Oct 15 2013
Too many writers fail to finish NaNo because they haven’t fueled up properly. If one studies any endurance athlete, what do they do before an Iron Man or the Tour de France? They EAT. A LOT. Endurance athletes know they need the extra weight because it isn’t uncommon for participants to lose as much as twenty pounds by race end. Yet, how many of us go into writing a book with a malnourished, anorexic muse?
Oct 11 2013
NaNo, in my opinion, is bootcamp to train up professionals. Granted, no one is shooting live rounds at us while we belly-crawl through mud, BUT we do have to put words on a page even when the toddler has to go to the potty every thirty seconds. Many of us are also working a day job and we have family drama shooting rounds at us from all directions.
Oct 10 2013
There are few things more defeating that to a) start off hot and heavy only to write ourselves into a corner or b) invest a month of suffering and sleep-deprivation only to end up with a derailed mess that can never be repaired short of tearing it down to the foundation and starting over.
Oct 09 2013
I literally lived with the guy from Sleeping with the Enemy. He had labels in the pantry and all cans had to be facing forward and behind the “proper” label. He’d insist I vacuum all the floors then use a carpet rake to make all the lines go the same direction. He loved to play racquetball, namely so he could spend an hour laughing as he used me as target practice (then tell me I had no sense of humor, that he was just “playing”). Never mind all the bruises.
Oct 08 2013
Plot and world-building are merely delivery systems for conflict and character—real “human” emotions and experiences. If we write something that’s all car chases, vampire bites and geeky technology we’ve invented, the story will be uninteresting and superficial. I see this a lot on submissions. A writer gets so fascinated with dragons or terrorists or aliens that the body of the work lacks a beating human heart.
What is a brand? A platform? Why do we need one? How do we get one? Better still how can we create a brand with the power of driving book sales and still have time left to do THE most important part of our job? Writing more books.
This book demystifies branding and social media and harnesses the same passion and imagination we authors use to write books, then uses that to locate and cultivate a devoted fan base. The methods taught in this book can weather any technological upheaval, and is virtually fad-proof. The new cool social site might change, but your platform will remain.
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