So your novel has thrust a likable, relatable protagonist into a collision course with the Big Boss Troublemaker. The Big Boss Battle must deliver all you (the writer) have been promising. Endings tie up all loose ends and sub-plots and, if we have done our job, will leave the reader a feeling of resonance.
Oct 18 2013
Creating a Protagonist Readers Will LOVE
Writers need readers to rally to our protagonist’s team, to like her and want to cheer for her to the end. How do we do this? Give her flaws, and humanize her. Additionally, if our characters are fully actualized in the beginning, there will be no character arc so our story will be one-dimensional and flat.
Oct 17 2013
Fueling the Muse Part 2—How to Give Your NaNo Story a Beating Heart and a Skeleton
We’re discussing ways to fuel the muse before NaNo. Yesterday, we discussed movies and how to use them, and I will delve a tad further with that today. One of the major reasons many writers fail to complete the story is there isn’t a single CORE story problem in need of resolution. The story dies because it lacks a beating heart and a skeleton. Stories with no hearts and skeletons are primordial adverb ooze and not good for much other than scaring small children.













