Tag: Kristen Lamb

Get What You Want, Part 1—Are We Being Busy or Fruitful?

More time doesn’t equal MORE AWESOME. Thus, today we are going to look at some of the lies and time-stealers and ways to be masters of time, not slaves to it. We need to be vigilant and proactive so we don’t fall into Hamster Wheel Management. We’re called to be fruitful NOT busy.

Tips to Make Us Stronger Authors—Both Fiction & Non-Fiction—Part 2

Whether we are writing non-fiction or fiction, this is imperative. There are people out there who have nothing better to do than tear others down. Yes, I’m excited to now be blogging for The Huffington Post. It was a wonderful promotion as NF expert. Yet, a new level, new devil. I can’t moderate comments, and it didn’t take long to get the comment bashing me for using the word “Awesome.”

Tips to Make Us Stronger Authors—Both Fiction & Non-Fiction

For those confused, Wordpress has been possessed this week and for some reason published some notes I’d saved in a DRAFT. Sorry for the confusion.

Becoming a non-fiction author has a number of steps. After having written both fiction and non-fiction, I don’t think one is easier than the other. There are unique challenges to both. Yet, I will say that even novelists can benefit from the same tactics employed by good NF authors.

The Rise of Individuality—What This Means for Publishing & Authors

But to spot and nourish the micro-trend, we must be present. Micro-trends can earn us a healthy living. A single writer doesn’t need to sell as many books to keep the light on as NYC does. Also micro-trends have the potential to grow up to be mega-trends. Spreadsheets can’t tell us as much as people can. And, trust me, people have a lot to say. Numbers can’t tell us as much about the future as relationships can.

Digital Age Authors & The Ugly Truth About "The Good Old Days" of Publishing

A large percentage of writers have waited until the kids are out of the home and out of college to begin pursuing their dreams of being authors. They’re also writing books they’d like to read. Romance novels with a sixty-year-old protagonist finding love, not a twenty-two-year-old. Is traditional publishing ready to invest in older writers writing drastically different books?