Apr 18 2013
Most new novels don’t have a singular core story problem. It is my opinion that baby writers, deep down, know they’re missing the backbone to their story—A CORE STORY PROBLEM IN NEED OF RESOLUTION. Without a core story problem, conflict is impossible to generate, and the close counterfeit “melodrama” will slither in and take its place.
Mar 19 2013
Even literary fiction involves some outside force that is causing the contemplation, depression, rebellion, etc. Whether it is the decline of the aristocracy and rise of the middle class (Proust’s “In Search of Lost Time”) or implosion of society and humans turned cannibals in Cormac McCarthy’s Pultizer-winning The Road, we always have an outside pressure and an antagonist to drive the story momentum.
Mar 18 2013
What this means is that a character being his or her own worst enemy alone is not enough. There MUST be a story problem that generates the tension and change. With no story problem, there is no way to have dramatic tension. It just becomes a character being TDTL (Too Dumb To Live). We don’t have a novel, we have self-indulgence.
Oct 22 2012
For the past several weeks we have been exploring structure and why it is important. If you haven’t yet read the prior posts, I advise you do because each post builds on the previous lesson. All lessons are geared to making you guys master plotters (and, yes, this is even helpful to the pantsers out …
Oct 15 2012
Sorry for the delay in posting. Busier than a one-legged man at a butt-kickin’ contest today. Some cool announcements, though. I am teaching a fun class called ACHOO! The Writer’s Guide to Going Viral and it’s only $25. Also have a really cool Facebook class coming up taught by FB expert Lisa Hall-Wilson, which I …
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