Dec 05 2013
How we order time has been changed with technology. When we shifted from an agricultural society to an industrial society, humans began to define work in spacial terms. Work was a place we went. Home was the place we relaxed. The garage was the place for chores and the TV room was the place to chillax. This was all well and good before the advent of the Internet, cell phones, texting, social media, and e-mail. So what now?
Dec 04 2013
I am a writer. It’s not what I do, it’s who I am. But the “old Amy” no longer worked in the new world. Without an agent, I had nobody telling me “don’t bother, it won’t sell.” Without an editorial deadline, I had time to revise and update the latest, greatest information. And without that high-profile on-the-road gig, I could experiment with projects without concern it might hiss-off a sponsor.
Dec 03 2013
There are only three core successful strategies whenever selling books (or even tacos for that matter). Yes, THREE. Hey, I dig simple. Though, I will offer a caveat: There is overlap between corporate business and publishing, but they’re hardly the same creatures. Yet, the smart writer understands that making a living at this game involves business sense. Why not harness the great ideas both worlds can share?
Dec 02 2013
One of the best ways to move plot forward with increasing momentum and to create living, breathing characters is by harnessing the power of dialogue. As an editor for twelve years, I can tell you dialogue is one of the single largest components of writing great fiction, and it’s the part that’s most often butchered. The story can be great, the setting, the prose? And then comes this clunky dialogue with characters talking in ways only seen on bad soap operas or movies highlighted/slayed by “Rotten Tomatoes.”
Nov 27 2013
Lately, I’ve had a hard reality to face. I’m so busy potty training the toddler and teaching him and correcting him, but have I taken enough time to ENJOY him? There are the dishes, the laundry, the dusting, but am I ENJOYING the home I have?
What is a brand? A platform? Why do we need one? How do we get one? Better still how can we create a brand with the power of driving book sales and still have time left to do THE most important part of our job? Writing more books.
This book demystifies branding and social media and harnesses the same passion and imagination we authors use to write books, then uses that to locate and cultivate a devoted fan base. The methods taught in this book can weather any technological upheaval, and is virtually fad-proof. The new cool social site might change, but your platform will remain.
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