Mar 21 2013
In the last post, we had a little bit of a debate about literary fiction versus commercial fiction in the comments, thus I wanted to take a moment to point out something very important. Just because fiction is commercial, doesn’t mean it’s the equivalent of Transformers Part 5. Commercial fiction runs the gambit from fluff that is …
Mar 20 2013
Our bodies tend to be a bit lazy, and they like to lie. They tell us we need a day or two or twenty off, and the longer we’re away from the work, the easier it is to let things slip, to see a new shiny and start a newer, more exciting project. In this business, time is our enemy. Always remember this.
Mar 19 2013
Even literary fiction involves some outside force that is causing the contemplation, depression, rebellion, etc. Whether it is the decline of the aristocracy and rise of the middle class (Proust’s “In Search of Lost Time”) or implosion of society and humans turned cannibals in Cormac McCarthy’s Pultizer-winning The Road, we always have an outside pressure and an antagonist to drive the story momentum.
Mar 18 2013
What this means is that a character being his or her own worst enemy alone is not enough. There MUST be a story problem that generates the tension and change. With no story problem, there is no way to have dramatic tension. It just becomes a character being TDTL (Too Dumb To Live). We don’t have a novel, we have self-indulgence.
Mar 13 2013
Psychic Vampires abound in the arts, and they are also prevalent in many writing groups. They are wolves dressed in writer clothing. Often they are so self-absorbed they can’t even see the reality of what they are. This is why confronting PVs is almost always fruitless and will simply lead to conflict that only further feeds them at our expense. Our best option is to be able to spot them, then ignore them or RUN.
What is a brand? A platform? Why do we need one? How do we get one? Better still how can we create a brand with the power of driving book sales and still have time left to do THE most important part of our job? Writing more books.
This book demystifies branding and social media and harnesses the same passion and imagination we authors use to write books, then uses that to locate and cultivate a devoted fan base. The methods taught in this book can weather any technological upheaval, and is virtually fad-proof. The new cool social site might change, but your platform will remain.
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