These tough existential questions are what drive the tension of the book because the big questions are placed into context so they can be tested—a regular guy and his boy in a world that has gone horribly wrong. Yes, there is some internalization, but the outside characters and circumstances force that existential question out of the character’s mind and into reality.
Tag: WANA
May 16 2013
Frankenfriends & Zombie Tweets–Writers, Social Media and the Undead
I get it. I understand you guys. I’m a writer first. Sometimes we have to stay up all night and we do seem to grow fangs, normally around the 65th time a family member has interrupted us, since we aren’t really working. I feel your pain. But we have to be really careful that we aren’t bringing undead habits into social media. No one likes to hang out with the undead. Frankenstein? Zero friends. Zombies? Again, zero friends. Vampires? A few friends, but all with serious trust issues.
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May 15 2013
THREE MONTHS OFF???? What I Would GIVE for a Summer Vacation
So we would put the water hose on the slide and make our own water park. Between that, the dancing in the sprinkler and the Slip and Slide, I have no idea how my parents didn’t have a $600 water bill. Maybe they did, but it was well worth the money to keep the screaming hoard of wild Indians locked beyond the sliding glass door….which, by the way, was actually LOCKED. When cartoons were over at 8:30? Out the door we went.
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May 14 2013
A New Era in Fashion—How Abercrombie & Fitch Saves Needless Suffering
Since A&F clothing can’t make regular people look better, and Jeffries’ doesn’t want over 67% of the United States wearing them, essentially what Jeffries’ wants is for gorgeous people with six-pack abs and killer bodies…to PAY exorbitant prices TO HIS COMPANY to model for them for FREE.
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May 13 2013
Would You Rather? An Exercise in Creating Max Conflict in Fiction
There is a newbie author mistake we all make. Thinking, feeling, more thinking but nothing happening. I’ve blogged many times that writing can be therapeutic, but it isn’t therapy. I feel that Corbett’s point really crystallized what I was trying to say, but couldn’t seem to articulate nearly as well as he did. As Long as We are in the Character’s Head, NOTHING is at Stake. There is no push-back, no opposition, thus no conflict. This really gets to the heart of the SHOW DON’T TELL line we have all had drummed into our heads.
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International Association of Professional Writers & Editors
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