"Write What You Know" and What That Means

Plot and world-building are merely delivery systems for conflict and character—real “human” emotions and experiences. If we write something that’s all car chases, vampire bites and geeky technology we’ve invented, the story will be uninteresting and superficial. I see this a lot on submissions. A writer gets so fascinated with dragons or terrorists or aliens that the body of the work lacks a beating human heart.

Doubt, Fear, False Alarms & "Giving Birth" To Our Dreams

After having been around the block a few times, I can say I’ve met both types of writers. Some writers have all these ideas and generally a stack of unfinished work to show for it. They aren’t willing to dig in when it gets hard, when the “fair-weather friends” fall away. On the other side, we have those who write, but are afraid to dream. They’re terrified to dare ask if they could be great.

Your Writing Future—And Now For Something Totally Different…

How do you know whether to self-publish or keep trying to score a traditional deal? Not all writers (or works) are suited to be traditionally published. Other personalities will DIE trying to self-publish. Sometimes a book is great, but the publishing path chosen is ill-suited for the work. You might want to even consider a hybrid path.

Asking "What If?" & Exploring the Unknown–A Final Word on Writing Horror

Fear is the most important tool in any writer’s toolbox. Fear is the beating heart of conflict, no matter the genre. Fear of death. Fear of losing love, not finding love, not recognizing love. Fear of change. Fear of remaining the same. In Cormac McCarthy’s Pulitzer Prize-Winning Novella “The Road”, the story was less about a fear of death and more about the fear of survival at the expense of one’s humanity. In “The Joy Luck Club”, Amy Tan explores the fear of continuing generational curses.

Why Writing Horror Is–SHOULD BE–Hard Part 2

This means, the more we understand fear, the deeper our writing becomes, the more meaningful, visceral, and profound. In love stories, fear might be of being alone, of never finding “the one” or even losing “the one.” Conflict is always generated by fear. The protagonist wants something BUT THEN… The more intense the fear, the faster the reader turns the pages.