If a villain is wanting to rule, control, destroy, etc. they should have a really good/plausible/sympathetic reason for doing so. In fact, when we do a great job at creating the villain, our audience will struggle with who to root for.
Apr 22 2015
Jul 22 2013
When it comes to writing a novel, the apocalypse must be present externally (plot) as well as internally (character growth). The story problem, created by the antagonist, is what provides the crucible that leads to change. There is an unveiling on two levels. First, the solution to the story problem (unveiled over time) and secondly, the protagonist has an opportunity to grow from regular person to hero.