Aug 29 2013
An elderly couple found me crying in a hallway and took pity on me and made sure I got back to DFW. By the time I got home? I was in full seizures AND had pneumonia (because DELTA rerouted me through a FREEZING New Orleans with no jacket and no meds and I slept the night on cardboard boxes (from Christmas decorations) to stay warm.
Aug 28 2013
Too many writers get into this business for the wrong reasons. They really aren’t interested in the life of a professional and just enjoy “playing author.” Writing is for attention and ego-stroking. Their goals are about THEM and this means anyone on board with them will go the wrong direction.
Aug 27 2013
I spoke on Saturday here in Florida for the STAR folk in Melbourne, and I had a new writer comment that she couldn’t start building her platform because she had no finished books and nothing for sale. I don’t believe in Self-Help-Kitten-Glitter. I believe in hard work. But hard work needs a solid foundation or we’re no better than Skippy the Hamster running in his little wheel.
Aug 26 2013
To prologue or not to prologue? That is the question. The problem with the prologue is it has kind of gotten a bad rap over the years, especially with agents. They generally hate them. Why? In my opinion, it is because far too many writers don’t use prologues properly and that, in itself, has created its own problem.
Aug 23 2013
TIMING, is a HUGE part of being a good storyteller, thus it is naturally a large component of “voice.” Writers must have a natural sense of when things should be tense, versus the times we need to let the audience have a breather. Writing a novel is very akin to writing a symphony. If everything is crescendo, then nothing is. If every page is mind-numbing tension, then nothing is. Conversely, if our writing is just a character thinking, then thinking some more, then thinking some more, then that is not a story, it’s a diary. It’s the elevator music of story.
Zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz…
What is a brand? A platform? Why do we need one? How do we get one? Better still how can we create a brand with the power of driving book sales and still have time left to do THE most important part of our job? Writing more books.
This book demystifies branding and social media and harnesses the same passion and imagination we authors use to write books, then uses that to locate and cultivate a devoted fan base. The methods taught in this book can weather any technological upheaval, and is virtually fad-proof. The new cool social site might change, but your platform will remain.
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