…Up Some TRAINING!

For anyone who longs to accelerate their plot skills, I recommend my ON DEMAND Plot Boss: Writing Novels Readers Want to BUY. Two hours of intensive plot training from MOI…delivered right to your computer to watch as much as you like 😀 .

The Art of Character is also now available for ON DEMAND.

And if you’re ready for BOOK BEAST MODE and like saving some cash, you can get both Plot Boss and Art of Character in the Story Boss Bundle (ON DEMAND). Almost FIVE HOURS with me, in your home…lecturing you. It’ll be FUN! 

Have to write a query letter or synopsis? Conference season is coming! Pitch Perfect: Crafting a Query & Synopsis Agents Will Love. Class is April 19th 7-9 EST and $45 for over two hours training y’all how to do the toughest parts of this job.

I love hearing from you!

And am not above bribery!

What do you WIN? For the month of April, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

March’s winner will be announced next post.

 

Valentine's Day, Kristen Lamb, humor Valentine's Day, humor, poetry, Twas the Night Before Valentines, single on Valentine's Day

Ah Valentine’s Day. I figure we’ve had enough seriousness, so today we’ll have some light fun, sponsored by my flu med hallucinations (the purple hippos dared me). Anyway, almost eleven years ago, I was *heavy sigh* still single, and it was right at Valentine’s, of course. I was seriously feeling like chopped liver because dateless…again.

****I kid you NOT. My family called me The Runaway Bride and had all wagered I would be single indefinitely. Thanks, family. Thanks. Putting you in a novel for that *raises glass*.

Anyway, like many writers, I sat down and scribbled out this fun little poem to give myself (and other singles) a good laugh (or deal with anger issues in a way not requiring bail money…whatever).

I hope it makes all of you smile. Hey, pass on the love to some single pals while you’re at it 😀 .

So without further ado…

Twas the Night Before Valentine’s…by Kristen Lamb

Twas the night before Valentine’s, and all through the land

The poor single people were wringing their hands.

Handcuffs were hung by the nighties with care

Near the lotions and chocolates and lace underwear.

A day made by Hallmark to sell lots of stuff

Pushing candies and kittens and kisses and fluff.

A day that makes ‘Single’ a social disease

Like bubonic or typhoid or chiggers or fleas.

And that fat baby Cupid must be on the take

Paid in buckets of cash and red velvet cake.

Love songs are played on every damn station

As ‘mush’ takes over the entire nation.

Now not that we’re jaded, us single-type folk.

We’ve tried Facebook and Match, and Equally-Yolked.

We’ve tried parks and clubs and churches and bars

And a handful resorted to wishing on stars.

Like most other people, we want company

Without drama or fighting or disharmony.

No Jerry Springer or Kardashian drama.

Who has the time for all of that trauma?

Maybe we’re picky, world-weary, or fussy

Because we won’t date any Joe Schmo or hussy.

We want someone good-looking, gentle and sweet.

Hey, just cuz we’re single doesn’t make us minced meat.

We do not begrudge the romance of others

The passion of courtship, the heat between lovers.

Before you judge my singular state

Think back to the days when YOU had to date.

But tomorrow we’ll stand in the grocery store line

Watching the boyfriend who’s run out of time

With a ‘Get-Well’ bouquet cuz he waited too late

To find the red roses to gift to his mate.

Hallmark has trained you to scurry and dash

Into its stores with fistfuls of cash.

For stuffed little critters with a lap full of love

And boxes of chocolate morsels from Dove.

We Singles won’t stand hours waiting to dine

On elf food with garnish and overpriced wine.

No chocolates with abnormal tropical middles

Or angst about thighs that may wiggle and jiggle.

No staying in bars desperately late

Trying to connect with a last-minute date.

So embrace your status and shout it out loud.

Yes, I am single! Single and Proud!

So all you single commenters out there, at least you know I love you. Enjoy being single. And, yes, if any of you want to repost this as a blog, you are welcome to share the tragic fun (but give me credit). When school children are studying great 21st century literature and are assigned to write essays about MY poem? I want the credit for this literary genius :D.

 

Today I have on my sassy pants because there’s a messy task ahead. Oh it will be a TON of fun, but messy. We are going to tip over some sacred cows like how fun is evil and misery is awesome.

Granted I am from Texas and have heard stories of those miscreants who’ve sneaked (snuck? snucked?) in under cover of darkness to traipse across pastures littered with steaming cow poo…for the sheer joy of pushing over sleeping bovines.

I, myself, have never indulged in this innocent mischief and remain dubious this “cow-tipping” thing is even real. But supposedly the boogeyman isn’t real and yet–even as an adult–I never sleep with a foot off the edge of the bed.

#AreUCrazy

I can’t see how tipping over innocent cows could be half the fun we hear it is, but I assure you tipping these sacred cows?

LOADS of FUN.

Sacred Cow #1—Fun=Ineffective Time-Waster

Remember being a kid and it was actually okay to have fun? Then something weird happened in adolescence and everything got super serious. Teens of course have hormones and the whole “forging a distinctive identity” thing to blame, not to mention *ugh* high school.

But what is our excuse?

As kids we longed to grow up, to be ADULTS, so we could be…FREE.

About that. We humans are weird.

Give us anything that might liberate us and make life BETTER, and we will quickly turn it into a soul-sucking chore. It is simply astounding all the stuff that is fun…that we RUIN.

Bear with me.

We might start at the gym because we know going for a walk is good for us. We also know the gym is climate controlled so we won’t be able to use rain or sun or wind as an excuse to not get some exercise.

We start walking and feeling better. Yay, lower back feels great. Thirty minutes. Happy endorphins and we are very proud of what we have done.

We bask in the glow of our one month of walking five days a week for thirty minutes. In fact, we feel this self-discipline thing really isn’t so hard at all!

THEN…

A personal trainer notices we’ve been at the gym regularly and steps in to…help.

DON’T FALL FOR IT! IT’S A TRICK!

Sacred Cow #2—TRUST the “Experts”

Mere moments earlier, we felt AWESOME, only now realize how misguided we were. Oh, thank goodness this expert saved us from destruction!

The trainer, deeply concerned for our welfare tells us with all kinds of statistics and studies that our silly walking is not enough.

No, we must add in weight training. Not just any weight training. No, it needs to be high weight low reps. No, high reps low weight. Scratch that, high intensity!

No! You fool! You are overtraining! You need recovery time. Oh, you took recovery time because you can’t sit on the potty without a Life Alert bracelet? You’re just going to have to suck it up.

Did we mention your diet?

Remember, simplicity is KEY.

If you do cardio, eat carbs 90 minutes before aerobic exercise and protein 30 minutes before weight training. Then protein within 90 minutes after doing cardio.

Post-workout, rub your body in coconut oil (unrefined, of course) and stretch but only when Mercury is in retrograde–and within the 123 minute window after cardio–or the stretching and expensive coconut oil all a waste.

Got it? No. Okay, let’s create a plan for you. Mastercard or Visa?

The next thing we know this FUN time at the gym has now turned into a personal hell where we are prodded by macro-nutrients and micro-nutrients all using pointy vitamin-supplement pitch forks.

We cling to that trainer who saved us from our pointless 30-minute walks and toss money at her if only she can help it all make sense (or she will go away)!

More often than not, we return to our blanket fort…where there are snacks.

We adults do this crap ALL THE TIME. Hey I am guilty, too. We know as adults we should want to be better, do better and we start out well-meaning enough.

Yet we fall for it…

Sacred Cow #3—The More It SUCKS the BETTER!

From books on “simple home organization” to “better parenting” to “eating healthier” to “financial freedom” we generally tend to fall into this bizarre belief that the more it sucks, the better it must be.

Like the crappier food tastes, the healthier it is!

Right?

Soon, we start shackling ourselves to all kinds of bizarre and UNFUN legalism. We wanted to be free (of extra weight, too much clutter, too many bills).

Yet all these books and courses and virtual tools to save time and make life better…kinda just make us want to drink heavily and OD on brownie batter.

We soon find we avoid the gym we once loved like Ebola, are afraid of our mailbox, and with our spouse and kids? We turn into the HULK only meaner and in yoga pants (because those won’t split when we “turn”).

THIS IS A SPONTANEOUS SCHEDULED FAMILY FUN SESSION AND SO HELP ME YOU BETTER START SMILING OR I…WILL…END…YOU!

Hmm, maybe just me.

Why DO We DO This?

Much can be blamed on Western culture (Americans being the most guilty). Many of us are taught from youth that FUN=BAD.

We’re riddled with guilt about pleasure and fun (and sure, we can probably blame those sour-faced Puritans for laying the groundwork).

*stabs Plymouth Rock in my mind*

Yet kids are robbed of recess, daydreaming is forbidden, and only school-sanctioned imaginative activities are allowed (refer to why my son was kicked out of preschool for liking zombies). Put a kid in sports, gymnastics or dance and see how long it takes for all the fun to get sucked right out of THAT.

Why does all this happen?

Because fun-stealing is big business if we allow it.

Cruise lines can sell us a package of joy and harmony and relaxation. Then, the pharmaceutical companies step in to sell us the anti-anxiety meds required for taking a whole week off to have…*gulp* fun.

We return to our day jobs and 547 unread emails is our penalty for being so selfish as to believe we might actually need to rest now and again.

Maybe we should buy that app to check messages at sea.

Many Americans proudly wear the “I Haven’t Taken a Day Off Since Y-2K” badge of honor…even though we all secretly hate them and know if they took a little time for fun, they might actually not be such frigging jerks.

*breathes deeply*

And Ms. I Never Take Vaca is there to sneer at us for our “weakness.” She embodies FUN! Because the sheer joy of leading the PTA, baking a zillion nut-free GF cookies, and zooming her kids to every social event imaginable is fulfillment in and of itself and all the “fun” required for “good mothers.”

*stabs her in our minds, too*

And Mr. I Never Need Holiday is there at work (where else?). He recommends the Intensive Weeklong Fasting and Time-Management-Leadership-Be-Your Best-Self-in-Less-Than-Nine-Minutes-a-Day-Retreat…which is of course, conveniently offered on-line.

Also, he can reach us every minute of the day via text or email…unlike when we were so naughty as to take that cruise.

It’s madness. I know!

Yet here we are. All staring at each other on the crazy train wondering how the heck we keep meeting again.

Follow the Money

Honest truth is authentic fun is not near the moneymaker as the “shill” of fun. Look at all those “activities” I mentioned that should be fun and who’s there to step in? Experts.

Who happen to make money.

Who can help us with our exercise, diet, meditation, and train our kids for the Olympics!

***Even though little Mackenzie just liked doing cartwheels and we thought gymnastics class would be fun—silly us!

When we were kids who simply had FUN, we didn’t count how many minutes of cardio we’d done riding bikes four hours straight. We gave no thought to the carbs or lack of macro-nutrients in that giant cherry Slurpee we inhaled.

Then we grew up and used our larger and more highly developed brains to think all the fun out of well…pretty much everything.

I see this over and over in social media.

The greatest tool writers have been handed to become free, is being used to enslave us.

“Experts” tell us that an author platform is serious business. If we’re having fun, then we aren’t being professional.

We need automation and vlogs and podcasts and to be everywhere on every site all the time contributing mind-blowing content for exposure!

*feels dirty inside*

Then there is the gathering emails, decoding analytics, sales strategies, promotional tactics, targeting our market…

Call me crazy, but does any of that sound like ANY FUN? SERIOUSLY! We all started this writing journey because we are the dreamers and find imaginary people more interesting than real ones (because they are). We wanted to write to be FREE!

To have FUN!

Granted, a brand is important and social media is vital, and selling lots of books way more fun than selling no books. But anyone who’s shoveling out manure from one of those sacred cows we tipped?

RUN!

Refuse the Kool-Aid

On social media FUN is SUPER effective. People are drawn to it. The world is a dark and dreary place and getting gloomier by the second. Fun stands out.

Authenticity is priceless! We know it when we see it because joy shines bright!

It creates genuine connections (code for relationships). But here is the kicker! Friendship, trust, care, hope, joy and fun cannot be measured in metrics 😉 .

And when stuff is fun–as in truly fun–we ENJOY DOING IT. When we enjoy it, we don’t have to outsource it, set reminders or pay people to do it FOR us.

I am not completely eschewing all experts because um…that would be dumb. Experts who empower us are great! Who teach us how to set up properly to avoid injury, waste or pain? Yay!

But experts who make us into permanent revenue streams because they’ve overwhelmed us and made us hysterical?

RUN!

Because many will convince us the more something sucks the better it works…but they (benevolently) have an affordable plan to deliver us from this suckage.

Yep.

Blunt truth is if we don’t tip some of these sacred cows, it just leaves us the cash cow.

In the end, life is short. Enjoy it.

What are your thoughts? Are you like me and struggle with fun? Then try to do something fun and overcomplicate it and wreck it? I know I do. Hey, I am a work in progress too!

Do you feel like “experts” are constantly there to pounce on you and wring cash out of you? Do you fall for the “It only works if I am miserable”?

Hey I write this blog for FREE and constantly look for experts, but to stay on top of scm, trends, business, craft, I have to be SUPER careful. I strive to be better to help y’all be better and that is not always easy *deletes 765 unsolicited emails from experts*

I LOVE HEARING FROM YOU! And I am NOT above BRIBERY!

What do you WIN? For the month of OCTOBER, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

To also prove social media is and should be super fun and that while you might need a little training, you DO NOT need a team of professionals paid to “manage your brand”:

I have two upcoming classes Social Media FREEDOM–Harnessing Passion & Creativity to Cultivate Fans & Harnessing Our Writing POWER–The Blog

I highly recommend you sign up for one of our upcoming classes listed below. ****Note, those who subscribe by email, the visual gallery doesn’t show, so please click through and sign up! We look forward to seeing you and serving you in class! Helping you be the best you can so your work can stand apart 😀 .

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