Jul 25 2013
Characters were talking to each other with no conflict, no scene goal. Melodrama filled in the gaps. Characters were psychologically inconsistent and half I would have recommended seek therapy and get medication. Their emotions were all over, namely to manufacture tension that couldn’t be created any other way (because no core story problem/antagonist).
Jul 24 2013
All of this points to an ominous sign that the bookstores likely will be broken up, which is why I’ve been adamant that writers (and traditional publishers) stop relying so much on the brick-and-mortar-model, since it was clear from history (Tower Records & Kodak) that these retailers would likely experience record contraction or go away altogether.
Jul 23 2013
We live in an age of authenticity, and to be authentic sometimes…well, sucks. I’d love for you guys to think I’m pink and fluffy and better than unicorn stickers. But I goof. Granted, I make it a point to goof as little as humanly possible, but sometimes? I stick my foot in it….and then in trying to get my foot out of it, stick the other foot in and then fall and get a mouthful and both hands and face stuck and….yeah, it becomes an On-Line LaBrea Tar Pit.
Jul 22 2013
When it comes to writing a novel, the apocalypse must be present externally (plot) as well as internally (character growth). The story problem, created by the antagonist, is what provides the crucible that leads to change. There is an unveiling on two levels. First, the solution to the story problem (unveiled over time) and secondly, the protagonist has an opportunity to grow from regular person to hero.
Jul 19 2013
When I initially began writing fiction, I was shocked how terrible I was at it. Oh, page to page, the writing was lovely. But as a whole? I kept creating mess after mess, a blob with no internal structure that made sense. To make matters worse, I would hit about 30-40, 000 words an hit a WALL. I was paralyzed with no idea how the story should progress.
This, then led to editing and reediting the beginning until I was just ready to throw myself in traffic.
What is a brand? A platform? Why do we need one? How do we get one? Better still how can we create a brand with the power of driving book sales and still have time left to do THE most important part of our job? Writing more books.
This book demystifies branding and social media and harnesses the same passion and imagination we authors use to write books, then uses that to locate and cultivate a devoted fan base. The methods taught in this book can weather any technological upheaval, and is virtually fad-proof. The new cool social site might change, but your platform will remain.
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