Category: Writing Tips

The Best Horror Writers You’ve Probably Never Read (But Should) Part 3

It’s the holidays, so why are we talking about horror? Well, 15 minutes at my family reunions could answer that, but in short, horror authors aren’t all blood, guts and gore. In fact, the horror legends do what ALL authors should do…they probe the human soul, peel back falsehood and reveal the authentic human condition for better or worse. Whether we pick up a Stephen King, Dean Koontz, Edgar Allen Poe, or Rod Sterling story, what surfaces almost immediately is these authors understood people when creating these tales. Writing great novels requires we become masters of exploring the psyche, of using what makes humans weak, greedy, vengeful, callous, vain or jealous. Human frailty is the lifeblood of story—CONFLICT. Whether one writes thrillers, romance or YA, we must be able to delve deep and go to those uncomfortable places, because THAT is why readers turn pages.

The Best Horror Writers You’ve Probably Never Read (But Should): Part Two

Sometimes it’s good to get out of the comfort zone and cross-pollinate our creativity. I can tell writers who do too much reading in the same genre. What can really add that certain je ne sais quoi is when an author adds in elements from unexpected areas. This is what makes the writing unique.

The Best Horror Writers You’ve Probably Never Read (But Should)…

All great stories probe what we FEAR. This is the essence of good storytelling. Whether it is the fear of not finding love or losing love or not achieving a goal? FEAR is the heart of conflict. No conflict? No story. This is why I’ve recruited one of the best authors I know to talk about a genre that many might not believe is salient….yet it is a masterful lesson how to make ALL fiction fabulous.

What Ebenezer Scrooge Can Teach Us About Great Writing

Charles Dickens’ story of a redeemed miser is a staple for holiday celebrations around the world and across the generations. This story is virtually synonymous with “Christmas,” but why is it such a powerful story? Why has it spoken so deeply to so many? Why is it a story that never grows old? Today, I want to talk about a couple of the elements that speak to me, because they rest at the heart of great writing.

NaNoWhatNow? Three Tactics for Getting Un-Stuck

Maybe you finished the 50,000 words. Odds are, you hit somewhere between 20,000-35-000 and were stuck like a Ford Fiesta in icy mud. This is one of the reasons I recommend at least getting the log-line and basic plot points before beginning any fast-draft. If we don’t, we might find it hard to locate our literary butt with a literary flashlight. But, I’ve been stuck and here are some tips.