Plot and world-building are merely delivery systems for conflict and character—real “human” emotions and experiences. If we write something that’s all car chases, vampire bites and geeky technology we’ve invented, the story will be uninteresting and superficial. I see this a lot on submissions. A writer gets so fascinated with dragons or terrorists or aliens that the body of the work lacks a beating human heart.
Oct 07 2013
Doubt, Fear, False Alarms & "Giving Birth" To Our Dreams
After having been around the block a few times, I can say I’ve met both types of writers. Some writers have all these ideas and generally a stack of unfinished work to show for it. They aren’t willing to dig in when it gets hard, when the “fair-weather friends” fall away. On the other side, we have those who write, but are afraid to dream. They’re terrified to dare ask if they could be great.
Oct 02 2013
Your Writing Future—And Now For Something Totally Different…
How do you know whether to self-publish or keep trying to score a traditional deal? Not all writers (or works) are suited to be traditionally published. Other personalities will DIE trying to self-publish. Sometimes a book is great, but the publishing path chosen is ill-suited for the work. You might want to even consider a hybrid path.
Sep 30 2013
Why Writing Horror Is–SHOULD BE–Hard Part 2
This means, the more we understand fear, the deeper our writing becomes, the more meaningful, visceral, and profound. In love stories, fear might be of being alone, of never finding “the one” or even losing “the one.” Conflict is always generated by fear. The protagonist wants something BUT THEN… The more intense the fear, the faster the reader turns the pages.
















