Mastery is peculiar in that spectators see whatever the professional does as ‘easy.’ From starting then running a successful business, to playing guitar to writing brilliant screenplays, masters rarely seem to even break a sweat.
Same with authors. With the pros? Their stories flow, drag readers in like an unseen riptide only to release the exhausted and elated audience at The End.
Mastery, to the casual observer, appears seamless and effortless.
Everyone Begins Somewhere
I’d like to offer a glimpse of what the journey from Noob to Master is really like so you can set expectations accordingly. This will keep you pressing, and from being too hard on yourself. First and foremost, it’s vital to relax a little and give yourself permission to be new.
Many of us decided to become writers because we grew up loving books. Because good storytellers are masters of what they do, it’s easy to fall into a misguided notion that ‘writing is easy,’ which explains the mountains of crappy ‘published novels’.
It also explains why non-writers can so easily dismiss what we do. As if the only thing keeping them from turning out the next Game of Thrones is ‘finding the time’ and not a matter of a crap ton of training and work.
Granted there are a rare few exceptions—the born ‘genius’—but most of us will go through three acts (stages) to attain mastery in this career…if we stick it through.
Act One—The Newbie
This is when we are brand new. We’ve never read a craft book and the words flow. We never run out of words to put on a page because we are like a kid banging away on a piano having fun and making up ‘music.’ We aren’t held back or hindered by any structure or rules and we have amazing energy and passion.
But then we go to our first critique and hear words like ‘POV’ and ‘narrative structure.’ Critique members return samples of our opus hemorrhaging red ink. It’s in this moment, we learn maybe we’ve not yet achieved mastery.
In fact maybe, just maybe we’ll see we don’t know as much as we think we do. Also *winces* we might become aware we are not so ‘naturally gifted’ that we get to skip all the training and the hard stuff.
This is writing, not Six Flags. There are no instant passes to the front of the line.
It’s during this period we might also grow keenly aware of why so many famous authors drank…a lot. Or went crazy.
Act Two—The Apprentice
The Apprentice Phase comes next. This is where we might read craft books, take classes, go to conferences and listen to lectures. During the early parts of this phase, books likely will no longer be fun. Neither will movies. In fact, expect most of your family to ban you from ‘Movie Night.’ Everything now becomes part of mastery training. We no longer look at stories the same way.
The Apprentice Phase is tough, and for many of us, it takes the all the fun out of writing. The Apprentice Phase is our Act II. It’s the looooongest, but filled with the most growth and change.
It’s the span of suck before the breakthrough.
There is a darn good reason WHY not everyone can do what WE DO.
Writing is TOUGH
Many new writers will shy away from craft books because they fear ‘rules’ will ruin their creativity. Truth is? They will totally ruin our creativity, but only for a little while 😉 . It isn’t permanent.
Eventually we realize that rules were made to be broken. BUT, the difference between the artist and the hack is that the artist knows the rules and thus HOW to break them and WHY and WHEN. We start to see rules as tools.
Some of you may know I practiced Brazilian Jiu Jitsu for years. One thing we did to improve our skills was to grapple blindfolded. The trick was to not get fixated visually, but to be able to feel what our opponent was up to, where he was headed and move like water. By being relaxed, it made it next to impossible for an opponent to sink in the hold, choke, arm bar, whatever.
Wherever our opponent was headed, we were already two steps ahead by FEEL. THAT is how sensitive you want to become in Jiu Jitsu…and in writing.
We want to become so immersed that we can do this stuff blindfolded. We instinctively feel what needs to happen where without having to say ‘Oh, this is a scene, and this is a sequel.’
As we move through the Apprentice Phase and we train ourselves to execute all these moves together—POV, structure, conflict, tension, setting, description, dialogue, plot arc, character arc—it eventually becomes easier. In fact, a good sign we are at the latter part of the Apprentice Phase is when the rules become so ingrained we rarely think about them.
We simply write.
Mastery Has a ‘Feel’
We’ve read so much fiction, watched (and studied) so many movies, read so many craft books, heard so many lectures, and practiced so much writing that all the ‘rules’ are now becoming instinct and, by feel, we are starting to know where and how to bend, break or ignore them.
Like anything, there is NO substitute for DOING. Watching Holly Holmes videos is a good idea for understanding ground-fighting, but it can’t take the place of mat time. Reading, taking classes, studying cannot replace writing crap until we don’t write crap.
At the end of the Apprentice Phase, writing is now starting to become fun again, much like it was in the beginning when we were banging away on the
piano keyboard. Like the fighter who instinctively knows to arm bar an opponent without conscious thought, we now find more and more of the ‘right’ words and timing without bursting brain cells.
The trick is sticking it through the Apprentice Phase long enough to engrain the fundamentals into the subconscious. This is how we get ever closer to mastery.
This is where we all want to be. We all want this on Day One, but sadly, I believe this Day One Master is reserved for only a handful of literary savants. Mastery is when we return to that childlike beginning. We write with abandon and joy and, since the elements of fiction are now part of our DNA, our literary marrow, what we produce isn’t the off-key clanging of a neophyte. It’s actually a real story worth reading.
Granted, it isn’t all kittens and rainbows. Masters have a lot of pressure to be perpetual geniuses.
I believe most of us, if we stick to this long enough, will always be vacillating between the Advanced Apprentice Phase (Journeyman) and the Mastery Phase. If we choose to try a totally new genre, we might even be back to Newbie (though this will pass more quickly than the first time).
We have to to keep growing. The best writers still pick up craft books, refresh themselves in certain areas, read other authors they enjoy and admire to see if they can grow in some new area. Masters seek to always add new and fresh elements to the fiction.
Simple Steps to Mastery
1. Embrace the Day of Small Beginnings—Starting is often the hardest part. Enjoy being new. Enjoy that feeling because you will reconnect with it later because you’ll recognize it.
2. Understand We All Have an Apprentice Phase—We will all be Early, Intermediate, then Advanced Apprentices. How quickly we move through these will be dictated by dedication, hard work and, to a degree, natural talent.
3. No One Begins as a Master and Few Remain Permanent Masters—Every NYTBSA was once a newbie. When we understand this career has a process, it’s easier to lighten up and give ourselves permission to be imperfect, to not know everything. Many writers get discouraged and give up too soon because they don’t understand there is a process, and they believe they should be ‘Masters’ right away.
Hey, I did.
We need to give ourselves permission to grow. If we love and respect our craft, we will always be learning, so we will continue to dip back into ‘Apprentice’ to refine our art even further. We might read older works of literature, explore other genres, write a genre we never cared for to test ourselves.
What Are Your Thoughts?
Does this make you feel better to know this career has a process? Are you in the Act II span of suck and getting weary? It is okay, REALLY! It’s natural. What are you doing to remain focused? Which part has you the most discouraged? Write with the abandon of the Newbie then edit with the eyes of an Advanced Apprentice or Master 😉 .
I love hearing from you and am not above bribery!
What do you WIN? For the month of DECEMBER, for everyone who leaves a comment, I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).
***Jorge Kafkazar is the winner for November. Please send 5000 words in a WORD doc to kristen at wana intl dot com. Double-spaced, 12 point NTR font, one-inch margins.
I’m running Round Four of my ‘Write Stuff’ Special. 20 pages of deep edit for $40. Only 10 slots were available, and ONLY ONE LEFT. Get that last slot HERE.
ALSO, NEW CLASS! 20% Early Bird Discount
Instructor: Kristen Lamb
Price: $45 USD (Only $36 with discount)
Where: W.A.N.A. Digital Classroom
When: January 4th, 2018 7:00 P.M. EST—9:00 P.M. EST
No matter what genre we write, the key to writing unforgettable stories always rests with character. How do we create intriguing characters who hook readers and never let them go? What makes a character unforgettable? How do we write stories that endure?
It is easy to fall into tropes and caricatures if we lack a fundamental understanding of human nature and how this plays out in the dramatic narrative. This class will delve into how to add depth to our characters which will, in turn add, resonance with our plot.
This class will cover:
- Discovering Wounds;
- Understanding Coping Mechanisms;
- How Wounds Collide to Increase Dramatic Tension
- How to Create Dimensional Characters
- Using Character to Plot
***A FREE recording is included with purchase.